{"id":139557,"date":"2026-09-01T18:22:06","date_gmt":"2026-09-01T18:22:06","guid":{"rendered":"https:\/\/www.europesays.com\/korea\/139557\/"},"modified":"2026-09-01T18:22:06","modified_gmt":"2026-09-01T18:22:06","slug":"10-must-see-shows-during-frieze-seoul-and-seoul-art-week-2026","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/korea\/139557\/","title":{"rendered":"10 Must-See Shows During Frieze Seoul and Seoul Art Week 2026"},"content":{"rendered":"<p>Since <a href=\"https:\/\/observer.com\/company\/frieze-seoul\/\" title=\"Frieze Seoul\" class=\"company-link\" rel=\"nofollow noopener\" target=\"_blank\">Frieze Seoul<\/a> launched in 2022, the Korean art system has become markedly more international, while Korean art has assumed a far more prominent position globally. <a href=\"https:\/\/observer.com\/2025\/08\/interview-frieze-seoul-2025-pat-lee-korean-art-market\/\" rel=\"nofollow noopener\" target=\"_blank\">Frieze was less the beginning of that transformation than a catalyst<\/a> landing strategically in a market with a sophisticated local gallery system and the historic fair Kiaf. Sustained government investment in the creative industries extended the logic of K-cinema and K-pop into the visual arts while a long-established tradition of corporate patronage led by the chaebol, the conglomerate dynasties that powered South Korea&#8217;s economic rise. Concurrently, a new generation of younger buyers, flush with the disposable income generated by the pandemic pause, entered the market with considerable appetite for art.<\/p>\n<p>What followed was a short-lived bubble. The buying frenzy that helped fuel <a href=\"https:\/\/observer.com\/company\/frieze-seoul\/\" title=\"Frieze Seoul\" class=\"company-link\" rel=\"nofollow noopener\" target=\"_blank\">Frieze Seoul<\/a>&#8216;s first two editions, alongside an influx of international galleries into the city, had begun to deflate by the fair&#8217;s third year. When Frieze held its fourth edition last year, South Korea had just entered a very different economic and political climate. The deeper infrastructure, however, was strong and continues to underpin a Korean art market that is embarking on this year&#8217;s Seoul Art Week in a period of recalibration. Political normalization following the June 2025 presidential election, fiscal support, a recovery in domestic consumption and exceptionally strong semiconductor exports have helped stabilize the country&#8217;s export-driven economy. The OECD now forecasts 2.6 percent growth in 2026, propelled in particular by the semiconductor cycle.<\/p>\n<p>But if anyone needs further proof that <a href=\"https:\/\/observer.com\/2026\/08\/events-seoul-art-week-2026-frieze-pavilion-kiaf-design-miami\/\" rel=\"nofollow noopener\" target=\"_blank\">Seoul&#8217;s art ecosystem is still very much alive<\/a>, the city is providing it in abundance. This year, major institutions, long-established galleries and fast-rising younger spaces are mounting an unusually ambitious slate of exhibitions, many devoted to formidable Korean talents. What follows are 13 shows Frieze-goers should absolutely make time for. (Consider, too, a side trip to Gwangju and Busan, as both cities are <a href=\"https:\/\/observer.com\/2026\/08\/biennial-news-ho-tzu-nyen-gwangju-biennale-2026-interview\/\" rel=\"nofollow noopener\" target=\"_blank\">hosting internationally watched biennials<\/a> this year.)<br \/>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"Since Frieze Seoul launched in 2022, the Korean art system has become markedly more international, while Korean art&hellip;\n","protected":false},"author":2,"featured_media":139558,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[71040,439,55115,71031,12923,71057,519,45569,71038,71041,71053,71050,71058,71047,61793,2628,71059,17586,71060,6120,71054,34663,71042,67716,2285,71052,71037,71061,49008,71049,64700,31,70142,71032,71034,71046,71055,71033,7550,71051,71062,21241,71043,71063,71044,112,71035,71039,71036,71048,71045,71056],"class_list":["post-139557","post","type-post","status-publish","format-standard","has-post-thumbnail","category-seoul","tag-adriu00e1n-villar-rojas","tag-amorepacific","tag-art-fairs","tag-art-sonje","tag-arts","tag-artverse","tag-asia","tag-busan-biennale","tag-carl-andre","tag-cecily-brown","tag-choi-moon-kyu","tag-choi-yoonhee","tag-cylinder","tag-cynthia-hawkins","tag-do-ho-suh","tag-features","tag-foundry-seoul","tag-frieze-seoul","tag-g-gallery","tag-galleries","tag-genesis-kai","tag-gwangju-biennale","tag-hans-haacke","tag-huong-dodinh","tag-international","tag-jane-benson","tag-jennifer-bartlett","tag-johyun-gallery","tag-kaws","tag-kim-taek-sang","tag-koo-jeong-a","tag-korea","tag-kukje-gallery","tag-leeum-museum","tag-mark-di-suvero","tag-meg-webster","tag-ming-shiu","tag-mmca-national-museum-of-contemporary-art-of-korea","tag-museums","tag-muyeong-kim","tag-n-a-gallery","tag-park-seo-bo","tag-paula-cooper","tag-paula-cooper-gallery","tag-sarah-charlesworth","tag-seoul","tag-sol-lewitt","tag-tauba-auerbach","tag-terry-adkins","tag-veronica-ryan","tag-walid-raad","tag-yulia-iosilzon"],"_links":{"self":[{"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/posts\/139557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/comments?post=139557"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/posts\/139557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/media\/139558"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/media?parent=139557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/categories?post=139557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/korea\/wp-json\/wp\/v2\/tags?post=139557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}