{"id":13546,"date":"2026-05-07T00:01:07","date_gmt":"2026-05-07T00:01:07","guid":{"rendered":"https:\/\/www.europesays.com\/italy\/13546\/"},"modified":"2026-05-07T00:01:07","modified_gmt":"2026-05-07T00:01:07","slug":"the-last-one-for-the-road-sweeps-italys-david-di-donatello-awards","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/italy\/13546\/","title":{"rendered":"&#8216;The Last One for the Road&#8217; Sweeps Italy&#8217;s David di Donatello Awards"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrancesco Sossai\u2019s sophomore feature \u201c<a href=\"https:\/\/variety.com\/t\/the-last-one-for-the-road\/\" id=\"auto-tag_the-last-one-for-the-road\" data-tag=\"the-last-one-for-the-road\" rel=\"nofollow noopener\" target=\"_blank\">The Last One for the Road<\/a>,\u201d which launched from Cannes\u2019 Un Certain Regard, is the big winner of Italy\u2019s <a href=\"https:\/\/variety.com\/t\/david-di-donatello-awards\/\" id=\"auto-tag_david-di-donatello-awards\" data-tag=\"david-di-donatello-awards\" rel=\"nofollow noopener\" target=\"_blank\">David di Donatello Awards<\/a>, the country\u2019s top film prize.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cFor the Road,\u201d a drama that follows two broke 50-somethings who are small-time crooks who befriend a shy architecture student. As a trio, they go on a chaotic voyage through the Venetian plains. The film scored top honors for best film, director, actor, editing, screenplay, producer, casting and original song.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cFreedom means being fearless,\u201d said Sossai, upon receiving the best film statuette. \u201cThanks to all. And let\u2019s go get a drink!\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe film opened in the U.S. via Music Box Films on May 1 at Lincoln Center and IFC Center in New York and is now expanding to other cities nationwide.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe David Award for best first work went to Margherita\u00a0Spampinato for\u00a0\u201cGioia Mia\u201d (\u201cSweetheart\u201d) about a cheeky young boy named Nico who is raised in a tech-savvy family and forced to spend the summer in a seaside Sicilian town with his grumpy and religious elderly aunt. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAurora Quattrocchi, who in \u201cGioia Mia\u201d plays the elderly aunt known as Zia Gela, scooped the actress award.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSilvio Soldini\u2019s \u201cThe Tasters,\u201d which reconstructs the true story of the women conscripted to be Adolf Hitler\u2019s food tasters, won the best screenplay award \u2013 to Doriana Leondeff, Silvio Soldini, Lucio Ricca, Cristina Comencini, Giulia Calenda, Ilaria Macchia \u2013  the Youth David voted by a vast student jury and the best makeup artist prize.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis year\u2019s edition of Italy\u2019s David Awards has been characterised by mounting anti-government anger led in large part by the country\u2019s film community, who are up in arms that the culture ministry\u2019s funding faucet for local production rebates and other incentives had, until very recently, been virtually shut for the past two years. A boycott of the Davids as a form of protest had been proposed in the lead-up to the event, but did not happen.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThough the film funds have now finally started to flow again, the pot has been shrunk by the government from a total \u20ac700 million ($822 million)\u00a0in 2025 to\u00a0\u20ac610 million ($716 million)\u00a0in 2026,\u00a0and \u20ac500 ($585 million) earmarked for 2027.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOn the positive side, 2026 started positively in terms of local moviegoing, with admissions up 18.9% in the first four months of the year compared with the same period in 2025.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAmong the previously announced awards are the David for Best International Film to Paul Thomas Anderson\u2019s \u201cOne Battle After Another\u201d and the Audience David to recent megahit \u201cBuen Camino\u201d directed by Gennaro Nunziante and featuring comic sensation Checco Zalone. Three time Oscar-winning cinematographer Vittorio Storaro was honored with a special prize.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe career award went to Gianni Amelio, who is best-known outside Italy for his Oscar-nominated \u201cOpen Doors\u201d (1990) and also \u201cStolen Children,\u201d which won the 1992 Cannes Grand Prix. He more recently helmed \u201cBattleground,\u201d which bowed in Venice in 2024. Amelio is now in post on the drama \u201cNo Pain\u201d toplining Valeria Golino and Alessandro Borghi that is tipped for Venice this year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Davids were held at Rome\u2019s Cinecitt\u00e0 Studios, which are undergoing a radical revamp and have become luring Hollywood productions, most recently Netflix\u2019s live-action \u201cAssassin\u2019s Creed\u201d series directed by Johan Renck that is currently filming there.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSee the complete list of 2026 David Awards winners below.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPICTURE<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Last One for the Road,\u201d  Francesco Sossai<\/p>\n<p>DIRECTOR<br \/>Francesco Sossai, \u201cThe Last One for the Road\u201d<\/p>\n<p>DEBUT DIRECTOR<br \/>\u201cGioia Mia,\u201d Spampinato<\/p>\n<p>PRODUCER<br \/>Marta Donzelli, Gregorio Paonessa, Vivo Film, RAI Cinema, in collaboration with Philipp Kreuzer for Maze Pictures, Cecilia Trautvetter <\/p>\n<p>ACTRESS<br \/>Aurora Quattrocchi, \u201cGioia Mia\u201d<br \/>ACTOR<br \/>Sergio Romano, \u201cThe Last One For The Road\u201d<\/p>\n<p>SUPPORTING ACTRESS<br \/>Matilda De Angelis, \u201cFuori\u201d<br \/>SUPPORTING ACTOR<br \/>Nino Musellla, \u201cNonostante\u201d<\/p>\n<p>SCREENPLAY<br \/>\u201cThe Last One for the Road\u201d Francesco Sossai, Adriano Candiago<br \/>BEST ADAPTED SCREENPLAY<br \/>\u201cThe Tasters,\u201d Doriana Leondeff, Silvio Soldini, Lucio Ricca, Cristina Comencini, Giulia Calenda, Ilaria Macchia.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCINEMATOGRAPHY<br \/>Paolo Carnera, \u201cLa Citt\u00e0 Proibita\u201d<\/p>\n<p>EDITING<br \/>Paolo Cottignola \u201cThe Last One For The Road\u2019<\/p>\n<p>DOCUMENTARY<br \/>\u201cRoberto Rossellini \u2013 Pi\u00f9 di Una Vita,\u201d Ilaria De Laurentiis, Andrea Paolo Massara, Raffaele Brunetti<br \/>SHORT<br \/>\u201cDomenica Sera,\u201d Matteo Tortone<br \/>CASTING<br \/>Stefania Rod\u00e0, Maurilio Mangano, \u201cVermiglio\u201d<br \/>SCORE<br \/>Fabio Massimo Capogrosso, \u201cPrimavera\u201d<\/p>\n<p>ORIGINAL SONG<br \/>\u201cTi\u201d from the film \u201cThe Last One For The Road,\u201d Marco Spigarol, (AKA Krano), performed by Krano<\/p>\n<p>PRODUCTION DESIGN<br \/>Andrea Castorina, Marco Martucci, \u201cLa Citt\u00e0 Proibita\u201d<\/p>\n<p>COSTUME DESIGN<br \/>Maria Rita Barbera, Gaia Calderone \u201cPrimavera\u201d<\/p>\n<p>MAKEUP ARTIST<br \/>Esm\u00e9 Sciaroni, \u201cThe Tasters\u201d<\/p>\n<p>HAIR ARTIST<br \/>Marta Iacoponi, \u201cPrimavera\u201d<\/p>\n<p>SOUND<br \/>Gianluca Scarlata, Davide Favargiotti, Daniele Quadroli, Nadia Paone, \u201cPrimavera\u201d<\/p>\n<p>DIGITAL EFFECTS<br \/>Stefano Leoni, Andrea Lo Priore, \u201cLa Citt\u00e0 Proibita\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBEST SHORT<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cEveryday in Gaza,\u201d Omar Rammal<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAUDIENCE AWARD<br \/>\u201cBuen Camino,\u201d Gennaro Nunziante<br \/>BEST FOREIGN FILM<br \/>\u201cOne Battle After Another,\u201d Paul Thomas Anderson<br \/>YOUTH DAVID<br \/>\u201cThe Tasters,\u201d Silvio Soldini<br \/>CAREER DAVID<br \/>Gianni Amelio<br \/>SPECIAL DAVID<br \/>Bruno Bozzetto<br \/>SPECIAL DAVID CINECITT\u00c0<br \/>Vittorio Storaro<\/p>\n","protected":false},"excerpt":{"rendered":"Francesco Sossai\u2019s sophomore feature \u201cThe Last One for the Road,\u201d which launched from Cannes\u2019 Un Certain Regard, is&hellip;\n","protected":false},"author":2,"featured_media":13547,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1817,5,3100],"class_list":{"0":"post-13546","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-italy","8":"tag-david-di-donatello-awards","9":"tag-italy","10":"tag-the-last-one-for-the-road"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/posts\/13546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/comments?post=13546"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/posts\/13546\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/media\/13547"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/media?parent=13546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/categories?post=13546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/italy\/wp-json\/wp\/v2\/tags?post=13546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}