Jauna gr\u0101mata Oj\u0101ra \u0100bola dai\u013crad\u0113<\/p>\n
L\u012bdz ar pla\u0161as retrospekt\u012bvas izst\u0101des \u201cOj\u0101rs \u0100bols. Cilv\u0113ka absurdie projekti uz Zemes\u201d atkl\u0101\u0161anu Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 (LNMM), klaj\u0101 n\u0101kusi projekta kuratores, m\u0101kslas zin\u0101tnieces Dr. art. Elitas Ansones monogr\u0101fisks p\u0113t\u012bjums ar t\u0101du pa\u0161u nosaukumu. Gr\u0101mata p\u0113ta m\u0101kslinieka Oj\u0101ra \u0100bola (1922\u20131983) dz\u012bves un dai\u013crades sare\u017e\u0123\u012bto du\u0101lismu, m\u0113\u0123inot izprast vi\u0146a person\u012bbu, kas past\u0101v\u0113ja uz robe\u017eas starp padomju ideolo\u0123ijas dikt\u0101tu un br\u012bv\u0101s pasaules m\u0101kslas tendenc\u0113m. K\u0101 zi\u0146o av\u012bze Diena, gr\u0101mata ir r\u016bp\u012bgs p\u0113t\u012bjums par m\u0101kslinieku, kur\u0161 tiek rakturots k\u0101 20. gadsimta 60. un 70. gadu avangardists un laikmet\u012bg\u0101s m\u0101kslas domas l\u012bderis Latvij\u0101. <\/p>\n
Izst\u0101de, kas LNMM galven\u0101s \u0113kas Lielaj\u0101 z\u0101l\u0113 skat\u0101ma no 2026. gada 10. janv\u0101ra l\u012bdz 10. maijam, piev\u0113r\u0161as Latvijas okup\u0101cijas laika m\u0101kslas realit\u0101tei. T\u0101 p\u0113ta spriedzi starp padomju ideolo\u0123iju un neanga\u017e\u0113tu m\u0101kslu, sadarb\u012bbu un pretdarb\u012bbu, konformismu un nonkonformismu. Oj\u0101ra \u0100bola biogr\u0101fija un vi\u0146a m\u0101kslas transform\u0101cija atspogu\u013co ne tikai personisko ce\u013cu, bet ar\u012b sare\u017e\u0123\u012btos Latvijas v\u0113stures procesus 20. gadsimta otraj\u0101 pus\u0113.<\/p>\n
M\u0101kslinieka person\u012bbas un rado\u0161\u0101 ce\u013ca anal\u012bze<\/p>\n
Gr\u0101matas autore Elita Ansone m\u0113\u0123ina salikt kop\u0101 divas it k\u0101 pret\u0113jas Oj\u0101ra \u0100bola dz\u012bves da\u013cas \u2013 komunistisko un prorietumniecisko, vi\u0146a konformismu un nonkonformismu. \u0160\u012b anal\u012bze pal\u012bdz izprast, kas tad \u012bsti bija Oj\u0101rs \u0100bols \u2013 m\u0101kslinieks, kur\u0161 saspringti mekl\u0113ja savu vietu starp komunisma ide\u0101liem un Rietumu m\u0101kslas tendenc\u0113m. \u0100bols dz\u012bvoja politisk\u0101s vardarb\u012bbas laikmet\u0101, kad akt\u012bv\u0101m un intelektu\u0101li izgl\u012btot\u0101m person\u012bb\u0101m, kuras nesp\u0113ja palikt mal\u0101 vai norobe\u017eoties no politiskajiem procesiem, n\u0101c\u0101s saskarties ar eksistenci\u0101l\u0101m dilemm\u0101m.<\/p>\n
Vi\u0146a rado\u0161ais ce\u013c\u0161 s\u0101k\u0101s ar soci\u0101listisk\u0101 re\u0101lisma darbiem 50. gados, bet jau piecdesmito gadu beig\u0101s gleznot\u0101js s\u0101ka akt\u012bvi mekl\u0113t jaunus izteiksmes l\u012bdzek\u013cus. Sekojot modernisma tendenc\u0113m pasaul\u0113, \u012bpa\u0161i v\u0113l\u012bnajam kubismam, \u0100bola rokraksts main\u012bj\u0101s. Vi\u0146a dai\u013crad\u0113 par\u0101d\u012bj\u0101s br\u012bvas rado\u0161\u0101s izv\u0113les, skarbs stils, ekspresionisms, abstrakcija un konceptu\u0101li gleznu cikli, kas raksturo vi\u0146a k\u0101 avangarda p\u0101rst\u0101vja un laikmet\u012bg\u0101s m\u0101kslas domas l\u012bdera poz\u012bciju. \u0100bola darbi ir iek\u013cauti ar\u012b amerik\u0101\u0146u kolekcion\u0101ru Nensijas un Nortona Dod\u017eu padomju nonkonformisma m\u0101kslas kolekcij\u0101, kas atrodas Zimmerlijas M\u0101kslas muzej\u0101 ASV.<\/p>\n
No komunisma ide\u0101liem l\u012bdz modernismam<\/p>\n
Elita Ansone sav\u0101 p\u0113t\u012bjum\u0101 izseko Oj\u0101ra \u0100bola ce\u013cam, uzs\u0101kot no vi\u0146a jaun\u012bbas p\u0101rliec\u012bbas par komunisma ide\u0101liem 30. gados. T\u0101l\u0101k tiek apl\u016bkota vi\u0146a karjeras strauj\u0101 virz\u012bba okup\u0101cijas laik\u0101 un v\u0113l\u0101k\u0101 vil\u0161an\u0101s sist\u0113m\u0101, kas noveda pie nost\u0101\u0161an\u0101s komunistisk\u0101s partijas opoz\u012bcij\u0101. \u0100bola politiski sabiedrisk\u0101 un rado\u0161\u0101 darb\u012bba risin\u0101j\u0101s 50.\u201370. gados, neizb\u0113gami saskaroties ar politiskaj\u0101m konsekvenc\u0113m. Vi\u0146\u0161 bija erud\u012bts intelektu\u0101lis, ilggad\u0113js M\u0101kslinieku savien\u012bbas valdes loceklis un gleznot\u0101ju sekcijas priek\u0161s\u0113d\u0113t\u0101js (1973\u20131981), kur\u0161 akt\u012bvi aizst\u0101v\u0113ja m\u0101kslas noz\u012bmi sabiedr\u012bbas dz\u012bv\u0113.<\/p>\n
Sav\u0101s glezn\u0101s \u0100bols pauda laikmetam aktu\u0101lu problem\u0101tiku, eksperiment\u0113jot ar form\u0101lajiem aspektiem, kr\u0101su attiec\u012bb\u0101m, fakt\u016bru un kol\u0101\u017eu. Vi\u0146a rad\u012bt\u0101 l\u012bnija ieguva jaunu noz\u012bmi \u2013 nevis k\u0101 ilustrat\u012bvs elements, bet k\u0101 st\u0101voklis un kust\u012bba telp\u0101. D\u017eemma Skulme, \u0100bola dz\u012bvesbiedre, atceras, ka vi\u0146\u0161 pretoj\u0101s l\u012bnijas elegancei un 60. gadu beig\u0101s izveidoja robust\u0101ku pieeju, liekot kr\u0101su ar papes gabali\u0146u, nevis otu.<\/p>\n
Mantojums un v\u0113sturiskais konteksts<\/p>\n
Oj\u0101rs \u0100bols tiek v\u0113rt\u0113ts k\u0101 viens no iev\u0113rojam\u0101kajiem 20. gadsimta 60.\u201370. gadu avangarda p\u0101rst\u0101vjiem Latvij\u0101, laikmet\u012bg\u0101s m\u0101kslas domas l\u012bderis un konceptu\u0101l\u0101s m\u0101kslas iedvesmot\u0101js. Vi\u0146a mantojums kalpo k\u0101 spogulis sare\u017e\u0123\u012btajai Latvijas v\u0113sturei 20. gadsimta otraj\u0101 pus\u0113, atkl\u0101jot spriedzi starp individu\u0101laj\u0101m tieksm\u0113m un sabiedr\u012bbas pras\u012bb\u0101m totalit\u0101r\u0101 re\u017e\u012bm\u0101. Izst\u0101de un gr\u0101mata kop\u0101 sniedz daudzsl\u0101\u0146ainu skat\u012bjumu uz m\u0101kslinieka person\u012bbu un vi\u0146a vietu m\u0101kslas v\u0113stur\u0113, uzsverot vi\u0146a noz\u012bm\u012bgo ieguld\u012bjumu Latvijas m\u0101kslas moderniz\u0113\u0161an\u0101 un intelektu\u0101l\u0101s domas veicin\u0101\u0161an\u0101. K\u0101 nor\u0101da Elita Ansone, \u0100bola m\u0101ksla ir pieskait\u0101ma pie okup\u0101cijas laika avangarda lappus\u0113m, un t\u0101 bijusi noz\u012bm\u012bga Latvijas m\u0101kslas moderniz\u0113\u0161anai un intelektu\u0101l\u0101s domas veicin\u0101\u0161anai.<\/p>\n
Papildu pas\u0101kumi un ekspoz\u012bcija<\/p>\n
L\u012bdztekus gr\u0101matas izdo\u0161anai un izst\u0101dei LNMM ir iecer\u0113ti ar\u012b da\u017e\u0101di papildu pas\u0101kumi, piem\u0113ram, priek\u0161las\u012bjumi ar diskusiju \u201cStarp konformismu un nonkonformismu: vai Latvij\u0101 past\u0101v\u0113ja pagr\u012bdes un neofici\u0101l\u0101s m\u0101kslas vide? 20. gadsimta 60.\u201380. gadi\u201d (20. janv\u0101r\u012b). T\u0101pat notiks tik\u0161an\u0101s ar izst\u0101des kuratori Elitu Ansoni (11. janv\u0101r\u012b), lai dzi\u013c\u0101k iepaz\u012btu m\u0101kslinieka person\u012bbas veido\u0161anos, piel\u0101gojoties un pretojoties varas dikt\u0101tam. Izst\u0101de pati par sevi pied\u0101v\u0101 ieskatu \u0100bola darbu att\u012bst\u012bb\u0101, s\u0101kot no agr\u012bnajiem soci\u0101listisk\u0101 re\u0101lisma darbiem l\u012bdz pat konceptu\u0101lai glezniec\u012bbai. Interesanti, ka l\u012bdz\u0101s \u0100bola darbiem muzej\u0101 b\u016bs skat\u0101mas ar\u012b vi\u0146a dz\u012bvesbiedres D\u017eemmas Skulmes darbu izst\u0101des.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauna gr\u0101mata Oj\u0101ra \u0100bola dai\u013crad\u0113 L\u012bdz ar pla\u0161as retrospekt\u012bvas izst\u0101des \u201cOj\u0101rs \u0100bols. Cilv\u0113ka absurdie projekti uz Zemes\u201d atkl\u0101\u0161anu…\n","protected":false},"author":2,"featured_media":104520,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[23,28,29,25123,32,33,22,30,31,35,39,38,157,36,37,34,159,40,25124,20,25122,26,27,24,25,21],"class_list":{"0":"post-104629","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-latvija","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-elita-ansone","12":"tag-featured-news","13":"tag-featurednews","14":"tag-headlines","15":"tag-latest-news","16":"tag-latestnews","17":"tag-latvia","18":"tag-latvian","19":"tag-latviesu","20":"tag-latviesu-gleznieciba","21":"tag-latviesu-valoda","22":"tag-latviesuvaloda","23":"tag-latvija","24":"tag-latvijas-nacionalais-makslas-muzejs","25":"tag-lv","26":"tag-makslas-teorija","27":"tag-news","28":"tag-ojars-abols","29":"tag-popularakas-zinas","30":"tag-popularakaszinas","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115894635939389379","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/104629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=104629"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/104629\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/104520"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=104629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=104629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=104629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}