Premjera \u201eAudroje\u201c: kontaktas su publika u\u017emegztas<\/p>\n
Albumo premjera pra\u0117jus\u012f penktadien\u012f \u012fvyko istorin\u0117je metalo gamykloje \u201ePergal\u0117\u201c Kaune, kurios industrin\u0117 praeitis ir reivu pulsuojanti dabartis tapo tobulai kontrastinga drobe \u201eAntologijai\u201c i\u0161bandyti, ra\u0161oma spaudos prane\u0161ime. <\/p>\n
Publik\u0105 \u012fsupo elektronin\u0117s sintezatori\u0173 kilpos, kuri\u0173 DNR \u2013 lietuvi\u0161kos akademin\u0117s muzikos korif\u0117j\u0173 k\u016bryba, o antr\u0105j\u0105 albumo dal\u012f kartu su Andriaus Kauklio ir Mariaus Narbu\u010dio duetu atliko Kamil\u0117 Tumelyt\u0117-Le Trix. Jos vokalas prodiuseri\u0173 archeologiniams kasin\u0117jimams suteik\u0117 nauj\u0173 sluoksni\u0173: \u201eFoje\u201c k\u016brinys \u201eDistancija\u201c virto film noir garso takeliu, o \u201eSolo Ansamblio\u201c \u201eNetur\u0117jom dainos\u201c \u2013 siautulinga ode nak\u010diai.<\/p>\n
Dvi \u201eAntologijos\u201c dalys \u2013 juoda ir balta, architekt\u016bra ir dekonstrukcija<\/p>\n
\u201eAntologija\u201c \u2013 albumas smalsiam klausytojui, kuriame \u201eHappyendless<\/a>\u201c ardo laiko ir \u017eanr\u0173 ribas. Albumas padalintas \u012f dvi kontrastingas dalis \u2013 \u201eBALTA\u201c ir \u201eJUODA\u201c, kurios griauna \u012fprastas pertvaras tarp akademin\u0117s sal\u0117s rimties ir k\u016bn\u0105 virpinan\u010dio klubinio garso.<\/p>\n \u201eBALTA\u201c dalyje duetas veikia kaip architektai, transformuojantys Lietuvos akademin\u0117s muzikos avangard\u0105. \u010cia Broniaus Kutavi\u010diaus \u201ePaskutin\u0117s pagoni\u0173 apeigos\u201c virsta hipnoti\u0161ku ritualu, M. K. \u010ciurlionio \u201eJ\u016bra\u201c atgimsta elektronin\u0117je stichijoje, o Osvaldo Balakausko matematin\u0117 \u201eOrgija\u201c \u012fgauna nauj\u0105, ritmi\u0161k\u0105 pavidal\u0105.<\/p>\n Tuo tarpu \u201eJUODA\u201c pus\u0117je \u201eHappyendless\u201c tampa dekonstruktoriais, ie\u0161kan\u010diais esm\u0117s visiems pa\u017e\u012fstamuose k\u016briniuose. Grup\u0117 Alinos Orlovos balad\u0119 \u201eLijo\u201c paver\u010dia gaivali\u0161ku himnu, o \u201eEXEM\u201c elektronik\u0105 \u201eKur\u0161iai\u201c \u2013 \u012f gili\u0105, pulsuojan\u010di\u0105 kelion\u0119. \u0160alia j\u0173 \u2013 naujai perskaitytos \u201eHiperbol\u0117s\u201c, \u201eBA.\u201c, Serumo ir kit\u0173 skirting\u0173 kart\u0173 heroj\u0173 dainos.<\/p>\n Pristatydami album\u0105, \u201eHappyendless\u201c pabr\u0117\u017eia pagarb\u0105 originaliems k\u016brini\u0173 autoriams. \u201eD\u0117kojame k\u016br\u0117jams, j\u0173 atstovams ir teisi\u0173 paveld\u0117tojams, patik\u0117jusiems mums savo <\/p>\n k\u016brini\u0173 DNR. A\u010di\u016b u\u017e leidim\u0105 ardyti ir i\u0161 naujo konstruoti, u\u017e pasitik\u0117jim\u0105 ir atvirum\u0105 dialogui, per\u017eengian\u010diam laiko ir \u017eanr\u0173 ribas. Be \u0161i\u0173 id\u0117j\u0173 neb\u016bt\u0173 ir m\u016bs\u0173 interpretacij\u0173\u201c, \u2013 sako grup\u0117s nariai.<\/p>\n Albumas \u201eAntologija\u201c jau pasiekiamas visose pagrindin\u0117se skaitmenin\u0117se muzikos platformose. Ruden\u012f planuojama i\u0161leisti ir dvigub\u0105 vinilo plok\u0161tel\u0119.<\/p>\n Albumo leidyb\u0105 i\u0161 dalies finansuoja LATGA<\/a> ir AGATA<\/a>.<\/p>\n Antoligija Albumas \u201eYoutube\u201c:<\/p>\n","protected":false},"excerpt":{"rendered":"Premjera \u201eAudroje\u201c: kontaktas su publika u\u017emegztas Albumo premjera pra\u0117jus\u012f penktadien\u012f \u012fvyko istorin\u0117je metalo gamykloje \u201ePergal\u0117\u201c Kaune, kurios industrin\u0117…\n","protected":false},"author":2,"featured_media":1472,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[831,113,830,832,37,39,36,38,40,114],"class_list":{"0":"post-1471","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-pramogos","8":"tag-agata","9":"tag-entertainment","10":"tag-happyendless","11":"tag-latga","12":"tag-lietuva","13":"tag-lietuviu","14":"tag-lithuania","15":"tag-lithuanian","16":"tag-lt","17":"tag-pramogos"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/posts\/1471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/comments?post=1471"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/posts\/1471\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/media\/1472"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/media?parent=1471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/categories?post=1471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lt\/wp-json\/wp\/v2\/tags?post=1471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}