{"id":12746,"date":"2025-10-05T07:00:10","date_gmt":"2025-10-05T07:00:10","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/12746\/"},"modified":"2025-10-05T07:00:10","modified_gmt":"2025-10-05T07:00:10","slug":"muzika-kas-top-klusuma-un-izaicinosa-festivala-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/12746\/","title":{"rendered":"M\u016bzika, kas top klusum\u0101 un izaicino\u0161\u0101 festiv\u0101l\u0101\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>M\u016bzika, kas dzimst klusum\u0101: saruna ar komponistu Ernestu Vilsonu<\/p>\n<p>Sav\u0101s rado\u0161aj\u0101s izpausm\u0113s latvie\u0161u komponists Ernests Vilsons mekl\u0113 dzi\u013cumu un nianses, radot ska\u0146darbus gan tradicion\u0101liem instrumentiem, gan m\u016bsdien\u012bgai elektronikai. Vi\u0146a jaun\u0101kais opuss, ska\u0146darbs &#8220;all else erased&#8221;, piedz\u012bvos pirmatska\u0146ojumu eksperiment\u0101l\u0101s m\u016bzikas festiv\u0101l\u0101 &#8220;Ska\u0146u me\u017es 2025&#8221;, apliecinot Vilsona sp\u0113ju p\u0101riet no akad\u0113misk\u0101 avangarda l\u012bdz pat ska\u013ciem trok\u0161\u0146iem, atkl\u0101jot jaunas muzik\u0101l\u0101s teritorijas.<\/p>\n<p>No akad\u0113misk\u0101s pasaules uz eksperimentiem<\/p>\n<p>Ernests Vilsons, kur\u0161 \u0161obr\u012bd dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101, ir veidojis savu muzik\u0101lo ce\u013cu, stud\u0113jot kompoz\u012bciju un elektronisko m\u016bziku presti\u017eaj\u0101 H\u0101gas Karalisk\u0101s konservatorijas Sonolo\u0123ijas instit\u016bt\u0101, kur pavad\u012bjis se\u0161us gadus. \u0160\u012b padzi\u013cin\u0101t\u0101 izgl\u012bt\u012bba \u013c\u0101vusi vi\u0146am ne tikai apg\u016bt pla\u0161u muzik\u0101lo instrument\u0101riju, bet ar\u012b izprast un izmantot elektronisk\u0101s m\u016bzikas un ska\u0146u instal\u0101ciju rad\u012b\u0161anas tehnolo\u0123ijas. Vilsona dai\u013crad\u0113 harmonija, laiks, klusums, nejau\u0161\u012bba un atveido\u0161ana ir bie\u017ei sastopamas t\u0113mas, kas veido vi\u0146a unik\u0101lo skan\u0113jumu.<\/p>\n<p>&#8220;all else erased&#8221; \u2013 kontrabasa jaun\u0101 balss festiv\u0101l\u0101 &#8220;Ska\u0146u me\u017es&#8221;<\/p>\n<p>Ska\u0146darba &#8220;all else erased&#8221; pirmatska\u0146ojums notiks festiv\u0101la &#8220;Ska\u0146u me\u017es 2025&#8221; ietvaros, ko izpild\u012bs jaun\u0101s paaudzes kontrabasiste Laine Lu\u012bze Freidenberga. \u0160is notikums ir \u012bpa\u0161s, jo tas apliecina Vilsona gatav\u012bbu sadarboties ar izcil\u0101kajiem m\u016bzi\u0137iem, kuri sp\u0113j atkl\u0101t vi\u0146a kompoz\u012bciju dzi\u013cumu un nianses. Freidenbergas interese par m\u016bziku, kas sniedzas \u0101rpus tradicion\u0101l\u0101 klasisk\u0101 or\u0137estra repertu\u0101ra, padara vi\u0146u par ide\u0101lu izpild\u012bt\u0101ju \u0161im ska\u0146darbam. Pats komponists atz\u012bst, ka ideja par ska\u0146darbu kontrabasam radusies pirms vair\u0101kiem gadiem, un vi\u0146\u0161 ilgojies p\u0113c iesp\u0113jas to \u012bstenot, pilnveidojot savu rado\u0161o praksi un mekl\u0113jot jaunus izteiksmes l\u012bdzek\u013cus.<\/p>\n<p>&#8220;Ska\u0146u me\u017es 2025&#8221; \u2013 platforma eksperimentiem<\/p>\n<p>Festiv\u0101ls &#8220;Ska\u0146u me\u017es 2025&#8221;, kas norisin\u0101sies kult\u016bras telp\u0101 &#8220;Hanzas Perons&#8221; no 3. l\u012bdz 4. oktobrim, ir k\u013cuvis par noz\u012bm\u012bgu platformu eksperiment\u0101l\u0101s m\u016bzikas un laikmet\u012bg\u0101s m\u0101kslas att\u012bst\u012bbai Baltijas valst\u012bs. Festiv\u0101la programma ir pla\u0161a un daudzveid\u012bga, aptverot m\u016bsdienu muzik\u0101l\u0101s domas pla\u0161umus, s\u0101kot no hiperpopa l\u012bdz pat ska\u013ciem trok\u0161\u0146iem. Programmas galveno viesu vid\u016b b\u016bs ar\u012b t\u0101di starptautiski atz\u012bti m\u0101kslinieki k\u0101 \u012bru-\u010d\u012blie\u0161u hiperpopa zvaigzne Sega Bodega, britu eksperiment\u0101l\u0101 rokgrupa These New Puritans, ikonisk\u0101 balss m\u0101ksliniece un avangarda komponiste D\u017eoana La Barbara, k\u0101 ar\u012b modern\u0101 d\u017eeza zvaig\u017e\u0146u duets \u2013 saksofonists \u0160abaka Ha\u010dingss un bundzinieks Hamids Dreiks. \u0160\u0101ds m\u0101kslinieku kopums apliecina festiv\u0101la sp\u0113ju pied\u0101v\u0101t gan jaunus, gan jau atz\u012btus v\u0101rdus, vienlaikus papla\u0161inot auditorijas horizontus un izaicinot eso\u0161\u0101s kult\u016bras tendences.<\/p>\n<p>M\u016bzikas transform\u0101cija un klusuma sp\u0113ks<\/p>\n<p>Ernesta Vilsona rado\u0161\u0101 pieeja bie\u017ei vien balst\u0101s uz iepriek\u0161\u0113jo ska\u0146as materi\u0101lu transform\u0101ciju, kur\u0101 trok\u0161\u0146aini faili tiek p\u0101rv\u0113rsti harmonisk\u0101 pl\u016bsm\u0101. \u0160is process, kas var likties mulsino\u0161s, kompoz\u012bcijas laik\u0101 var rad\u012bt saj\u016btu par nezi\u0146u vai pat \u0161aub\u0101m par darba j\u0113gu. Tom\u0113r tie\u0161i \u0161\u012b spriedze un mekl\u0113jumi atkl\u0101j Vilsona unik\u0101lo stilu, kur\u0101 klusums un pla\u0161ums tiek izmantoti k\u0101 akt\u012bvi kompon\u0113\u0161anas elementi. Vi\u0146a intereses par to, k\u0101 m\u016bzika izaug no klusuma, atspogu\u013co dzi\u013c\u0101ku izpratni par ska\u0146as dabu un t\u0101s potenci\u0101lu.<\/p>\n<p>Festiv\u0101la &#8220;Ska\u0146u me\u017es 2025&#8221; programma ir ne tikai muzik\u0101ls baud\u012bjums, bet ar\u012b aicin\u0101jums klaus\u012bt\u0101jiem izk\u0101pt no sav\u0101m komforta zon\u0101m, atkl\u0101jot jaunas perspekt\u012bvas uz m\u016bziku un m\u0101kslu. Ernesta Vilsona jaunais ska\u0146darbs &#8220;all else erased&#8221; ir k\u0101 kv\u0113lojo\u0161s elements \u0161aj\u0101 pla\u0161aj\u0101 un eksperiment\u0101laj\u0101 ainav\u0101, apliecinot vi\u0146a talantu un p\u0101rliec\u012bbu par m\u016bzikas sp\u0113ju rad\u012bt dzi\u013cas un palieko\u0161as emocijas.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u016bzika, kas dzimst klusum\u0101: saruna ar komponistu Ernestu Vilsonu Sav\u0101s rado\u0161aj\u0101s izpausm\u0113s latvie\u0161u komponists Ernests Vilsons mekl\u0113 dzi\u013cumu&hellip;\n","protected":false},"author":2,"featured_media":12747,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1382,89,4532,90,2906,35,39,38,4533,36,37,34,40,4317],"class_list":{"0":"post-12746","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-eksperimentala-muzika","9":"tag-entertainment","10":"tag-ernests-vilsons","11":"tag-izklaide","12":"tag-laikmetiga-muzika","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-komponists","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-skanu-mezs-2025"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/12746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=12746"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/12746\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/12747"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=12746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=12746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=12746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}