Jaun\u0101 igau\u0146u re\u017eisora Veiko Ounpuu filma \u201cSerafima\u201d top Latvij\u0101<\/p>\n
Latvijas ainav\u0101s \u0161obr\u012bd norisin\u0101s jaun\u0101k\u0101s igau\u0146u re\u017eisora Veiko Ounpuu sp\u0113lfilmas \u201cSerafima\u201d film\u0113\u0161ana. \u0160is v\u0113rien\u012bgais projekts ir Igaunijas, Latvijas un Polijas kopra\u017eojums, un tas piln\u012bb\u0101 tiek uz\u0146emts Latvijas teritorij\u0101. Filma balst\u012bta uz paz\u012bstam\u0101 igau\u0146u autora Vahura Afanasjeva rom\u0101nu \u201cSerafima un Bogdans\u201d, pied\u0101v\u0101jot dzi\u013cu un emocion\u0101lu skat\u012bjumu uz varas, m\u012blest\u012bbas un nodev\u012bbas smalkaj\u0101m \u0161\u0137autn\u0113m. Ounpuu, kur\u0161 iepriek\u0161 sevi apliecin\u0101jis ar t\u0101d\u0101m film\u0101m k\u0101 \u201cRudens balle\u201d un \u201cSv\u0113t\u0101 Tonija k\u0101rdin\u0101jums\u201d, \u0161aj\u0101 darb\u0101 turpina p\u0113t\u012bt cilv\u0113ka dv\u0113seles sare\u017e\u0123\u012btos meandrus, atkl\u0101jot aktu\u0101las t\u0113mas m\u016bsdienu sabiedr\u012bbai.<\/p>\n
Starptautisks aktieru ansamblis un Latvijas talantu iesaiste<\/p>\n
\u201cSerafima\u201d lepojas ar spo\u017eu aktieru sast\u0101vu, kur\u0101 apvienoti talanti no da\u017e\u0101d\u0101m valst\u012bm. Galven\u0101s lomas atveidot\u0101ji ir igau\u0146u aktieris Pr\u012bts Voigemasts k\u0101 psihiatrs Dr. Vasars un gruz\u012bnu aktrise Tinatina Dalaki\u0161vili, kura pla\u0161\u0101kai publikai paz\u012bstama no asa si\u017eeta filmas \u201cExtraction II\u201d, k\u0101 ievainot\u0101 Serafima. Bogdana lom\u0101 iej\u016btas po\u013cu aktieris Barto\u0161s Bjelena, kur\u0161 2020. gad\u0101 tika atz\u012bts par gada lab\u0101ko jauno Eiropas aktieri un sa\u0146\u0113mis Eiropas Kinoakad\u0113mijas balvu. Filmas antagonistu, Serafimas v\u012bru Raimondu, atveidos igau\u0146u aktieris Tambets Tuisks. T\u0101pat film\u0101 iesaist\u012bti vair\u0101ki Latvijas talanti, tostarp Andris Kei\u0161s, Gatis G\u0101ga, Juris Bartkevi\u010ds un Art\u016brs Kr\u016bzkops, apliecinot Latvijas kinoindustrijas sp\u0113ju piedal\u012bties starptautiska m\u0113roga projektos. Vi\u0146u kl\u0101tb\u016btne film\u0101 sola dzi\u013cumu un daudzpus\u012bbu.<\/p>\n
St\u0101sts par sist\u0113mas upuri un cilv\u0113c\u012bbas mekl\u0113jumiem<\/p>\n
Re\u017eisors Veiko Ounpuu uzsver, ka \u201cSerafima\u201d atspogu\u013co Vahura Afanasjeva rom\u0101na b\u016bt\u012bbu, kas ir neparasti aktu\u0101la ar\u012b m\u016bsdienu pasaul\u0113. \u201cT\u0101 ir filma par sist\u0113mas upuri pasaul\u0113, kur cilv\u0113c\u012bbu saglab\u0101ju\u0161ie tiek sod\u012bti, bet vara atalgo tos, kuri zaud\u0113ju\u0161i mor\u0101lo kompasu,\u201d skaidro re\u017eisors. Vi\u0146\u0161 v\u0113las par\u0101d\u012bt, k\u0101 varas sist\u0113mas p\u0101rraksta atmi\u0146as, apspie\u017e preto\u0161anos un traum\u0113 veselas tautas, piev\u0113r\u0161oties t\u0113mai par cilv\u0113ciskuma zaud\u0113\u0161anu un sek\u0101m. Filmas st\u0101sts risin\u0101s 1960. gadu padomju psihiatriskaj\u0101 slimn\u012bc\u0101, kur Serafima, sieviete ar fizisk\u0101m un ment\u0101l\u0101m traum\u0101m, cen\u0161as atg\u016bt zaud\u0113t\u0101s atmi\u0146as. \u0100rsta Vasara pal\u012bdz\u012bba, kur\u0161 pats non\u0101k sare\u017e\u0123\u012bt\u0101 mor\u0101l\u0101 dilemm\u0101, atkl\u0101j pag\u0101tnes dr\u0101mu un Raimonda ne\u017e\u0113l\u012bbu, padarot \u0161o st\u0101stu par spilgtu metaforu c\u012b\u0146ai par cilv\u0113ciskumu un br\u012bv\u012bbu.<\/p>\n
Latvijas un Baltijas kino sadarb\u012bbas noz\u012bm\u012bgums<\/p>\n
Filmas l\u012bdzproducente Gunda Bergmane no \u201cNafta Films Latvia\u201d nor\u0101da, ka \u201cSerafima\u201d ir izcils piem\u0113rs vienotai Igaunijas\u2013Latvijas\u2013Polijas filmu telpai. \u201c\u0160\u0101di projekti apliecina, ka m\u016bsu re\u0123ions sp\u0113j rad\u012bt darbus ar glob\u0101lu rezonansi un vienlaikus stiprina kult\u016bras saikni starp valst\u012bm,\u201d vi\u0146a uzsver. Latvijas rado\u0161ais ieguld\u012bjums film\u0101 ir j\u016btams ne tikai aktieru sniegum\u0101, bet ar\u012b rado\u0161aj\u0101 komand\u0101, kur str\u0101d\u0101 scenogr\u0101fe Krist\u012bne Jurj\u0101ne, kost\u012bmu m\u0101ksliniece Liene Dobr\u0101ja un grima m\u0101ksliniece Santa Sandula. \u0160is projekts nostiprina \u201cNafta Films Latvia\u201d poz\u012bcijas m\u0101kslinieciski v\u0113rt\u012bgu filmu rad\u012b\u0161an\u0101 un sniedz v\u0113rt\u012bgas iesp\u0113jas viet\u0113jiem talantiem sadarboties ar starptautiskiem profesion\u0101\u013ciem, veicinot Baltijas kino att\u012bst\u012bbu.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaun\u0101 igau\u0146u re\u017eisora Veiko Ounpuu filma \u201cSerafima\u201d top Latvij\u0101 Latvijas ainav\u0101s \u0161obr\u012bd norisin\u0101s jaun\u0101k\u0101s igau\u0146u re\u017eisora Veiko Ounpuu…\n","protected":false},"author":2,"featured_media":12805,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,4565,90,35,39,38,36,37,34,3271,40,4562,4564,4563],"class_list":{"0":"post-12804","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-igaunijas-kino","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-latvijas-filmas","18":"tag-lv","19":"tag-serafima","20":"tag-vahurs-afanasjevs","21":"tag-veiko-ounpuu"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/12804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=12804"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/12804\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/12805"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=12804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=12804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=12804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}