Baleta koncertizr\u0101de “Sp\u012btnieces savald\u012b\u0161ana” satricina LNOB Jauno z\u0101li<\/p>\n
Ceturtdien, 23. apr\u012bl\u012b, Latvijas Nacion\u0101l\u0101s operas un baleta (LNOB) Jaunaj\u0101 z\u0101l\u0113 notika gaid\u012bt\u0101s baleta koncertizr\u0101des “Sp\u012btnieces savald\u012b\u0161ana” pirmizr\u0101de. K\u0101 inform\u0113 port\u0101ls jauns.lv, \u0161is unik\u0101lais uzvedums ir horeogr\u0101fes Reg\u012bnas Kaupu\u017eas m\u0101ksliniecisk\u0101s jaunrades darbs, kas tapis, absolv\u0113jot J\u0101zepa V\u012btola Latvijas M\u016bzikas akad\u0113mijas (JVLMA) profesion\u0101l\u0101s doktora studiju programmu m\u0101ksl\u0101s. Bi\u013cetes uz pirmizr\u0101di ir piln\u012bb\u0101 izp\u0101rdotas, apliecinot lielo skat\u012bt\u0101ju interesi par \u0161o notikumu.<\/p>\n
Kr\u0101\u0161\u0146s ce\u013cojums laik\u0101 caur \u0160eksp\u012bra kom\u0113diju<\/p>\n
“Sp\u012btnieces savald\u012b\u0161ana” ir aprakst\u012bta k\u0101 dzirksto\u0161a, dinamiskas ener\u0123ijas un aspr\u0101t\u012bga humora caurv\u012bta baleta koncertizr\u0101de, kur\u0101 Viljama \u0160eksp\u012bra slaven\u0101 kom\u0113dija tiek atdz\u012bvin\u0101ta k\u0101 iespaid\u012bgs ce\u013cojums cauri laikiem. Izr\u0101de daudzsl\u0101\u0146ain\u0101 veid\u0101 atkl\u0101j m\u012blest\u012bbas, apr\u0113\u0137ina, p\u0101rpratumu un kaisl\u012bbu t\u0113mas, sniedzoties p\u0101ri laikmetu robe\u017e\u0101m. T\u0101 veidota k\u0101 stilistisks ce\u013cojums no baroka l\u012bdz m\u016bsdien\u0101m, apvienojot da\u017e\u0101du laikmetu m\u016bzikas, kust\u012bbas, kost\u012bmu un skatuves m\u0101kslas valodas vienot\u0101 veselum\u0101.<\/p>\n
Izr\u0101d\u0113 skan\u0113s da\u017e\u0101du komponistu \u2013 s\u0101kot no Lu\u012bd\u017ei Boker\u012bni un Kloda Debis\u012b l\u012bdz pat Sergejam Rahma\u0146inovam, J\u0101zepam V\u012btolam, Alfr\u0113dam \u0160nitkem un U\u0123im Prauli\u0146am \u2013 darbi. \u0160\u012b muzik\u0101l\u0101 daudzveid\u012bba savijas ar daudzsl\u0101\u0146ainu horeogr\u0101fiju un inovat\u012bviem multimedi\u0101liem scenogr\u0101fiskiem risin\u0101jumiem, radot unik\u0101lu m\u0101ksliniecisku baud\u012bjumu.<\/p>\n
Kaupu\u017eas v\u012bzija un rado\u0161\u0101 komanda<\/p>\n
Horeogr\u0101fe Reg\u012bna Kaupu\u017ea uzsver, ka balets vienm\u0113r ir att\u012bst\u012bjies dialog\u0101 ar savu laiku, un tie\u0161i \u0161\u012b mijiedarb\u012bba bijusi iedvesmas avots ar\u012b vi\u0146as jaunaj\u0101 darb\u0101. “Mani interes\u0113ja, k\u0101 da\u017e\u0101du laikmetu stilistikas \u2013 no baroka l\u012bdz m\u016bsdien\u0101m \u2013 var satikties vienot\u0101 skatuves valod\u0101,” pau\u017e Kaupu\u017ea. Vi\u0146as ieceri \u012bstenojusi sp\u0113c\u012bga rado\u0161\u0101 komanda: scenogr\u0101fijas autore Ineta Sipunova, kost\u012bmu m\u0101ksliniece Krist\u012bne Pasternaka un gaismu m\u0101kslinieks K\u0101rlis Kaupu\u017es. M\u016bziku aran\u017e\u0113jis un papildin\u0101jis komponists U\u0123is Prauli\u0146\u0161.<\/p>\n
Izr\u0101d\u0113 piedal\u0101s Latvijas Nacion\u0101l\u0101 baleta solisti un m\u0101kslinieki, tostarp Alisa Tomkovi\u010da, Krista \u0160trausa, Adel\u012bna Balode, Paula Lieldid\u017ea-Kolbina, Elenda Neilande, Mil\u0101na Aleksejeva, Eidens Viljams Konefrijs, Germans \u0160ev\u010denko, Anhels Hiraldess un citi. Uzvedumu kuplin\u0101s J\u0101zepa V\u012btola Latvijas M\u016bzikas akad\u0113mijas studentu kameror\u0137estris diri\u0123enta Mat\u012bsa Circe\u0146a vad\u012bb\u0101.<\/p>\n
LNOB Jaun\u0101 z\u0101le \u2013 moderna platforma jaunradei<\/p>\n
Latvijas Nacion\u0101l\u0101s operas un baleta Jaun\u0101 z\u0101le ir moderna un daudzfunkcion\u0101la telpa, kas nodro\u0161ina iesp\u0113ju jaunajiem m\u0101ksliniekiem un horeogr\u0101fiem realiz\u0113t savas inovat\u012bv\u0101s idejas. Ar savu ietilp\u012bbu l\u012bdz pat 250-300 skat\u012bt\u0101jiem, t\u0101 pied\u0101v\u0101 int\u012bm\u0101ku pieredzi un \u013cauj fokus\u0113ties uz m\u0101ksliniecisko jaunradi. \u0160\u012b telpa ir k\u013cuvusi par noz\u012bm\u012bgu platformu jaunajiem talantiem, veicinot Latvijas kult\u016bras dz\u012bves att\u012bst\u012bbu un daudzveid\u012bbu.<\/p>\n
Reg\u012bna Kaupu\u017ea \u2013 horeogr\u0101fe ar dzi\u013cu izpratni par m\u0101kslu<\/p>\n
Reg\u012bna Kaupu\u017ea ir horeogr\u0101fe, kuras darbi atspogu\u013co dzi\u013cu izpratni par dejas valodu un t\u0101s sp\u0113ju ietvert da\u017e\u0101das laikmetu stilistikas. Vi\u0146as karjera ir cie\u0161i saist\u012bta ar J\u0101zepa V\u012btola Latvijas M\u016bzikas akad\u0113miju, kur vi\u0146a ne tikai stud\u0113jusi, bet ar\u012b pasniedz. Kaupu\u017eas doktorant\u016bras darbs “Sp\u012btnieces savald\u012b\u0161ana” ir apliecin\u0101jums vi\u0146as sp\u0113jai rad\u012bt sare\u017e\u0123\u012btus un daudzdimensiju m\u0101kslas darbus, kas iepriecina un izaicina skat\u012bt\u0101ju.<\/p>\n","protected":false},"excerpt":{"rendered":"Baleta koncertizr\u0101de “Sp\u012btnieces savald\u012b\u0161ana” satricina LNOB Jauno z\u0101li Ceturtdien, 23. apr\u012bl\u012b, Latvijas Nacion\u0101l\u0101s operas un baleta (LNOB) Jaunaj\u0101…\n","protected":false},"author":2,"featured_media":187291,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[13634,89,12699,90,35,39,38,36,37,34,2950,40,35260,35259],"class_list":{"0":"post-187290","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-balets","9":"tag-entertainment","10":"tag-horeografija","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-nacionala-opera","19":"tag-lv","20":"tag-regina-kaupuza","21":"tag-spitnieces-savaldisana"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116463214563553811","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/187290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=187290"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/187290\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/187291"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=187290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=187290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=187290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}