{"id":106697,"date":"2026-01-16T18:55:08","date_gmt":"2026-01-16T18:55:08","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/106697\/"},"modified":"2026-01-16T18:55:08","modified_gmt":"2026-01-16T18:55:08","slug":"janvara-gaisma-viegls-bads-jeb-sezonala-regeneresanas","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/106697\/","title":{"rendered":"\u201eJanv\u0101ra gaisma\u201d. Viegls bads jeb sezon\u0101la re\u0123ener\u0113\u0161an\u0101s"},"content":{"rendered":"

\"\u201eJanv\u0101ra<\/p>\n

\u0160\u012b teksta iemesls ir lietuvie\u0161u re\u017eisora Karo\u013ca Kaupi\u0146a jaun\u0101k\u0101 sp\u0113lfilma \u201cJanv\u0101ra gaisma\u201d, ta\u010du, lai l\u012bdz tai non\u0101ktu, man n\u0101ksies iziet cauri personiskam ritu\u0101lam un kolekt\u012bvai atmi\u0146ai, kas gadiem ilgi \u0161\u0137itusi gandr\u012bz neaizskarama.<\/p>\n

Draudot izsaukt uz sevi uguni, atz\u012b\u0161os, ka esmu viens no tiem cilv\u0113kiem, kas pirm\u0101 janv\u0101ra r\u012bt\u0101 m\u0113dza skat\u012bties Eldara Rjazanova Likte\u0146a ironiju. K\u0101 ritu\u0101lu, kas \u0161\u0137ita neatraujams no p\u0113csv\u0113tku k\u016btruma \u2013 gult\u0101 un l\u0113n\u0101s pastaig\u0101s pa rajonu pavad\u012btas dienas, palaikam ap\u0113dot pa karotei no rasola b\u013codas, kas beidzot k\u0101rt\u012bgi sas\u016bkusies ar majon\u0113zi. K\u0101 dv\u0113sele \u2013 piemirkusi ar pel\u0113ko janv\u0101ra smeldzi, kura caur t\u012bkli\u0146aizkaru un apledoju\u0161o logu iepl\u016bst istab\u0101 vien p\u0101ris stundas dien\u0101. Vakar\u0101 blokm\u0101ju logos k\u0101 egl\u012bt\u0113 iedegas omul\u012bgas gaismi\u0146as, atg\u0101dinot, ka sav\u0101s nosl\u0113gtaj\u0101s eksistenci\u0101l\u0101s vientul\u012bbas \u0161\u016bni\u0146\u0101s m\u0113s tom\u0113r esam da\u013ca no pla\u0161\u0101ka t\u012bkla, kur\u0101 reizi pa reizei (visbarg\u0101k\u0101 sala dien\u0101s un zem gr\u0101diem) var notikt paradoks\u0101ls sasl\u0113dziens \u2013 sajaucot identiskas dz\u012bvok\u013ca durvis, atrast aiz t\u0101m savu vien\u012bgo \u012bsto, kuram k\u0101 Piesm\u0113\u0137\u0113t\u0101 vagona bal\u0101d\u0113 turpm\u0101k zv\u0113r\u0113t \u2013 \u201cno m\u012b\u013cotajiem ne\u0161\u0137irieties…\u201d.
\u0160\u012b smeldz\u012bg\u0101 interl\u016bdija, kas balst\u012bta Aleksandra Ko\u010detkova dzejol\u012b un padar\u012bjusi Likte\u0146a ironiju par vienu no pasaules visp\u0101r\u0101kaj\u0101m \u201cfeel good\u201d ziemas br\u012bvdienu film\u0101m, ilgi bija neat\u0146emama ar\u012b manas kult\u016bras telpas sast\u0101vda\u013ca. Ta\u010du \u0161odien pieder\u012bba \u0161im \u201csektoram\u201d l\u012bdz ar visu filmu ir k\u013cuvusi p\u0101r\u0101k atgr\u016bdo\u0161a, lai celtos roka to uzmekl\u0113t pat joka p\u0113c.<\/p>\n

Un j\u0101, es vainoju imperi\u0101listisku popkult\u016bru \u2013 par da\u017e\u0101daj\u0101m sir\u017eu un pr\u0101tu koloniz\u0101cijas hibr\u012bdform\u0101m, kuras esam pie\u0146\u0113mu\u0161i k\u0101 savas b\u016bt\u012bbas da\u013cu, bez kuras m\u0113s paliktu k\u0101 Anglija bez Br\u012bvdien\u0101m vai Amerika bez Br\u012bni\u0161\u0137\u0101s dz\u012bves. Par fat\u0101listisko \u201ckrievu dv\u0113seli\u201d, kas bez pretrun\u0101m sadz\u012bvo ar pa\u0161pietiekam\u012bbu glorific\u0113jo\u0161u Viens pats m\u0101j\u0101s amerik\u0101\u0146u mor\u0101li, un par iracion\u0101laj\u0101m bail\u0113m, ka, ja atrausim sev \u0161\u012bs trad\u012bcijas, to viet\u0101 neien\u0101ks nekas. Jo, b\u016bsim god\u012bgi \u2013 nedz sirsn\u012bgais Ziemassv\u0113tku jampadracis, nedz Circen\u012b\u0161a Ziemassv\u0113tki neaizl\u0101pa tuk\u0161umu, ko atst\u0101j atteik\u0161an\u0101s no iem\u012b\u013cota sezon\u0101la blokb\u0101stera.<\/p>\n

Tie\u0161i t\u0101p\u0113c uzskatu, ka<\/p>\n

\n

rad\u012bt kvalitat\u012bvu, laikmet\u012bgu un emocion\u0101li prec\u012bzu saturu visos m\u0101kslas \u017eanros \u2013 ar\u012b popul\u0101rajos \u2013 maz\u0101m valst\u012bm ir viens no b\u016btisk\u0101kajiem patriotisma aktiem.<\/p>\n<\/blockquote>\n

Un tie\u0161i ar to, manupr\u0101t, ir ticis gal\u0101 lietuvie\u0161u re\u017eisors Karolis Kaupinis sav\u0101 film\u0101 Janv\u0101ra gaisma \/ Badautoj\u0173 namelis. Pat ja \u0161aj\u0101 laik\u0101, kad Lietuv\u0101 atkal ar pilnu jaudu notiek kult\u016bras darbinieku protesti pret populistu nostiprin\u0101\u0161anos pie varas, k\u0101ds var\u0113tu ar\u012b asi kritiz\u0113t komisku absurda dr\u0101mu par br\u012bv\u012bbas c\u012b\u0146u aizkuli\u0161u realit\u0101ti, pats fakts, ka m\u016bsu platuma gr\u0101dos top filma, kas sp\u0113j saskat\u012bt cilv\u0113ku aiz idejas pat ak\u016bti svar\u012bgos v\u0113stures pagrieziena punktos, liecina par vesel\u012bgu pa\u0161ironiju, demokr\u0101tisku briedumu un kultur\u0101li bag\u0101tu sabiedr\u012bbu tepat kaimi\u0146os.<\/p>\n

Vint\u0101\u017eas vilin\u0101jums<\/p>\n

Lai k\u0101 man grib\u0113tos izdz\u0113st vai p\u0101rrakst\u012bt v\u0113sturi, es, \u0161\u0137iet, nekad nesp\u0113\u0161u no\u0161\u0137irt Jaungada saj\u016btu no laikmeta un rajona, kur\u0101 esmu piedzimusi. Padomju telpas popkult\u016bra \u2013 estr\u0101des m\u016bzika, egl\u012b\u0161u rot\u0101jumi, trauki un televizors, kur\u0101 k\u0101 sausa malka kam\u012bn\u0101 gruzd diktores balss. Dienasgaismas spuldzes apmirdz\u0113ts sniedzi\u0146\u0161 uz blokm\u0101jas palodzes man ir tuv\u0101ks nek\u0101 Piena ce\u013ca starojums uz K\u0101r\u013ca Skalbes eg\u013cu galotn\u0113m.<\/p>\n

Es uzaugu devi\u0146desmitajos postsoci\u0101lisma valst\u012b, un manas agr\u012bn\u0101s atmi\u0146as par \u0161o vietu, iesp\u0113jams, s\u0101ka veidoties tie\u0161i taj\u0101 janv\u0101r\u012b, kur\u0161 ies\u0101k\u0101s ar Likte\u0146a ironiju un turpin\u0101j\u0101s ar barik\u0101\u017eu si\u017eetiem; operatoriem, kas g\u0101ja boj\u0101, film\u0113jot notikumus, un jaunaj\u0101m diktor\u0113m, kuru satraukti mirdzo\u0161\u0101s acis telev\u012bzijas monotonaj\u0101 skan\u0113jum\u0101 ielaida auksta gaisa \u0161altis, dzedru gaismu un bied\u0113jo\u0161u, bet pacil\u0101jo\u0161u tumsu. Atmodas laika p\u0101rraides, barik\u0101\u017eu malka, termosi ar t\u0113ju, jaunie, stil\u012bgie vec\u0101ki ausekl\u012b\u0161u d\u017eemperos pievienoj\u0101s atmi\u0146\u0101m par l\u0101stek\u0101m, \u017eigu\u013ciem un citiem padomju \u201csasniegumiem\u201d. Telev\u012bzija ar labi nost\u0101d\u012btaj\u0101m bals\u012bm, samta kleit\u0101m un siltajiem pro\u017eektoriem k\u013cuva par patv\u0113rumu no sadz\u012bves aizkulis\u0113m \u2013 no virtuv\u0113m ar tr\u012bslitru burk\u0101s uzkr\u0101tu \u016bdeni, daudzk\u0101rt p\u0101rmazg\u0101tu vaskadr\u0101nu un arvien lies\u0101k\u0101m malt\u012bt\u0113m.<\/p>\n

L\u0113ni austo\u0161\u0101s atmodas gaismas, aukstuma un trauslas cer\u012bbas est\u0113tikai, kas raksturo laikmetu mai\u0146as robe\u017esitu\u0101ciju, piev\u0113r\u0161as ar\u012b Viestura Kairi\u0161a Janv\u0101ris (2022), kam barik\u0101\u017eu laiks kalpo par fonu galven\u0101 varo\u0146a pieaug\u0161anai un individu\u0101lai apzi\u0146as nobrie\u0161anai. Karolis Kaupinis Janv\u0101ra gaism\u0101 pied\u0101v\u0101 citu skatupunktu \u2013 viegli sirre\u0101lu, ironisku ce\u013cojumu uz devi\u0146desmito gadu Baltijas galvaspils\u0113tu, kur PSRS sabrukuma haoss \u013cauj pietuvin\u0101ti apl\u016bkot \u201cmazo cilv\u0113ku\u201d liel\u0101s v\u0113stures \u0113n\u0101. Filmas si\u017eets st\u0101sta par konkr\u0113tajiem notikumiem Vi\u013c\u0146\u0101, bet vienlaikus ar\u012b par visp\u0101rin\u0101mu vietu \u2013 k\u0101du mazu valsti ar savu valodi\u0146u, nelielu telev\u012bziju un radio, ko sarg\u0101 un uztur cie\u0161i sav\u012bta kopiena, kur ekr\u0101na otr\u0101 pus\u0113 gandr\u012bz vienm\u0113r str\u0101d\u0101 k\u0101ds ja ne glu\u017ei rads, tad vismaz kaimi\u0146\u0161. \u0160eit robe\u017ea starp idej\u0101m un cilv\u0113kiem, kas t\u0101s \u012bsteno, ir tikpat pl\u0101na k\u0101 starp skat\u012bt\u0101ju un raid\u012bjuma vad\u012bt\u0101ju \u2013 un tie\u0161i \u0161\u012b liminalit\u0101te, viegli neticam\u0101 realit\u0101tes nob\u012bde, kas pietuvina Vi\u013c\u0146u k\u0101dai no Lin\u010da pils\u0113t\u0101m, rada Kaupi\u0146a filmas galveno spriegumu un \u0161armu.<\/p>\n

Janv\u0101ra gaisma ir lietuvie\u0161u re\u017eisora Karo\u013ca Kaupi\u0146a otr\u0101 pilnmetr\u0101\u017eas filma p\u0113c lielisk\u0101s debijas filmas Nova Lituania, kur\u0101 autors br\u012bvi interpret\u0113 k\u0101du citu Lietuvas v\u0113stures grie\u017eu paradoksu \u2013 si\u017eeta pamat\u0101 ir st\u0101sts par k\u0101du \u0123eogr\u0101fijas profesoru, kur\u0161, nojau\u0161ot okup\u0101cijas draudus, n\u0101cijas saglab\u0101\u0161anas nol\u016bkos pied\u0101v\u0101 izveidot \u201crezerves Lietuvu\u201d. Sav\u0101 jaun\u0101kaj\u0101 film\u0101 Kaupinis nol\u0113mis piev\u0113rsties vienam no simboliski noz\u012bm\u012bg\u0101kajiem Lietuvas jaun\u0101k\u0101s v\u0113stures br\u012b\u017eiem \u2013 1991. gada janv\u0101rim, kad padomju karasp\u0113ks ie\u0146\u0113ma Lietuvas Radio un telev\u012bzijas \u0113ku Vi\u013c\u0146\u0101. Vi\u0146\u0161 r\u0101da \u0161o v\u0113sturisko l\u016bzuma punktu bez heroiz\u0101cijas un grandioziem narat\u012bviem, bet pied\u0101v\u0101jot dzi\u013ci subjekt\u012bvu, cilv\u0113cisku skatu punktu.<\/p>\n

Lai ar\u012b balst\u012bta si\u017eet\u0101 par devi\u0146desmitajiem, filma tikpat liel\u0101 m\u0113r\u0101 run\u0101 ar\u012b par \u0161odienas Baltijas (bet ne tikai) realit\u0101ti \u2013 sabiedr\u012bbu, kas eksist\u0113 starp \u0101r\u0113ju apdraud\u0113jumu, iek\u0161\u0113ju nogurumu un inform\u0101cijas manipul\u0101cij\u0101m. Laikmeta garam, kolor\u012btam un paradoks\u0101laj\u0101m deta\u013c\u0101m bija iev\u0113rojam noz\u012bme ar\u012b pa\u0161m\u0101ju Janv\u0101ra kinematogr\u0101fiskaj\u0101 st\u0101st\u0101, tom\u0113r Kaupinis izv\u0113las at\u0161\u0137ir\u012bgu ce\u013cu \u2013 vi\u0146a gad\u012bjum\u0101 v\u0113stures vardarb\u012bba un spriedze nek\u013c\u016bst nedz par fonu, nedz p\u0101rbaud\u012bjuma telpu, caur kuru cilv\u0113ks non\u0101k pie mor\u0101las poz\u012bcijas vai pilsoniskas identit\u0101tes veido\u0161an\u0101s. T\u0101 ir bieza, nepareiza, netaisna un neattaisnojama, cilv\u0113ka dz\u012bves j\u0113gu diskredit\u0113jo\u0161a mat\u0113rija, pret kuru cilv\u0113ks k\u0101du br\u012bdi cen\u0161as notur\u0113ties\u2026 vai ar\u012b sal\u016bst. Kaupinis r\u0101da politisko preto\u0161anos nevis k\u0101 triumfu, bet k\u0101 trauslu, neveikli cilv\u0113cisku m\u0113\u0123in\u0101jumu tur\u0113ties pret\u012b visp\u0101r\u0113jai ap\u0101tijai, vienlaikus demonstr\u0113jot Baltijas kino sp\u0113ju reflekt\u0113t par v\u0113sturi caur int\u012bmu, hum\u0101nistisku prizmu, tom\u0113r uzsverot \u201cmaz\u0101 cilv\u0113ka\u201d a\u0123enci un ikdieni\u0161\u0137\u0101 kl\u0101tb\u016btni lielajos notikumos.<\/p>\n

Streikot\u0101ju panteons<\/p>\n

Kad tiek ie\u0146emta telev\u012bzija ar t\u0101s uzburto, iluzori viszino\u0161o un situ\u0101ciju kontrol\u0113jo\u0161o fas\u0101di, par jauno telev\u012bzijas darbinieku skatuvi k\u013c\u016bst dz\u012bvojamais treileris, kur\u0101 par sp\u012bti iek\u0161\u0113j\u0101m \u0161aub\u0101m da\u017ei mediju darbinieki nosliecas par labu protestam.
St\u0101sta centr\u0101 ir telev\u012bzijas diktore Daiva (Ineta Stasiulyt\u0117), vientu\u013ca, dz\u012bves nogurusi sieviete, kura nupat zaud\u0113jusi darbu telev\u012bzij\u0101 \u2013 iesp\u0113jams, vien\u012bgo formu, kas satur kop\u0101 vi\u0146as dz\u012bvi. Ievada ekspoz\u012bcij\u0101 m\u0113s redzam Daivu p\u0113c vakara mai\u0146as ar autobusu atgrie\u017eamies apdilu\u0161aj\u0101 blokm\u0101jas dz\u012bvokl\u012b. Vi\u0146as sej\u0101 ir kaut kas no skumj\u0101s Likte\u0146a ironijas Nadjas \u2013 v\u0113l izskat\u012bgas pusm\u016b\u017ea profesion\u0101les, kura vairs necer atrast m\u012blest\u012bbu. Ta\u010du pav\u0113rsiens Daivas dz\u012bv\u0113 ien\u0101k nevis k\u0101 dz\u012bvok\u013cus sajauku\u0161ais, piedz\u0113ru\u0161ais \u017de\u0146a, bet gan k\u0101 Maskavas uzbrukums Lietuvai, kura laik\u0101 tiek ie\u0146emta Lietuvas Radio un telev\u012bzijas \u0113ka.<\/p>\n

Streika uzs\u0101k\u0161ana s\u0101kotn\u0113ji \u0161\u0137iet vien person\u012bga reakcija pret vien\u012bg\u0101s darbavietas netaisn\u012bgu at\u0146em\u0161anu, bet dr\u012bz nojau\u0161am, ka uzs\u0101ktais badastreiks Daivai ir k\u0101 gar\u012bgs mekl\u0113jums un protests pret visp\u0101r\u0113ju nezi\u0146u, izs\u012bkumu un kr\u012bzi, kas saist\u012bta ar vi\u0146as \u0101r\u0113ji ko\u0161\u0101s karjeras \u0161\u0137ietam\u0101s bezj\u0113dz\u012bbas apzin\u0101\u0161anos. Da\u013ca telev\u012bzijas darbinieku p\u0101rce\u013cas kr\u012bzes re\u017e\u012bm\u0101 str\u0101d\u0101t uz Kau\u0146u, bet Daiva nav svar\u012bg\u0101ko un neaizst\u0101jamo vid\u016b \u2013 vi\u0146a nav tra\u0123\u0113dijas, tikai dr\u0101mas epicentr\u0101. Tom\u0113r Daivas identific\u0113\u0161an\u0101s ar \u0161o mediju tom\u0113r izr\u0101d\u0101s sp\u0113c\u012bg\u0101ka.<\/p>\n

\n

\u201cM\u0113s esam telev\u012bzija. Telev\u012bzija nekad neapst\u0101jas,\u201d \u2013 diktore izlemj nost\u0101ties c\u012bn\u012bt\u0101ju rind\u0101s,<\/p>\n<\/blockquote>\n

vienlaikus atkl\u0101jot t\u0101s dzi\u013c\u0101s nolemt\u012bbas skumjas, k\u0101das nes, teiksim, likte\u0146upe vai k\u0101ds ar m\u016b\u017e\u012bgu dz\u012bvi nol\u0101d\u0113ts mitolo\u0123iz\u0113ts t\u0113ls, kas ir dz\u012bv\u0113 \u201eredz\u0113jis visu\u201d.<\/p>\n

Papildinot kolor\u012bto treilera vagoni\u0146a panteonu, Daivas protesta akcijai pievienojas ar\u012b g\u013c\u0113vul\u012bgais konformists, telev\u012bzijas direktors M\u012bkols (Arvydas Dap\u0161ys), kur\u0161 gadu desmitiem pratis piel\u0101goties padomju sist\u0113mai, veikli nepieslienoties nevienai pusei. \u201cEs jau zin\u0101ju, ka t\u0101s sp\u0113l\u012btes ar br\u012bv\u012bbu nebeigsies labi,\u201d \u2013 atmezdams ar roku, vi\u0146\u0161 vien\u0101 teikum\u0101 rezum\u0113 t\u0101s sabiedr\u012bbas da\u013cas nost\u0101ju, kas atmodas laik\u0101 zaud\u0113ja karjeru un v\u0113rt\u012bbu atskaites punktu. M\u012bkolu protesta vagoni\u0146\u0101 zin\u0101m\u0101 m\u0113r\u0101 noved pa\u0161a iek\u0161\u0113jais v\u0101jums un neizl\u0113m\u012bba, sava s\u012bkuma apzin\u0101\u0161an\u0101s, netiekot iek\u013cautam neaizst\u0101jam\u0101s rea\u0123\u0113\u0161anas vien\u012bb\u0101, un ar\u012b cilv\u0113ciskas simp\u0101tijas pret Daivu \u2013 tas vi\u0146u pa\u0161u padara mazliet t\u012bkam\u0101ku.<\/p>\n

Kam\u0113r direktors v\u0113l sv\u0101rst\u0101s \u2013 \u201cja nu krievi tom\u0113r uzvar\u0113s\u201d \u2013, Daiva, k\u0101 jau sieviete, seko intu\u012bcijai un paredz PSRS beigas. \u201cK\u0101 tu to zini? \u2013 Es ta\u010du str\u0101d\u0101ju telev\u012bzij\u0101. Es visam sekoju.\u201d Vi\u0146as p\u0101rliec\u012bba ir nesatricin\u0101ma. Dialogs notiek automa\u0161\u012bn\u0101, kur aizmugur\u0113 pievienojies tre\u0161ais \u2013 introvertais radio kol\u0113\u0123is Alfr\u0113ds (Albinas Keleris) ar akmens seju un augstu mor\u0101lo st\u0101ju; vi\u0146\u0161 ar savu nopietn\u012bbu garant\u0113 komisk\u0101kos filmas momentus. Neiztr\u016bksto\u0161s \u0161aj\u0101 ansambl\u012b ir ar\u012b pretmets \u2013 pie ugunskura nesatricin\u0101ms k\u0101 celms s\u0113\u017e \u012bstais br\u012bv\u012bbas c\u012b\u0146u gara iemiesot\u0101js Petrs no Br\u012bv\u012bbas l\u012bgas.<\/p>\n

Un t\u0101 \u2013 milit\u0101ras kr\u012bzes apst\u0101k\u013cos \u2013 debesis iel\u016bst, un telev\u012bzijas dievi no aizspogulijas izn\u0101k uz zemes, nost\u0101joties vien\u0101 l\u012bmen\u012b ar cilv\u0113kiem; tas k\u013c\u016bst par s\u0101kumu neparedzamu notikumu virknei. Tom\u0113r lai \u0161\u0101da satik\u0161an\u0101s notiktu, ir vajadz\u012bgi drosm\u012bgie ar\u012b no cilv\u0113ku vidus \u2013 t\u0101ds ir agent provocateur, zi\u0146k\u0101r\u012bgais kaimi\u0146\u0161 Sigis Bickus (Paulius Pinigis), pirmais c\u0113l\u0101 protesta narat\u012bva caursit\u0113js, kas iesp\u012bt\u0113jas ar savu \u0161\u0137ietami mietpilsonisko nost\u0101ju \u2013 j\u016bsu protests trauc\u0113 manam b\u0113rnam gul\u0113t! \u0160\u012b fr\u0101ze z\u012bm\u012bgi darbojas ar\u012b scen\u0101rija iek\u0161\u0113j\u0101 uzb\u016bv\u0113, kur, k\u0101 zin\u0101ms, Daiva vienm\u0113r bijusi t\u0101, kas iemidzino\u0161i piesaka vakara programmu, tostarp mazu\u013cu vakara pasaci\u0146u.<\/p>\n

\"\"<\/a><\/p>\n

Sigis ir paradoks\u0101lais elements st\u0101st\u0101 \u2013 vispirms aicinot uz protestu bez trok\u0161\u0146a un piesakot it k\u0101 augst\u0101ku \u0113tisko ide\u0101lu \u2013 iek\u0161\u0113ju preto\u0161anos \u2013, bet v\u0113l\u0101k jau ierosinot badastreiku k\u0101 efekt\u012bg\u0101ku formu starptautiskas intrigas veicin\u0101\u0161anai. Protesta iekv\u0113lin\u0101tais, emocion\u0101li eksploz\u012bvais pagr\u012bdes aktieris \u0161o v\u0113sturisko pagriezienu punktu un protestu izmanto k\u0101 skatuvi person\u012bgai izl\u0101dei. Tie\u0161i vi\u0146\u0161 p\u0101rnes politisko konfliktu priv\u0101t\u0101s dr\u0101mas l\u012bmen\u012b, par\u0101dot to, k\u0101 ide\u0101lu aizst\u0101v\u0113\u0161ana m\u0113dz k\u013c\u016bt par ego pa\u0161apliecin\u0101\u0161an\u0101s l\u012bdzekli.<\/p>\n

T\u0101 nu vi\u0146i visi (iz\u0146emot br\u012bv\u012bbas c\u012bn\u012bt\u0101ju Petru, kur\u0161 radis salt lauk\u0101) sadz\u012bvo \u0161aur\u0101 treiler\u012b \u2013 k\u0101 uz eksistenci\u0101las sali\u0146as starp agres\u012bvu, vienaldz\u012bgu milit\u0101ru kl\u0101tb\u016btni un sabiedr\u012bbu, kas izv\u0113las noskat\u012bties no malas. Filmas t\u0113li nav ne labi, ne \u013cauni, bet vair\u0101k t\u0101ds grie\u0137u dievu tips \u2013 episki, cilv\u0113ciski untumaini un neparedzami vienlaikus. Caur vi\u0146iem filmas veidot\u0101ji var uzdot ne\u0113rtus jaut\u0101jumus par liel\u0101 \/ maz\u0101 attiec\u012bbu ambivalenci, ide\u0101lu un \u0137erme\u0146a vajadz\u012bbu robe\u017e\u0101m. Visskaist\u0101k\u0101s filmas ain\u0101s ir iek\u0161\u0113jo sv\u0101rst\u012bbu nianses aktieru t\u0113lojum\u0101 (ar k\u0101d\u0101m \u0161aub\u0101m Daiva pa\u0146em ruporu pirmajam protesta sauklim), kol\u0113\u0123u mulsie skatieni un portretos pietuvin\u0101ti r\u0101d\u012bt\u0101 iek\u0161\u0113j\u0101 transform\u0101cija, kas main\u0101s laik\u0101, notikumu un sarunu gait\u0101.<\/p>\n

Protesta neveiksme ir iepriek\u0161paredzama, ta\u010du re\u017eisoru Kaupini ar\u012b neinteres\u0113 st\u0101sts par uzvaru vai sak\u0101vi, bet gan kolekt\u012bv\u0101s r\u012bc\u012bbas trauslums un t\u0101 sp\u0113ja uz \u012bsu br\u012bdi rad\u012bt cilv\u0113ciskas atkl\u0101smes. Tas ir st\u0101sts par protesta procesu, kas \u013cauj priek\u0161pl\u0101n\u0101 izn\u0101kt ide\u0101listiem un ekscentri\u0137iem, kuri r\u012bkojas bez iepriek\u0161\u0113ja scen\u0101rija. Par laiku, kad, nobr\u016bkot iluzor\u0101m sien\u0101m, m\u0113dz rasties jauni neironu savienojumi starp cilv\u0113kiem.<\/p>\n

Nepiek\u0101p\u012bgs d\u017eezs <\/p>\n

Komisms un absurds film\u0101 tiek vienm\u0113r\u012bgi k\u0101pin\u0101ts, telev\u012bzijas varo\u0146iem saskaroties ar nevain\u012bgajiem blakusst\u0101v\u0113t\u0101jiem un badastreika l\u012bdzjut\u0113jiem. Tas kulmin\u0113 vair\u0101k\u0101s epizod\u0113s \u2013 piem\u0113ram, k\u0101 t\u0101, kur radiobalss Alfr\u0113ds deklam\u0113 romantisku dzeju kaimi\u0146ienei un vi\u0146as vie\u0161\u0146ai no Sib\u012brijas, kas lietuviski nesaprot ne v\u0101rdus, ne kontekstu, bet entuziastiski iesaist\u0101s sarun\u0101 par to, cik gardas ogas auga Sib\u012brij\u0101. Katr\u0101 no \u0161\u012bm ain\u0101m gribu izcelt filmas m\u0101kslinieka darbu un r\u016bp\u012bgi izv\u0113l\u0113t\u0101s laikmeta deta\u013cas un kolor\u012btu \u2013 s\u0101kot ar neiztr\u016bksto\u0161o ne\u013c\u0137u v\u0101zi telev\u012bzijas kadr\u0101, aktrises klip\u0161iem, sp\u012bd\u012bgo kombin\u0113, grima noskalo\u0161anu pie j\u0113li za\u013c\u0101s keramikas izlietnes, un beidzot ar p\u0101rsp\u012bl\u0113ti est\u0113tisk\u0101m kompoz\u012bcij\u0101m, kas telev\u012bzijas dekorat\u012bvismu ienes negl\u012btaj\u0101, pel\u0113kaj\u0101 \u0101rtelp\u0101. Nov\u0113rt\u0113jama ir ar\u012b kadra iek\u0161\u0113j\u0101 horeogr\u0101fija \u2013 sinhron\u0101 kartupe\u013cu mizo\u0161ana, atk\u0101rtot\u0101 protest\u0113t\u0101ju tr\u012bsvien\u012bbas front\u0101l\u0101 sast\u0101\u0161an\u0101s, armijnieku pl\u0101t\u012bg\u0101s gr\u016bst\u012b\u0161an\u0101s ainas utt.)<\/p>\n

Br\u012b\u017eiem \u0161\u0137iet, ka filmas gaitu pie jaun\u0101m atkl\u0101sm\u0113m noved pati rota\u013c\u0101\u0161an\u0101s ar vint\u0101\u017eas est\u0113tikas atdarin\u0101\u0161anu \u2013 deta\u013cas s\u0101k run\u0101t pa\u0161as par sevi, uzr\u0101dot jaunas likumsakar\u012bbas. Bronz\u012bgi nos\u016bb\u0113ju\u0161ie, nosl\u0113pumainie telev\u012bzijas un restor\u0101nu interjeri sader ar \u017e\u0101v\u0113t\u0101m vist\u0101m nokrauto direktora kafijas galdi\u0146u, purpura to\u0146i papildina silt\u0101s iek\u0161telpu gaismas, kas kontrast\u0113 ar janv\u0101ra pel\u0113c\u012bbu aiz loga, v\u0113sos to\u0146os t\u0113rpto ask\u0113tu Sigi Bickus un visa dzedruma iemiesojumu \u2013 pel\u0113ko streika vagoni\u0146u ar tam piekabin\u0101to, pa\u0161roc\u012bgi z\u012bm\u0113to plak\u0101tu \u201cbada streiks\u201d. Bet pat \u0161aj\u0101 pel\u0113kaj\u0101 sk\u0101rda monstr\u0101 vakaros iedegas silta gaisma. Gaum\u012bgais p\u0101rsp\u012bl\u0113jums film\u0101 ik uz so\u013ca atg\u0101dina par trauslo robe\u017eu starp \u012bsto un \u0161\u0137ietamo,\u00a0pastiprina sirre\u0101la sap\u0146a saj\u016btu un vienlaikus akcent\u0113 to, ka telev\u012bzija ar visu il\u016bziju ir izn\u0101kusi lauk\u0101 no \u0113tera.<\/p>\n

Filmas veidot\u0101ju komanda izvelk gaism\u0101 daudzas agro devi\u0146desmito laika z\u012bmes un artefaktus, bet t\u0101s nav tikai \u201cpadomju paliekas\u201d. \u0160\u012bs lietas un vietas, kuras apdz\u012bvojusi padomju armija vai c\u0113lusi padomju vara, ir da\u013ca ar\u012b no okup\u0113to teritoriju \u0161odienas pasaules. Lietot\u0101ju rok\u0101s t\u0101s apaug ar jauniem, tostarp preto\u0161an\u0101s st\u0101stiem vai nes vair\u0101kas noz\u012bmes vienlaikus, un Janv\u0101ra gaisma mums atkl\u0101j \u0161o l\u0113no cilv\u0113ka un pasaules transform\u0101ciju.<\/p>\n

\n

\u0160\u012b ir viena no t\u0101m film\u0101m, kuru p\u0113c noskat\u012b\u0161an\u0101s gribas uzreiz skat\u012bties v\u0113lreiz.<\/p>\n<\/blockquote>\n

Daudzk\u0101rt emocion\u0101li atsai\u0146ojama \u201cfeel good\u201d dr\u0101ma ar Baltijas raksturu, kuras iek\u0161\u0113j\u0101s lo\u0123ikas visum\u0101 uzburt\u0101s sasp\u0113les un iek\u0161\u0113jie joki potenci\u0101li var k\u013c\u016bt par pla\u0161\u0101k izmantot\u0101m kult\u016bratsauc\u0113m.
Janv\u0101ra gaisma sp\u0113j aizpild\u012bt to sentimenta kambari, kuru negribas atst\u0101t tuk\u0161u trauslaj\u0101 1. janv\u0101ra br\u012bvdien\u0101, kad vienk\u0101r\u0161i gribas nedom\u0101t, tikai just. Jo galu gal\u0101 lietas, p\u0113c k\u0101 m\u0113s sirds dzi\u013cumos ilgojamies, visbie\u017e\u0101k nav saist\u012btas ar idej\u0101m, revol\u016bcij\u0101m un str\u0101vojumiem, bet gan noska\u0146u \u2013 kr\u0101s\u0101m, gaism\u0101m, b\u0113rn\u012bbas gar\u0161as un taustes atmi\u0146u, piesk\u0101rieniem, m\u016bziku, ska\u0146\u0101m, tekst\u016br\u0101m, AMSR, nost\u0101stiem, nojausm\u0101m, dienas sap\u0146iem un cer\u012bb\u0101m, kuru devi\u0146desmitajos dz\u012bvoju\u0161ajai paaudzei d\u0101sni izstaroja ar\u012b televizors. Tas bie\u017ei vien bija silt\u0101kais punkts istab\u0101, kas satrauco\u0161\u0101s zi\u0146as vienm\u0113r g\u0101d\u012bgi at\u0161\u0137aid\u012bja ar k\u0101du lirisku saturu, kur visu noskaloja salda estr\u0101des m\u016bzika vai nepiek\u0101p\u012bgi sentiment\u0101ls un dz\u012bves ritmu uz priek\u0161u dzeno\u0161s, pozit\u012bvs d\u017eezi\u0146\u0161. \u0160eit iederas komplimenti Janv\u0101ra gaismas komponistiem (Mat\u012bss \u010cudars un Arnas Mikalkenas), kuri filigr\u0101ni dreif\u0113 starp telev\u012bzijas un kino realit\u0101tes foniem, pied\u0101v\u0101jot melodiju \u2013 tie\u0161i tik drusc\u012bt par saldu un p\u0101rsp\u012bl\u0113tu, lai \u013cautu skat\u012bt\u0101jam nep\u0101rtraukti saglab\u0101t komisku distanci no notieko\u0161\u0101.<\/p>\n

Bads<\/p>\n

B\u016bt\u012bb\u0101 mana vien\u012bg\u0101 kritika ir par filmas nosaukumu. Janv\u0101ra gaisma film\u0101 ir \u2013 t\u0101 filmu balsta, tiek apsp\u0113l\u0113ta un interpret\u0113ta, tom\u0113r angliski tulkotais Badastreika brokastis \/ Hungerstrike Breakfast man liekas prec\u012bz\u0101ks. Janv\u0101ris piederas Kairi\u0161a darbam, Kaupi\u0146a filma ir par badu. Absurda dr\u0101ma, kas ierakst\u0101s bada filmu \u017eanr\u0101, spektr\u0101 starp Hamsuna Bada ekraniz\u0101ciju del\u012briskajiem klejojumiem un \u0160vankmeijera fiziolo\u0123isk\u0101s r\u012b\u0161anas simfonij\u0101m. Taj\u0101 ir kaut kas no lirisk\u0101 varo\u0146a st\u0101sta par lepnumu, nesp\u0113ju piel\u0101goties birokr\u0101tiskai pasaulei \u2013 par iek\u0161\u0113ju sabrukumu, ko izraisa nabadz\u012bba, sp\u0113ka izs\u012bkums, politiska apspiest\u012bba, sabiedr\u012bbas ap\u0101tija un soci\u0101la atstumt\u012bba.<\/p>\n

Tom\u0113r filmas deta\u013c\u0101s, \u0113dienu tuvpl\u0101nos un fiziski kairino\u0161aj\u0101s fakt\u016bras nojau\u0161am ar\u012b it k\u0101 pret\u0113jo \u2013 \u0101r\u0113jo nabadz\u012bbu, defic\u012btu k\u0101 vardarb\u012bgu kontroles meh\u0101nismu, kas noved pie refleksa \u201caprij vai ar\u012b tiksi apr\u012bts\u201d. Tas vair\u0101k varb\u016bt attiecas uz telev\u012bziju aplenco\u0161ajiem armijniekiem, bet tom\u0113r nav sve\u0161s ar\u012b iek\u0161\u0113j\u0101s strukt\u016br\u0101s. Abas \u0161\u012bs pasaules satiekas ain\u0101 ar \u010debureku \u2013 trekni krauk\u0161\u0137\u012bgais vidusce\u013c\u0161 starp bur\u017eu\u0101zisk\u0101 restor\u0101na pompu un tikumisku gav\u0113ni paredzami noved pie straujas saind\u0113\u0161an\u0101s un \u0137ermeniski refleks\u012bvas atgr\u016b\u0161anas, simboliski norakstot padomju \u0101tro uzkodu k\u0101 visslikt\u0101ko no \u0113tiskaj\u0101m izv\u0113l\u0113m.<\/p>\n

\"\"<\/a><\/p>\n

\u201cBads ir z\u0101les pret vis\u0101m kait\u0113m,\u201d sludina no blokm\u0101jas k\u0101p\u0146utelpas izniru\u0161ais Sigis Bickus, kur\u0161 \u0161o biblisko paties\u012bbu izlas\u012bjis kaimi\u0146ienes aizdot\u0101 pa\u0161pal\u012bdz\u012bbas gr\u0101mat\u0101. T\u0101 filmas si\u017eet\u0101 iez\u012bm\u0113jas ar\u012b katolisk\u0101 ask\u0113ze, kas viegli velk paral\u0113les ar del\u012brisku avangardu \u2013 v\u0113l vienu apzi\u0146as m\u0113\u0123in\u0101jumu sak\u0101rtot sevi izmisuma situ\u0101cij\u0101. Sp\u0113lfilma mums pied\u0101v\u0101 pal\u0113nin\u0101t tempu v\u0113stures grie\u017eu proces\u0101, kur\u0161 dokument\u0101laj\u0101s liec\u012bb\u0101s liel\u0101koties atspogu\u013cots k\u0101 spriedzi k\u0101pino\u0161a sens\u0101cija. Kino atg\u0101dina par d\u012bkaj\u0101m min\u016bt\u0113m, kuras neiztr\u016bkst ar\u012b adrenal\u012bna nestajos notikumos \u2013 cilv\u0113ks redz, j\u016bt, sao\u017e, satiek otru cilv\u0113ku, proces\u0113 notieko\u0161o, pavadot garas stundas protestos vai streikos \u2013 ar dz\u012bvu, iesl\u0113gtu apzi\u0146u, kura turpina c\u012bn\u012bties ar sav\u0101m v\u0113lm\u0113m, dzi\u0146\u0101m, p\u0101rliec\u012bbu. Turpina veikt izv\u0113les un ar\u012b k\u013c\u016bd\u012bties.<\/p>\n

Janv\u0101ra gaisma ir filma, kas reflekt\u0113 ne tikai par v\u0113sturiski politiskajiem notikumiem un sabiedr\u012bbu, bet ar\u012b par telev\u012bziju un radio k\u0101 noteikta civiliz\u0101cijas laika posma asinsriti un kaut k\u0101d\u0101 m\u0113r\u0101 ar\u012b par kino attiec\u012bb\u0101m ar \u017eurn\u0101listiku. Par cilv\u0113ka darbin\u0101t\u0101s ekr\u0101na m\u0101kslas iek\u0161\u0113jo kr\u012bzi, nogurumu, reiz\u0113m iek\u0161\u0113ju g\u013c\u0113vumu, korump\u0113t\u012bbu un tur\u0113\u0161anos pie ide\u0101liem vai iek\u0161\u0113jas sirdsapzi\u0146as. Valters Benjamins savulaik bija lakoniski formul\u0113jis, ka inform\u0101cija ir v\u0113rt\u012bga tikai tik ilgi, kam\u0113r t\u0101 ir jauna, savuk\u0101rt kinematogr\u0101fs pied\u0101v\u0101 notikumu atspogu\u013cojumu ar gar\u0101ku der\u012bguma termi\u0146u. Filma reflekt\u0113s par mums, \u0161o vietu un laiku, ar\u012b p\u0113c gada, diviem un trim. Glu\u017ei k\u0101 t\u0101ds iek\u0161\u0113js protests pret straujo, sensacion\u0101lo un manipul\u0113jo\u0161o mediju pl\u016bsmu, taj\u0101 pa\u0161\u0101 laik\u0101 nenoliedzot ar\u012b t\u0101s noz\u012bmi.<\/p>\n

\u0160\u0101gada jaungada r\u012bt\u0101, v\u0113l pirms Janv\u0101ra gaismas skat\u012b\u0161an\u0101s, pa svaigi uzsnigu\u0161o sniegu gar Daili mani m\u0101j\u0101s pavad\u012bja k\u0101ds tuvs fran\u010du draugs, kur\u0161 va\u013csird\u012bgi atzin\u0101s \u2013 vi\u0146am nav bijis sevi\u0161\u0137i \u017e\u0113l, kad dega Par\u012bzes Dievm\u0101tes katedr\u0101le. Jo no\u017e\u0113lojami, pirmk\u0101rt, esot tas, ka \u0161\u0101ds v\u0113sturisks piemineklis tik pavir\u0161i ticis pieskat\u012bts b\u016bvdarbu laik\u0101, un, otrk\u0101rt, ar\u012b patoss, ar k\u0101du v\u0113l\u0101k tika v\u0101kti l\u012bdzek\u013ci t\u0101 atjauno\u0161anai. \u201cJa man b\u016btu j\u0101gl\u0101bj kaut viens fran\u010du kult\u016bras piemineklis, es gl\u0101btu Radio France,\u201d vi\u0146\u0161 bezkaisl\u012bgi piemetin\u0101ja. Un es saproto\u0161i m\u0101ju ar galvu. Jo radio, telev\u012bzija, br\u012bvs sabiedriskais medijs ne tikai Francij\u0101 iemieso to, par ko fran\u010di c\u012bn\u012bj\u0101s sav\u0101 revol\u016bcij\u0101 \u2013 br\u012bv\u012bbu, vienl\u012bdz\u012bbu un politisku l\u012bdzdal\u012bbu. Tas ne tikai apraida, bet ar\u012b rada sava laika kult\u016bru; kalpo k\u0101 arh\u012bvs, kur\u0101 glab\u0101jas valsts intelektu\u0101l\u0101 v\u0113sture, un vienlaikus ar\u012b demokr\u0101tijas pamatelements, kas padara kvalitat\u012bvu kult\u016bru pieejamu visiem, uztur valodas lati\u0146u un veicina kritisko dom\u0101\u0161anu.
Nav nejau\u0161i, ka kritiskos br\u012b\u017eos m\u0113s sapulc\u0113jamies Doma laukum\u0101 \u2013 sen vairs ne tik daudz Doma bazn\u012bcas, bet gan Radio m\u0101jas d\u0113\u013c, kas atrodas mazliet tuv\u0101k \u0161odienas sirdsapzi\u0146ai. Un, ja vajadz\u0113tu, m\u0113s ietu ar\u012b t\u0101l\u0101k \u2013 sarg\u0101tu telev\u012bziju Za\u0137usal\u0101 un protest\u0113tu tum\u0161\u0101s iel\u0101s k\u0101 pa\u0161laik Ir\u0101n\u0101, ja tiktu atsl\u0113gts internets. Jo br\u012bd\u012b, kad tiek p\u0101rrauts sazi\u0146as t\u012bkls, tiek apdraud\u0113ta pati iesp\u0113ja b\u016bt politiskam subjektam un piedal\u012bties \u2013 lai cik ar\u012b vesel\u012bgs da\u017ereiz b\u016btu \u012bslaic\u012bgs digit\u0101lais detokss. <\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"\u0160\u012b teksta iemesls ir lietuvie\u0161u re\u017eisora Karo\u013ca Kaupi\u0146a jaun\u0101k\u0101 sp\u0113lfilma \u201cJanv\u0101ra gaisma\u201d, ta\u010du, lai l\u012bdz tai non\u0101ktu, man…\n","protected":false},"author":2,"featured_media":106698,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-106697","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115906302729539497","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/106697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=106697"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/106697\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/106698"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=106697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=106697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=106697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}