Filmas “Testaments” pirmizr\u0101de raisa diskusijas<\/p>\n
Re\u017eisora J\u0101\u0146a \u0100beles dokument\u0101l\u0101 filma “Testaments” piedz\u012bvojusi pirmizr\u0101di R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (Riga IFF) programm\u0101, uzs\u0101kot diskusiju par latvie\u0161u rakstnieka un dzejnieka Anatola Imerma\u0146a (1914\u20131998) mantojumu m\u016bsdienu kontekst\u0101. Filma, kuras scen\u0101rija autors ir J\u0101nis Jo\u0146evs, seko m\u016bsdienu dzejniekam Aleksandram Zapo\u013cam (Semjonam Ha\u0146inam), kur\u0161 mekl\u0113 pazudu\u0161o urnu ar Imerma\u0146a pelniem, lai izpild\u012btu vi\u0146a neparasto p\u0113d\u0113jo v\u0113l\u0113\u0161anos \u2013 tos izkais\u012bt Par\u012bzes “sarkano lukturu” rajon\u0101. <\/p>\n
Anatolijs Imermanis \u2013 pretrun\u012bgs boh\u0113mists un liter\u0101r\u0101s pasaules pionieris<\/p>\n
Anatolijs Imermanis tiek rakturots k\u0101 pretrun\u012bgs cilv\u0113ks \u2013 dzejnieks un detekt\u012bvrom\u0101nu autors, padomju varas pieciests, ta\u010du t\u0101s nesagremots. Vi\u0146u d\u0113v\u0113 par disidentu-boh\u0113mistu, le\u0123endu fabriku, kas bija “traks uz sieviet\u0113m, bet miris vientul\u012bb\u0101”. Vi\u0146\u0161 ir uzskat\u012bts par vienu no detekt\u012bv\u017eanra pionieriem latvie\u0161u literat\u016br\u0101, sarakst\u012bjis vair\u0101k nek\u0101 15 krimin\u0101lrom\u0101nus un vair\u0101kus dzejas kr\u0101jumus. <\/p>\n
Nepiepild\u012bt\u0101 v\u0113l\u0113\u0161an\u0101s un pazudus\u012b urna<\/p>\n
Filmas centr\u0101lais mot\u012bvs ir Imerma\u0146a p\u0113d\u0113j\u0101 v\u0113l\u0113\u0161an\u0101s, lai vi\u0146a pelnus izkais\u012btu Par\u012bzes “sarkano lukturu” rajon\u0101, t\u0101d\u0113j\u0101di vienm\u0113r esot “skaistu meite\u0146u komp\u0101nij\u0101”. \u0160\u012b v\u0113l\u0113\u0161an\u0101s nav izpild\u012bta, jo urna ar rakstnieka pelniem ir mistiski pazudusi kop\u0161 vi\u0146a n\u0101ves 1998. gad\u0101. Filmas veidot\u0101ji \u0161o mist\u0113riju p\u0101rv\u0113rtu\u0161i par dokument\u0101lu detekt\u012bvu, kur\u0101 Aleksandrs Zapo\u013cs dodas mekl\u0113jumos. <\/p>\n
Filmas stilistika un diskusijas par mantojumu<\/p>\n
Dokument\u0101lais detekt\u012bvs “Testaments” br\u012b\u017eiem atg\u0101dina sp\u0113lfilmu vai erotisku mist\u0113riju, nevis tradicion\u0101lu dokument\u0101lo filmu. Filmas veidot\u0101ji p\u0113ta robe\u017eas starp person\u012bbu un m\u012btiem, aicinot skat\u012bt\u0101jus p\u0101rdom\u0101t, k\u0101 “MeToo” laikmet\u0101 un Epst\u012bna failu \u0113n\u0101 v\u0113rt\u0113t \u0161\u0101du rado\u0161u person\u012bbu mantojumu. Da\u017ei recenzenti nor\u0101da, ka Imermanis atkl\u0101jas k\u0101 pretrun\u012bgi v\u0113rt\u0113jams cilv\u0113ks, \u012bpa\u0161i uzsverot vi\u0146a uzved\u012bbu attiec\u012bb\u0101s ar sieviet\u0113m, kas da\u017ek\u0101rt tiek raksturota k\u0101 ekscentriska vai pat “seksu\u0101la maniaka” cien\u012bga. <\/p>\n","protected":false},"excerpt":{"rendered":"Filmas “Testaments” pirmizr\u0101de raisa diskusijas Re\u017eisora J\u0101\u0146a \u0100beles dokument\u0101l\u0101 filma “Testaments” piedz\u012bvojusi pirmizr\u0101di R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (Riga…\n","protected":false},"author":2,"featured_media":130452,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5791,7619,89,90,35,39,38,3634,36,37,34,100,40,5789],"class_list":{"0":"post-130506","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-anatols-imermanis","9":"tag-dokumentala-kino","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-literatura","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-latvijas-kino","20":"tag-lv","21":"tag-testaments-filma"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116067387471265281","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/130506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=130506"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/130506\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/130452"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=130506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=130506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=130506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}