\u0160apiro atgrie\u017eas uz Latvijas skatuves<\/p>\n
K\u0101 zi\u0146o av\u012bze Diena, slavenais te\u0101tra re\u017eisors \u0100dolfs \u0160apiro p\u0113c 34 gadu ilgas promb\u016btnes ir atgriezies Latvij\u0101, lai uzvestu jaunu izr\u0101di Jaunaj\u0101 R\u012bgas te\u0101tr\u012b. 3. febru\u0101r\u012b notiks pirmizr\u0101de izr\u0101dei “Dons Kihots”, kas balst\u012bta uz Migela de Servantesa slaveno rom\u0101nu. \u0160is notikums iez\u012bm\u0113 noz\u012bm\u012bgu atgrie\u0161anos Latvijas te\u0101tra dz\u012bv\u0113, \u012bpa\u0161i \u0146emot v\u0113r\u0101 \u0160apiro ilggad\u0113jo un spo\u017eo karjeru, vadot R\u012bgas Jaunatnes te\u0101tri.<\/p>\n
“Dons Kihots” \u2013 dz\u012bves un te\u0101tra atspogu\u013cojums<\/p>\n
Izv\u0113l\u0113tais liter\u0101rais darbs, “Dons Kihots”, nav nejau\u0161s. Pats re\u017eisors uzsver, ka Servantesa st\u0101sts par bru\u0146inieku un vi\u0146a ce\u013cabiedru San\u010do Pansu izgaismo gan dz\u012bves te\u0101tri, gan te\u0101tra dz\u012bvi. \u0160apiro cit\u0101t\u0101 min\u0113ts: “Po\u0113tiska izdoma vai ikdienas proza? Br\u012bni\u0161\u0137\u012bgs nepr\u0101ts vai pie zemes velko\u0161s sapr\u0101ts? Atgr\u016b\u0161an\u0101s un savstarp\u0113ja ietekme.” Vi\u0146\u0161 uzskata, ka \u0161\u012b t\u0113ma m\u016bsdienu pasaul\u0113 \u012bpa\u0161i aktu\u0101li atspogu\u013co c\u012b\u0146u starp ide\u0101liem nol\u016bkiem un samierin\u0101\u0161anos ar realit\u0101ti.<\/p>\n
Sp\u0113c\u012bgs aktieru ansamblis<\/p>\n
Galvenaj\u0101s lom\u0101s izr\u0101d\u0113 “Dons Kihots” iejut\u012bsies Latvijas te\u0101tra grandi \u2013 Kaspars Znoti\u0146\u0161 Don Kihota lom\u0101 un Gundars \u0100boli\u0146\u0161 San\u010do Pansas lom\u0101. Abi aktieri ir paz\u012bstami ar savu talantu un sp\u0113ju dzi\u013ci interpret\u0113t sare\u017e\u0123\u012btas rakstz\u012bmes, solot skat\u012bt\u0101jiem aizraujo\u0161u un emocion\u0101li pies\u0101tin\u0101tu pieredzi.<\/p>\n
\u0100dolfa \u0160apiro mantojums Latvij\u0101<\/p>\n
\u0100dolfa \u0160apiro vad\u012btais R\u012bgas Jaunatnes te\u0101tris 20. gadsimta otraj\u0101 pus\u0113 bija viens no Latvijas kult\u016bras un gar\u012bg\u0101s dz\u012bves noz\u012bm\u012bg\u0101kajiem centriem. Vi\u0146a iestud\u0113jumi, kas bie\u017ei vien iek\u013cauti Latvijas Kult\u016bras kanon\u0101, aicin\u0101ja dom\u0101t par b\u016btiskiem dz\u012bves jaut\u0101jumiem un tika nov\u0113rt\u0113ti par novatoriskiem te\u0101tra formas mekl\u0113jumiem. P\u0113c Jaunatnes te\u0101tra likvid\u0101cijas 1992. gad\u0101, re\u017eisors pameta Latviju, str\u0101d\u0101jot da\u017e\u0101dos te\u0101tros Krievij\u0101 un cit\u0101s valst\u012bs.<\/p>\n
Skat\u012bt\u0101ju un m\u0101kslinieku p\u0101rbaud\u012bjums<\/p>\n
\u0160apiro nor\u0101da, ka “Dona Kihota” iestud\u0113jums ir savdab\u012bgs tests gan aktieriem, gan re\u017eisoram, gan ar\u012b skat\u012bt\u0101jiem, lai saprastu, cik katr\u0101 m\u012bt donkihotisms un cik \u2013 pan\u010disms. Izr\u0101de sola ne tikai m\u0101ksliniecisku baud\u012bjumu, bet ar\u012b dzi\u013c\u0101ku pa\u0161refleksiju par ide\u0101lismu un pragmatismu m\u016bsdienu sabiedr\u012bb\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"\u0160apiro atgrie\u017eas uz Latvijas skatuves K\u0101 zi\u0146o av\u012bze Diena, slavenais te\u0101tra re\u017eisors \u0100dolfs \u0160apiro p\u0113c 34 gadu ilgas…\n","protected":false},"author":2,"featured_media":119068,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[26008,26009,89,90,5272,35,39,38,36,37,34,160,40,1176],"class_list":{"0":"post-119067","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-adolfs-sapiro","9":"tag-dons-kihots","10":"tag-entertainment","11":"tag-izklaide","12":"tag-jaunais-rigas-teatris","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-latvijas-kultura","20":"tag-lv","21":"tag-teatris"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115995232520213580","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/119067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=119067"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/119067\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/119068"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=119067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=119067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=119067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}