Pils\u0113ta k\u0101 iedvesmas avots: Jauna izst\u0101de LNMM<\/p>\n
No 2026. gada 31. janv\u0101ra l\u012bdz 26. j\u016blijam Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja (LNMM) galven\u0101s \u0113kas ceturtaj\u0101 un piektaj\u0101 st\u0101v\u0101 b\u016bs skat\u0101ma izst\u0101de \u201cIelu maldos: pils\u0113ta latvie\u0161u modernistu v\u0113rojum\u0101\u201d. \u0160\u012b ekspoz\u012bcija pied\u0101v\u0101 unik\u0101lu ieskatu pils\u0113tvides, literat\u016bras un m\u0101kslas attiec\u012bb\u0101s 20. gadsimta pirmaj\u0101s desmitgad\u0113s, atkl\u0101jot, k\u0101 latvie\u0161u modernisti uztv\u0113ra un att\u0113loja urbaniz\u0101cijas procesus un laikmeta p\u0101rmai\u0146as savos darbos.<\/p>\n
Modernisma laikmets un pils\u0113tas dinamika<\/p>\n
20. gadsimta pirm\u0101 puse bija laiks, kad Latvijas un Eiropas kult\u016bra piedz\u012bvoja straujas p\u0101rmai\u0146as. Pils\u0113ta k\u013cuva par vienu no noz\u012bm\u012bg\u0101kaj\u0101m modern\u0101s kult\u016bras telp\u0101m. Izst\u0101de aicina sekot latvie\u0161u rakstnieku un m\u0101kslinieku pieredzei tr\u012bs noz\u012bm\u012bg\u0101s pils\u0113t\u0101s \u2013 R\u012bg\u0101, Berl\u012bn\u0113 un Par\u012bz\u0113. \u0160ie m\u0101kslinieki un rakstnieki, bie\u017ei d\u0113v\u0113ti par \u201cflanieriem\u201d un \u201cflan\u0113z\u0113m\u201d, bija r\u016bp\u012bgi pils\u0113tas v\u0113rot\u0101ji, kas dokument\u0113ja moderno arhitekt\u016bru, satiksmi, rekl\u0101mas, skatlogu daudzveid\u012bbu, k\u0101 ar\u012b urb\u0101n\u0101s telpas ska\u0146as un ritmu, iem\u016b\u017einot tos gan liter\u0101ros darbos, gan vizu\u0101laj\u0101 m\u0101ksl\u0101.<\/p>\n
Flan\u0113risms un t\u0101 atspulgi m\u0101ksl\u0101<\/p>\n
Izst\u0101des pamat\u0101 ir projekta \u201cPastaiga cauri laikam: Flan\u0113risms un modernit\u0101te Latvijas starpkaru kult\u016br\u0101\u201d nosl\u0113gums, ko \u012bstenojis sadarb\u012bb\u0101 ar Latvijas Universit\u0101tes Literat\u016bras, folkloras un m\u0101kslas instit\u016btu. Ekspoz\u012bcij\u0101 iek\u013cauti gan paz\u012bstami, gan maz\u0101k zin\u0101mi m\u0101kslas darbi, dzejas teksti, iespieddarbu ori\u0123in\u0101li, fotogr\u0101fijas un video materi\u0101li. Apmekl\u0113t\u0101ji var\u0113s \u201cpastaig\u0101ties\u201d starp ekspon\u0101tiem, izj\u016btot laikmeta noska\u0146u un iepaz\u012bstot t\u0101 vizu\u0101lo valodu. Interesanti, ka izst\u0101des nosaukums \u201cIelu maldos\u201d aizg\u016bts no L\u016bcijas Zamai\u010das 1923. gada po\u0113mu kr\u0101juma.<\/p>\n
Latvie\u0161u modernistiem rakstur\u012bgie darbi<\/p>\n
Izst\u0101d\u0113 b\u016bs apl\u016bkojami t\u0101di darbi k\u0101 Aleksandra Be\u013ccova \u201cPa\u0161portrets cepur\u0113 ar zilu malu\u201d (1920\u20131921), Niklava Strunkes grafisk\u0101 kompoz\u012bcija gr\u0101matai \u201cM\u016bra apkampienos\u201d (1923), K\u0101r\u013ca Baltgaile v\u0101ka z\u012bm\u0113jums Aleksandra \u010caka dzejo\u013cu kr\u0101jumam \u201cApa\u0161s frak\u0101\u201d (1929) un \u0100dolfa Z\u0101rdi\u0146a darbs \u201cVasara\u201d (1935). \u0160ie un citi ekspon\u0101ti ilustr\u0113, k\u0101 latvie\u0161u modernisti interpret\u0113ja main\u012bg\u0101s pils\u0113tvides iespaidus un dinamiku.<\/p>\n","protected":false},"excerpt":{"rendered":"Pils\u0113ta k\u0101 iedvesmas avots: Jauna izst\u0101de LNMM No 2026. gada 31. janv\u0101ra l\u012bdz 26. j\u016blijam Latvijas Nacion\u0101l\u0101 m\u0101kslas…\n","protected":false},"author":2,"featured_media":112896,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,159,5922,40,2286,2753,24862],"class_list":{"0":"post-112895","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-latvijas-nacionalais-makslas-muzejs","17":"tag-literatura","18":"tag-lv","19":"tag-maksla","20":"tag-modernisms","21":"tag-pilseta"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115954660360217638","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/112895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=112895"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/112895\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/112896"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=112895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=112895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=112895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}