Jauna gr\u0101mata un v\u0113rien\u012bga izst\u0101de velt\u012bta Oj\u0101ra \u0100bola dai\u013cradei<\/p>\n
Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 (LNMM) atkl\u0101ta gleznot\u0101ja un m\u0101kslas teor\u0113ti\u0137a Oj\u0101ra \u0100bola (1922\u20131983) retrospekt\u012bv\u0101 izst\u0101de \u201cOj\u0101rs \u0100bols. Cilv\u0113ka absurdie projekti uz Zemes\u201d. Vienlaikus ar izst\u0101des atkl\u0101\u0161anu klaj\u0101 n\u0101kusi projekta kuratores, m\u0101kslas zin\u0101tnieces Dr. art. Elitas Ansones monogr\u0101fisks p\u0113t\u012bjums ar t\u0101du pa\u0161u nosaukumu. Gr\u0101mata un izst\u0101de piev\u0113r\u0161as Latvijas okup\u0101cijas laika m\u0101kslas realit\u0101tei, p\u0113tot m\u0101kslinieka person\u012bbas un rado\u0161\u0101 ce\u013ca spriedzi starp padomju sist\u0113mas uzspiesto ideolo\u0123iju un tieksmi p\u0113c Rietumu modernisma. <\/p>\n
Oj\u0101rs \u0100bols tiek rakturots k\u0101 20. gadsimta 60. un 70. gadu avangardists, laikmet\u012bg\u0101s m\u0101kslas domas l\u012bderis un konceptu\u0101l\u0101s m\u0101kslas iedvesmot\u0101js. Vi\u0146a darbi ir iek\u013cauti padomju nonkonformisma m\u0101kslas kolekcij\u0101 ASV eso\u0161aj\u0101 Zimmerlijas M\u0101kslas muzej\u0101, ko veidoju\u0161i amerik\u0101\u0146u kolekcion\u0101ri Nensija un Nortons Dod\u017ei. Tom\u0113r \u0100bola dz\u012bve un dai\u013crade raksturojama k\u0101 st\u0101sts par fundament\u0101lu transform\u0101ciju, kas risin\u0101j\u0101s sare\u017e\u0123\u012bt\u0101 v\u0113sturisk\u0101 posm\u0101.<\/p>\n
Divas \u0100bola dz\u012bves puses: komunisms un Rietumu m\u0101ksla<\/p>\n
Monogr\u0101fijas autore Elita Ansone sav\u0101 p\u0113t\u012bjum\u0101 m\u0113\u0123ina salikt kop\u0101 divas it k\u0101 pret\u0113jas Oj\u0101ra \u0100bola dz\u012bves da\u013cas \u2013 komunistisko un prorietumniecisko, vi\u0146a konformismu un nonkonformismu. \u0160\u012b anal\u012bze pal\u012bdz izprast m\u0101kslinieka person\u012bbu, kas past\u0101v\u0113ja uz robe\u017eas starp padomju ideolo\u0123ijas dikt\u0101tu un br\u012bv\u0101s pasaules m\u0101kslas tendenc\u0113m. \u0100bols dz\u012bvoja politisk\u0101s vardarb\u012bbas laikmet\u0101, kad akt\u012bv\u0101m un intelektu\u0101li izgl\u012btot\u0101m person\u012bb\u0101m n\u0101c\u0101s saskarties ar eksistenci\u0101l\u0101m dilemm\u0101m. <\/p>\n
M\u0101kslinieka rado\u0161ais ce\u013c\u0161 s\u0101k\u0101s ar soci\u0101listisk\u0101 re\u0101lisma darbiem 50. gados, tostarp diplomdarbu \u201cJakovs Sverdlovs latvie\u0161u str\u0113lnieku vid\u016b R\u012bg\u0101 1919. gad\u0101\u201d. Tom\u0113r jau piecdesmito gadu beig\u0101s gleznot\u0101js s\u0101ka akt\u012bvi mekl\u0113t jaunus izteiksmes l\u012bdzek\u013cus, sekojot modernisma tendenc\u0113m pasaul\u0113, \u012bpa\u0161i v\u0113l\u012bnajam kubismam. \u0160\u012b pretrunu piln\u0101 att\u012bst\u012bba atspogu\u013cojas ar\u012b vi\u0146a darbos, kas izst\u0101d\u0113 un gr\u0101mat\u0101 apl\u016bkojami.<\/p>\n
Izst\u0101des un gr\u0101matas v\u0113st\u012bjums<\/p>\n
Izst\u0101de \u201cCilv\u0113ka absurdie projekti uz Zemes\u201d, kas LNMM galven\u0101s \u0113kas Lielaj\u0101 z\u0101l\u0113 skat\u0101ma no 2026. gada 10. janv\u0101ra l\u012bdz 10. maijam, pied\u0101v\u0101 daudzsl\u0101\u0146ainu skat\u012bjumu uz m\u0101kslinieku. T\u0101 atkl\u0101j spriedzi starp padomju ideolo\u0123iju un neanga\u017e\u0113tu m\u0101kslu, sadarb\u012bbu un pretdarb\u012bbu, konformismu un nonkonformismu. Agr\u012bn\u0101s soci\u0101listisk\u0101 re\u0101lisma gleznas iez\u012bm\u0113 \u0100bola darb\u012bbu padomju ideolo\u0123ijas ietvaros, savuk\u0101rt no 1960. gadiem vi\u0146a dai\u013crad\u0113 par\u0101d\u0101s br\u012bvas rado\u0161\u0101s izv\u0113les \u2013 skarbais stils, ekspresionisms, abstrakcija un konceptu\u0101li gleznu cikli, ko iedvesmojusi saskarsme ar Rietumu m\u0101kslu. <\/p>\n
Gr\u0101mata ir r\u016bp\u012bgs p\u0113t\u012bjums par m\u0101kslinieku, kur\u0161 tiek raksturots k\u0101 20. gadsimta 60. un 70. gadu avangardists un laikmet\u012bg\u0101s m\u0101kslas domas l\u012bderis Latvij\u0101. Izdevums pal\u012bdz izveidot dzi\u013c\u0101ku priek\u0161statu par \u0100bola rado\u0161o un politisko biogr\u0101fiju, atkl\u0101jot vi\u0146a iek\u0161\u0113jo spriedzi starp konformismu un nonkonformismu, starp padomju sist\u0113mu un tieksmi p\u0113c Rietumu modernisma. <\/p>\n
Person\u012bba un t\u0101s ietekme uz Latvijas m\u0101kslas v\u0113sturi<\/p>\n
Elita Ansone uzsver, ka \u0100bola mantojums kalpo k\u0101 spogulis sare\u017e\u0123\u012btai Latvijas v\u0113sturei 20. gadsimta otraj\u0101 pus\u0113. Vi\u0146\u0161 bija erud\u012bts intelektu\u0101lis, ilggad\u0113js M\u0101kslinieku savien\u012bbas valdes loceklis un Gleznot\u0101ju sekcijas priek\u0161s\u0113d\u0113t\u0101js (1973\u20131981), kur\u0161 uzst\u0101j\u0101s ar kaism\u012bg\u0101m run\u0101m par m\u0101kslu un uzskat\u012bja, ka tai sabiedr\u012bbas dz\u012bv\u0113 ir noz\u012bm\u012bga loma. \u0100bola akt\u012bvisms, m\u0101ksliniecisko uzskatu veido\u0161an\u0101s un transform\u0101cija ir st\u0101sts par to, k\u0101 ar komunisma ide\u0101liem p\u0101r\u0146emts jauneklis main\u0101s un k\u013c\u016bst par noz\u012bm\u012bgu modernisma m\u0101kslas prakti\u0137i un teor\u0113ti\u0137i, un pat par Latvijas konceptu\u0101l\u0101s m\u0101kslas iedvesmot\u0101ju. <\/p>\n
M\u0101kslinieks dz\u012bvoja past\u0101v\u012bg\u0101 spriedz\u0113 starp savu k\u0101 komunistu un k\u0101 m\u0101kslinieku, cen\u0161oties integr\u0113t Rietumu m\u0101kslas un dz\u012bvesveida ietekmes, vienlaikus darbojoties okup\u0101cijas sist\u0113mas izveidotaj\u0101s strukt\u016br\u0101s. \u0100bola biogr\u0101fija un vi\u0146a m\u0101kslas transform\u0101cija atspogu\u013co ne tikai personisko ce\u013cu, bet ar\u012b sare\u017e\u0123\u012btos Latvijas v\u0113stures procesus 20. gadsimta otraj\u0101 pus\u0113.<\/p>\n
V\u0113rt\u0113jums unikalit\u0101te un mantojums<\/p>\n
M\u0101ra L\u0101ce, Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja direktore, uzsver, ka \u0161\u0101das person\u012bb\u0101m velt\u012btas izst\u0101des pal\u012bdz skat\u012bt\u0101jam noteikt v\u0113rt\u012bbu m\u0113rus un saskat\u012bt liel\u0101kas likumsakar\u012bbas Latvijas m\u0101kslas att\u012bst\u012bb\u0101. Oj\u0101ra \u0100bola dai\u013crade, kas atspogu\u013co laikmetam aktu\u0101lu problem\u0101tiku, tiek v\u0113rt\u0113ta k\u0101 noz\u012bm\u012bgs ieguld\u012bjums Latvijas kult\u016bras ainav\u0101. Vi\u0146a sp\u0113ja risin\u0101t laikmetam aktu\u0101lu problem\u0101tiku, eksperiment\u0113jot ar form\u0101lajiem aspektiem, kr\u0101su attiec\u012bb\u0101m, fakt\u016bru un kol\u0101\u017eu, padara vi\u0146u par noz\u012bm\u012bgu fig\u016bru Latvijas m\u0101kslas v\u0113stur\u0113. <\/p>\n
Amerik\u0101\u0146u kolekcion\u0101ri Nensija un Nortons Dod\u017ei jau agr\u0101k nov\u0113rt\u0113ja \u0100bola darbus, iek\u013caujot tos padomju nonkonformisma m\u0101kslas kolekcij\u0101. Vi\u0146a darbu noz\u012bm\u012bgumu apliecina ar\u012b fakts, ka vi\u0146\u0161 tika iek\u013cauts to m\u0101kslinieku sarakst\u0101, kuriem 1962. gad\u0101 Hru\u0161\u010dova laika form\u0101lisma apkaro\u0161anas kampa\u0146as laik\u0101 tika p\u0101rmesta nev\u0113lam\u0101 m\u0101ksla, uz laiku izstumjot vi\u0146u no m\u0101kslas aprites.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauna gr\u0101mata un v\u0113rien\u012bga izst\u0101de velt\u012bta Oj\u0101ra \u0100bola dai\u013cradei Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 (LNMM) atkl\u0101ta gleznot\u0101ja un m\u0101kslas…\n","protected":false},"author":2,"featured_media":104721,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,28,29,32,33,2610,22,4816,30,31,35,39,38,36,37,34,159,40,2286,20,25122,26,27,24,25,21],"class_list":{"0":"post-104720","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-gramata","14":"tag-headlines","15":"tag-izstade","16":"tag-latest-news","17":"tag-latestnews","18":"tag-latvia","19":"tag-latvian","20":"tag-latviesu","21":"tag-latviesu-valoda","22":"tag-latviesuvaloda","23":"tag-latvija","24":"tag-latvijas-nacionalais-makslas-muzejs","25":"tag-lv","26":"tag-maksla","27":"tag-news","28":"tag-ojars-abols","29":"tag-popularakas-zinas","30":"tag-popularakaszinas","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115895040916776788","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/104720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=104720"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/104720\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/104721"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=104720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=104720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=104720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}