Pils\u0113ta k\u0101 iedvesmas avots: jaunatkl\u0101ta izst\u0101de LNMM<\/p>\n
No 2026. gada 31. janv\u0101ra l\u012bdz 26. j\u016blijam Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja (LNMM) 4. un 5. st\u0101va z\u0101l\u0113s b\u016bs skat\u0101ma izst\u0101de \u201cIelu maldos: pils\u0113ta latvie\u0161u modernistu v\u0113rojum\u0101\u201d. K\u0101 zi\u0146o av\u012bze Diena, \u0161\u012b izst\u0101de pied\u0101v\u0101s unik\u0101lu ieskatu pils\u0113tvides, literat\u016bras un m\u0101kslas attiec\u012bbu dinamik\u0101 20. gadsimta pirmaj\u0101s desmitgad\u0113s. T\u0101 apl\u016bkos, k\u0101 latvie\u0161u modernisti uztv\u0113ra un att\u0113loja urbaniz\u0101cijas procesus un laikmeta p\u0101rmai\u0146as savos darbos.<\/p>\n
Latvie\u0161u modernisti un tr\u012bs metropoles: R\u012bga, Berl\u012bne, Par\u012bze<\/p>\n
Izst\u0101de aicina apmekl\u0113t\u0101jus sekot latvie\u0161u dzejnieku un m\u0101kslinieku pieredzei tr\u012bs noz\u012bm\u012bg\u0101s Eiropas pils\u0113t\u0101s \u2013 R\u012bg\u0101, Berl\u012bn\u0113 un Par\u012bz\u0113. \u0160is periods 20. gadsimta s\u0101kum\u0101 bija rakstur\u012bgs ar strauj\u0101m kult\u016bras un sabiedr\u012bbas p\u0101rmai\u0146\u0101m gan Latvij\u0101, gan vis\u0101 Eirop\u0101. M\u0101kslinieki un rakstnieki, bie\u017ei vien d\u0113v\u0113ti par \u201cflanieriem\u201d un \u201cflan\u0113z\u0113m\u201d, k\u013cuva par r\u016bp\u012bgiem pils\u0113tas v\u0113rot\u0101jiem. Vi\u0146i dokument\u0113ja moderno arhitekt\u016bru, satiksmi, rekl\u0101mas, skatlogu daudzveid\u012bbu, k\u0101 ar\u012b urb\u0101n\u0101s telpas ska\u0146as un ritmu, iem\u016b\u017einot tos gan liter\u0101ros darbos, gan vizu\u0101laj\u0101 m\u0101ksl\u0101.<\/p>\n
Flan\u0113risms un modernit\u0101te latvie\u0161u kult\u016br\u0101<\/p>\n
Izst\u0101des pamat\u0101 ir projekta \u201cPastaiga cauri laikam: Flan\u0113risms un modernit\u0101te Latvijas starpkaru kult\u016br\u0101\u201d nosl\u0113gums, ko \u012bstenojis sadarb\u012bb\u0101 ar Latvijas Universit\u0101tes Literat\u016bras, folkloras un m\u0101kslas instit\u016btu. T\u0101 iepaz\u012bstina ar laikmeta soci\u0101laj\u0101m un kult\u016bras p\u0101rmai\u0146\u0101m, izce\u013cot, k\u0101 latvie\u0161u modernisti interpret\u0113ja main\u012bg\u0101s pils\u0113tvides iespaidus. Pats izst\u0101des nosaukums \u201cIelu maldos\u201d aizg\u016bts no L\u016bcijas Zamai\u010das 1923. gada po\u0113mu kr\u0101juma. Ekspoz\u012bcij\u0101 iek\u013cauti gan paz\u012bstami, gan maz\u0101k zin\u0101mi m\u0101kslas darbi, dzejas teksti, iespieddarbu ori\u0123in\u0101li, fotogr\u0101fijas un video materi\u0101li, radot iesp\u0113ju apmekl\u0113t\u0101jiem \u201cpastaig\u0101ties\u201d starp ekspon\u0101tiem un izjust laikmeta noska\u0146u.<\/p>\n
M\u0101kslinieku un rakstnieku ietekme<\/p>\n
Par\u012bze, piem\u0113ram, iedvesmoja t\u0101dus m\u0101ksliniekus k\u0101 Gustavs \u0160\u0137ilters un J\u0101zeps Grosvalds jau pirms Pirm\u0101 pasaules kara. P\u0113c kara vi\u0146u trad\u012bciju turpin\u0101ja R\u012bgas m\u0101kslinieku grupa un rakstnieki. Andrejs Kurcijs rad\u012bja dzejo\u013cu ciklu \u201cBarbars Par\u012bz\u0113\u201d, bet L\u016bcija Zamai\u010da dz\u012bvoja Francijas galvaspils\u0113t\u0101, p\u0113tot Eiropu un Zieme\u013c\u0101friku. Berl\u012bne savuk\u0101rt ietekm\u0113ja rakstnieku Linardu Laicenu un t\u0113lnieku K\u0101rli Z\u0101li, kur\u0161 kop\u0101 ar citiem izdeva pirmo latvie\u0161u avangardisko m\u0101kslas \u017eurn\u0101lu \u201cLaikmets\u201d. Ar\u012b R\u012bga pati sav\u0101 laik\u0101 sp\u0113c\u012bgi iedvesmoja latvie\u0161u m\u0101ksliniekus un rakstniekus, piem\u0113ram, Aleksandra \u010caka dzejo\u013cu kr\u0101juma \u201cApa\u0161s frak\u0101\u201d v\u0101ka z\u012bm\u0113jumu veidojis K\u0101rlis Baltgailis, bet Aleksandrai Be\u013ccovai pieder \u201cPa\u0161portrets cepur\u0113 ar zilu malu\u201d (1920\u20131921).<\/p>\n
Izst\u0101des deta\u013cas un apmekl\u0113t\u0101ju pieredze<\/p>\n
Izst\u0101de \u201cIelu maldos: pils\u0113ta latvie\u0161u modernistu v\u0113rojum\u0101\u201d pied\u0101v\u0101s gan glezniec\u012bbas un grafikas darbus, piem\u0113ram, Niklava Strunkes grafikas vai \u0100dolfa Z\u0101rdi\u0146a akvareli, gan ar\u012b fotogr\u0101fijas, kas atspogu\u013co t\u0101 laika R\u012bgas ielu ainas, piem\u0113ram, Vilija R\u012bdzenieka uz\u0146emt\u0101 fotogr\u0101fija \u201cKa\u013c\u0137u iela. 20. gadsimta 20. gadu s\u0101kums\u201d. Apmekl\u0113t\u0101ji var\u0113s iepaz\u012bties ar laikmeta vizu\u0101lo valodu un saj\u016bta laikmeta garu caur da\u017e\u0101diem m\u0101kslas medijiem. Mediju pastaiga pirms izst\u0101des atkl\u0101\u0161anas paredz\u0113ta 2026. gada 30. janv\u0101r\u012b.<\/p>\n","protected":false},"excerpt":{"rendered":"Pils\u0113ta k\u0101 iedvesmas avots: jaunatkl\u0101ta izst\u0101de LNMM No 2026. gada 31. janv\u0101ra l\u012bdz 26. j\u016blijam Latvijas Nacion\u0101l\u0101 m\u0101kslas…\n","protected":false},"author":2,"featured_media":102301,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,4816,35,39,38,24861,36,37,34,159,40,2286,24862],"class_list":{"0":"post-102300","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-izstade","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-modernisms","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-nacionalais-makslas-muzejs","19":"tag-lv","20":"tag-maksla","21":"tag-pilseta"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115882957440390341","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/102300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=102300"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/102300\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/102301"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=102300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=102300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=102300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}