{"id":17835,"date":"2026-05-06T07:36:36","date_gmt":"2026-05-06T07:36:36","guid":{"rendered":"https:\/\/www.europesays.com\/japan\/17835\/"},"modified":"2026-05-06T07:36:36","modified_gmt":"2026-05-06T07:36:36","slug":"design-details-paced-midcentury-modern-at-fuglen-kyoto","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/japan\/17835\/","title":{"rendered":"Design Details: Paced Midcentury Modern at Fuglen Kyoto"},"content":{"rendered":"

\"glen<\/a><\/p>\n

The neighborhood entrance to Fuglen Kyoto. All images courtesy of Fuglen.<\/p>\n

Welcome to\u00a0Design Details<\/a>, an ongoing editorial feature in Daily Coffee News focused on individual examples of coffee shop architecture, interior design, packaging design or branding. If you are a coffee shop owner, designer or architect and would like to submit your project for consideration,\u00a0reach our editors here<\/a>.<\/p>\n

Design Details: Fuglen Kyoto<\/p>\n

Project: Fuglen Kyoto
\nLocation: Shichiku, Kita Ward, Kyoto, Japan (on Kitayama Dori)
\nCompleted: December 2025
\nProgram: Coffee bar (small stand with indoor counter seating and outdoor benches)<\/p>\n

\"glen<\/a><\/p>\n

The newest Japanese coffee bar from Norwegian-born specialty coffee brand Fuglen<\/a> adapts a former neighborhood confectionery in Kyoto into a compact, street-facing coffee stand with a mid-century modern living room feel.<\/p>\n

On Kitayama Dori in a quiet residential neighborhood called Shichiku, the coffee shop comes courtesy of local partners Ami and Shin Mononobe, a jewelry designer and design studio head, respectively, who purchased the building just prior to working with Fuglen.<\/p>\n

\"glen<\/a><\/p>\n

While the partners have their office, atelier and jewelry shop in the same building, the shop itself is designed to reflect \u201ca sense of neighborhood where the time flows at Kyoto pace,\u201d according to a project description Fuglen shared with DCN.<\/p>\n

\u201cKyoto has long been a great source of inspiration for us,\u201d Keiya Takahashi, Fuglen Japan CEO and director, said. \u201cWe admire its centuries-old traditional cultures and values to protect old ways and incorporate them into modern life. We have always felt a strong synergy between Kyoto and our principles that celebrate history, heritage and craftsmanship.\u201d<\/p>\n

\"glen<\/a><\/p>\n

The Kyoto shop follows the brand\u2019s familiar palette of Norwegian mid-century woodwork and warm lighting, with a ribbed wooden bar, open shelving and low tables framing the coffee station.<\/p>\n

Echoing the intimate scale of Fuglen\u2019s original 1963 Oslo bar, the Kyoto shop offers transparent frontage, welcoming guests to small table seating, bar counters and outdoor benches that all reinforce the mid-century modern aesthetic.<\/p>\n

\"glen<\/a><\/p>\n

\u201cFuglen has always developed by taking small, considered steps. Kyoto feels like a natural continuation of our journey \u2014 a place where time and quality are deeply respected,\u201d Fuglen Founder and Global Director Einar Kleppe Holthe said in the announcement. \u201cWe look forward to seeing Fuglen Kyoto become a natural part of the neighborhood over time.\u201d<\/p>\n

\"Fuglen<\/a><\/p>\n

Comments? Questions? News to share?\u00a0Contact DCN\u2019s editors here<\/a>. For all the latest coffee industry news,\u00a0subscribe to the DCN newsletter<\/a>.\u00a0<\/p>\n

Daily Coffee News Staff<\/a> <\/p>\n

Tags: Ami Mononobe<\/a>, Design Details<\/a>, Einar Kleppe Holthe<\/a>, Fuglen<\/a>, Fuglen Kyoto<\/a>, interior design<\/a>, Japan<\/a>, Keiya Takahashi<\/a>, Kita Ward<\/a>, Kitayama Dori<\/a>, Kyoto<\/a>, midcentury modern<\/a>, Norway<\/a>, Oslo<\/a>, Shichiku<\/a>, Shin Mononobe<\/a><\/p>\n


\n
\n <\/a><\/p>\n


\n
\n <\/a><\/p>\n


\n
\n <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"The neighborhood entrance to Fuglen Kyoto. All images courtesy of Fuglen. Welcome to\u00a0Design Details, an ongoing editorial feature…\n","protected":false},"author":2,"featured_media":17836,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[14137,14138,14139,14140,14141,14142,8,14143,14144,14145,151,14146,5233,14147,14148,14149],"class_list":["post-17835","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kyoto","tag-ami-mononobe","tag-design-details","tag-einar-kleppe-holthe","tag-fuglen","tag-fuglen-kyoto","tag-interior-design","tag-japan","tag-keiya-takahashi","tag-kita-ward","tag-kitayama-dori","tag-kyoto","tag-midcentury-modern","tag-norway","tag-oslo","tag-shichiku","tag-shin-mononobe"],"_links":{"self":[{"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/posts\/17835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/comments?post=17835"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/posts\/17835\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/media\/17836"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/media?parent=17835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/categories?post=17835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/japan\/wp-json\/wp\/v2\/tags?post=17835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}