Neaizmirstamais Deivida Lin\u010da kino mantojums<\/p>\n
K\u0101 inform\u0113 Latvijas Sabiedriskie Mediji, modern\u0101 kinematogr\u0101fa noz\u012bm\u012bg\u0101kais ainava \u2013 Deivids Lin\u010ds \u2013 ir atst\u0101jis mums bag\u0101t\u012bgu rado\u0161o mantojumu. Vi\u0146a aizie\u0161ana aizsaul\u0113 pag\u0101ju\u0161\u0101 gada s\u0101kum\u0101 daudziem \u0161\u0137ita k\u0101 priek\u0161v\u0113stnesis tum\u0161\u0101k\u0101m dien\u0101m, ta\u010du vi\u0146a darbi turpina iedvesmot un mulsin\u0101t skat\u012bt\u0101jus ar savu unik\u0101lo sirre\u0101lo un tom\u0113r dzi\u013ci hum\u0101nisko rokrakstu.<\/p>\n
Lin\u010ds, kur\u0161 dzimis 1946. gada 20. janv\u0101r\u012b un miris 2025. gada 16. janv\u0101r\u012b 78 gadu vecum\u0101, bija ne tikai kinore\u017eisors, bet ar\u012b scen\u0101rists, producents, gleznot\u0101js un komponists. Vi\u0146a karjera aizs\u0101k\u0101s ar eksperiment\u0101lo filmu “Dz\u0113\u0161gumijgalva” (1977), kas vi\u0146am nodro\u0161in\u0101ja kulta statusu. V\u0113l\u0101k\u0101s filmas, piem\u0113ram, “Zilo\u0146cilv\u0113ks” (1980), “Zilais samts” (1986), “Me\u017eon\u012bgie sird\u012bs” (1990) un “Malholandas ce\u013c\u0161” (2001), ieguva pla\u0161u atzin\u012bbu un neskait\u0101mas balvas, tostarp Zelta palmas zaru Kannu kinofestiv\u0101l\u0101 par “Me\u017eon\u012bgiem sird\u012bm” un balvu k\u0101 lab\u0101kajam re\u017eisoram par “Malholandas ce\u013cu”. Lai gan vi\u0146\u0161 \u010detras reizes ticis nomin\u0113ts Amerikas Kinoakad\u0113mijas balv\u0101m, vi\u0146\u0161 nekad nav sa\u0146\u0113mis “Oskaru”, tom\u0113r 2019. gad\u0101 sa\u0146\u0113ma Kinoakad\u0113mijas goda balvu.<\/p>\n
Lin\u010da kino \u2013 sare\u017e\u0123\u012bts, bet aizraujo\u0161s<\/p>\n
Deivida Lin\u010da film\u0101m bie\u017ei vien tiek pied\u0113v\u0113ta sare\u017e\u0123\u012bta at\u0161ifr\u0113jam\u012bba, t\u0101s m\u0113dz b\u016bt mulsino\u0161as un atst\u0101t skat\u012bt\u0101jus ar jaut\u0101jumu par to patieso noz\u012bmi. Pats re\u017eisors gan vienm\u0113r uzsv\u0113ra, ka kino ir ideju vide, nevis narat\u012bvu atspogu\u013cojums, un atbalst\u012bja skat\u012bt\u0101ja ties\u012bbas uz savu interpret\u0101ciju. Vi\u0146a darbiem rakstur\u012bga sirre\u0101la, murgaina un sapnim l\u012bdz\u012bga atmosf\u0113ra, ko bie\u017ei papildina r\u016bp\u012bgi izstr\u0101d\u0101ts ska\u0146as dizains.<\/p>\n
Latvijas Telev\u012bzija piemin\u0113\u0161anas reiz\u0113 sagatavojusi piecu darbu izlasi \u2013 \u010detras re\u017eisora filmas un dokument\u0101lo filmu “Deivida Lin\u010da pasaule”. Lai gan da\u017ei uzskata, ka Lin\u010da filmu skat\u012b\u0161an\u0101s sec\u012bbai nav noz\u012bmes, jo t\u0101s veido savstarp\u0113ji sarun\u0101jo\u0161u rizomu, pied\u0101v\u0101ts t\u0101s apl\u016bkot hronolo\u0123isk\u0101 k\u0101rt\u012bb\u0101.<\/p>\n
Ieteicam\u0101s filmas Deivida Lin\u010da pasaules izzin\u0101\u0161anai<\/p>\n
“Zilo\u0146cilv\u0113ks” (“The Elephant Man”, 1980)<\/p>\n
Deivida Lin\u010da debija pilnmetr\u0101\u017eas kino “Dz\u0113\u0161gumijgalva” (1977) bija \u0161ausmu st\u0101sts, kas tapis gandr\u012bz bez bud\u017eeta. Savuk\u0101rt “Zilo\u0146cilv\u0113ks”, kas nomin\u0113ts asto\u0146\u0101m “Oskara” balv\u0101m, atst\u0101ja dzi\u013cu iespaidu un nostiprin\u0101ja vi\u0146a poz\u012bcijas. \u0160\u012b filma ir viens no Lin\u010da darbiem, kas tuv\u0101ks klasiskajai st\u0101stniec\u012bbai, pied\u0101v\u0101jot dzi\u013ci hum\u0101nisku un aizkustino\u0161u st\u0101stu.<\/p>\n
“Me\u017eon\u012bgie sird\u012bs” (“Wild at Heart”, 1990)<\/p>\n
\u0160\u012b filma, kas ieguva Zelta palmas zaru Kannu kinofestiv\u0101l\u0101, ir lielisks piem\u0113rs tam, k\u0101p\u0113c Lin\u010du d\u0113v\u0113 par modern\u0101 sirre\u0101lisma meistaru. T\u0101 ir krimin\u0101ldr\u0101ma ar \u012bpa\u0161u stilistiku un dinamiku.<\/p>\n
“Zilais samts” (“Blue Velvet”, 1986)<\/p>\n
\u0160\u012b filma, kas ieguva pla\u0161u starptautisku uzman\u012bbu un nomin\u0101cijas “Oskaram”, ir v\u0113l viens apliecin\u0101jums Lin\u010da sp\u0113jai rad\u012bt unik\u0101lu atmosf\u0113ru, kas apvieno \u0161\u0137ietami parastu dz\u012bvi ar tum\u0161iem nosl\u0113pumiem.<\/p>\n
“Malholandas ce\u013c\u0161” (“Mulholland Drive”, 2001)<\/p>\n
\u0160is Deivida Lin\u010da darbs tiek uzskat\u012bts par vienu no izcil\u0101kaj\u0101m film\u0101m, kas jebkad uz\u0146emta. T\u0101 sapludina robe\u017eas starp realit\u0101ti un izt\u0113li, liekot skat\u012bt\u0101jam aizdom\u0101ties par redz\u0113t\u0101 noz\u012bmi.<\/p>\n
“\u0136erot lielo zivi” (“Finding the Big Fish”, 2025)**<\/p>\n
Lai gan \u0161\u012b nav Lin\u010da filma, t\u0101 ir dokument\u0101l\u0101 filma par vi\u0146u un vi\u0146a filozofiju, kas aicina sazem\u0113ties un mekl\u0113t cilv\u0113ciskumu. T\u0101 ir k\u0101 vizu\u0101ls l\u012bdzinieks vi\u0146a gr\u0101matai “\u0136erot lielo zivi”. *(Piez\u012bme: \u0161obr\u012bd prec\u012bza filmas nosaukuma un pieejam\u012bbas inform\u0101cija latviski var at\u0161\u0137irties, jo filma min\u0113ta kontekst\u0101 ar Kannu kinofestiv\u0101lu p\u0113rn.)*<\/p>\n
Lin\u010da rado\u0161\u0101 daudzveid\u012bba<\/p>\n
Deivids Lin\u010ds nebija tikai kinore\u017eisors. Vi\u0146a rado\u0161\u0101 darb\u012bba aptv\u0113ra ar\u012b glezniec\u012bbu, m\u016bziku un literat\u016bru. Vi\u0146\u0161 str\u0101d\u0101ja gan k\u0101 solo m\u0101kslinieks, gan sadarboj\u0101s ar citiem, piem\u0113ram, ilggad\u0113jo domubiedru And\u017eelo Badalamenti, kura m\u016bzika bie\u017ei pavada Lin\u010da filmas.<\/p>\n
Ietekme un nov\u0113rt\u0113jums<\/p>\n
Deivids Lin\u010ds ir atst\u0101jis neizdz\u0113\u0161amu nospiedumu kino v\u0113stur\u0113, ietekm\u0113jot daudzus jaun\u0101kus re\u017eisorus ar savu unik\u0101lo un bie\u017ei vien provokat\u012bvo pieeju. Vi\u0146a sp\u0113ja p\u0113t\u012bt cilv\u0113ka psiholo\u0123ijas un par\u0101d\u012bbu sl\u0113pt\u0101s dzi\u013cumos, atkl\u0101jot to, kas sl\u0113pjas aiz harmonisk\u0101s virsk\u0101rtas, joproj\u0101m fascin\u0113 skat\u012bt\u0101jus vis\u0101 pasaul\u0113. Lai gan vi\u0146a filmas var \u0161\u0137ist sare\u017e\u0123\u012btas, t\u0101s aicina dom\u0101t, izjust un interpret\u0113t, padarot katru skat\u012b\u0161an\u0101s reizi par unik\u0101lu pieredzi.<\/p>\n","protected":false},"excerpt":{"rendered":"Neaizmirstamais Deivida Lin\u010da kino mantojums K\u0101 inform\u0113 Latvijas Sabiedriskie Mediji, modern\u0101 kinematogr\u0101fa noz\u012bm\u012bg\u0101kais ainava \u2013 Deivids Lin\u010ds \u2013…\n","protected":false},"author":2,"featured_media":112084,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[22252,89,2356,90,1226,35,39,38,36,37,34,40,3794,26274],"class_list":{"0":"post-112083","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-deivids-lincs","9":"tag-entertainment","10":"tag-filmas","11":"tag-izklaide","12":"tag-kino","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-rezisors","21":"tag-sirrealisms"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115946776332704881","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/112083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=112083"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/112083\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/112084"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=112083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=112083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=112083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}