Jaun\u0101 krimin\u0101ldr\u0101ma “Tum\u0161zilais eva\u0146\u0123\u0113lijs” piepilda kinote\u0101trus ar 90. gadu nostal\u0123iju<\/p>\n
No \u0161odienas, 10. oktobra, Latvijas kinote\u0101tros vis\u0101 valst\u012b skat\u012bt\u0101jus sagaida re\u017eisora Oskara Rupenheita jaun\u0101kais darbs \u2013 krimin\u0101ldr\u0101ma “Tum\u0161zilais eva\u0146\u0123\u0113lijs”. \u0160is darbs, kas tapis septi\u0146us gadus p\u0113c vi\u0146a iepriek\u0161\u0113j\u0101 pan\u0101kumiem bag\u0101t\u0101 filmas “Krimin\u0101l\u0101s ekselences fonds” (“KEF”) izn\u0101k\u0161anas, pied\u0101v\u0101 dzi\u013cu ieskatu Latvijas v\u0113stures unik\u0101l\u0101, lai gan dr\u016bmaj\u0101 period\u0101 \u2013 90. gadu vid\u016b. Tas ir laiks, kad jaunizveidot\u0101 valsts p\u0113c PSRS sabrukuma v\u0113l tikai mekl\u0113ja savu identit\u0101ti un piel\u0101goj\u0101s krasi main\u012btajiem dz\u012bves apst\u0101k\u013ciem.<\/p>\n
Ce\u013cojums uz pag\u0101tni: policista c\u012b\u0146a ar sist\u0113mu<\/p>\n
Filmas centr\u0101lais varonis ir jaunais krimin\u0101lpolicijas izmekl\u0113t\u0101js Rom\u0101ns Skulte, kur\u0161 ar spo\u017eu entuziasmu un v\u0113lmi main\u012bt pasauli pievienojas R\u012bgas policijai devi\u0146desmito gadu vid\u016b. Vi\u0146\u0161 ir pilns ide\u0101lu un stingras p\u0101rliec\u012bbas par taisn\u012bgumu, ta\u010du dr\u012bz vien saprot, ka realit\u0101te ir krietni vien sare\u017e\u0123\u012bt\u0101ka. Sav\u0101 c\u012b\u0146\u0101 pret noziedz\u012bbu, korupciju un sist\u0113mas kompromisiem Skulte saskaras ar skarbu paties\u012bbu: ide\u0101lisms vien nepietiek, lai main\u012btu pasauli. Lai pan\u0101ktu taisn\u012bgumu, vi\u0146am n\u0101kas p\u0101rk\u0101pt person\u012bgos principus un balans\u0113t uz likuma un \u0113tikas robe\u017eas, atkl\u0101jot cilv\u0113ka dv\u0113seles tum\u0161\u0101s puses un sare\u017e\u0123\u012btos mor\u0101los dilemmus.<\/p>\n
At\u0161\u0137ir\u012bgs no “KEF-2”, bet ar Rupenheita rokrakstu<\/p>\n
Lai gan “Tum\u0161zilais eva\u0146\u0123\u0113lijs” nav vienk\u0101r\u0161s turpin\u0101jums “Krimin\u0101l\u0101s ekselences fondam”, tas joproj\u0101m nes re\u017eisora Oskara Rupenheita atpaz\u012bstamo rokrakstu. Filma izce\u013cas ar neprofesion\u0101lu aktieru izmanto\u0161anu lom\u0101s, kas pie\u0161\u0137ir st\u0101stam papildu autentiskuma un tuv\u012bbas saj\u016btu. Rupenheits par savu darbu saka: “Lai ar\u012b filmas t\u0113ma ir visai dr\u016bma, es tom\u0113r nevaru izvair\u012bties no ironijas un humora, ko redzu dz\u012bv\u0113, un ar\u012b vizu\u0101li es cen\u0161os rad\u012bt ko acij pievilc\u012bgu.” \u0160\u012b pieeja \u013cauj skat\u012bt\u0101jam izbaud\u012bt gan spriedzes pilno krimin\u0101ldr\u0101mu, gan ar\u012b smalkj\u016bt\u012bgu ironiju un dzi\u013cu ieskatu cilv\u0113ciskaj\u0101 dab\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaun\u0101 krimin\u0101ldr\u0101ma “Tum\u0161zilais eva\u0146\u0123\u0113lijs” piepilda kinote\u0101trus ar 90. gadu nostal\u0123iju No \u0161odienas, 10. oktobra, Latvijas kinote\u0101tros vis\u0101 valst\u012b…\n","protected":false},"author":2,"featured_media":18303,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5978,89,90,1948,35,39,38,36,37,34,100,40,1950,1947],"class_list":{"0":"post-18302","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-90-gadi-latvija","9":"tag-entertainment","10":"tag-izklaide","11":"tag-kriminaldrama","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-kino","19":"tag-lv","20":"tag-oskars-rupenheits","21":"tag-tumszilais-evangelijs"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/18302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=18302"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/18302\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/18303"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=18302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=18302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=18302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}