{"id":118779,"date":"2026-02-01T06:17:07","date_gmt":"2026-02-01T06:17:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/118779\/"},"modified":"2026-02-01T06:17:07","modified_gmt":"2026-02-01T06:17:07","slug":"dzona-lenona-sapna-pieskariens-vai-apokaliptiska-drama-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/118779\/","title":{"rendered":"D\u017eona Lenona sap\u0146a piesk\u0101riens vai apokaliptiska dr\u0101ma?\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Jaunais seri\u0101ls \u201ePluribus\u201c uz \u201eApple TV+\u201c raisa gan saj\u016bsmu, gan diskusijas<\/p>\n<p>Kam\u0113r pasaules mediju giganti \u201eNetflix\u201c un \u201eWarner Brothers\u201c aiz\u0146emti ar strat\u0113\u0123isku manevru veik\u0161anu, \u201eApple TV+\u201c klusi, bet p\u0101rliecino\u0161i pied\u0101v\u0101 jaunu, aizraujo\u0161u seri\u0101lu \u201ePluribus\u201c, kas p\u0113d\u0113j\u0101s gada nogal\u0113 ir izrais\u012bjis iev\u0113rojamu rezonansi. \u0160is apokaliptiskais zin\u0101tnisk\u0101s fantastikas st\u0101sts, kas izn\u0101cis 2025. gada 7. novembr\u012b, sp\u0113jis iekarot skat\u012bt\u0101ju sirdis un izpeln\u012bjies augstu nov\u0113rt\u0113jumu, neskatoties uz t\u0101 br\u012b\u017eiem nesteidz\u012bgo gaitu. K\u0101 inform\u0113 port\u0101ls jauns.lv, seri\u0101ls pied\u0101v\u0101 unik\u0101lu skat\u012bjumu uz cilv\u0113ces n\u0101kotni, liekot aizdom\u0101ties par individualit\u0101tes un kolekt\u012bv\u0101s apzi\u0146as attiec\u012bb\u0101m.<\/p>\n<p>Sapnis par vienot\u012bbu \u2013 vai t\u0101 ir utopija?<\/p>\n<p>\u201ePluribus\u201c centr\u0101 ir rom\u0101nu autore Kerola St\u0113rka (Rhea Seehorn), kura k\u013c\u016bst par vienu no retajiem im\u016bniem cilv\u0113kiem pret nosl\u0113pumainu v\u012brusu. \u0160is v\u012bruss, radies, dekod\u0113jot sign\u0101lus no kosmosa, masveid\u0101 transform\u0113 cilv\u0113ces vairumu, vienojot vi\u0146u pr\u0101tus kop\u012bg\u0101, saska\u0146ot\u0101 kolekt\u012bvaj\u0101 apzi\u0146\u0101. V\u012brusa izveides pamat\u0101 ir zin\u0101tnieku at\u0161ifr\u0113ts sign\u0101ls no 600 gaismas gadu att\u0101luma, kas sast\u0101v no \u010detr\u0101m ska\u0146\u0101m, atbilsto\u0161\u0101m RNS (Ribonukle\u012bnsk\u0101be) b\u0101z\u0113m \u2013 guani\u012bnam, urac\u012blam, aden\u012bnam un citoz\u012bnam. \u0160is process, kas s\u0101k\u0101s ar laboratorijas eksperimentiem un noveda l\u012bdz infic\u0113tai \u017eurkas kodumam, rad\u012bjis pand\u0113mijas izrais\u012bt\u0101ju, kas funkcion\u0113 k\u0101 \u201epsihisk\u0101 l\u012bme\u201c. Rezult\u0101t\u0101 cilv\u0113ki non\u0101k st\u0101vokl\u012b, kas aprakst\u0101ms k\u0101 \u201enep\u0101rvarami priec\u012bga kolekt\u012bv\u0101 apzi\u0146a\u201c. Seri\u0101la nosaukums \u201ePluribus\u201c atsauc\u0101s uz lat\u012b\u0146u moto \u201eE pluribus unum\u201c, kas noz\u012bm\u0113 \u201eno daudziem \u2013 viena\u201c. \u0160\u012b ideja par vienot\u012bbu, kas izskan D\u017eona Lenona dziesm\u0101 \u201eImagine\u201c, \u0161eit tiek apl\u016bkota caur apokaliptisku prizmu, liekot jaut\u0101t, vai absol\u016bt\u0101 harmonija un laime nav tikai cita veida distopija.<\/p>\n<p>Individu\u0101l\u0101 br\u012bv\u012bba pret kolekt\u012bvo laimi<\/p>\n<p>Seri\u0101la si\u017eets seko Kerolai, kura, palikdama izol\u0113ta no p\u0101r\u0113j\u0101s cilv\u0113ces, cen\u0161as atrast veidu, k\u0101 atgriezt individualit\u0101ti un neatkar\u012bgu dom\u0101\u0161anu. Vi\u0146a saskaras ar jaut\u0101jumu, vai ir mor\u0101li pie\u0146emami upur\u0113t miljoniem cilv\u0113ku, lai gl\u0101btu atliku\u0161os. Vi\u0146as dusmu uzliesmojumi sp\u0113j izrais\u012bt masveida kolapsu un n\u0101ves gad\u012bjumus, liekot aizdom\u0101ties, vai vardarb\u012bga pretest\u012bba pret \u0161\u0137ietami labv\u0113l\u012bgu vienot\u012bbu ir attaisnojama. Seri\u0101ls p\u0113ta t\u0113mas, kas saist\u012btas ar br\u012bv\u012bbu, identit\u0101ti un kolekt\u012bv\u0101s laimes cenu. Tas sniedz ar\u012b aspr\u0101t\u012bgu portretu par viduslaiku sievietes pieredzi un kalpo k\u0101 alegorija par abuz\u012bv\u0101m attiec\u012bb\u0101m, kur varone tiek mudin\u0101ta apspiest savas emocijas un uzskatus pret\u0113ji ac\u012bmredzamajiem pier\u0101d\u012bjumiem. Da\u017ei kriti\u0137i gan nor\u0101d\u012bju\u0161i uz seri\u0101la l\u0113no tempu, kas var\u0113tu neb\u016bt piem\u0113rots visiem skat\u012bt\u0101jiem.<\/p>\n<p>Rad\u012bt\u0101ja mantojums un \u201ePluribus\u201c vieta kino vid\u0113<\/p>\n<p>\u201ePluribus\u201c ir rad\u012bjis Vince Gilligan, kur\u0161 pla\u0161\u0101k paz\u012bstams k\u0101 kulta seri\u0101lu \u201eBreaking Bad\u201c un \u201eBetter Call Saul\u201c autors. Vi\u0146a atgrie\u0161an\u0101s pie zin\u0101tnisk\u0101s fantastikas \u017eanra, ko vi\u0146\u0161 iepriek\u0161 apl\u016bkojis ar\u012b \u201eThe X-Files\u201c, apliecina vi\u0146a talantu veidot sare\u017e\u0123\u012btus, uz person\u0101\u017eiem v\u0113rstus st\u0101stus. Lai gan \u201ePluribus\u201c var\u0113tu \u0161\u0137ist l\u0113n\u0101ks sal\u012bdzinum\u0101 ar iepriek\u0161\u0113jiem Gilligan darbiem, kur varo\u0146u transform\u0101cija bija \u0101tr\u0101ka, tas pied\u0101v\u0101 dzi\u013c\u0101ku un p\u0101rdom\u0101m bag\u0101t\u0101ku pieredzi. Seri\u0101ls tiek sal\u012bdzin\u0101ts ar t\u0101d\u0101m \u201eApple TV+\u201c ori\u0123\u09be\u09b2izstr\u0101d\u0113m k\u0101 \u201eSeverance\u201c un \u201eBlack Mirror\u201c, k\u0101 ar\u012b ar \u201eThe Leftovers\u201c.<\/p>\n<p>Skat\u012bt\u0101ju un kriti\u0137u v\u0113rt\u0113jums<\/p>\n<p>\u201ePluribus\u201c ir sa\u0146\u0113mis pla\u0161u kriti\u0137u atzin\u012bbu, \u012bpa\u0161i izce\u013cot Gilligan scen\u0101riju un re\u017eiju, k\u0101 ar\u012b Rhea Seehorn aktiersp\u0113li. Seri\u0101ls nomin\u0113ts div\u0101m Zelta globusa balv\u0101m un div\u0101m Critics&#8217; Choice balv\u0101m, kur\u0101s Seehorn ieguva balvu k\u0101 lab\u0101k\u0101 aktrise dr\u0101mas seri\u0101l\u0101. Neskatoties uz da\u017eiem iebildumiem par tempu, \u201ePluribus\u201c tiek uzskat\u012bts par vienu no aizraujo\u0161\u0101kajiem un ori\u0123in\u0101l\u0101kajiem seri\u0101liem 2025. gad\u0101. Tas pied\u0101v\u0101 unik\u0101lu pav\u0113rsienu postapokaliptisk\u0101 \u017eanr\u0101, vienlaikus uzdodot dzi\u013cus filozofiskus jaut\u0101jumus par cilv\u0113ces eksistenci un n\u0101kotni.<\/p>\n<p>N\u0101kotnes perspekt\u012bvas<\/p>\n<p>Jau pasp\u0113jis iekarot skat\u012bt\u0101ju un kriti\u0137u atzin\u012bbu, seri\u0101ls ir sa\u0146\u0113mis pas\u016bt\u012bjumu ar\u012b otrajai sezonai. \u0160is fakts apliecina \u201eApple TV+\u201c p\u0101rliec\u012bbu par seri\u0101la potenci\u0101lu un sp\u0113ju turpin\u0101t aizraut skat\u012bt\u0101jus ar savu neparasto un p\u0101rdom\u0101m bag\u0101to st\u0101stu.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaunais seri\u0101ls \u201ePluribus\u201c uz \u201eApple TV+\u201c raisa gan saj\u016bsmu, gan diskusijas Kam\u0113r pasaules mediju giganti \u201eNetflix\u201c un \u201eWarner&hellip;\n","protected":false},"author":2,"featured_media":118780,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[27228,647,89,90,35,39,38,36,37,34,40,8887,27227,8889],"class_list":{"0":"post-118779","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-apokaliptiskais-serials","9":"tag-apple-tv","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-pluribus","20":"tag-vince-gilligan","21":"tag-zinatniska-fantastika"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115993919056273385","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/118779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=118779"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/118779\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/118780"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=118779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=118779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=118779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}