M\u016bzikas valoda k\u0101 tirgus atspulgs<\/p>\n
J\u0113dziens “tirgo\u0161an\u0101s m\u0101ksla m\u016bzik\u0101” var \u0161\u0137ist neierasts, ta\u010du tas atspogu\u013co dzi\u013c\u0101ku paral\u0113li starp m\u016bzikas strukt\u016bru un ekonomiskaj\u0101m attiec\u012bb\u0101m. K\u0101 nor\u0101da kult\u016bras p\u0113tnieki, m\u016bzikas valod\u0101, glu\u017ei k\u0101 dz\u012bv\u0113, svar\u012bga ir harmoniska pl\u0101na skaidr\u012bba un strukt\u016bra, kas pal\u012bdz saprast dar\u012bjumu gaitu. \u0160\u012b ideja, kas bie\u017ei vien paliek nepaman\u012bta pla\u0161\u0101kai publikai, atkl\u0101jas, apl\u016bkojot da\u017e\u0101du komponistu dai\u013cradi, s\u0101kot no baroka di\u017egariem l\u012bdz pat m\u016bsdienu Latvijas m\u016bzi\u0137iem.<\/p>\n
Georgs Fr\u012bdrihs Hendelis: Tirgo\u0161an\u0101s un aiz\u0146em\u0161an\u0101s meistars<\/p>\n
Par vienu no pirmajiem un spilgt\u0101kajiem paraugiem, kur\u0101 “tirgo\u0161an\u0101s m\u0101ksla” j\u016btama m\u016bzik\u0101, tiek min\u0113ts Georgs Fr\u012bdrihs Hendelis (1685\u20131759). Vi\u0146a filigr\u0101n\u0101s harmoniju sec\u012bbas un meistar\u012bg\u0101 instrumentu balsu izmanto\u0161ana atkl\u0101jas daudzos ska\u0146darbos. Hendelis bija ne tikai izcils komponists, bet ar\u012b prasm\u012bgs aiz\u0146\u0113m\u0113js \u2013 le\u0123end\u0101ra ir vi\u0146a atbilde komponistam, kur\u0161 jaut\u0101jis, k\u0101p\u0113c Hendelis lieto cita autora darbu k\u0101 savu. Hendelis ironiski nor\u0101d\u012bjis, ka tas gabals esot par labu otram komponistam, jo vi\u0146\u0161 pats nezina, ko ar to ies\u0101kt. \u0160\u012b kompozicion\u0101l\u0101 tehnika, kur\u0101 tiek izmantotas jau eso\u0161as idejas un t\u0101s tiek p\u0101rveidotas, atg\u0101dina tirgus principus, kur preces tiek izmantotas un transform\u0113tas jaun\u0101s v\u0113rt\u012bb\u0101s. Piem\u0113ram, Telemann pieder\u012bgais ska\u0146darbs “Postillons” nok\u013cuva Hende\u013ca oratorij\u0101 “Baltazars”. Hende\u013ca m\u016bzika, kas apvieno v\u0101cu kontrapunktu, it\u0101\u013cu melodisko grezn\u012bbu un ang\u013cu kora trad\u012bcijas, joproj\u0101m ir cie\u0161i saist\u012bta ar koncertu repertu\u0101ru.<\/p>\n
Juris Karlsons: Ironija, filozofija un m\u016bzikas strat\u0113\u0123ija<\/p>\n
Latvie\u0161u komponists Juris Karlsons (dzimis 1948) sav\u0101 dai\u013crad\u0113 bie\u017ei vien ietver filozofiskus un ironiskus elementus, kas atsaucas uz dz\u012bves un m\u016bzikas savstarp\u0113jo saist\u012bbu. K\u0101 vi\u0146\u0161 pats atz\u012bst, lai pateiktu kaut ko jaunu, nepiecie\u0161ama liela drosme, un pasaule ir pilna ar inform\u0101ciju, kas rada izaicin\u0101jumu rad\u012bt ko patiesi ori\u0123in\u0101lu. Karlsona m\u016bzika bie\u017ei vien raksturojas ar spilgtiem un interesantiem stilistiskiem risin\u0101jumiem, sint\u0113zi da\u017e\u0101d\u0101m kompoz\u012bcijas tehnik\u0101m, un taj\u0101 man\u0101ms dinamiskums un dz\u012bvesprieks. Vi\u0146a dai\u013crad\u0113, kas aptver baletus, simfoniskus ska\u0146darbus un te\u0101tra m\u016bziku, var saskat\u012bt strat\u0113\u0123isku pieeju, l\u012bdz\u012bgi k\u0101 tirg\u016b, kur tiek izmantoti da\u017e\u0101di izteiksmes l\u012bdzek\u013ci, lai rad\u012btu iespaid\u012bgu un saisto\u0161u rezult\u0101tu.<\/p>\n
P\u0113teris Vasks: Gars, dv\u0113sele un v\u0113rt\u012bbu tirgus<\/p>\n
P\u0113teris Vasks (dzimis 1946) ir viens no starptautiski paz\u012bstam\u0101kajiem latvie\u0161u komponistiem, kura m\u016bzika bie\u017ei vien tiek rakturota k\u0101 dv\u0113seliska un apgarota. Vi\u0146\u0161 pats nor\u0101da, ka “m\u016bzika ir visdi\u017een\u0101k\u0101 no vis\u0101m m\u016bz\u0101m, jo visviegl\u0101k tiek kl\u0101t dievi\u0161\u0137ajam”, un ar ska\u0146\u0101m m\u0113\u0123ina “uztur\u0113t gaismas stari\u0146u”. Vaska dai\u013crad\u0113 j\u016btama neoromantisma un jaun\u0101 gar\u012bguma est\u0113tika, kur\u0101 domin\u0113 v\u0113rt\u012bbas, gaismas c\u012b\u0146a ar tumsu un dabas atspulgi. \u0160o komponistu var\u0113tu uzskat\u012bt par v\u0113rt\u012bbu tirgus p\u0101rst\u0101vi, kur galven\u0101 val\u016bta ir gar\u012bgums un cilv\u0113ciskums, nevis materi\u0101l\u0101s v\u0113rt\u012bbas. Vi\u0146a m\u016bzika, kur\u0101 bie\u017ei vien iek\u013cauti latvie\u0161u tautas m\u016bzikai rakstur\u012bgi mot\u012bvi, rada pieder\u012bbas saj\u016btu un dzi\u013cu emocion\u0101lu rezonansi klaus\u012bt\u0101j\u0101. Vasks ir sa\u0146\u0113mis neskait\u0101mus apbalvojumus, tostarp Lielo m\u016bzikas balvu par m\u016b\u017ea ieguld\u012bjumu.<\/p>\n
M\u016bzika un tirdzniec\u012bba: M\u016bsdienu interpret\u0101cijas<\/p>\n
M\u016bsdienu pasaul\u0113 m\u016bzika arvien bie\u017e\u0101k tiek skat\u012bta k\u0101 tirgus elements, ko izmanto gan z\u012bmolu populariz\u0113\u0161anai, gan atmosf\u0113ras rad\u012b\u0161anai. Veikalos atska\u0146ot\u0101 m\u016bzika raksturo veikala t\u0113lu un tiek asoci\u0113ta ar pied\u0101v\u0101to produkciju. Tom\u0113r, apl\u016bkojot komponistu dai\u013cradi, redzam, ka “tirgo\u0161an\u0101s m\u0101ksla” m\u016bzik\u0101 ir daudz dzi\u013c\u0101ks koncepts, kas saist\u012bts ar strukt\u016bru, harmoniju, aiz\u0146em\u0161anos un v\u0113rt\u012bbu rad\u012b\u0161anu, nevis tikai ar komerci\u0101lu pielietojumu.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u016bzikas valoda k\u0101 tirgus atspulgs J\u0113dziens “tirgo\u0161an\u0101s m\u0101ksla m\u016bzik\u0101” var \u0161\u0137ist neierasts, ta\u010du tas atspogu\u013co dzi\u013c\u0101ku paral\u0113li starp…\n","protected":false},"author":2,"featured_media":136178,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[89,29958,90,29957,26781,35,39,38,36,37,34,40,103,997,29956],"class_list":["post-136177","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-entertainment","tag-georgs-fridrihs-hendelis","tag-izklaide","tag-juris-karlsons","tag-komponisti","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lv","tag-muzika","tag-peteris-vasks","tag-tirgosanas-maksla"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116106807375484764","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/136177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=136177"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/136177\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/136178"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=136177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=136177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=136177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}