Jauna izst\u0101de R\u012bg\u0101<\/p>\n
No 2026. gada 29. janv\u0101ra l\u012bdz 7. martam galerij\u0101 “M\u0101ksla XO” R\u012bg\u0101, Elizabetes iel\u0101 14, b\u016bs skat\u0101ma m\u0101kslinieka Pau\u013ca Liepas person\u0101lizst\u0101de ar nosaukumu “Tirgo\u0161an\u0101s”. K\u0101 zi\u0146o av\u012bze Diena, \u0161\u012b izst\u0101de pied\u0101v\u0101s jaunu skat\u012bjumu uz m\u016bsdienu sabiedr\u012bbas noris\u0113m un m\u0101kslinieka interpret\u0101ciju par t\u0101m.<\/p>\n
Izst\u0101des koncepcija un m\u0101ksliniecisk\u0101 pieeja<\/p>\n
Paulis Liepa sav\u0101 jaunaj\u0101 izst\u0101d\u0113 “Tirgo\u0161an\u0101s” piev\u0113r\u0161as t\u0113m\u0101m, kas saist\u012btas ar da\u017e\u0101d\u0101m sabiedr\u012bbas noris\u0113m \u2013 s\u0101kot no v\u0101rdisk\u0101s apmai\u0146as un mekl\u0113jumiem par izdev\u012bg\u0101ku poz\u012bciju, l\u012bdz pat politisk\u0101m un \u0123eopolitisk\u0101m c\u012b\u0146\u0101m par ietekmes sf\u0113r\u0101m. M\u0101kslinieks izmanto metaforiskus t\u0113lus, piem\u0113ram, karogus ar apdrisk\u0101t\u0101m mal\u0101m, primit\u012bvas formas un spilgtu kr\u0101su laukumus, lai atspogu\u013cotu gan personiskus, gan glob\u0101lus konfliktus un vieno\u0161an\u0101s procesus.<\/p>\n
Darbi izst\u0101d\u0113 ir rad\u012bti, izmantojot augstspiedes tehniku ar kartona kli\u0161ej\u0101m un alk\u012bda emalju, apzin\u0101ti izvairoties no grafikai rakstur\u012bgaj\u0101m tehniski sare\u017e\u0123\u012btaj\u0101m nianc\u0113m. \u0160\u012b pieeja \u013cauj Liepam str\u0101d\u0101t ar vienk\u0101r\u0161\u0101m form\u0101m, lieliem kr\u0101su laukumiem un rupj\u0101m fakt\u016br\u0101m, pie\u0161\u0137irot darbiem karogam l\u012bdz\u012bgu veidolu, kas ir konceptu\u0101li svar\u012bgs izst\u0101des idejai. K\u0101 pats m\u0101kslinieks nor\u0101da, izst\u0101de run\u0101 par “st\u012bv\u0113\u0161anos un kaul\u0113\u0161anos \u2013 iemain\u012bt vilnu pret br\u0113ku, zemi pret kr\u0113slu pirmaj\u0101s rind\u0101s, vai liel\u0101ko p\u012br\u0101ga gabalu. C\u012b\u0146a par vietu zi\u0146u josl\u0101 un izdev\u012bg\u0101k\u0101m procentu likm\u0113m.”.<\/p>\n
Paulis Liepa \u2013 starptautiski atz\u012bts grafi\u0137is<\/p>\n
Paulis Liepa (dzimis 1978. gad\u0101) ir viens no starptautiski atz\u012bt\u0101kajiem Latvijas laikmet\u012bgajiem grafi\u0137iem, kur\u0161 ir izstr\u0101d\u0101jis savu unik\u0101lo autortehniku. Vi\u0146\u0161 izmanto vienk\u0101r\u0161\u0101k\u0101s grafikas tehnikas, piem\u0113ram, kartona griezumu un kologr\u0101fiju, radot darbus ar spilgtu un bie\u017ei vien nedaudz “nobru\u017e\u0101tu” kr\u0101su paleti. Liepas est\u0113tika veidojusies 20. gadsimta modernisma grafikas kult\u016bras, dizaina un arhitekt\u016bras iespaid\u0101, \u012bpa\u0161i koncentr\u0113joties uz 60.\u201370. gadu vizu\u0101lo est\u0113tiku. Savos darbos vi\u0146\u0161 bie\u017ei vien atsaucas uz filozofiskiem, aktu\u0101liem notikumiem, s\u0101kot no kara konfliktiem l\u012bdz ikdieni\u0161\u0137iem priek\u0161metiem un t\u0113m\u0101m, k\u0101 ar\u012b soci\u0101liem, ekolo\u0123iskiem un politiskiem jaut\u0101jumiem.<\/p>\n
K\u0101 atz\u012bst m\u0101kslas kriti\u0137i, Liepas darbi ir atpaz\u012bstami uzreiz, un to dzi\u013c\u0101k\u0101 noz\u012bme prasa padzi\u013cin\u0101tu izp\u0113ti. Anna Salmane 2019. gad\u0101 rakst\u012bja, ka Pau\u013ca Liepas darbus skatoties ir saj\u016bta, ka ien\u0101c telp\u0101 un “\u012bsti nesaproti, ko tas viss noz\u012bm\u0113. Var m\u0113\u0123in\u0101t saprast, bet nesaproti l\u012bdz galam, bet ir kaut kas t\u0101ds \u013coti taktils, ka gribas paskr\u0101p\u0113t, pieskarties, saprast\u201d. Kri\u0161s Salmanis papildina, ka “uzmetot jebkuram izst\u0101des darbam aci, ir skaidrs, ka tas ir Liepa, un tad ir j\u0101iedzi\u013cin\u0101s un j\u0101m\u0113\u0123ina uzrakt, ko vi\u0146\u0161 tur ir apracis”.<\/p>\n
Par M\u0101ksla XO galeriju<\/p>\n
M\u0101kslas galerija “M\u0101ksla XO”, kas atrodas R\u012bg\u0101, Elizabetes iel\u0101 14, ir viena no noz\u012bm\u012bg\u0101kaj\u0101m laikmet\u012bg\u0101s m\u0101kslas galerij\u0101m Latvij\u0101. Kop\u0161 t\u0101s dibin\u0101\u0161anas 1999. gad\u0101 “M\u0101ksla XO” ir fokus\u0113jusies uz laikmet\u012bg\u0101s un jaun\u0101s latvie\u0161u m\u0101kslas populariz\u0113\u0161anu glezniec\u012bbas, t\u0113lniec\u012bbas un grafikas jom\u0101. Galerija p\u0101rst\u0101v gan paz\u012bstamus latvie\u0161u, gan starptautiski atz\u012btus m\u0101ksliniekus, pied\u0101v\u0101jot daudzveid\u012bgu stilu kl\u0101stu \u2013 no tradicion\u0101l\u0101s l\u012bdz pat urb\u0101nai un soci\u0101lai m\u0101kslai. Galerijas dibin\u0101t\u0101ja un kuratore ir Ilze \u017deivate.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauna izst\u0101de R\u012bg\u0101 No 2026. gada 29. janv\u0101ra l\u012bdz 7. martam galerij\u0101 “M\u0101ksla XO” R\u012bg\u0101, Elizabetes iel\u0101 14,…\n","protected":false},"author":2,"featured_media":113457,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[89,26524,90,35,39,38,36,37,34,26523,40,18550,26521,26522],"class_list":["post-113456","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-entertainment","tag-grafika","tag-izklaide","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-latvijas-laikmetiga-maksla","tag-lv","tag-maksla-xo-galerija","tag-paulis-liepa","tag-tirgosanas-izstade"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115957463952315667","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/113456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=113456"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/113456\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/113457"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=113456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=113456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=113456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}