![\"Gandr\u012bz](\"https:\/\/www.europesays.com\/lv\/wp-content\/uploads\/2026\/01\/20260113200727696689df72ac8.jpg\")
<\/p>\n\n “\u0160ogad aicin\u0101sim doties ce\u013c\u0101 kop\u0101 ar filmu varo\u0146iem,” saka m\u016bsdienu filmu festiv\u0101la “L\u0101cis, lauva un zars” direktore Giedre Krik\u0161\u010d\u016bnaite. Festiv\u0101ls norisin\u0101sies no piektdienas, 16., l\u012bdz 25. janv\u0101rim R\u012bg\u0101, C\u0113s\u012bs un Liep\u0101j\u0101, un t\u0101 programm\u0101 iek\u013cautas p\u0113rn pirmizr\u0101d\u012bt\u0101s filmas, kas godalgotas liel\u0101kajos un noz\u012bm\u012bg\u0101kajos kinofestiv\u0101los, ar\u012b Kann\u0101s, Berl\u012bn\u0113 un Ven\u0113cij\u0101.\n <\/p>\n
“Regul\u0101ri apmekl\u0113jot starptautiskus kinofestiv\u0101lus, katru gadu redzu, ka ir viena vai da\u017eas domin\u0113jo\u0161\u0101s t\u0113mas,” savu pieredzi rezum\u0113 Giedre Krik\u0161\u010d\u016bnaite. “\u0160ogad t\u0101s ir ce\u013ca filmas, jo, esot ce\u013c\u0101, ir daudz negaid\u012btu, nepr\u0101t\u012bgu, s\u0101p\u012bgu vai priec\u012bgu pav\u0113rsienu, un tie ir gan dramatiski, gan re\u017eisoriski. Nekad nav iesp\u0113jams paredz\u0113t, kas notiks aiz n\u0101kam\u0101 st\u016bra, un \u0161ie p\u0101rsteigumi, kas gad\u0101s ce\u013c\u0101, noteica ar\u012b \u0161\u012b gada festiv\u0101la saukli \u2013 “Ce\u013c\u0161 paveras ejot”. Tas, protams, savienojams ar\u012b ar ikdienu un p\u0101rliecino\u0161i atspogu\u013co \u0161odienas pasauli, kad nezin\u0101m, kas notiks r\u012bt un kas gaida n\u0101kotn\u0113.”<\/p>\n
Sievietes un v\u012brie\u0161i<\/p>\n
Skat\u012bt\u0101ju \u0113rt\u012bbai programma sadal\u012bta \u010detr\u0101s tematisk\u0101s grup\u0101s: “Vi\u0146pus realit\u0101tes”, “Atspulgi”, “Baltie zvirbu\u013ci” un “(Ne)person\u012bg\u0101s lietas”. \u0160ogad festiv\u0101lu, kas Latvij\u0101 notiek otro gadu, atkl\u0101s piektdien, 16. janv\u0101r\u012b, ar Gabriela Maskaro lenti “Bezgal\u012bg\u0101 zilgme” (“O \u00faltimo azul”), kas Berl\u012bnes kinofestiv\u0101la ofici\u0101l\u0101 konkursa programm\u0101 sa\u0146\u0113ma “Sudraba l\u0101ci”. \u0160\u012bs dram\u0113dijas galven\u0101 varone ir Ter\u0113ze, sieviete gados, kurai, t\u0101pat k\u0101 daudziem vi\u0146as vienaud\u017eiem, draud nok\u013c\u016b\u0161ana pension\u0101ru kolonij\u0101. Visu m\u016b\u017eu c\u012bn\u012bjusies par taisn\u012bbu, vi\u0146a nav ar mieru sabiedr\u012bbas ekonomisk\u0101s izaugsmes v\u0101rd\u0101 m\u016b\u017ea nogali pavad\u012bt t\u0101lu prom no m\u0101j\u0101m, t\u0101p\u0113c b\u0113g, un \u0161is piedz\u012bvojums k\u013c\u016bst par apliecin\u0101jumu v\u0101rdiem, ka baud\u012bt dz\u012bvi var jebkur\u0101 vecum\u0101. Sastaptie cilv\u0113ki un piedz\u012bvotais Ter\u0113zi sp\u0101rno doties arvien t\u0101l\u0101k, pat ja likuma gar\u0101 roka teju aizsniedzas l\u012bdz vi\u0146as brun\u010diem, un, Amazones apburta, sieviete l\u016bko, k\u0101 upe vi\u0146u p\u0101rsteigs aiz n\u0101kam\u0101 l\u012bkuma.<\/p>\n
Otra filma apak\u0161programm\u0101 “Vi\u0146pus realit\u0101tes” ir reiva ritmos puls\u0113jo\u0161ais “Sir\u0101ts” (“Sirat”), ko veidojis Olivers La\u0161e. Kannu kinofestiv\u0101la \u017e\u016brijas balvu sa\u0146\u0113mus\u012b tuksne\u0161a dr\u0101ma nupat bija nomin\u0113ta diviem “Zelta globusiem” (kategorij\u0101s “Lab\u0101k\u0101 starptautisk\u0101 filma” un “Lab\u0101kais ska\u0146u celi\u0146\u0161”, ko veidojis Kandings Rejs), savuk\u0101rt devi\u0146\u0101s nomin\u0101cij\u0101s t\u0101 kandid\u0113 Eiropas kino balv\u0101m, ko pasniegs Berl\u012bn\u0113 jau 17. janv\u0101r\u012b. Sp\u0101nijas nomin\u0101cija “Oskaram” ir re\u017eisora tre\u0161\u0101 filma, kuras galvenais varonis \u2013 t\u0113vs \u2013 dodas tuksnes\u012b, lai atrastu savu pirms laba laika pazudu\u0161o meitu. Reiva ritmi aprij gan L\u016bisu, gan vi\u0146a d\u0113lu Estebanu, k\u0101 ar\u012b t\u016bksto\u0161iem klaus\u012bt\u0101ju, ta\u010du, neatradis mekl\u0113to, vi\u0146\u0161 dodas l\u012bdzi alternat\u012bvai dz\u012bvei noska\u0146otai komp\u0101nijai, un vi\u0146u ce\u013c\u0161 stiepjas dzi\u013ci tuksnes\u012b. Br\u0101\u013cu Almodovaru produc\u0113t\u0101s lentes nosaukums aizg\u016bts no isl\u0101ma trad\u012bcijas un noz\u012bm\u0113 taisno ce\u013cu \u2013 tiltu \u2013 p\u0101ri ellei, kas smalk\u0101ks par matu un as\u0101ks par zobenu un ko cilv\u0113ce \u0161\u0137\u0113rsos pastardien\u0101, lai sasniegtu parad\u012bzi.<\/p>\n
Pavisam cit\u0101ds ce\u013c\u0161 ir zem asto\u0146gad\u012bg\u0101s Anikas k\u0101j\u0101m \u2013 Ivana Funda melnbalt\u0101 lente skat\u012bt\u0101ju v\u0113rt\u0113jumam tika nodota Berl\u012bnes kinofestiv\u0101l\u0101, kur sa\u0146\u0113ma \u017d\u016brijas balvu. “Zv\u0113ru v\u0101rdot\u0101ja” (“El mensaje”) ir st\u0101sts par b\u0113rna un pieaugu\u0161\u0101 draudz\u012bbu, un ma\u0123isk\u0101 re\u0101lisma z\u012bmogu tai pie\u0161\u0137ir meitenes \u012bpa\u0161ais talants \u2013 vi\u0146a saprot zv\u0113ru sac\u012bto, t\u0101p\u0113c kop\u0101 ar krietni vec\u0101ku sievieti un v\u012brieti ce\u013co pa Argent\u012bnu, lai par samaksu to izkl\u0101st\u012btu da\u017e\u0101du dz\u012bvnieku \u012bpa\u0161niekiem. Programm\u0101 iek\u013cauta ar\u012b “Ce\u013cak\u0101ja” (“Le citt\u00e0 di pianura”), kuras galvenie varo\u0146i ir divi, jau iepriek\u0161 t\u0101lus ce\u013cus m\u0113roju\u0161i, alkoholi\u0137i, kas nu dodas uz Ven\u0113ciju, lai tur izdzertu savu p\u0113d\u0113jo gl\u0101z\u012bti. Fran\u010desko Sosai apsp\u0113l\u0113 t\u0113mas, kas iepriek\u0161 redz\u0113tas ar\u012b Aki Kaurismeki un Tomasa Vinterberga dai\u013crad\u0113, un pa\u0161a b\u0113rn\u012bb\u0101 pieredz\u0113to, kas rezult\u0113jies darb\u0101, kura pasaules pirmizr\u0101de notika Kannu kinofestiv\u0101la apak\u0161programm\u0101 “\u012apa\u0161ais skatiens”.<\/p>\n
Nosl\u0113pumi un attiec\u012bbas<\/p>\n
K\u0101 uzsver festiv\u0101la organizatori, programma “Atspulgi” apvieno filmas kinom\u012b\u013ciem, kuri ilgojas p\u0113c bag\u0101t\u012bgas valodas, zemtekstiem un daudzsl\u0101\u0146ainiem st\u0101stiem, un t\u0101s slaven\u0101kais darbs ir Kannu kinofestiv\u0101la \u017d\u016brijas balvas ieguv\u0113ja “L\u016bkojoties saul\u0113” (“In die Sonne schauen”), ko veidojusi re\u017eisore un scen\u0101rija l\u012bdzautore Ma\u0161a \u0160ilinska. K\u0101da m\u0101ja Zieme\u013cv\u0101cij\u0101 k\u013c\u016bst par liecinieci \u010detru jaunu sievie\u0161u dz\u012bvei, un darb\u012bba aptver laiku no 20. gadsimta s\u0101kuma l\u012bdz pat Berl\u012bnes m\u016bra kri\u0161anai. V\u0101cija \u0161o filmu izvirz\u012bja “Oskara” nomin\u0101cijai, un asto\u0146\u0101s kategorij\u0101s t\u0101 nomin\u0113ta Eiropas kino balvai.<\/p>\n
<\/p>\n
Viens no \u0161\u0101 br\u012b\u017ea slaven\u0101kajiem v\u0101cu re\u017eisoriem Kristians Pecolds film\u0101 “Miroirs No 3: Laiva oke\u0101n\u0101” (“Miroirs No. 3”) atteicies no sav\u0101 dai\u013crad\u0113 bie\u017ei kl\u0101teso\u0161\u0101 ma\u0123isk\u0101 re\u0101lisma, bet Laura (lom\u0101 \u2013 Pecolda m\u016bza Paula B\u0113ra), cietusi autoav\u0101rij\u0101, atsak\u0101s doties uz slimn\u012bcu, lai pajumti rastu pie negad\u012bjuma aculiecinieces Betijas. K\u0101 dr\u012bz atkl\u0101jas, ab\u0101m ir daudz sl\u0113pjama, un nosl\u0113pumi sagand\u0113 \u0161\u0137ietamo idilli. Kannu kinofestiv\u0101la programmas filma.<\/p>\n
Ven\u0113cijas kinofestiv\u0101la “Zelta lauvu” guvu\u0161ais D\u017eima D\u017e\u0101rmu\u0161a jaun\u0101kais darbs “T\u0113vs, m\u0101te, m\u0101sa, br\u0101lis” \u0161\u0137etina vec\u0101ku un b\u0113rnu attiec\u012bbas, ko izsp\u0113l\u0113 aktieri, kurus re\u017eisors sapulcin\u0101ja v\u0113l pirms scen\u0101rija uzrakst\u012b\u0161anas, zinot, ka tie\u0161i vi\u0146i sp\u0113l\u0113s konkr\u0113t\u0101s lomas. Toms Veits, \u0100dams Draivers, Maijama Bjalika, \u0160arlote Remplinga, Vikija Kr\u012bpsa, Keita Bl\u0101n\u0161eta un citi iej\u016btas ne\u0113rt\u0101s situ\u0101cij\u0101s, kur interesi un m\u012blest\u012bbu nomain\u012bju\u0161as neveiklas pauzes un nevajadz\u012bgas fr\u0101zes, un viss notiek \u0123imenes ietvaros.<\/p>\n
Augst\u0101 cena<\/p>\n
Vikija Kr\u012bpsa redzama v\u0113l vien\u0101 festiv\u0101la “L\u0101cis, lauva un zars” programmas film\u0101, kas iek\u013cauta apak\u0161programm\u0101 “Baltie zvirbu\u013ci” \u2013 t\u0101s varo\u0146os sabiedr\u012bba noraug\u0101s no aug\u0161as, ta\u010du vi\u0146i nav ar mieru padoties un ap\u0146\u0113m\u012bbas pilni dodas uz savu m\u0113r\u0137i. “M\u012bli mani maigi” (“Love Me Tender”) nosaukums palien\u0113ts no Elvisa Preslija t\u0101da pa\u0161a nosaukuma dziesmas, ta\u010du jaun\u0101 re\u017eisore Anna Kaznava-Kamb\u0113 ir daudz drosm\u012bg\u0101ka, lai savai Klemansai pie\u0161\u0137irtu romantisku oreolu. Atteikusies no dz\u012bves tradicion\u0101l\u0101 \u0123imen\u0113, vi\u0146a v\u0113las piepild\u012bt sapni un k\u013c\u016bt par rakstnieci, ta\u010du \u0161\u0101dai br\u012bv\u012bbai ir \u013coti augsta cena, jo biju\u0161ais partneris sievietei liedz tik\u0161anos ar d\u0113lu. \u0160\u012b ir viena no desmit \u0161\u012b gada festiv\u0101la “L\u0101cis, lauva un zars” film\u0101m, kas savu ekr\u0101na dz\u012bvi aizs\u0101ka Kann\u0101s, un Vikija Kr\u012bpsa par savu t\u0113lojumu nomin\u0113ta Eiropas kino balvai kategorij\u0101 “Lab\u0101k\u0101 aktrise”. Ar\u012b Simona Mesas Soto filma “Dzejdaris” (“Un poeta”) izv\u0113l\u0113ta no Kannu programmas, un Kolumbija \u0161o st\u0101stu izvirz\u012bjusi “Oskara” nomin\u0101cijai. Sirsn\u012bga un smiekl\u012bga, \u0161\u012b filma reflekt\u0113 par v\u012brieti, kur\u0161 p\u0101r m\u0113ru piev\u0113rsies alkoholam, ta\u010du, izlas\u012bjis studentes Jurladijas dzejoli, k\u013c\u016bst vai aps\u0113sts, lai meiteni ieb\u012bd\u012btu slavas saul\u012bt\u0113.<\/p>\n
Alegorija “Vista” (“Hen”) ir \u012bsts trilleris, un ung\u0101ru re\u017eisors \u0122er\u0123s P\u0101lf\u012b nav \u017e\u0113lojis simbolus un grie\u0137u tra\u0123\u0113dijas principus, savu varoni, d\u0113j\u0113jvistu, palai\u017eot br\u012bv\u012bb\u0101 no m\u0101jputnu vienmu\u013c\u0101 likte\u0146a fabrik\u0101, un vi\u0146as st\u0101st\u0101 ierakst\u012bta ar\u012b m\u016bsdienu v\u0113sture. \u0160aj\u0101 programm\u0101 iek\u013cauta ar\u012b marok\u0101\u0146u re\u017eisores Marjamas Tuz\u0101ni lente “Malagas iela” (“Calle M\u00e1laga”), kur\u0101 galveno lomu nosp\u0113l\u0113jusi Pedro Almodovara aktrise Karmena Maura.<\/p>\n
Apak\u0161programmas “(Ne)person\u012bgas lietas” varo\u0146u person\u012bgie st\u0101sti cie\u0161i saviju\u0161ies ar soci\u0101lo un politisko realit\u0101ti, un taj\u0101 iek\u013cauta \u0161\u012b festiv\u0101la vien\u012bg\u0101 dokument\u0101l\u0101 filma “Orvels: 2+2=5” (“Orwell: 2+2=5”) \u2013 Raula Peka eseja un bied\u0113jo\u0161i aktu\u0101ls ce\u013cojums D\u017eord\u017ea Orvela domu pasaul\u0113. Taj\u0101 skat\u0101ma smalk\u0101 pieaug\u0161anas dr\u0101ma “Enzo”, ko jau p\u0113c Lor\u0101na Kant\u0113 n\u0101ves pabeidza re\u017eisora ilggad\u0113jais l\u012bdzautors Rob\u0113ns Kampijo, un \u017eanru kokteilis “Republikas \u0113rg\u013ci” (“The Eagles of Republick”), ko no savas puses “Oskaram” izvirz\u012bja Zviedrija.<\/p>\n
P\u0101rsteidzo\u0161s ir Dominika Molla veikums, teju dokument\u0101l\u0101 manier\u0113 veidojot dr\u0101mu “Lieta Nr. 137” (“Dossier 137”), kas galven\u0101s lomas atveidot\u0101jai Leai Drik\u0113rai nodro\u0161in\u0101jis nomin\u0101ciju Eiropas kino balvai, bet uz liel\u0101 ekr\u0101na \u2013 spraiga lente, kur\u0101 profesion\u0101lais pien\u0101kums saduras ar sirdsapzi\u0146u, un tas viss notiek 2018. gad\u0101, kad Franciju p\u0101r\u0146\u0113mu\u0161i protesti.<\/p>\n
M\u016bsdienu filmu festiv\u0101la filmas izr\u0101d\u012bs kinote\u0101tros “Splendid Palace”, “Forum Cinemas”, “Kino Bize” un “Cinamon Akropole Alfa” R\u012bg\u0101, k\u0101 ar\u012b C\u0113s\u012bs un Liep\u0101j\u0101.<\/p>\n
Izv\u0113lies savu soct\u012bklu platformu, lai sekotu LASI.LV: Facebook<\/a>, X<\/a>, Bluesky<\/a>, Draugiem<\/a>, Threads<\/a> vai ar\u012b Instagram<\/a>. Pievienojies m\u016bsu las\u012bt\u0101ju pulkam, lai sa\u0146emtu \u012bpa\u0161i tev atlas\u012btu noder\u012bgu, praktisku un aktu\u0101lu saturu.\u00a0<\/p>\n