Dailes te\u0101tris sagaida jauniestud\u0113jumu: notikusi izr\u0101des “Milzis” pirmizr\u0101de<\/p>\n
Ceturtdien, 29. janv\u0101r\u012b, Dailes te\u0101tra Jaunaj\u0101 z\u0101l\u0113 kr\u0101\u0161\u0146i aizvad\u012bta re\u017eisora Gata \u0160mita iestud\u0113t\u0101s izr\u0101des “Milzis” pirmizr\u0101de. K\u0101 inform\u0113 port\u0101ls jauns.lv, \u0161is jauniestud\u0113jums ir tra\u0123ikom\u0113dija divos c\u0113lienos, kas p\u0113ta robe\u017eu starp personisku viedokli un sabiedr\u012bbai nepie\u0146emamu retoriku. Izr\u0101de veidota p\u0113c Marka Rozenblata lugas mot\u012bviem, kas sm\u0113lusies iedvesmu no slaven\u0101 b\u0113rnu gr\u0101matu autora Roalda D\u0101la dz\u012bves.<\/p>\n
Izr\u0101des “Milzis” centr\u0101 \u2013 Roalda D\u0101la dz\u012bves un dai\u013crades atspulzi<\/p>\n
Izr\u0101des “Milzis” pamat\u0101 ir dramaturgs Marks Rozenblats, kur\u0161 ar meln\u0101 humora pal\u012bdz\u012bbu piev\u0113r\u0161as tematam par to, kur ir robe\u017ea, kad sabiedr\u012bb\u0101 zin\u0101mas un augsti v\u0113rt\u0113tas person\u012bbas viedoklis p\u0101rv\u0113r\u0161as par nepie\u0146emamu retoriku. Izr\u0101des centr\u0101lais t\u0113ls ir slavenais britu rakstnieks Roalds D\u0101ls, kur\u0161 tiek uzskat\u012bts par vienu no izcil\u0101kajiem 20. gadsimta britu autoriem un lab\u0101kajiem st\u0101stniekiem b\u0113rniem. D\u0101la dai\u013cradei pieder t\u0101di darbi k\u0101 “Matilde”, “\u010c\u0101rlijs un \u0161okol\u0101des fabrika”, “D\u017eeimss un milzu persiks” un daudzas citas gr\u0101matas, kas paz\u012bstamas vis\u0101 pasaul\u0113. Scen\u0101rija autors Rozenblats, balstoties uz patiesiem notikumiem, rad\u012bjis fascin\u0113jo\u0161u portretu par velni\u0161\u0137\u012bgi harism\u0101tisku person\u012bbu, p\u0113tot at\u0161\u0137ir\u012bbu starp p\u0101rdom\u0101tu personisko viedokli un b\u012bstamu, sabiedr\u012bbai neatbilsto\u0161u retoriku. Izr\u0101des inform\u0101cija liecina, ka Roalda D\u0101la dz\u012bv\u0113 1983. gada vasara bijusi \u012bpa\u0161i izaicino\u0161a \u2013 vi\u0146\u0161 p\u0101rvar\u0113jis muguras s\u0101pes, str\u0101d\u0101jot pie rom\u0101na “Raganas”, vienlaikus risinot personisk\u0101s dz\u012bves p\u0101rmai\u0146as p\u0113c laul\u012bbas \u0161\u0137ir\u0161anas. Papildus tam, recenzij\u0101 par gr\u0101matu, kas ataino Izra\u0113las iebrukumu Lib\u0101n\u0101, D\u0101ls sal\u012bdzin\u0101jis Izra\u0113lu ar Hitlera Tre\u0161o reihu un ebrejus nod\u0113v\u0113jis par “slepkavniecisk\u0101m m\u016b\u0137en\u0113m”, izraisot pla\u0161u nosod\u012bjumu.<\/p>\n
Sp\u0113c\u012bgs aktieru ansamblis un rado\u0161\u0101 komanda<\/p>\n
Galveno lomu izr\u0101d\u0113 “Milzis” atveido aktieris \u0122irts Kr\u016bmi\u0146\u0161, kur\u0161 skatuvi dala ar talant\u012bgu aktieru ansambli. Lom\u0101s redzami Juris Bartkevi\u010ds vai Jakovs Rafalsons, Gints Gr\u0101velis, Krist\u012bne Nevarauska, Jana Herbsta un Madara Vi\u013c\u010duka. Izr\u0101des re\u017eisors ir Gatis \u0160mits, scenogr\u0101fiju un kost\u012bmus veidojis R\u016bdolfs Beki\u010ds, bet muzik\u0101lo noform\u0113jumu \u2013 komponists J\u0113kabs N\u012bmanis. K\u0101 nor\u0101d\u012bjis pats re\u017eisors Gatis \u0160mits, Roalda D\u0101la person\u012bba un biogr\u0101fija ir \u013coti pateic\u012bgs materi\u0101ls dramatur\u0123ijai, jo D\u0101ls bijis interesants ar savu spilgtumu, netipiskumu un aso pr\u0101tu.<\/p>\n
Pirmizr\u0101des viesu vid\u016b \u2013 sabiedr\u012bb\u0101 zin\u0101mi cilv\u0113ki<\/p>\n
Dailes te\u0101tra Jaunaj\u0101 z\u0101l\u0113 notiku\u0161o pirmizr\u0101di apmekl\u0113ja ar\u012b vair\u0101ki sabiedr\u012bb\u0101 zin\u0101mi \u013caudis. Vi\u0146u vid\u016b bija satiksmes ministrs Atis \u0160vinka, Operas nama vad\u012bt\u0101js Sandis Voldi\u0146\u0161, uz\u0146\u0113m\u0113js D\u0101vis Au\u0161k\u0101ps ar kundzi Aiju, Radiote\u0101tra vad\u012bt\u0101ja M\u0101ra Egl\u012bte ar v\u012bru \u0122irtu, k\u0101 ar\u012b aktieri J\u0101nis Pauk\u0161tello un Marija B\u0113rzi\u0146a. Ar\u012b citi te\u0101tra m\u0101kslas baud\u012bt\u0101ji steidza nov\u0113rt\u0113t jaun\u0101s izr\u0101des pirm\u0101s par\u0101d\u012b\u0161an\u0101s uz skatuves.<\/p>\n
Par izr\u0101di “Milzis” un t\u0101s aktualit\u0101ti<\/p>\n
Izr\u0101de “Milzis” nav vienk\u0101r\u0161i biogr\u0101fisks darbs, bet gan fascin\u0113jo\u0161s portrets par harism\u0101tisku person\u012bbu, kas ar meln\u0101 humora pal\u012bdz\u012bbu liek aizdom\u0101ties par izsv\u0113rtu personisko viedokli un t\u0101 at\u0161\u0137ir\u012bbu no b\u012bstamas, sabiedr\u012bbai nepie\u0146emamas retorikas. \u0160\u012b t\u0113ma saglab\u0101 savu aktualit\u0101ti ar\u012b m\u016bsdien\u0101s, aicinot skat\u012bt\u0101jus refleksijai par v\u0101rda br\u012bv\u012bbas robe\u017e\u0101m un atbild\u012bbu, kas ar to saist\u012bta.<\/p>\n","protected":false},"excerpt":{"rendered":"Dailes te\u0101tris sagaida jauniestud\u0113jumu: notikusi izr\u0101des “Milzis” pirmizr\u0101de Ceturtdien, 29. janv\u0101r\u012b, Dailes te\u0101tra Jaunaj\u0101 z\u0101l\u0113 kr\u0101\u0161\u0146i aizvad\u012bta re\u017eisora…\n","protected":false},"author":2,"featured_media":119813,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[454,89,9505,90,35,39,38,36,37,34,40,27194,10115,27195],"class_list":{"0":"post-119812","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-dailes-teatris","9":"tag-entertainment","10":"tag-gatis-smits","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-milzis","20":"tag-pirmizrade","21":"tag-roalds-dals"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116000100366595163","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/119812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=119812"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/119812\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/119813"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=119812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=119812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=119812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}