{"id":17174,"date":"2025-10-09T20:37:30","date_gmt":"2025-10-09T20:37:30","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/17174\/"},"modified":"2025-10-09T20:37:30","modified_gmt":"2025-10-09T20:37:30","slug":"dailes-teatris-ar-izradi-rotkho-iekarojis-londonu-pasaules-kritiki-sajusma-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/17174\/","title":{"rendered":"Dailes te\u0101tris ar izr\u0101di &#8220;Rotkho&#8221; iekarojis Londonu: Pasaules kriti\u0137i saj\u016bsm\u0101\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Dailes Te\u0101tris Izdz\u012bvo Lielbrit\u0101nij\u0101: &#8220;Rotkho&#8221; London\u0101 sa\u0146em st\u0101vov\u0101cijas un kriti\u0137u atzin\u012bbu<\/p>\n<p>Slavenais Dailes te\u0101tris nesen veica v\u0113rien\u012bgu viesizr\u0101di presti\u017eaj\u0101 Londonas Barbican centr\u0101, kur\u0101 tika izr\u0101d\u012bta izr\u0101de &#8220;Rotkho&#8221;. \u0160is notikums, kas norisin\u0101j\u0101s no 2. l\u012bdz 5. oktobrim, ne tikai apliecin\u0101ja Dailes te\u0101tra starptautisko atzin\u012bbu, bet ar\u012b sniedza Londonas publikai neaizmirstamu m\u0101kslas pieredzi. Izr\u0101de, ko raksturo k\u0101 unik\u0101lu m\u0101kslas darbu, sa\u0146\u0113musi saj\u016bsmin\u0101tas atsauksmes gan no skat\u012bt\u0101jiem, gan no ietekm\u012bgiem medijiem.<\/p>\n<p>&#8220;Rotkho&#8221; \u2013 M\u0101kslas Darbs, kas P\u0101rsteidz Pasauli<\/p>\n<p>Izr\u0101de &#8220;Rotkho&#8221; nav tikai te\u0101tra uzvedums; t\u0101 ir dzi\u013ca p\u0101rdomu telpa par m\u0101kslas b\u016bt\u012bbu, autentiskumu un v\u0113rt\u012bbu m\u016bsdienu pasaul\u0113. Re\u017eisors Luka\u0161s Tvarkovskis, atz\u012bts par vienu no aktu\u0101l\u0101kajiem jaun\u0101s paaudzes re\u017eisoriem Eirop\u0101, kop\u0101 ar Polijas JK Opoles te\u0101tri un Adam Mickiewicz instit\u016btu rad\u012bjis darbu, kas izaicina tradicion\u0101l\u0101s te\u0101tra robe\u017eas. Izr\u0101des pamat\u0101 ir st\u0101sts par m\u0101kslas viltojumu skand\u0101lu, kas skar slaven\u0101 Marka Rotko darbus, uzdodot jaut\u0101jumu: vai viltota m\u0101ksla sp\u0113j rad\u012bt patiesas emocijas?<\/p>\n<p>Izr\u0101des koncepcija balst\u0101s uz dramatisk\u0101 materi\u0101la, ko rad\u012bjusi Anka Herbuta, un taj\u0101 tiek p\u0113t\u012bta m\u0101kslas darbu izcelsmes legitimit\u0101te. Izmantojot multimedi\u0101lu pieeju, te\u0101tra, videom\u0101kslas, horeogr\u0101fijas un m\u016bzikas elementu apvienojumu, &#8220;Rotkho&#8221; pied\u0101v\u0101 skat\u012bt\u0101jiem intens\u012bvu un daudzsl\u0101\u0146ainu pieredzi. K\u0101 nor\u0101da recenzenti, izr\u0101des vide ir &#8220;valdzino\u0161i pla\u0161a un nekaun\u012bgi smiekl\u012bga \u2013 un pietiekami nobriedusi, lai atst\u0101tu vietu patiesam smeldz\u012bgumam&#8221;. \u0160\u012b neparast\u0101 pieeja ir rad\u012bjusi patiesu saj\u016bsmu, liekot skat\u012bt\u0101jiem aiztur\u0113t elpu un piev\u0113rsties katrai deta\u013cai.<\/p>\n<p>Starptautiskie Pan\u0101kumi un Atsauksmes no Londonas<\/p>\n<p>Londonas Barbican centrs, kas tiek uzskat\u012bts par vienu no presti\u017e\u0101kaj\u0101m m\u0101kslas norises viet\u0101m Apvienotaj\u0101 Karalist\u0113, uz\u0146\u0113ma Dailes te\u0101tra viesizr\u0101des no 2. l\u012bdz 5. oktobrim. Londonas publika izr\u0101di sagaid\u012bja ar ov\u0101cij\u0101m, un te\u0101tra kriti\u0137i nekav\u0113j\u0101s ar pozit\u012bv\u0101m recenzij\u0101m. &#8220;Broadway World&#8221; to nod\u0113v\u0113ja par &#8220;vienu no iespaid\u012bg\u0101kajiem te\u0101tra notikumiem, ko redz\u0113sim \u0161ogad&#8221;, savuk\u0101rt &#8220;The Reviews Hub&#8221; atz\u012bm\u0113ja, ka &#8220;j\u016bs nekad neesat redz\u0113ju\u0161i neko t\u0101du k\u0101 ROTKHO&#8221;.<\/p>\n<p>\u0160ie pan\u0101kumi London\u0101 nav vien\u012bgie &#8220;Rotkho&#8221; starptautiskaj\u0101 karjer\u0101. Izr\u0101de iepriek\u0161 ir viesojusies At\u0113n\u0101s, Mil\u0101n\u0101 (Piccolo Teatro) un Par\u012bz\u0113 (Th\u00e9\u00e2tre de l&#8217;Od\u00e9on), kur t\u0101 sa\u0146\u0113musi augstu nov\u0113rt\u0113jumu, tiekot iek\u013cauta izdevuma &#8220;Le Monde&#8221; publik\u0101cij\u0101s un atz\u012bta par vienu no p\u0113d\u0113j\u0101s desmitgades lab\u0101kaj\u0101m izr\u0101d\u0113m \u017eurn\u0101l\u0101 &#8220;Th\u00e9\u00e2tres Magazine&#8221;. Pag\u0101ju\u0161\u0101 gada j\u016blij\u0101 &#8220;Rotkho&#8221; tika izr\u0101d\u012bta ar\u012b N\u012bderlandes liel\u0101kaj\u0101 starptautiskaj\u0101 skatuves m\u0101kslas festiv\u0101l\u0101 &#8220;Holland Festival&#8221;.<\/p>\n<p>Luka\u0161s Tvarkovskis un Dailes Te\u0101tris: Inovat\u012bva Sadarb\u012bba<\/p>\n<p>Luka\u0161s Tvarkovskis, po\u013cu re\u017eisors, kur\u0161 tiek uzskat\u012bts par vienu no spilgt\u0101kajiem jaun\u0101s paaudzes te\u0101tra vizion\u0101riem Eirop\u0101, ir veidojis &#8220;Rotkho&#8221; k\u0101 kopra\u017eojumu starp Dailes te\u0101tri un Polijas JK Opoles te\u0101tri, ar atbalstu no Adama Mickiewicza instit\u016bta un Polijas Republikas Kult\u016bras un nacion\u0101l\u0101 mantojuma ministrijas. Sadarb\u012bba ar &#8220;Latvijas Mobilo telefonu&#8221; nodro\u0161in\u0101ja izr\u0101des inov\u0101ciju partner\u012bbu.<\/p>\n<p>Tvarkovska kinematogr\u0101fiskais rokraksts maina skat\u012bt\u0101ju uztveri par te\u0101tra izr\u0101di. Vi\u0146a iepriek\u0161\u0113jie darbi, piem\u0113ram, izr\u0101de &#8220;Republika&#8221; Lietuvas Nacion\u0101laj\u0101 Dr\u0101mas te\u0101tr\u012b, \u013cauj skat\u012bt\u0101jiem k\u013c\u016bt par da\u013cu no izr\u0101des, atrodoties uz viena sp\u0113les laukuma ar aktieriem. \u0160\u012b pieeja, kas apvieno te\u0101tri, tehnolo\u0123ijas un dz\u012bvo kino, ir rad\u012bjusi &#8220;monument\u0101li iespaid\u012bgu&#8221; produkciju, kas izp\u0113ta m\u0101kslas un autentiskuma attiec\u012bbas main\u012bgaj\u0101 pasaul\u0113.<\/p>\n<p>M\u0101kslas V\u0113rt\u012bba un Autentiskuma Jaut\u0101jumi<\/p>\n<p>Izr\u0101de &#8220;Rotkho&#8221; liek aizdom\u0101ties par to, kas padara m\u0101kslu v\u0113rt\u012bgu. T\u0101 piev\u0113r\u0161as t\u0101d\u0101m t\u0113m\u0101m k\u0101 m\u0101kslas tirgus manipul\u0101cijas, autentiskuma il\u016bzija un ori\u0123in\u0101la un kopijas attiec\u012bbas. Pat izr\u0101des nosaukuma pareizrakst\u012bba \u2013 &#8220;Rotkho&#8221; nevis &#8220;Rothko&#8221; \u2013 ir apzin\u0101ti rad\u012bta, lai piev\u0113rstu uzman\u012bbu viltojumu un z\u012bmolu imit\u0101ciju t\u0113mai, atsaucoties uz tipoglif\u0113mijas efektu, kas nor\u0101da, ka cilv\u0113ka smadzenes sp\u0113j las\u012bt tekstu pat ar sajauktiem burtiem, ja vien pirmie un p\u0113d\u0113jie ir pareizi. \u0160\u012b koncepcija atspogu\u013co izr\u0101des dzi\u013c\u0101ko domu par to, k\u0101 m\u0113s uztveram m\u0101kslu un vai t\u0101s v\u0113rt\u012bba sl\u0113pjas ori\u0123in\u0101l\u0101 vai rad\u012btaj\u0101 iespaid\u0101.<\/p>\n<p>&#8220;Rotkho&#8221; ir vair\u0101k nek\u0101 izr\u0101de; t\u0101 ir ce\u013cojums uz m\u016bsdienu m\u0101kslas pasaules aizspogu\u013ciem, kur\u0101 tiek uzdoti ne\u0113rti jaut\u0101jumi par v\u0113rt\u012bb\u0101m, autentiskumu un to, ko m\u0113s patie\u0161\u0101m mekl\u0113jam m\u0101ksl\u0101. Dailes te\u0101tris ar \u0161o iestud\u0113jumu ir ne tikai apliecin\u0101jis savu m\u0101ksliniecisko sp\u0113ku, bet ar\u012b nostiprin\u0101jis savu vietu pasaules te\u0101tra kart\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"Dailes Te\u0101tris Izdz\u012bvo Lielbrit\u0101nij\u0101: &#8220;Rotkho&#8221; London\u0101 sa\u0146em st\u0101vov\u0101cijas un kriti\u0137u atzin\u012bbu Slavenais Dailes te\u0101tris nesen veica v\u0113rien\u012bgu viesizr\u0101di&hellip;\n","protected":false},"author":2,"featured_media":17175,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5738,454,89,90,35,39,38,36,37,34,455,40,5737,5739],"class_list":{"0":"post-17174","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-barbican-centrs-londona","9":"tag-dailes-teatris","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lukass-tvarkovskis","19":"tag-lv","20":"tag-rotkho-izrade","21":"tag-teatra-viesizrades"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/17174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=17174"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/17174\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/17175"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=17174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=17174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=17174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}