Dramaturga D\u012b\u010da skat\u012bjums: K\u0101 te\u0101tris var pal\u012bdz\u0113t dialogam sabiedr\u012bb\u0101<\/p>\n
Dramaturgs Art\u016brs D\u012bcis sarun\u0101 ar TV3 raid\u012bjumu “900 sekundes” dal\u012bjies p\u0101rdom\u0101s par sare\u017e\u0123\u012bto posmu, ko p\u0113d\u0113jos gados piedz\u012bvojis Mihaila \u010cehova R\u012bgas Krievu te\u0101tris. Vi\u0146\u0161 nor\u0101d\u012bjis uz politiskiem sp\u0113kiem, kas savu karjeru un reitingus veido, \u0161\u0137e\u013cot sabiedr\u012bbu, un uzsv\u0113ris nepiecie\u0161am\u012bbu mekl\u0113t dialogu.<\/p>\n
D\u012bcis atzina, ka te\u0101tris ir izg\u0101jis cauri da\u017e\u0101d\u0101m neg\u0101cij\u0101m, tostarp p\u0101rmetumiem par krievu valodas lietojumu rekl\u0101m\u0101s un ska\u013ciem pazi\u0146ojumiem par provok\u0101cij\u0101m. \u0160\u012bs probl\u0113mas nav jaunas un past\u0101v\u0113ju\u0161as pat pirms kara Ukrain\u0101. Dramaturgs uzsver, ka te\u0101tra m\u0113r\u0137is ir tie\u0161i pret\u0113jais \u2013 veicin\u0101t sabiedr\u012bbas salied\u0113t\u012bbu un dialogu. “Tam visam te\u0101tris ir g\u0101jis cauri. V\u0113l pirms s\u0101k\u0101s kar\u0161 Ukrainai vienm\u0113r bijis t\u0101, ka\u2026 neko neteik\u0161u par politiku, bet ir politiskie sp\u0113ki, kas vienk\u0101r\u0161i brut\u0101li visu laiku ir tais\u012bju\u0161i savu karjeru un reitingus, lai \u0161\u0137eltu sabiedr\u012bbu. Manupr\u0101t, vajag tie\u0161i pret\u0113ji \u2013 m\u0113\u0123in\u0101t atrast to dialogu, un to m\u0113s dar\u0101m, un turpin\u0101sim dar\u012bt,\u201d sac\u012bjis D\u012bcis.<\/p>\n
\u0160is skat\u012bjums saskan ar\u012b ar te\u0101tra vad\u012bbas pausto nost\u0101ju. K\u0101 nor\u0101d\u012bjis Mihaila \u010cehova R\u012bgas Krievu te\u0101tra m\u0101ksliniecisk\u0101 kol\u0113\u0123ija, te\u0101tris akt\u012bvi iest\u0101jas pret agresiju un propagandu, cen\u0161oties veicin\u0101t sabiedr\u012bbas salied\u0113\u0161anu. Vi\u0146i uzsver, ka krievu valoda ir sazi\u0146as instruments, un svar\u012bgi ir tas, k\u0101 t\u0101 tiek lietota, k\u0101das domas un v\u0113rt\u012bbas tiek paustas.<\/p>\n
Mihaila \u010cehova R\u012bgas Krievu te\u0101tris \u2013 V\u0113sture un m\u016bsdienas<\/p>\n
Mihaila \u010cehova R\u012bgas Krievu te\u0101tris ir viens no vec\u0101kajiem Latvijas te\u0101triem, dibin\u0101ts 1883. gad\u0101, un kop\u0161 2006. gada tas nes izcil\u0101 re\u017eisora Mihaila \u010cehova v\u0101rdu. Te\u0101tra repertu\u0101rs ir daudzveid\u012bgs, ietverot gan klasiskas izr\u0101des, gan jaun\u0101k\u0101s dramatur\u0123ijas darbus, un tas pied\u0101v\u0101 pla\u0161u \u017eanru kl\u0101stu, tostarp b\u0113rnu un muzik\u0101lus uzvedumus.<\/p>\n
P\u0113d\u0113jos gados te\u0101tris sask\u0101ries ar izaicin\u0101jumiem, tostarp publiskiem p\u0101rmetumiem un negat\u012bvu publicit\u0101ti. Tom\u0113r, k\u0101 nor\u0101d\u012bjis dramaturgs Art\u016brs D\u012bcis, \u0161ie p\u0101rmetumi bie\u017ei vien sak\u0146ojas politiskos centienos \u0161\u0137elt sabiedr\u012bbu. Te\u0101tris akt\u012bvi mekl\u0113 veidus, k\u0101 uzrun\u0101t da\u017e\u0101das auditorijas un veicin\u0101t sapratni. Pat pand\u0113mijas laik\u0101, kad te\u0101tri bija sl\u0113gti, Mihaila \u010cehova R\u012bgas Krievu te\u0101tris turpin\u0101ja dialogu ar skat\u012bt\u0101jiem tie\u0161saist\u0113, izmantojot da\u017e\u0101das platformas un rubrikas.<\/p>\n
Dramaturga rado\u0161ais ce\u013c\u0161 un sabiedriskais v\u0113st\u012bjums<\/p>\n
Art\u016brs D\u012bcis, kur\u0161 savulaik bijis Dailes te\u0101tra aktieris, tagad piev\u0113rsies dramatur\u0123ijai, str\u0101d\u0101jot ar\u012b Mihaila \u010cehova R\u012bgas Krievu te\u0101tr\u012b. Vi\u0146a lugas, piem\u0113ram, “Ar\u012b va\u013ciem ir bail” un “Ri\u010dards. Nek\u0101 person\u012bga”, raksturo ironisks skat\u012bjums uz pasauli, aspr\u0101t\u012bgi dialogi un dzi\u013c\u0161 soci\u0101lu probl\u0113mu tv\u0113rums. D\u012bcis pau\u017e, ka vi\u0146a m\u0113r\u0137is ir likt cilv\u0113kiem aizdom\u0101ties par svar\u012bgiem m\u016bsdienu jaut\u0101jumiem un v\u0113sturiskiem notikumiem, kas nekad nedr\u012bkst atk\u0101rtoties.<\/p>\n
Dramaturgs atz\u012bst, ka aktiera profesija vi\u0146am reiz\u0113m \u0161\u0137itusi smac\u0113jo\u0161a, jo dramatur\u0123ij\u0101 ir pla\u0161\u0101kas iesp\u0113jas izv\u0113l\u0113ties t\u0113mas un paust savu redz\u0113jumu. Vi\u0146\u0161 arvien mekl\u0113 savu “lielo br\u012bv\u012bbu”, kur\u0101 var\u0113tu pilnv\u0113rt\u012bgi izpausties. D\u012bcis ar\u012b piev\u0113rsies scen\u0101ristu darbam, rakstot scen\u0101riju filmai “Gaiss”.<\/p>\n
Vi\u0146a skat\u012bjums uz sabiedr\u012bbas \u0161\u0137el\u0161anu un politisko retoriku ir skaidrs \u2013 dramaturgs uzskata, ka vajadz\u0113tu vair\u0101k mekl\u0113t dialogu un kop\u012bgu valodu, nevis veicin\u0101t polariz\u0101ciju. \u0160\u012b pieeja atspogu\u013cojas ar\u012b vi\u0146a darbos, kas bie\u017ei vien aicina uz dzi\u013c\u0101ku izpratni un emp\u0101tiju.<\/p>\n","protected":false},"excerpt":{"rendered":"Dramaturga D\u012b\u010da skat\u012bjums: K\u0101 te\u0101tris var pal\u012bdz\u0113t dialogam sabiedr\u012bb\u0101 Dramaturgs Art\u016brs D\u012bcis sarun\u0101 ar TV3 raid\u012bjumu “900 sekundes”…\n","protected":false},"author":2,"featured_media":11496,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[4229,89,90,35,39,38,4231,36,37,34,40,2492,4230,4232],"class_list":{"0":"post-11495","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-arturs-dicis","9":"tag-entertainment","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-dramaturgi","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-mihaila-cehova-rigas-krievu-teatris","20":"tag-sabiedribas-dialogs","21":"tag-teatris-un-sabiedriba"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/11495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=11495"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/11495\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/11496"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=11495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=11495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=11495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}