Jaunais R\u012bgas te\u0101tris iepriecina ar “Donu Kihotu” un v\u0113stures liec\u012bbu<\/p>\n
Skat\u012bt\u0101jus, kuri Jaunaj\u0101 R\u012bgas te\u0101tr\u012b (JRT) bija ieradu\u0161ies uz ilgi gaid\u012bto \u0100dolfa \u0160apiro iestud\u0113t\u0101s izr\u0101des “Dons Kihots” pirmizr\u0101di, sagaid\u012bjis ne vien re\u017eisora atgrie\u0161an\u0101s Latvijas te\u0101tra dz\u012bv\u0113 p\u0113c 34 gadu p\u0101rtraukuma, bet ar\u012b grezns makets Vecr\u012bg\u0101 rekonstru\u0113jamam V\u0101gnera namam. K\u0101 inform\u0113 Latvijas Sabiedriskie Mediji, \u0161\u012b izr\u0101de un maketa prezent\u0101cija iez\u012bm\u0113 noz\u012bm\u012bgu kult\u016bras notikumu s\u0101kumu 2026. gad\u0101.<\/p>\n
\u0100dolfa \u0160apiro atgrie\u0161an\u0101s uz Latvijas skatuves ir \u012bpa\u0161i gaid\u012bts notikums, jo vi\u0146a darbs Jaunatnes te\u0101tr\u012b 20. gadsimta otraj\u0101 pus\u0113 atst\u0101ja dzi\u013cu un palieko\u0161u iespaidu uz Latvijas kult\u016bras kanonu. “Dons Kihots”, kas piedz\u012bvojis pirmizr\u0101di 3. febru\u0101r\u012b JRT Lielaj\u0101 z\u0101l\u0113, \u013cauj skat\u012bt\u0101jiem ne tikai baud\u012bt klasisku st\u0101stu jaun\u0101 interpret\u0101cij\u0101, bet ar\u012b pa\u0161iem p\u0101rbaud\u012bt savu iek\u0161\u0113jo “donkihotismu un pan\u010dismu”, k\u0101 to raksturojis pats re\u017eisors. Galvenaj\u0101s lom\u0101s skat\u0101mi Kaspars Znoti\u0146\u0161 un Gundars \u0100boli\u0146\u0161.<\/p>\n
V\u0101gnera nama v\u0113sturisk\u0101 noz\u012bme un rekonstrukcija<\/p>\n
Apmekl\u0113t\u0101jiem JRT ir apl\u016bkojams ar\u012b V\u0101gnera nama Vecr\u012bg\u0101 rekonstrukcijas makets. \u0160is nams, kas celts 1782. gad\u0101 p\u0113c Kristofa H\u0101berlanda projekta, ir noz\u012bm\u012bgs ne tikai arhitektoniski, bet ar\u012b kult\u016brv\u0113sturiski. Taj\u0101 divus gadus (1837\u20131839) str\u0101d\u0101jis komponists Rihards V\u0101gners, un ar koncertiem taj\u0101 uzst\u0101ju\u0161ies t\u0101di di\u017egari k\u0101 Kl\u0101ra \u0160\u016bmane, Ferencs Lists un Hektors Berliozs. \u0112ka, kas ilgsto\u0161i atrad\u0101s av\u0101rijas st\u0101vokl\u012b un tika sl\u0113gta 2006. gad\u0101, nu tiek rekonstru\u0113ta Zaigas un M\u0101ra Gai\u013cu vad\u012bb\u0101, atjaunojot t\u0101s v\u0113sturisk\u0101s koka konstrukcijas un paredzot telpas izst\u0101d\u0113m un muzejam, k\u0101 ar\u012b kameror\u0137estrim “Kremerata Baltica”. Makets iepriek\u0161 jau ticis izr\u0101d\u012bts Ven\u0113cijas bienn\u0101l\u0113.<\/p>\n
Bari\u0161\u0146ikova nama atv\u0113r\u0161ana un n\u0101kotnes perspekt\u012bvas<\/p>\n
Papildus te\u0101tra notikumiem un V\u0101gnera nama atdzim\u0161anai, jaunas perspekt\u012bvas paveras ar\u012b saist\u012bb\u0101 ar Bari\u0161\u0146ikova namu, kas savas durvis v\u0113rs ruden\u012b. Lai gan prec\u012bz\u0101ka inform\u0101cija par \u0161\u012b nama pl\u0101niem un atv\u0113r\u0161anas datumu v\u0113l tiks preciz\u0113ta, t\u0101 gaid\u0101m\u0101 atv\u0113r\u0161ana nor\u0101da uz turpin\u0101mu kult\u016bras un arhitekt\u016bras mantojuma atjauno\u0161anu un populariz\u0113\u0161anu R\u012bg\u0101.<\/p>\n
\u0100dolfa \u0160apiro rado\u0161ais mantojums un atgrie\u0161an\u0101s<\/p>\n
\u0100dolfa \u0160apiro atgrie\u0161an\u0101s Latvij\u0101 un vi\u0146a iestud\u0113jums “Dons Kihots” ir cie\u0161i saist\u012bti ar vi\u0146a ilggad\u0113jo darbu Jaunatnes te\u0101tr\u012b. \u0160apiro vad\u012bb\u0101 \u0161is te\u0101tris k\u013cuva par noz\u012bm\u012bgu kult\u016bras centru, kas risin\u0101ja aktu\u0101las soci\u0101l\u0101s un psiholo\u0123isk\u0101s probl\u0113mas. Vi\u0146a iestud\u0113jumi, piem\u0113ram, “Centrif\u016bga” un “Tre\u0161\u0101s imp\u0113rijas bailes un posts”, ir iek\u013cauti Latvijas Kult\u016bras kanon\u0101. P\u0113c Jaunatnes te\u0101tra likvid\u0101cijas 1992. gad\u0101 \u0160apiro pameta Latviju, un vi\u0146a atgrie\u0161an\u0101s tagad, 34 gadus v\u0113l\u0101k, ir gan personisks, gan profesion\u0101ls notikums, kas stiprina saikni starp re\u017eisora rado\u0161o mantojumu un m\u016bsdienu te\u0101tra ainavu.<\/p>\n
Rekonstrukcijas un kult\u016bras mantojuma saglab\u0101\u0161ana R\u012bg\u0101<\/p>\n
Gan V\u0101gnera nama, gan citu v\u0113sturisko \u0113ku rekonstrukcija R\u012bg\u0101 uzsver nepiecie\u0161am\u012bbu saglab\u0101t un atjaunot kult\u016bras mantojumu. Piem\u0113ram, R\u012bgas pa\u0161vald\u012bbas uz\u0146\u0113mums “R\u012bgas nami” akt\u012bvi iesaist\u0101s v\u0113sturisko namu apsaimnieko\u0161an\u0101 un atjauno\u0161an\u0101, pied\u0101v\u0101jot telpas gan pas\u0101kumiem, gan uz\u0146\u0113m\u0113jdarb\u012bbai. \u0160\u0101di projekti apliecina pils\u0113tas ap\u0146em\u0161anos saglab\u0101t savu unik\u0101lo arhitektonisko un kult\u016bras identit\u0101ti n\u0101kamaj\u0101m paaudz\u0113m, vienlaikus radot jaunas iesp\u0113jas pils\u0113tas att\u012bst\u012bbai.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaunais R\u012bgas te\u0101tris iepriecina ar “Donu Kihotu” un v\u0113stures liec\u012bbu Skat\u012bt\u0101jus, kuri Jaunaj\u0101 R\u012bgas te\u0101tr\u012b (JRT) bija ieradu\u0161ies…\n","protected":false},"author":2,"featured_media":127029,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[26008,28629,26009,89,90,5272,35,39,38,36,37,34,40,28628],"class_list":{"0":"post-127028","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-adolfs-sapiro","9":"tag-arhitekturas-rekonstrukcija","10":"tag-dons-kihots","11":"tag-entertainment","12":"tag-izklaide","13":"tag-jaunais-rigas-teatris","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-vagnera-nams"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116043554632257125","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/127028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=127028"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/127028\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/127029"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=127028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=127028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=127028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}