Spilgts atgrie\u0161an\u0101s pie Rai\u0146a klasikas<\/p>\n
Latvijas Nacion\u0101lais te\u0101tris 107. sezonu atkl\u0101jis ar v\u0113rien\u012bgu un p\u0101rdom\u0101m rosino\u0161u jauniestud\u0113jumu \u2013 Rai\u0146a tra\u0123\u0113diju “Indulis un \u0100rija”. \u0160oreiz uz skatuves redzama re\u017eisores Indras Rogas interpret\u0101cija, kas tapis sadarb\u012bb\u0101 ar dramatiz\u0113juma autori Ievu Struku un Valsts akad\u0113misko kori “Latvija”. Lai gan Rainis lugu iecer\u0113jis k\u0101 “jaun\u012bbas tra\u0123\u0113diju”, Rogas iestud\u0113jums, ko vi\u0146a d\u0113v\u0113 par “balto tra\u0123\u0113diju”, piev\u0113r\u0161as pieredz\u0113ju\u0161\u0101kiem aktieriem \u2013 tr\u012bsdesmitgadniekiem K\u0101rlim Reijeram Indu\u013ca lom\u0101 un Laurai Silinai \u0100rijas lom\u0101, pie\u0161\u0137irot darbam jaunu, dzi\u013c\u0101ku emocion\u0101lo dimensiju. \u0160\u012b izv\u0113le, lai gan var \u0161\u0137ist pretrun\u012bga ori\u0123in\u0101ldarbam, \u013cauj aktieriem pilnv\u0113rt\u012bg\u0101k atkl\u0101t varo\u0146u iek\u0161\u0113jo pasauli un sare\u017e\u0123\u012btos mor\u0101los dilemmus, ar kuriem vi\u0146i saskaras m\u012blest\u012bbas un kara krustcel\u0113s.<\/p>\n
Simbolisms un vizu\u0101l\u0101 po\u0113zija<\/p>\n
Izr\u0101des monument\u0101l\u0101 M\u0101rti\u0146a Vilk\u0101r\u0161a scenogr\u0101fija ir k\u0101 stiliz\u0113ta sena sv\u0113tvietas vai kaujas ar\u0113na, kas vienlaikus simboliz\u0113 gan pirmskristiet\u012bbas laiku, gan ar\u012b tra\u0123\u0113dijas norises vietu. Ar\u012b kost\u012bmu m\u0101kslinieces Annas Heinrihsones t\u0113rpi \u2013 k\u016briem zemes to\u0146os, lei\u0161iem sarkanbr\u016bnos, bet v\u0101ciem attur\u012bgos tum\u0161zilos \u2013 prec\u012bzi raksturo at\u0161\u0137ir\u012bg\u0101s tautu grupas un to attiec\u012bbas. Savuk\u0101rt \u0100rija, ko atveido Laura Sili\u0146a, bie\u017ei vien iekr\u012bt statisk\u0101s poz\u0101s, liecinot par vi\u0146as t\u0113la trakt\u0113jumu k\u0101 ideju vai simbolu, nevis pilnv\u0113rt\u012bgu, miesisku sievieti. \u0160\u0101da pieeja, lai ar\u012b var rad\u012bt zin\u0101mas pretrunas ar lugas materi\u0101lu, dod iesp\u0113ju re\u017eisorei un aktris\u0113m dzi\u013c\u0101k izp\u0113t\u012bt varo\u0146u iek\u0161\u0113jo pasauli.<\/p>\n
M\u016bzika k\u0101 izr\u0101des dv\u0113sele<\/p>\n
\u0112rika E\u0161envalda ori\u0123in\u0101lm\u016bzika, ko izpilda Valsts akad\u0113miskais koris “Latvija”, k\u013c\u016bst par vienu no izr\u0101des galvenajiem balsta punktiem. Koris, kas izvietots gan skat\u012bt\u0101ju z\u0101l\u0113, gan uz skatuves, rada iespaid\u012bgu ska\u0146u telpu, kas ap\u0146em skat\u012bt\u0101jus. M\u016bzika ne tikai ilustr\u0113 notikumus, bet pati k\u013c\u016bst par neat\u0146emamu st\u0101sta da\u013cu, bag\u0101tinot izr\u0101des emocion\u0101lo un simbolisko sl\u0101ni. \u0160\u012b pieeja, kur koris k\u013c\u016bst par kl\u0101teso\u0161u, akt\u012bvu dal\u012bbnieku, ne tikai fona elementu, atg\u0101dina par senaj\u0101m tra\u0123\u0113dij\u0101m un pie\u0161\u0137ir izr\u0101dei patosu un p\u0101rlaic\u012bguma saj\u016btu.<\/p>\n
Kara \u0113na un izv\u0113\u013cu smagums<\/p>\n
Indras Rogas interpret\u0101cij\u0101 m\u012blest\u012bbas l\u012bnija atk\u0101pjas priek\u0161pl\u0101n\u0101 politisk\u0101s izv\u0113les priek\u0161\u0101. K\u0101rlis Reijers savu Induli veido k\u0101 emocion\u0101li trauslu un ievainotu varoni, kura galvenais m\u0113r\u0137is ir atg\u016bt Embotes pili un ar to \u2013 tautas pa\u0161cie\u0146u un izdz\u012bvo\u0161anu. Izr\u0101de uzsver kara laika smagumu un to, k\u0101 tas liek cilv\u0113kiem saskarties ar gr\u016bt\u0101m un neiesp\u0113jam\u0101m izv\u0113l\u0113m, kur\u0101s nereti n\u0101kas iz\u0161\u0137irties starp person\u012bgo laimi un tautas interes\u0113m. \u0160\u012b t\u0113ma ir izr\u0101des galvenais veiksmes elements, liekot skat\u012bt\u0101jam p\u0101rdom\u0101t indiv\u012bda un tautas attiec\u012bbas, k\u0101 ar\u012b izv\u0113\u013cu mor\u0101lo svaru.<\/p>\n
Re\u017eisores person\u012bg\u0101 saikne un novatorisms<\/p>\n
Indra Roga pati 1999. gad\u0101 Mihaila Kublinska iestud\u0113jum\u0101 atveidoja \u0100riju, un \u0161\u012b person\u012bg\u0101 pieredze, iesp\u0113jams, ir devusi vi\u0146ai \u012bpa\u0161u skat\u012bjumu uz varones t\u0113lu. Tom\u0113r \u0161\u012b jaun\u0101 interpret\u0101cija br\u012b\u017eiem var \u0161\u0137ist ar pretrun\u0101m pilna attiec\u012bb\u0101 pret s\u0101kotn\u0113jo Rai\u0146a dramatur\u0123isko materi\u0101lu. Lai gan Rai\u0146a valoda da\u017ek\u0101rt tiek uzskat\u012bta par novecoju\u0161u, dzied\u0101t\u0101ju balsu rad\u012bt\u0101 p\u0101rlaic\u012bguma saj\u016bta padara to ieder\u012bgu ar\u012b m\u016bsdienu skat\u012bt\u0101jam.<\/p>\n
Da\u017e\u0101d\u0101s interpret\u0101cijas un skat\u012bt\u0101ju uztvere<\/p>\n
Kritika par izr\u0101di ir da\u017e\u0101da. Da\u017ei recenzenti slav\u0113 Rogas sp\u0113ju atkl\u0101t kara laika cilv\u0113cisko tra\u0123\u0113diju un sare\u017e\u0123\u012bt\u0101s izv\u0113les, citas nor\u0101da uz \u0100rijas t\u0113la statiskumu vai nepiln\u012bgu saska\u0146u ar lugas materi\u0101lu. Tom\u0113r kopum\u0101 izr\u0101de tiek v\u0113rt\u0113ta k\u0101 noz\u012bm\u012bgs notikums Latvijas te\u0101tra dz\u012bv\u0113, kas aicina padom\u0101t par m\u016b\u017e\u012bg\u0101m t\u0113m\u0101m \u2013 tautu, n\u0101vi, m\u012blest\u012bbu, dz\u012bv\u012bbu un cilv\u0113c\u012bbu. T\u0101 ir spilgta liec\u012bba par Rai\u0146a dai\u013crades m\u016b\u017e\u012bgo v\u0113rt\u012bbu un te\u0101tra sp\u0113ju iedvesmot un likt sajust dzi\u013c\u0101k, pat simts gadus p\u0113c lugas tap\u0161anas.<\/p>\n","protected":false},"excerpt":{"rendered":"Spilgts atgrie\u0161an\u0101s pie Rai\u0146a klasikas Latvijas Nacion\u0101lais te\u0101tris 107. sezonu atkl\u0101jis ar v\u0113rien\u012bgu un p\u0101rdom\u0101m rosino\u0161u jauniestud\u0113jumu \u2013…\n","protected":false},"author":2,"featured_media":12953,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,28,29,32,33,22,1379,1377,30,31,35,39,38,36,37,34,40,537,20,26,27,1378,4633,24,25,21],"class_list":{"0":"post-12952","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-indra-roga","15":"tag-indulis-un-arija","16":"tag-latest-news","17":"tag-latestnews","18":"tag-latvia","19":"tag-latvian","20":"tag-latviesu","21":"tag-latviesu-valoda","22":"tag-latviesuvaloda","23":"tag-latvija","24":"tag-lv","25":"tag-nacionalais-teatris","26":"tag-news","27":"tag-popularakas-zinas","28":"tag-popularakaszinas","29":"tag-rainis","30":"tag-teatra-recenzija","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/12952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=12952"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/12952\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/12953"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=12952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=12952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=12952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}