{"id":17474,"date":"2025-10-10T07:55:15","date_gmt":"2025-10-10T07:55:15","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/17474\/"},"modified":"2025-10-10T07:55:15","modified_gmt":"2025-10-10T07:55:15","slug":"jana-abeles-dokumentalais-detektivs-testaments-piedzivos-pasaules-pirmizradi-riga-iff-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/17474\/","title":{"rendered":"J\u0101\u0146a \u0100beles dokument\u0101lais detekt\u012bvs &#8220;Testaments&#8221; piedz\u012bvos pasaules pirmizr\u0101di Riga IFF\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Filmas &#8220;Testaments&#8221; pirmizr\u0101de un st\u0101sta b\u016bt\u012bba<\/p>\n<p>R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (Riga IFF) konkursa programm\u0101 jau pavisam dr\u012bz, 21. oktobr\u012b, notiks re\u017eisora J\u0101\u0146a \u0100beles un scen\u0101rista J\u0101\u0146a Jo\u0146eva dokument\u0101l\u0101 detekt\u012bva &#8220;Testaments&#8221; pasaules pirmizr\u0101de. \u0160\u012b aizraujo\u0161\u0101 filma ir st\u0101sts par Anatola Imerma\u0146a \u2013 latvie\u0161u krimin\u0101lrom\u0101nu rakstnieka un dzejnieka \u2013 neparasto p\u0113d\u0113jo v\u0113l\u0113\u0161anos. P\u0113c festiv\u0101la nosl\u0113guma filma b\u016bs skat\u0101ma ar\u012b kinote\u0101tros vis\u0101 Latvij\u0101, \u013caujot pla\u0161\u0101kai auditorijai iepaz\u012bt \u0161o unik\u0101lo st\u0101stu.<\/p>\n<p>Anatols Imermanis \u2013 person\u012bba un nosl\u0113pumi<\/p>\n<p>Anatols Imermanis (1914\u20131998) bija daudzpus\u012bga person\u012bba \u2013 dzejnieks, rakstnieks, m\u0101kslinieks un viens no detekt\u012bv\u017eanra aizs\u0101c\u0113jiem latvie\u0161u literat\u016br\u0101, radot darbus kop\u0101 ar Gun\u0101ru C\u012bruli. Vi\u0146a dz\u012bve bijusi pies\u0101tin\u0101ta ar pretstatiem: dzejnieks un detekt\u012bvst\u0101stu autors, padomju varas ietekm\u0113ts, bet nesalauzts, disidents-boh\u0113mists, kura m\u016b\u017es nosl\u0113dz\u0101s vientul\u012bb\u0101, lai gan vi\u0146\u0161 bija &#8220;traks uz sieviet\u0113m&#8221;. K\u0101 nor\u0101da scen\u0101rists J\u0101nis Jo\u0146evs, Imermanis ir &#8220;le\u0123endu fabrika&#8221; \u2013 k\u0101dreiz slavens, \u0161odien aizmirsts. \u0160\u012b filma iedzi\u013cin\u0101s vi\u0146a spilgtaj\u0101, pretrun\u0101m bag\u0101taj\u0101 dz\u012bv\u0113, mekl\u0113jot atbildes uz jaut\u0101jumiem par vi\u0146a identit\u0101ti \u2013 disidents vai br\u012bvdom\u0101t\u0101js, dendijs vai izvirtulis? \u0160is dokument\u0101lais detekt\u012bvs, kas br\u012b\u017eiem atg\u0101dina sp\u0113lfilmu vai erotisku mist\u0113riju, pied\u0101v\u0101 skat\u012bt\u0101jam negaid\u012btus pav\u0113rsienus un p\u0101rdomas par padomju laika sabiedr\u012bbas mantojumu.<\/p>\n<p>Filmas &#8220;Testaments&#8221; si\u017eets un re\u017eisora v\u012bzija<\/p>\n<p>Filmas centr\u0101 ir neparasta p\u0113cn\u0101ves v\u0113lme: Anatols Imermanis v\u0113l\u0113j\u0101s, lai vi\u0146a pelni tiktu izkais\u012bti Par\u012bzes Sarkano lukturu rajonos, nodro\u0161inot sev komp\u0101niju skaistu meite\u0146u sabiedr\u012bb\u0101 ar\u012b p\u0113c n\u0101ves. Ta\u010du, gadu gait\u0101 pelnu urna ir pazudusi, padarot \u0161o p\u0113d\u0113jo gribu par \u012bstu detekt\u012bvst\u0101sta pavedienu. M\u016bsdienu dzejnieks Aleksandrs Zapo\u013cs, paz\u012bstams ar\u012b k\u0101 Semjons Ha\u0146ins, uz\u0146emas misiju atrast urnu un piepild\u012bt rakstnieka v\u0113l\u0113\u0161anos. Filmas re\u017eisors J\u0101nis \u0100bele atz\u012bst, ka filmas tap\u0161anas proces\u0101 radusies saj\u016bta, ka Imerma\u0146a &#8220;negantais gars&#8221; vi\u0146us ir pavad\u012bjis, un tas ir \u013c\u0101vis rad\u012bt darbu, kas &#8220;br\u012b\u017eiem vair\u0101k atg\u0101dina sp\u0113lfilmu vai erotisku mist\u0113riju, nevis dokument\u0101lo filmu&#8221;. \u0160\u012b filma pied\u0101v\u0101 aizraujo\u0161u ce\u013cojumu laik\u0101 un telp\u0101, kur\u0101 savijas dzeja, m\u012bla un n\u0101ve, radot sirre\u0101lu ekr\u0101na piedz\u012bvojumu.<\/p>\n<p>Anatola Imerma\u0146a mantojums un filmas tap\u0161ana<\/p>\n<p>Anatols Imermanis, kur\u0161 dzimis Maskav\u0101 1914. gad\u0101 un miris R\u012bg\u0101 1998. gad\u0101, atst\u0101jis iev\u0113rojamu liter\u0101ro mantojumu, sarakstot vair\u0101k nek\u0101 15 krimin\u0101lrom\u0101nus un vair\u0101kus dzejo\u013cu kr\u0101jumus. Vi\u0146a darbi, kas tulkoti vair\u0101k\u0101s valod\u0101s, un pat ekraniz\u0113ti, liecina par vi\u0146a noz\u012bm\u012bgo ieguld\u012bjumu kult\u016br\u0101. Filma &#8220;Testaments&#8221; ir studijas &#8220;Ego Media&#8221; produkcija, ko atbalst\u012bjis Nacion\u0101lais Kino centrs un kas tapis ar operatora Toma \u0160\u0137\u0113les, mont\u0101\u017eas re\u017eisora Andra Grants un ska\u0146u re\u017eisora Ernesta Ansons ieguld\u012bjumu. Filmas izplat\u012bt\u0101js ir &#8220;Riverbed Sales&#8221;. J\u0101nis \u0100bele, kur\u0161 pla\u0161\u0101k paz\u012bstams k\u0101 filmas &#8220;Jelgava &#8217;94&#8221; re\u017eisors, ar \u0161o darbu apliecina sevi ar\u012b dokument\u0101l\u0101 kino \u017eanr\u0101, radot neparastu un intrigu pilnu st\u0101stu, kas noteikti iekaros skat\u012bt\u0101ju sirdis.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas &#8220;Testaments&#8221; pirmizr\u0101de un st\u0101sta b\u016bt\u012bba R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (Riga IFF) konkursa programm\u0101 jau pavisam dr\u012bz, 21.&hellip;\n","protected":false},"author":2,"featured_media":17475,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5791,5792,89,90,5790,35,39,38,36,37,34,40,3876,5789],"class_list":{"0":"post-17474","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-anatols-imermanis","9":"tag-dokumentalais-detektivs","10":"tag-entertainment","11":"tag-izklaide","12":"tag-janis-abele","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-riga-iff","21":"tag-testaments-filma"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/17474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=17474"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/17474\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/17475"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=17474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=17474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=17474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}