Dz\u012bves un n\u0101ves p\u0101rdomas m\u0101ksl\u0101<\/p>\n
\u201eRad\u012b\u0161ana un izn\u012bc\u012bba ir m\u016bsu Visuma dabisk\u0101s es\u012bbas k\u0101rt\u012bba un haoss,\u201d sarun\u0101 kinokriti\u0137ei un LSM autorei Krist\u012bnei Simsonei saka \u201eOskara\u201d balvas nominante, filmas \u201eHamnets\u201d re\u017eisore Hloja \u017dao. Vi\u0146a uzsver, ka nav iesp\u0113jams dz\u012bvot pilnv\u0113rt\u012bgi, ja past\u0101v bailes no n\u0101ves. \u017dao, kop\u0101 ar filmas l\u012bdzscen\u0101risti Megiju O’Farelu un komponistu Maksu Rihteru, novembr\u012b sniedza intervijas, kur\u0101s tika dzi\u013c\u0101k apl\u016bkota t\u0113ma par m\u0101kslas darbu sp\u0113ju atkl\u0101t cilv\u0113ka b\u016bt\u012bbu un pasaules uzskatus. K\u0101 inform\u0113 Latvijas Sabiedriskie Mediji, \u0161\u012b v\u0113sturisk\u0101 dr\u0101ma, kas balst\u012bta uz O’Farelas rom\u0101nu, janv\u0101ra vid\u016b sa\u0146\u0113musi \u201eZelta globusu\u201d lab\u0101k\u0101s filmas kategorij\u0101 un ir nomin\u0113ta asto\u0146\u0101m \u201eOskara\u201d balv\u0101m.<\/p>\n
Filma \u201eHamnets\u201d v\u0113sta par Viljama \u0160eksp\u012bra sievu Agnesi (att\u0113lo D\u017eesija Baklija) un vi\u0146u \u0123imenes p\u0101rdz\u012bvoto d\u0113la zaud\u0113jumu, piev\u0113r\u0161oties \u0161\u012b notikuma ietekmei uz \u0160eksp\u012bra dai\u013cradi un vi\u0146a \u0123imenes dz\u012bvi no cilv\u0113c\u012bg\u0101kas perspekt\u012bvas. Filmas galvenais varonis ir \u0160eksp\u012bra sieva Agnese, kuru atveido \u012bru aktrise D\u017eesija Baklija, par ko sa\u0146\u0113musi ar\u012b \u201eZelta globusa\u201d godalgu. Baklijas atveidot\u0101 Agnese ir dabas b\u0113rns ar sp\u0113c\u012bgu saikni ar apk\u0101rt\u0113jo pasauli.<\/p>\n
M\u0101ksla k\u0101 dabas atspulgs<\/p>\n
Re\u017eisore Hloja \u017dao uzskata, ka bailes no n\u0101ves liek mums nevajadz\u012bgi ciest un var kait\u0113t ar\u012b pasaulei apk\u0101rt. Vi\u0146a nor\u0101da, ka bie\u017ei vien m\u0113s esam aizmirsu\u0161i par n\u0101ves k\u0101rt\u012bbu, da\u013c\u0113ji t\u0101d\u0113\u013c, ka vairs nenov\u0113rt\u0113jam sievi\u0161\u0137o apzi\u0146u. \u017dao filmas un ar\u012b rom\u0101ns, kas ir t\u0101s pamat\u0101, pieskaras t\u0113mai par s\u0113r\u0101m un rad\u012b\u0161anu, un to, vai t\u0101s var n\u0101kt no vienas saknes. Abas par\u0101d\u012bbas ir sak\u0146otas dabas ciklos, un daba sp\u0113l\u0113 noz\u012bm\u012bgu lomu varo\u0146u dz\u012bv\u0113s.<\/p>\n
Filmas l\u012bdzscen\u0101riste Megija O’Farela uzsver, ka m\u0101kslas darbi, l\u012bdz\u012bgi k\u0101 daba, sp\u0113j atspogu\u013cot cilv\u0113ka emocijas. Vi\u0146a skaidro, ka \u0160eksp\u012brs bija dzi\u013ci saist\u012bts ar dabas pasauli, un vi\u0146a lug\u0101s cilv\u0113ku emocijas bie\u017ei vien atspogu\u013cojas \u0101r\u0113j\u0101 pasaul\u0113, piem\u0113ram, lietojot \u201eobjekt\u012bvo korel\u0101tu\u201d \u2013 dabas elementus, lai izpaustu cilv\u0113ka j\u016btas. Ar\u012b \u017dao film\u0101s, \u012bpa\u0161i \u201eJ\u0101tnieks\u201d un \u201eKlejot\u0101ju zeme\u201d, ir j\u016btama cilv\u0113cisko emociju atspogu\u013cojums caur ainavu.<\/p>\n
M\u016bzika k\u0101 Filmas dv\u0113sele<\/p>\n
Filmas noska\u0146u iev\u0113rojami veido Maksa Rihtera kompon\u0113t\u0101 m\u016bzika. Sarun\u0101 Rihters atkl\u0101j, ka, str\u0101d\u0101jot pie filmas, vi\u0146\u0161 piev\u0113rs\u0101s kr\u0101su studij\u0101m, kas iedvesmotas no Elizabetes laikmeta m\u016bzikas. Lai gan vi\u0146\u0161 nev\u0113l\u0113j\u0101s, lai filmas m\u016bzika skan\u0113tu k\u0101 izlik\u0161an\u0101s par t\u0101 laika m\u016bziku, vi\u0146\u0161 cent\u0101s iek\u013caut \u0161\u012bs muzik\u0101l\u0101s valodas \u201eatomus\u201d. Rihters uzsver, ka m\u016bzika ir svar\u012bgs instruments, ar kuru var gleznot un rad\u012bt dzi\u013cas emocijas, kas pal\u012bdz skat\u012bt\u0101jiem sajust kaut ko, pat ja tas ir diskomforts vai v\u0113lme aizb\u0113gt. Vi\u0146\u0161 ar\u012b nor\u0101da, ka daba ir noz\u012bm\u012bgs iedvesmas avots vi\u0146a darbam.<\/p>\n
Pols Meskals, kur\u0161 film\u0101 atveido \u0160eksp\u012bra lomu, uzsver, ka \u0160eksp\u012brs ir k\u013cuvis par monument\u0101lu v\u0113rt\u012bbu gadsimtu gait\u0101, ta\u010du vi\u0146a rakst\u012b\u0161anas mot\u012bvi joproj\u0101m sl\u0113pj sev\u012b sare\u017e\u0123\u012btus un neizzin\u0101tus iemeslus. Meskals velt\u012bjis daudz laika, lai iedzi\u013cin\u0101tos \u0160eksp\u012bra monologu j\u0113g\u0101, mekl\u0113jot dzi\u013c\u0101ku izskaidrojumu vi\u0146a b\u016bt\u012bbai.<\/p>\n
N\u0101ves izpratne m\u0101ksl\u0101 un dz\u012bv\u0113<\/p>\n
Hloja \u017dao un Megija O’Farela uzsver, ka m\u0101kslas darbi sp\u0113j pal\u012bdz\u0113t skat\u012bt\u0101jiem sajust patiesas emocijas, pat ja t\u0101s ir ne\u0113rtas. Vi\u0146as uzskata, ka \u0161\u0101da emocion\u0101la pieredze ir neatsverama, jo t\u0101 dod impulsu m\u0101kslinieciskai izpausmei un izt\u0113lei. T\u0113ma par n\u0101vi un nepast\u0101v\u012bbu, k\u0101 ar\u012b nerimsto\u0161as b\u0113das un s\u0101pes, ieg\u016bst j\u0113gu m\u0101kslas proces\u0101, \u013caujot cilv\u0113kam tikt gal\u0101 ar sav\u0101m j\u016bt\u0101m.<\/p>\n
Psiholo\u0123iski n\u0101ves t\u0113ma ir fundament\u0101ls eksistences aspekts, kas cie\u0161i saist\u012bts ar bail\u0113m, zaud\u0113jumu un dz\u012bves j\u0113gu. T\u0101 izsauc pla\u0161u emociju spektru, s\u0101kot no bail\u0113m un nolieg\u0161anas l\u012bdz pat pie\u0146em\u0161anai un sapra\u0161anai. Bailes no n\u0101ves var b\u016btiski ietekm\u0113t cilv\u0113ka uzved\u012bbu un l\u0113mumus, bie\u017ei vien darbojoties zemapzi\u0146as l\u012bmen\u012b, k\u0101 to savulaik apl\u016bkoja ar\u012b Zigmunds Freids, uzskatot n\u0101ves bailes par vienu no pamatiem cilv\u0113ka eksistencei. Tom\u0113r, k\u0101 uzsver \u017dao, nav iesp\u0113jams dz\u012bvot pilnv\u0113rt\u012bgi, ja \u0161\u012bs bailes domin\u0113.<\/p>\n
Filmas starptautisk\u0101 atzin\u012bba<\/p>\n
Filma \u201eHamnets\u201d ir guvusi iev\u0113rojamu atzin\u012bbu gan kriti\u0137u, gan publikas vid\u016b. T\u0101 ne tikai sa\u0146\u0113musi \u201eZelta globusu\u201d, bet ar\u012b tika izr\u0101d\u012bta Toronto Starptautiskaj\u0101 kinofestiv\u0101l\u0101, kur ieguvusi galveno balvu. Re\u017eisores Hlojas \u017dao iepriek\u0161\u0113j\u0101s filmas, piem\u0113ram, \u201eJ\u0101tnieks\u201d un \u201eKlejot\u0101ju zeme\u201d, ar\u012b ir sa\u0146\u0113mu\u0161as augstu nov\u0113rt\u0113jumu, apliecinot vi\u0146as sp\u0113ju rad\u012bt dzi\u013cus un emocion\u0101lus darbus. Ar\u012b Maksa Rihtera m\u016bzika tiek augstu v\u0113rt\u0113ta, un vi\u0146a darbus \u0161ogad godin\u0101s Berl\u012bnes kinofestiv\u0101l\u0101. Filma \u201eHamnets\u201d kinote\u0101tros vis\u0101 pasaul\u0113 demonstr\u0113ta kop\u0161 2026. gada janv\u0101ra vidus.<\/p>\n","protected":false},"excerpt":{"rendered":"Dz\u012bves un n\u0101ves p\u0101rdomas m\u0101ksl\u0101 \u201eRad\u012b\u0161ana un izn\u012bc\u012bba ir m\u016bsu Visuma dabisk\u0101s es\u012bbas k\u0101rt\u012bba un haoss,\u201d sarun\u0101 kinokriti\u0137ei…\n","protected":false},"author":2,"featured_media":117616,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[27052,89,18563,26137,90,35,39,38,36,37,34,40,2286,296],"class_list":["post-117856","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-bailes","tag-entertainment","tag-hamnets","tag-hloja-zao","tag-izklaide","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lv","tag-maksla","tag-nave"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115986113702045614","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/117856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=117856"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/117856\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/117616"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=117856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=117856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=117856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}