{"id":105006,"date":"2026-01-15T05:07:14","date_gmt":"2026-01-15T05:07:14","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/105006\/"},"modified":"2026-01-15T05:07:14","modified_gmt":"2026-01-15T05:07:14","slug":"aktieri-hju-dzekmens-keita-hadsone-un-rezisors-kreigs-bruers-par-mazo-stastu-prieku-filma-vinu-sapnu-dziesma-raksts-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/105006\/","title":{"rendered":"Aktieri Hj\u016b D\u017eekmens, Keita Hadsone un re\u017eisors Kreigs Br\u016bers par mazo st\u0101stu prieku film\u0101 \u00abVi\u0146u sap\u0146u dziesma\u00bb \/ Raksts"},"content":{"rendered":"

Rado\u0161\u0101s izpausmes ir veids, k\u0101 smelt sp\u0113ku gr\u016bt\u012bbu p\u0101rvar\u0113\u0161anai un trauksmaina pr\u0101ta veldz\u0113\u0161anai. Vai ar to ir gana, lai justos pietiekami sav\u0101 \u0101d\u0101, un par to, k\u0101lab m\u016bs valdzina nostal\u0123ija, sarun\u0101jamies ar aktieriem Hj\u016b D\u017eekmenu un Keitu Hadsoni, k\u0101 ar\u012b re\u017eisoru Kreigu Br\u016beru vi\u0146u kop\u012bg\u0101s filmas “Vi\u0146u sap\u0146u dziesma” (Song Sung Blue) kontekst\u0101.\u00a0<\/p>\n

Atz\u012b\u0161os \u2013 uzaugot Austrumeiropas devi\u0146desmito\u00a0gadu tr\u016bkum\u0101 ar Holivudas pamatpl\u016bsmas izklaides film\u0101m viet\u0113jo kino ekr\u0101nos, man bija radies idealiz\u0113ts (un mald\u012bgs) iespaids par ASV k\u0101 ekonomisku rai\u017eu neskartu vidi, kur\u0101 ikdienas iztika nav dienask\u0101rt\u012bbas galvenais jaut\u0101jums. V\u0113l\u0101k, gan viesojoties ASV, gan atkl\u0101jot ar\u012b turienes autorkino, iez\u012bm\u0113j\u0101s radik\u0101li cit\u0101da aina \u2013 liela da\u013ca turienes cilv\u0113kiem \u2013 turkl\u0101t s\u016bri str\u0101d\u0101jo\u0161iem \u2013 ir j\u0101iegulda tit\u0101nisks darbs, lai “savilktu galus”, un t\u0101pat j\u0101iztiek bez pamata soci\u0101laj\u0101m garantij\u0101m, k\u0101, piem\u0113ram, vesel\u012bbas apr\u016bpes.<\/p>\n

\u0160\u012bs t\u0113mas ir k\u0101 skaudrs fons muzik\u0101laj\u0101 dr\u0101m\u0101 “Vi\u0146u sap\u0146u dziesma”, kur\u0101 Hj\u016b D\u017eekmens un Keita Hadsone atveido divus m\u016bzi\u0137us \u2013 Maiku Sardinu (skatuves v\u0101rd\u0101 ekscentriski d\u0113v\u0113tu par Zibeni) un Kl\u0113ru Stinglu (v\u0113l\u0101k Sardinu, skatuves v\u0101rd\u0101 P\u0113rkonu) \u2013 kuri nodarbojas ar dziesminieka N\u012bla Daimonda kaverversiju sp\u0113l\u0113\u0161anu da\u017e\u0101dos viet\u0113jos izklaides pas\u0101kumos (filmas ori\u0123in\u0101lnosaukums ar\u012b atsaucas uz N\u012bla Daimonda dziesmu).\u00a0<\/p>\n

\n

Hadsone preses intervij\u0101 sevi un D\u017eekmenu sava str\u0101d\u0101\u0161anas stila d\u0113\u013c d\u0113v\u0113ja par “darba bit\u0113m”, un \u0161is termins prec\u012bzi apz\u012bm\u0113 ar\u012b vi\u0146u sp\u0113l\u0113tos varo\u0146us.<\/p>\n<\/blockquote>\n

M\u016bzika Maika un Kl\u0113ras dz\u012bv\u0113 noz\u012bm\u0113 gan ikdieni\u0161\u0137u iztikas avotu, gan cilv\u0113cisku pa\u0161izpausmes formu, neatkar\u012bgi no t\u0101, ka \u0161ovbiznes\u0101 veiksmi un pan\u0101kumus ierasts defin\u0113t ar pla\u0161u atpaz\u012bstam\u012bbu.<\/p>\n

Gu\u013camrajonu dziesminieki<\/p>\n

Br\u016bera filmu ir iedvesmojis t\u0101da pat nosaukuma dokument\u0101rais darbs, ko 2008.\u00a0gad\u0101 re\u017eis\u0113jis Gregs Kouss \u2013 abi atainotie m\u016bzi\u0137i ir re\u0101las person\u012bbas. Vi\u0146i, sav\u0101 laik\u0101, \u2013 asto\u0146desmito gadu beig\u0101s un devi\u0146desmito s\u0101kum\u0101 \u2013\u00a0dzied\u0101ju\u0161i Daimonda dziesmas, dz\u012bves lab\u0101kajos br\u012b\u017eos iztiku g\u016bstot no uzst\u0101\u0161an\u0101s, bet tum\u0161\u0101kajos \u2013 paral\u0113li darot ar\u012b da\u017e\u0101dus ikdieni\u0161\u0137us darbus.<\/p>\n

Ne film\u0101, ne dz\u012bv\u0113 m\u016bzi\u0137i nav uzst\u0101ju\u0161ies p\u0101rpild\u012btos stadionos aizgr\u0101btu fanu p\u016b\u013cu priek\u0161\u0101, vi\u0146u v\u0101rdi nav paz\u012bstami pasaul\u0113 vai diez ko t\u0101l\u0101k par dzimto ASV zieme\u013cu Viskons\u012bnas \u0161tatu. Vi\u0146u vide ir pietic\u012bgas darba\u013cau\u017eu pulc\u0113\u0161an\u0101s vietas un dz\u012bve viegli apbru\u017e\u0101tos gu\u013camrajonos. Ta\u010du vai cilv\u0113ciski vi\u0146u st\u0101sti b\u016btu maz\u0101k dramatiski un aizkustino\u0161i? Protams, ka n\u0113.<\/p>\n

J\u0101dara, jo cit\u0101di nevar \u2013 saka re\u017eisors\u00a0Kreigs\u00a0Br\u016bers<\/p>\n

Iesp\u0113jams, ka \u0161aj\u0101 apgalvojum\u0101 ieskanas patosa nots, ta\u010du m\u0101kslinieki reti kad izpau\u017eas, lai ar to peln\u012btu \u2013 vienk\u0101r\u0161i cits es\u012bbas veids nav iesp\u0113jams. Par \u0161o ar\u012b jaut\u0101ju re\u017eisoram \u2013 k\u0101 filma maina uztveri par to, ko noz\u012bm\u0113 b\u016bt pietiekamam, ja m\u016bsu meritokr\u0101tiskaj\u0101 sabiedr\u012bb\u0101 veiksmi defin\u0113jam, m\u0113rot apk\u0101rt\u0113jo atzin\u012bbu. “Dom\u0101ju, ka \u012bpa\u0161i cilv\u0113kiem, kuri saskaras ar lielu stresu vai ar dom\u0101m, kas nep\u0101rtraukti grie\u017eas galv\u0101, m\u0101ksla ir gl\u0101bi\u0146\u0161. Un tam paties\u012bb\u0101 nav nek\u0101das saist\u012bbas ar slavu vai bag\u0101t\u012bbu \u2013\u00a0tas ir par izpau\u0161anos. Alla\u017e esmu paman\u012bjis, vismaz attiec\u012bb\u0101 uz sevi, ka, j\u0101, fizisk\u0101s aktivit\u0101tes da\u017ek\u0101rt pal\u012bdz, kad pr\u0101ts s\u0101k sp\u0113l\u0113t trikus, ta\u010du paties\u012bb\u0101 man vajag nodarbin\u0101t pr\u0101tu un rad\u012bt ko jaunu. God\u012bgi sakot, es nezinu, k\u0101 ir lab\u0101k.<\/p>\n

\n

Nezinu, vai lab\u0101k ir tas, ka filmu r\u0101da 3000 kinote\u0101tros vis\u0101 pasaul\u0113, vai ar\u012b tas, ka es varu izst\u0101st\u012bt st\u0101stu savai meitai un likt vi\u0146ai pasmaid\u012bt. God\u012bgi sakot, es dotu priek\u0161roku otrajam variantam,” saka Br\u016bers.\u00a0<\/p>\n<\/blockquote>\n

\u00a0“Viens no iemesliem, k\u0101p\u0113c mani tik \u013coti uzrun\u0101ja Zibens un P\u0113rkona st\u0101sts \u2014 ir tas, ka ar\u012b man\u0101 dz\u012bv\u0113\u00a0un viet\u0101, kur m\u012btu, cilv\u0113kiem man apk\u0101rt \u2014 Memfis\u0101, Tenes\u012b \u0161tat\u0101 \u2014 mums pat\u012bk uzst\u0101ties. Mums pat\u012bk muzic\u0113t, un paties\u012bb\u0101 mums \u013coti t\u012bk to dar\u012bt viesos, b\u0101rbekj\u016b ball\u012bt\u0113s. Mums pat\u012bk sp\u0113l\u0113t m\u016bziku viet\u0113jos b\u0101ros. Mums ne vienm\u0113r ir vajadz\u012bgas milzu ar\u0113nas, lai t\u0101d\u0113j\u0101di apliecin\u0101tu savu v\u0113rt\u012bbu. Manupr\u0101t, tie\u0161i t\u0101 ir galven\u0101 t\u0113ma, ko es v\u0113l\u0113jos apl\u016bkot \u0161aj\u0101 film\u0101: tev nav oblig\u0101ti j\u0101balsta savi pan\u0101kumi uz k\u0101du priek\u0161statu par to, ko pasaule ir nol\u0113musi defin\u0113t k\u0101 veiksmi. Tu vari g\u016bt \u012bstus pan\u0101kumus, darot to, ko dari savai \u0123imenei un savai kopienai, un just tikpat daudz prieka \u2014 ja ne pat vair\u0101k,” uzskata re\u017eisors.<\/p>\n

Nostal\u0123ijas m\u0101ju saj\u016bta<\/p>\n

Lai ar\u012b filma pati par sevi neietver nostal\u0123iju par konkr\u0113to laikposmu, abu m\u016bzi\u0137u rado\u0161\u0101 darb\u012bba \u2013 kaverversiju sp\u0113l\u0113\u0161ana \u2013 ir \u013coti nostal\u0123isks process, jo sniedz cilv\u0113kiem iesp\u0113ju atgriezties pie k\u0101 zin\u0101ma un tuva. “(…) dz\u012bvojot taj\u0101 laik\u0101, pieredze ir pavisam cit\u0101da nek\u0101 tad, kad esi rad\u012bjis t\u0101s atmi\u0146as un p\u0113c tam uz t\u0101m atskaties,” saka Keita Hadsone.<\/p>\n

Apa\u013c\u0101 galda sarun\u0101 ar aktieriem noskaidrojam, ka aptuveni 40\u00a0% no\u00a0dz\u012bvajiem priek\u0161nesumiem pasaul\u0113 veidojot kaverversijas sp\u0113l\u0113jo\u0161as grupas. “Kad iesl\u0113dzu radio, k\u0101p\u0113c es izv\u0113los asto\u0146desmito gadu m\u016bziku? Jo tad es klaus\u012bjos radio. Tie bija asto\u0146desmitie gadi. Es biju vidusskol\u0101 un pirku ierakstus. Tas mani atgrie\u017e pie saj\u016bt\u0101m, m\u016bzikas, smar\u017e\u0101m. Visas \u0161\u012bs lietas atgrie\u017e laik\u0101, ko gribi piedz\u012bvot no jauna un to saglab\u0101t dz\u012bvu. Un tas ir jauki,” saka Hj\u016b D\u017eekmens.<\/p>\n

Austr\u0101lie\u0161u\u00a0aktieris\u00a0l\u012bdztekus popul\u0101rajai lomai komerci\u0101li veiksm\u012bg\u0101 gr\u0101v\u0113j\u0101\u00a0“Vilknadzis” (Wolverine) nav sve\u0161inieks m\u016bzikliem \u2013 vi\u0146\u0161 ir viens no retajiem Holivudas aktieriem, kas uz\u0146\u0113mies “dziedo\u0161as” lomas gan kino, gan uz te\u0101tra skatuves. Kino spilgt\u0101kie m\u016bzikli, kuros dzird\u0113j\u0101m D\u017eekmena dzi\u013co un samtaino tembru, bija Toma H\u016bpera 2012.\u00a0gada ekraniz\u0101cija Viktora Igo rom\u0101nam “No\u017e\u0113lojamie” (Les Mis\u00e9rables), k\u0101 ar\u012b Maikla Greisija “Izklaides karal\u012b” (The Greatest Showman, 2017). Ar\u012b Hadsonei m\u016bzika nav sve\u0161s izpausmes veids \u2013 p\u0113c Penijas Leinas lomas film\u0101 “Gandr\u012bz slaveni” (Almost Famous, 2000), aktrise dzied\u0101jusi ar\u012b Roba Mar\u0161ala 2009.\u00a0gada m\u016bzikl\u0101 “Devi\u0146i” un nesen\u0101kajos gados nopietni reminisc\u0113jusi par m\u016bzi\u0137es karjeru, 2024.\u00a0gad\u0101 izdodot ar\u012b vair\u0101kus popm\u016bzikas singlus.<\/p>\n

Gan dom\u0101jot par cit\u0101m skatuves m\u0101ksl\u0101m, gan nostal\u0123iju, jaut\u0101ju aktieriem, vai vi\u0146i, gatavojoties sav\u0101m lom\u0101m, sme\u013c iedvesmu no klasisk\u0101s st\u0101stniec\u012bbas un arhetipiem, turkl\u0101t\u00a0\u0146emot v\u0113r\u0101 film\u0101 vijo\u0161os Orfeja mot\u012bvu (jo varo\u0146i viens otru ved cauri emocion\u0101lai tumsai). “Paties\u012bb\u0101 nekas nav piln\u012bgi jauns. Pat \u0160eksp\u012brs sm\u0113l\u0101s iedvesmu seno laiku mitolo\u0123ij\u0101. Tas kaut k\u0101\u00a0atgrie\u017eas, lai atg\u0101din\u0101tu par tiem pa\u0161iem cilv\u0113ciskajiem instinktiem, sap\u0146iem, bail\u0113m un kolekt\u012bvo pieredzi. Bet man \u013coti pat\u012bk \u0161\u012b ideja, jo taj\u0101 kaut kas ir par to, k\u0101 \u0161ie divi viens otru gl\u0101bj; un tie ir patie\u0161\u0101m tum\u0161i br\u012b\u017ei, bet vi\u0146iem piem\u012bt iztur\u012bba.<\/p>\n

\n

Kop\u0101 vi\u0146i ir di\u017een\u0101ki par vienk\u0101r\u0161i diviem cilv\u0113kiem. Vi\u0146i k\u013c\u016bst par jaunu veselumu \u2014 viens plus viens ir vien\u0101ds ar tr\u012bs. Man tas \u013coti pat\u012bk. \u0160\u0101di tas ir \u012bsts m\u012blas st\u0101sts,” atbild D\u017eekmens.<\/p>\n<\/blockquote>\n

Cilv\u0113c\u012bbas mirdzums<\/p>\n

Filmas “Vi\u0146u sap\u0146u dziesma” dramatur\u0123ija nem\u0113\u0123ina st\u0101stu visp\u0101rin\u0101t vai padar\u012bt glob\u0101lu \u2013 tas ir atkl\u0101ts un da\u017ebr\u012bd robusts v\u0113st\u012bjums par diviem provinces dziesminiekiem, kas m\u012bt vienk\u0101r\u0161os mitek\u013cos un c\u012bn\u0101s ar izaicin\u0101jumiem, ko dz\u012bve piesp\u0113l\u0113. Un tie abus varo\u0146us no augst\u0101k\u0101 punkta bez \u017e\u0113last\u012bbas iegremd\u0113 visdzi\u013c\u0101kaj\u0101s dzelm\u0113s.<\/p>\n

\"Filma<\/p>\n

Filma “Vi\u0146u sap\u0146u dziesma”<\/p>\n

Foto: Focus Features<\/p>\n<\/p>\n

Skatoties Br\u016bera filmu, j\u0101secina, tikpat labi \u0161\u012b var\u0113tu b\u016bt ar\u012b dr\u016bma, tum\u0161\u0101s to\u0146k\u0101rt\u0101s kr\u0101sota soci\u0101lpsiholo\u0123isk\u0101 tra\u0123\u0113dija, bet<\/p>\n

\n

m\u016bzika un koncentr\u0113\u0161an\u0101s uz abu varo\u0146u iek\u0161\u0113jo sp\u0113ku tai pie\u0161\u0137ir t\u0101du k\u0101 pa\u0161\u0161\u016bdin\u0101tu fliteru mirdzuma mali\u0146u, \u013caujot koncentr\u0113joties uz cilv\u0113c\u012bbu.<\/p>\n<\/blockquote>\n

Filma “Vi\u0146u sap\u0146u dziesma” \u0161obr\u012bd skat\u0101ma kinote\u0101tros.<\/p>\n","protected":false},"excerpt":{"rendered":"Rado\u0161\u0101s izpausmes ir veids, k\u0101 smelt sp\u0113ku gr\u016bt\u012bbu p\u0101rvar\u0113\u0161anai un trauksmaina pr\u0101ta veldz\u0113\u0161anai. Vai ar to ir gana,…\n","protected":false},"author":2,"featured_media":104849,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-105006","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115897384469687016","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/105006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=105006"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/105006\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/104849"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=105006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=105006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=105006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}