“Briedis un varenais” sasniedz 100 miljonus: Pola Tom\u0101sa Andersona jauno \u0161edevru d\u0113v\u0113 par vi\u0146a finansi\u0101li veiksm\u012bg\u0101ko filmu<\/p>\n
Kinokritikas un auditorijas saj\u016bsmin\u0101t\u0101 meln\u0101 kom\u0113dija “Briedis un varenais” (ori\u0123in\u0101lais nosaukums “Licorice Pizza”, latviskojum\u0101 bie\u017ei tulkots ar\u012b k\u0101 “Viena kauja p\u0113c otras”) ir ne tikai apliecin\u0101jusi savu potenci\u0101lu ar iespaid\u012bgiem kases ien\u0101kumiem, bet ar\u012b ofici\u0101li k\u013cuvusi par re\u017eisora Pola Tom\u0101sa Andersona visu laiku ienes\u012bg\u0101ko filmu karjer\u0101. Otraj\u0101s demonstr\u0113\u0161anas br\u012bvdien\u0101s vis\u0101 pasaul\u0113 filmas kop\u0113jie ie\u0146\u0113mumi p\u0101rsniedza 100 miljonu dol\u0101ru atz\u012bmi, demonstr\u0113jot iev\u0113rojamu notur\u012bbu un auditorijas piepras\u012bjumu.<\/p>\n
Nep\u0101rsp\u0113jama notur\u012bba un rekords<\/p>\n
\u0160is pan\u0101kums ir jo \u012bpa\u0161i iespaid\u012bgs, \u0146emot v\u0113r\u0101 filmas ori\u0123in\u0101lo raksturu, t\u0101s gandr\u012bz tr\u012bs stundu garumu un R reitingu, kas ierobe\u017eo t\u0101s auditoriju. Lai gan pasaules tirg\u016b filma ie\u0146\u0113musi 58,9 miljonus dol\u0101ru, tik mazs, vien 22% kritums bi\u013ce\u0161u p\u0101rdo\u0161an\u0101 otraj\u0101 ned\u0113\u013cas nogal\u0113 ir sign\u0101ls par sp\u0113c\u012bgu atzin\u012bbu un pozit\u012bvu v\u0101rda izplat\u012bbu. “Briedis un varenais” ir p\u0101rsp\u0113jis iepriek\u0161\u0113jo Andersona finansi\u0101lo rekordu, ko 2007. gad\u0101 uzst\u0101d\u012bja “Neredz\u012bg\u0101 e\u0146\u0123e\u013ca zeme” (“There Will Be Blood”), kura bez infl\u0101cijas kori\u0123\u0113\u0161anas ie\u0146\u0113mumi sasniedza 76,4 miljonus dol\u0101ru.<\/p>\n
Finan\u0161u prognozes un rado\u0161ais potenci\u0101ls<\/p>\n
Lai gan filmas bud\u017eets bija iev\u0113rojams \u2013 130 miljoni dol\u0101ru, anal\u012bti\u0137i no “Variety” prognoz\u0113, ka “Briedis un varenais” kopum\u0101 var\u0113tu sav\u0101kt aptuveni 300 miljonus dol\u0101ru. \u0160\u0101ds rezult\u0101ts \u013cautu filmai ne tikai “iziet null\u0113”, bet ar\u012b nest iev\u0113rojamu pe\u013c\u0146u, apliecinot Andersona sp\u0113ju rad\u012bt gan m\u0101kslinieciski v\u0113rt\u012bgus, gan komerci\u0101li veiksm\u012bgus darbus. Filma ir br\u012bvi adapt\u0113ta p\u0113c Tomasa Pin\u010dona rom\u0101na “Greizais zemeslodes” (“Gravity’s Rainbow”), pied\u0101v\u0101jot skat\u012bt\u0101jiem dzi\u013cu un intri\u0123\u0113jo\u0161u st\u0101stu.<\/p>\n
St\u0101sts, kas valdzin\u0101jis kriti\u0137us un kino le\u0123endas<\/p>\n
Filmas galvenais varonis ir biju\u0161ais hipijs, kur\u0161 k\u013cuvis par narkom\u0101nu un alkoholi\u0137i Bobs F\u0113rgsons (atveido Leonardo Di Kaprio). Vi\u0146a dz\u012bve apgrie\u017eas k\u0101j\u0101m gais\u0101, kad vi\u0146\u0161 s\u0101k attiec\u012bbas ar temperatementu sievieti, kura agr\u0101k bijusi saist\u012bta ar pulkvedi St\u012bvenu D\u017eeju Loku (atveido \u0160ons Pens) \u2013 balto p\u0101r\u0101kuma idejas piekrit\u0113ju, kur\u0161 pl\u0101no atriebties savai biju\u0161ajai m\u012b\u013cotajai un vi\u0146as jaunajam partnerim. Tra\u0123iskais notikums, kad tiek nolaup\u012bta F\u0113rgsona meita, aizs\u0101k virkni neprognoz\u0113jamu un dramatiskas sekas raiso\u0161u notikumu.<\/p>\n
Par filmas m\u0101ksliniecisko v\u0113rt\u012bbu liecina ar\u012b t\u0101s augstais nov\u0113rt\u0113jums. Daudzi nozares izdevumi jau pasludin\u0101ju\u0161i “Briedis un varenais” par galveno pretendenti uz “Oskara” balv\u0101m. Vietn\u0113 “Rotten Tomatoes” kriti\u0137i film\u0113to nov\u0113rt\u0113ju\u0161i ar 95%, bet skat\u012bt\u0101ji \u2013 ar 85%. Filmas kvalit\u0101ti apliecina ar\u012b tas, ka le\u0123end\u0101rais re\u017eisors St\u012bvens Sp\u012blbergs noskat\u012bjies to tr\u012bs reizes, un vi\u0146am pievienoties pl\u0101no ar\u012b pats Frensiss Forda Kopola, uzsverot filmas dzi\u013cumu un nep\u0101rsp\u0113jamo m\u0101ksliniecisko izpild\u012bjumu.<\/p>\n
Konkurence kino industrij\u0101<\/p>\n
Lai gan “Briedis un varenais” demonstr\u0113 iespaid\u012bgu sniegumu, ir svar\u012bgi atz\u012bm\u0113t citus noz\u012bm\u012bgus notikumus kino pasaul\u0113. ASV kinote\u0101tros sevi p\u0101rliecino\u0161i pieteicis jaunais T\u012bnas St\u0113rkas (Taylor Swift) filmas-koncerta papildin\u0101jums vi\u0146as albumam “The Life of a Showgirl”, kas debijas ned\u0113\u013cas nogal\u0113 ie\u0146\u0113ma 46 miljonus dol\u0101ru. Savuk\u0101rt kriti\u0137u slav\u0113t\u0101 sporta dr\u0101ma “Kru\u0161\u0101m\u0101 ma\u0161\u012bna” (“The Machine”) ar Dovainu D\u017eonsonu (Dwayne Johnson) un bokseri Aleksandru Usiku nav guvusi tik spo\u017eus pan\u0101kumus, sav\u0101cot tikai 6 miljonus dol\u0101ru. Filmai “Kru\u0161\u0101m\u0101 ma\u0161\u012bna” Latvijas kinote\u0101tros paredz\u0113ta pirmizr\u0101de 9. oktobr\u012b.<\/p>\n","protected":false},"excerpt":{"rendered":"“Briedis un varenais” sasniedz 100 miljonus: Pola Tom\u0101sa Andersona jauno \u0161edevru d\u0113v\u0113 par vi\u0146a finansi\u0101li veiksm\u012bg\u0101ko filmu Kinokritikas…\n","protected":false},"author":2,"featured_media":13868,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[4976,89,4978,90,4173,35,39,38,36,37,34,40,4979,4977],"class_list":{"0":"post-13867","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-briedis-un-varenais","9":"tag-entertainment","10":"tag-finansialais-rekords","11":"tag-izklaide","12":"tag-kases-ienemumi","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-melna-komedija","21":"tag-pola-tomasa-andersona-filma"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/13867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=13867"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/13867\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/13868"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=13867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=13867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=13867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}