{"id":109889,"date":"2026-01-21T06:43:15","date_gmt":"2026-01-21T06:43:15","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/109889\/"},"modified":"2026-01-21T06:43:15","modified_gmt":"2026-01-21T06:43:15","slug":"rezisors-adolfs-sapiro-pec-34-gadu-partraukuma-atgriezas-latvija-ar-izradi-dons-kihots-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/109889\/","title":{"rendered":"Re\u017eisors \u0100dolfs \u0160apiro p\u0113c 34 gadu p\u0101rtraukuma atgrie\u017eas Latvij\u0101 ar izr\u0101di \u00abDons Kihots\u00bb\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>\u0160apiro pievienojas Jaunajam R\u012bgas te\u0101trim ar \u00abDonu Kihotu\u00bb<\/p>\n<p>Le\u0123end\u0101rais re\u017eisors \u0100dolfs \u0160apiro p\u0113c 34 gadu promb\u016btnes Latvij\u0101 atgrie\u017eas, lai iestud\u0113tu Migela de Servantesa slaveno rom\u0101nu \u00abDons Kihots\u00bb Jaunaj\u0101 R\u012bgas te\u0101tr\u012b (JRT). Izr\u0101de piedz\u012bvos pirmizr\u0101di 2026. gada 3. febru\u0101r\u012b JRT Lielaj\u0101 z\u0101l\u0113, L\u0101\u010dpl\u0113\u0161a iel\u0101 25. K\u0101 inform\u0113 Latvijas Sabiedriskie Mediji, \u0160apiro jau iepriek\u0161 ir bijis noz\u012bm\u012bgs Latvijas te\u0101tra ain\u0101, vadot Jaunatnes te\u0101tri, kas 20. gadsimta otraj\u0101 pus\u0113 bija viens no galvenajiem m\u0101kslas un gar\u012bg\u0101s dz\u012bves centriem Latvij\u0101. Vi\u0146a novatoriskie iestud\u0113jumi, piem\u0113ram, \u00abCentrif\u016bga\u00bb un \u00abSniegotie kalni\u00bb, ir iek\u013cauti Latvijas Kult\u016bras kanon\u0101.<\/p>\n<p>Titullomas uztic\u0113tas Znotinam un \u0100boli\u0146am<\/p>\n<p>Galvenaj\u0101s lom\u0101s izr\u0101d\u0113 \u00abDons Kihots\u00bb iejut\u012bsies paz\u012bstamie aktieri Kaspars Znotin\u0161 titullom\u0101 un Gundars \u0100boli\u0146\u0161 San\u010do Pansas lom\u0101. Izr\u0101des veidot\u0101ju vid\u016b ir ar\u012b dramatur\u0123ijas autors un re\u017eisors \u0100dolfs \u0160apiro, tulkot\u0101js Gundars \u0100boli\u0146\u0161, scenogr\u0101fs M\u0101rti\u0146\u0161 Vilk\u0101rsis, kost\u012bmu m\u0101ksliniece Krist\u012bne Pasternaka, gaismu m\u0101kslinieks Niks Cipruss un video m\u0101kslinieks Artis Dz\u0113rve. Izr\u0101d\u0113 piedal\u0101s ar\u012b Baiba Broka, Ivars Krasts, J\u0101nis Skutelis un citi.<\/p>\n<p>\u00abDons Kihots\u00bb \u2013 p\u0101rbaud\u012bjums donkihotismam un pan\u010dismam<\/p>\n<p>Re\u017eisors \u0100dolfs \u0160apiro savu izv\u0113li iestud\u0113t \u00abDonu Kihotu\u00bb pamato, nor\u0101dot, ka st\u0101sts par c\u0113lo bru\u0146inieku un vi\u0146a uzticamo pavadoni atspogu\u013co dz\u012bves un te\u0101tra savstarp\u0113jo saist\u012bbu. \u00abPo\u0113tiska izdoma vai ikdienas proza? Br\u012bni\u0161\u0137\u012bgs nepr\u0101ts vai pie zemes velko\u0161s sapr\u0101ts?\u00bb retoriski jaut\u0101 re\u017eisors, piebilstot, ka izr\u0101de var k\u013c\u016bt par \u00absavdab\u012bgu testu\u00bb gan aktieriem, gan skat\u012bt\u0101jiem, lai p\u0101rbaud\u012btu, cik katr\u0101 no mums m\u012bt donkihotisms un cik \u2013 pan\u010disms.<\/p>\n<p>Atgrie\u0161an\u0101s pie sakn\u0113m un jaunas perspekt\u012bvas<\/p>\n<p>P\u0113c Jaunatnes te\u0101tra likvid\u0101cijas 1992. gad\u0101 \u0100dolfs \u0160apiro pameta Latviju, ta\u010du tagad vi\u0146a atgrie\u0161an\u0101s ar \u00abDonu Kihotu\u00bb Jaunaj\u0101 R\u012bgas te\u0101tr\u012b ir noz\u012bm\u012bgs notikums Latvijas kult\u016bras dz\u012bv\u0113. \u00abDons Kihots\u00bb ir viens no pasaul\u0113 visvair\u0101k tulkotajiem liter\u0101rajiem darbiem, ko uzskata par pirmo moderno rom\u0101nu pasaules literat\u016br\u0101. Bi\u013cetes uz pirmizr\u0101des datumiem ir jau izp\u0101rdotas, ta\u010du pieejamas uz v\u0113l\u0101kiem febru\u0101ra un marta seansiem.<\/p>\n","protected":false},"excerpt":{"rendered":"\u0160apiro pievienojas Jaunajam R\u012bgas te\u0101trim ar \u00abDonu Kihotu\u00bb Le\u0123end\u0101rais re\u017eisors \u0100dolfs \u0160apiro p\u0113c 34 gadu promb\u016btnes Latvij\u0101 atgrie\u017eas,&hellip;\n","protected":false},"author":2,"featured_media":109890,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[26008,26009,89,10330,90,5272,5271,35,39,38,36,37,34,40],"class_list":{"0":"post-109889","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-adolfs-sapiro","9":"tag-dons-kihots","10":"tag-entertainment","11":"tag-gundars-abolins","12":"tag-izklaide","13":"tag-jaunais-rigas-teatris","14":"tag-kaspars-znotins","15":"tag-latvia","16":"tag-latvian","17":"tag-latviesu","18":"tag-latviesu-valoda","19":"tag-latviesuvaloda","20":"tag-latvija","21":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115931735914301154","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/109889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=109889"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/109889\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/109890"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=109889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=109889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=109889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}