Izst\u0101des atkl\u0101\u0161ana un t\u0113ma<\/p>\n
\u0160odien, 31. janv\u0101r\u012b, Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 (LNMM) durvis v\u0113ra jaun\u0101 izst\u0101de “Ielu maldos: pils\u0113ta latvie\u0161u modernistu v\u0113rojum\u0101”, kas apmekl\u0113t\u0101jus aicina uzs\u0101kt ce\u013cojumu laik\u0101 uz 20. gadsimta pirmaj\u0101m desmitgad\u0113m. K\u0101 inform\u0113 port\u0101ls jauns.lv, izst\u0101de sniegs ieskatu latvie\u0161u rakstnieku un m\u0101kslinieku pieredz\u0113 un skat\u012bjum\u0101 uz pils\u0113tu, \u012bpa\u0161i fokus\u0113joties uz R\u012bgu, Berl\u012bni un Par\u012bzi. Ekspoz\u012bcija b\u016bs skat\u0101ma l\u012bdz 26. j\u016blijam.<\/p>\n
\u0160\u012b laikmeta kult\u016br\u0101 pils\u0113ta k\u013cuva par vienu no noz\u012bm\u012bg\u0101kaj\u0101m moderno kult\u016bras telp\u0101m, un izst\u0101de atspogu\u013co, k\u0101 latvie\u0161u modernisti \u0161o dinamisko vidi uztv\u0113ra un interpret\u0113ja savos darbos. Tolaik m\u0101kslinieki un rakstnieki bie\u017ei vien sevi d\u0113v\u0113ja par “flanieriem” un “flanier\u0113m” \u2013 nesteidz\u012bgiem pils\u0113tas v\u0113rot\u0101jiem, kas savos darbos iem\u016b\u017ein\u0101ja moderno arhitekt\u016bru, satiksmi, rekl\u0101mas, skatlogus, k\u0101 ar\u012b pils\u0113tas ska\u0146as un ritmu. Apmekl\u0113t\u0101ji var\u0113s izbaud\u012bt laikmeta noska\u0146u un izp\u0113t\u012bt t\u0101 vizu\u0101lo valodu caur da\u017e\u0101diem ekspon\u0101tiem.<\/p>\n
Latvie\u0161u modernisti R\u012bg\u0101, Berl\u012bn\u0113 un Par\u012bz\u0113<\/p>\n
Izst\u0101de aicina sekot latvie\u0161u rakstnieku un m\u0101kslinieku pieredzei trij\u0101s noz\u012bm\u012bg\u0101s Eiropas pils\u0113t\u0101s. R\u012bg\u0101 pils\u0113tvides t\u0113lojumi vari\u0113jas no kr\u0101\u0161\u0146i izgaismotiem skatiem l\u012bdz pat noma\u013c\u0101ku rajonu str\u0101dnieku un staigu\u013cu atveidojumam Aleksandra \u010caka un Austras Skuji\u0146as dzej\u0101. Berl\u012bne iedvesmoja rakstnieku Linardu Laicenu un t\u0113lnieku K\u0101rli Z\u0101li, kur\u0161 kop\u0101 ar citiem izdeva pirmo avangardisko latvie\u0161u m\u0101kslas \u017eurn\u0101lu “Laikmets”. Par\u012bze, kas pirms Pirm\u0101 pasaules kara bija Gustavs \u0160\u0137ilters un J\u0101zeps Grosvalds, p\u0113c kara piesaist\u012bja jaunus m\u0101ksliniekus un rakstniekus, piem\u0113ram, Andreju Kurciju ar dzejo\u013cu ciklu “Barbars Par\u012bz\u0113”.<\/p>\n
\u0160\u012b izst\u0101de ir unik\u0101la ar to, ka t\u0101 pirmoreiz Latvijas kult\u016br\u0101 pla\u0161\u0101k p\u0113ta flan\u0113risma fenomenu gan literat\u016br\u0101, gan m\u0101ksl\u0101. Ekspoz\u012bcij\u0101 apskat\u0101mi da\u017e\u0101di m\u0101kslas darbi, dzejas teksti, iespieddarbu ori\u0123in\u0101li, fotogr\u0101fijas un video materi\u0101li no t\u0101diem m\u0101ksliniekiem k\u0101 K\u0101rlis Z\u0101le, J\u0101zeps Grosvalds, Aleksandrs \u010caks, Ludolfs Liberts, Andrejs Kurcijs, L\u016bcija Zamai\u010da, Gustavs \u0160\u0137ilters un daudziem citiem. Tas viss atkl\u0101j, k\u0101 latvie\u0161u modernisti izjuta pils\u0113tu un moderno urb\u0101no vidi.<\/p>\n
Izgl\u012bt\u012bbas programma un pas\u0101kumi<\/p>\n
Papildus pa\u0161ai ekspoz\u012bcijai, muzejs pied\u0101v\u0101 ar\u012b pla\u0161u izgl\u012bt\u012bbas programmu. Visa izst\u0101des norises laika skol\u0113niem b\u016bs pieejama nodarb\u012bba “Pils\u0113tas pastaiga – flan\u0113ra dzejas burtn\u012bca”, kas pal\u012bdz\u0113s iedzi\u013cin\u0101ties pils\u0113tvid\u0113 un rad\u012bt savu vizu\u0101lo dzejas burtn\u012bcu. Nodarb\u012bbas cena ir asto\u0146i eiro no skol\u0113na, un nepiecie\u0161ama iepriek\u0161\u0113ja pieteik\u0161an\u0101s.<\/p>\n
1. febru\u0101r\u012b muzej\u0101 notiks tik\u0161an\u0101s un pastaiga ar ekspoz\u012bcijas rado\u0161o komandu, literat\u016brzin\u0101tniekiem un dzejniekiem, lai kop\u012bgi izzin\u0101tu pils\u0113tas, literat\u016bras un m\u0101kslas attiec\u012bbas 20. gadsimta pirmaj\u0101s desmitgad\u0113s. Savuk\u0101rt 19. febru\u0101r\u012b paredz\u0113ts senioru r\u012bts kop\u0101 ar m\u0101kslinieci un muzejpedagogu, lai nesteidz\u012bg\u0101 atmosf\u0113r\u0101 apl\u016bkotu izst\u0101di.<\/p>\n
Laikmeta liec\u012bbas un m\u0101kslas darbi<\/p>\n
Izst\u0101d\u0113 apmekl\u0113t\u0101ji var\u0113s iepaz\u012bties ar laikmeta soci\u0101laj\u0101m un kult\u016bras p\u0101rmai\u0146\u0101m, atkl\u0101jot, k\u0101 latvie\u0161u modernisti atspogu\u013coja un interpret\u0113ja main\u012bg\u0101s urb\u0101n\u0101s vides iespaidus un dinamiku. Ekspoz\u012bcija veidota sadarb\u012bb\u0101 ar Latvijas Universit\u0101tes Literat\u016bras, folkloras un m\u0101kslas instit\u016btu, un t\u0101 ir nosl\u0113gums projektam “Pastaiga cauri laikam: Flan\u0113risms un modernit\u0101te Latvijas starpkaru kult\u016br\u0101”.<\/p>\n
Starp apl\u016bkojamajiem darbiem minami Ludolfa Liberta gleznotie Par\u012bzes nakts skati, J\u0101\u0146a T\u012bdema\u0146a pils\u0113tnieku p\u016b\u013ca ainas, \u0100dolfa Z\u0101rdi\u0146a fant\u0101zijas, k\u0101 ar\u012b K\u0101r\u013ca Padega grafika un Valtera Benjamina piez\u012bmes par Daugavmalas tirgu. Grafisk\u0101s kompoz\u012bcijas, piem\u0113ram, Niklava Strunkes v\u0101ka grafika L\u016bcijas Zamai\u010das neizdotajai gr\u0101matai “M\u016bra apkampienos”, un Aleksandra Be\u013ccovas “Pa\u0161portrets cepur\u0113 ar zilu malu” ilustr\u0113 laikmeta vizu\u0101lo valodu.<\/p>\n","protected":false},"excerpt":{"rendered":"Izst\u0101des atkl\u0101\u0161ana un t\u0113ma \u0160odien, 31. janv\u0101r\u012b, Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 (LNMM) durvis v\u0113ra jaun\u0101 izst\u0101de “Ielu maldos:…\n","protected":false},"author":2,"featured_media":118389,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[5],"tags":[27174,23,28,29,32,33,22,4816,30,31,35,39,38,27173,36,37,34,159,40,20,24862,26,27,24,25,21],"class_list":["post-118388","post","type-post","status-publish","format-standard","has-post-thumbnail","category-aktualitates","tag-20-gadsimts","tag-aktualitates","tag-breaking-news","tag-breakingnews","tag-featured-news","tag-featurednews","tag-headlines","tag-izstade","tag-latest-news","tag-latestnews","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-modernisti","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-latvijas-nacionalais-makslas-muzejs","tag-lv","tag-news","tag-pilseta","tag-popularakas-zinas","tag-popularakaszinas","tag-top-stories","tag-topstories","tag-zinas"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115990332955003050","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/118388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=118388"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/118388\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/118389"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=118388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=118388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=118388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}