Filmas “Krem\u013ca burvis” pirmizr\u0101de un t\u0113ma<\/p>\n
Pag\u0101ju\u0161\u0101 gada augusta beig\u0101s, 82. Ven\u0113cijas kinofestiv\u0101l\u0101, notika fran\u010du re\u017eisora Olivj\u0113 Asajasa jaun\u0101k\u0101s filmas “Krem\u013ca burvis” pirmizr\u0101de. \u0160is politiskais trilleris, kas tapis p\u0113c D\u017euliano da Empoli t\u0101da pa\u0161a nosaukuma rom\u0101na mot\u012bviem, piev\u0113r\u0161as varas un realit\u0101tes izmai\u0146u tematikai, \u012bpa\u0161i analiz\u0113jot Krievijas politisk\u0101s iek\u0161\u0113j\u0101s norises 90. gados un Vladimira Putina n\u0101k\u0161anu pie varas. K\u0101 inform\u0113 port\u0101ls jauns.lv, filma ang\u013cu valod\u0101 ar subtitriem latvie\u0161u un krievu valod\u0101 kinote\u0101tros Latvij\u0101 non\u0101ks 2026. gada 6. febru\u0101r\u012b, bet bi\u013ce\u0161u p\u0101rdo\u0161ana s\u0101ksies jau 23. janv\u0101r\u012b.<\/p>\n
Filmas centr\u0101lais t\u0113ls ir Vadims Baranovs, kuru atveido Toms St\u016brid\u017es. Baranovs ir biju\u0161ais m\u0101kslinieks un realit\u0101tes \u0161ovu producents, kur\u0161 k\u013c\u016bst par vienu no padomdev\u0113jiem Vladimiram Putinam. St\u0101sts atkl\u0101j vi\u0146a ce\u013cu no padomju sabrukuma laika haosa l\u012bdz k\u013c\u016b\u0161anai par vienu no jaun\u0101s Krievijas arhitektiem. Filma p\u0113ta, k\u0101 realit\u0101te tiek p\u0101rveidota un k\u0101 robe\u017eas starp paties\u012bbu un meliem, tic\u012bbu un manipul\u0101cij\u0101m izz\u016bd, kad cilv\u0113ks non\u0101k varas epicentr\u0101. Aktieru vid\u016b ir ar\u012b D\u017e\u016bda Lovs, Al\u012bsija Vikandere, Pols Dano un Zaks Galifianakis. Da\u013ca filmas tapusi R\u012bg\u0101, un taj\u0101 piedal\u0101s ar\u012b vair\u0101ki Latvijas aktieri, tostarp Andris Kei\u0161s, kur\u0161 atveido Jevge\u0146iju Prigo\u017einu.<\/p>\n
At\u0161\u0137ir\u012bg\u0101s kriti\u0137u un skat\u012bt\u0101ju atsauksmes<\/p>\n
Filmas uz\u0146em\u0161ana un t\u0101s t\u0113ma ir izrais\u012bjusi da\u017e\u0101das reakcijas un diskusijas. Kam\u0113r vieni slav\u0113 Asajasa m\u0113\u0123in\u0101jumu atspogu\u013cot varas meh\u0101nismus un politiskos procesus, citi kritiz\u0113 filmas izpild\u012bjumu, nor\u0101dot uz nepietiekamu autentiskumu un emocion\u0101lo dzi\u013cumu. Krievu \u017eurn\u0101liste un kriti\u0137e Bo\u017eena Rinska izteic\u0101s, ka filma ir “piln\u012bgs m\u0113sls” un “\u0101rk\u0101rt\u012bgi politiski korekts un g\u013c\u0113vs”, tr\u016bkstot ener\u0123ijas un p\u0101rliec\u012bbas, \u012bpa\u0161i attiec\u012bb\u0101 uz notikumiem k\u0101 Maidana revol\u016bcija un Krimas aneksija. Vi\u0146a ar\u012b kritiz\u0113ja aktieru izv\u0113li, \u012bpa\u0161i Pola Dano atveidoto Surkova (Vadims Baranovs) t\u0113lu, saucot to par “bl\u0101vu s\u016bda gabalu”.<\/p>\n
Savuk\u0101rt citi speci\u0101listi, piem\u0113ram, kinokriti\u0137e un Nacion\u0101l\u0101 kino centra vad\u012bt\u0101ja Dita Rietuma, nor\u0101da, ka filma, lai ar\u012b varb\u016bt nav Asajasa lab\u0101kais darbs un tiek d\u0113v\u0113ta par “ne \u012bpa\u0161i veiksm\u012bgu telev\u012bzijas form\u0101tu”, tom\u0113r var\u0113tu b\u016bt “neap\u0161aub\u0101mi nepiecie\u0161ama” Rietumu auditorijai k\u0101 “analfab\u0113tisma likvid\u0101cijas stunda” par Krievijas varas meh\u0101nismiem vienk\u0101r\u0161\u0101s bild\u012bt\u0113s.<\/p>\n
Latvijas aktieri un film\u0113\u0161anas vietas<\/p>\n
Viena no filmas interesant\u0101kaj\u0101m iez\u012bm\u0113m ir t\u0101s saist\u012bba ar Latviju. Da\u013ca filmas tapusi R\u012bg\u0101, un taj\u0101 piedal\u012bju\u0161ies ar\u012b vair\u0101ki paz\u012bstami Latvijas aktieri. Andris Kei\u0161s atveido Jevge\u0146iju Prigo\u017einu, bet savulaik ar\u012b Juris \u017dagars sp\u0113l\u0113ja t\u0113lu, kas bija ac\u012bmredzams Prigo\u017eina prototips seri\u0101l\u0101 “A\u0123ent\u016bra”.<\/p>\n
Latvijas aktieru iesaiste \u0161\u0101dos starptautiskos projektos tiek v\u0113rt\u0113ta k\u0101 izaicin\u0101jums un iesp\u0113ja sevi apliecin\u0101t pla\u0161\u0101kai auditorijai, tom\u0113r vienlaikus tiek izteiktas ba\u017eas, ka latvie\u0161u aktieri var\u0113tu tikt “re\u0123ion\u0101li iez\u012bm\u0113ti”, sp\u0113l\u0113jot galvenok\u0101rt Krievijas varo\u0146us.<\/p>\n
Rom\u0101na un filmas tematiskais kodols<\/p>\n
D\u017euliano da Empoli rom\u0101ns “Krem\u013ca burvis”, kas izdots 2022. gad\u0101 un tulkots vair\u0101k nek\u0101 30 valod\u0101s, p\u0113ta varas dabu un t\u0101s p\u0101rveidojo\u0161o sp\u0113ku. Vadims Baranovs, filmas un rom\u0101na galvenais varonis, ir politiskais tehnologs, kur\u0161 izmanto savu pieredzi m\u0101ksl\u0101 un realit\u0101tes telev\u012bzij\u0101, lai manipul\u0113tu ar sabiedrisko domu un veidotu politisko retoriku. Vi\u0146a st\u0101sts ir atskats uz 90. gadu Krieviju \u2013 laiku, kas saist\u012bts ar cer\u012bb\u0101m un vil\u0161anos, br\u012bv\u012bbu un haosu. Filmas galven\u0101 probl\u0113ma, p\u0113c da\u017eu kriti\u0137u dom\u0101m, ir nepietiekam\u0101 sp\u0113ja att\u0113lot \u0161\u012b perioda sare\u017e\u0123\u012bt\u012bbu un politisk\u0101s manipul\u0101cijas autentiski.<\/p>\n
Nobeigums un skat\u012bt\u0101ju gaidas<\/p>\n
“Krem\u013ca burvis” ir filma, kas, lai ar\u012b nav viennoz\u012bm\u012bgi nov\u0113rt\u0113ta, noteikti rosina diskusijas par varu, propagandu un realit\u0101tes konstru\u0113\u0161anu. T\u0101s pirmizr\u0101de Ven\u0113cijas kinofestiv\u0101l\u0101 un gaid\u0101m\u0101 demonstr\u0113\u0161ana Latvijas kinote\u0101tros sniedz iesp\u0113ju skat\u012bt\u0101jiem pa\u0161iem nov\u0113rt\u0113t, k\u0101 re\u017eisors Olivj\u0113 Asajass ir atspogu\u013cojis \u0161o sare\u017e\u0123\u012bto politisko un v\u0113sturisko t\u0113mu. Filmas pan\u0101kumi un skat\u012bt\u0101ju atsauksmes atkl\u0101s, vai t\u0101 sp\u0113s ieinteres\u0113t un sniegt jaunu skat\u012bjumu uz varas sp\u0113l\u0113m m\u016bsdienu pasaul\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas “Krem\u013ca burvis” pirmizr\u0101de un t\u0113ma Pag\u0101ju\u0161\u0101 gada augusta beig\u0101s, 82. Ven\u0113cijas kinofestiv\u0101l\u0101, notika fran\u010du re\u017eisora Olivj\u0113 Asajasa…\n","protected":false},"author":2,"featured_media":120932,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1509,89,90,3118,35,39,38,36,37,34,40,3120,13924,235],"class_list":{"0":"post-120931","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-dzuda-lovs","9":"tag-entertainment","10":"tag-izklaide","11":"tag-kremla-burvis","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-olivje-asajass","20":"tag-politiskais-trilleris","21":"tag-vladimirs-putins"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116005817874247056","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/120931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=120931"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/120931\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/120932"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=120931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=120931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=120931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}