Jaun\u0101 dokument\u0101l\u0101 filma “Testaments” piedz\u012bvos pasaules pirmizr\u0101di Riga IFF<\/p>\n
R\u012bgas starptautisk\u0101 filmu festiv\u0101la (Riga IFF) 2025. gada konkursa programm\u0101 21. oktobr\u012b gaid\u0101ma re\u017eisora J\u0101\u0146a \u0100beles un scen\u0101rista J\u0101\u0146a Jo\u0146eva jaun\u0101k\u0101s dokument\u0101l\u0101s filmas “Testaments” pasaules pirmizr\u0101de. \u0160is aizraujo\u0161ais darbs ir intri\u0123\u0113jo\u0161s st\u0101sts par latvie\u0161u krimin\u0101lrom\u0101nu rakstnieka un dzejnieka Anatola Imerma\u0146a (1914\u20131998) neparasto p\u0113d\u0113jo v\u0113l\u0113\u0161anos. P\u0113c festiv\u0101la nosl\u0113guma filma b\u016bs skat\u0101ma ar\u012b kinote\u0101tros vis\u0101 Latvij\u0101, pied\u0101v\u0101jot pla\u0161\u0101kai auditorijai iepaz\u012bt \u0161o unik\u0101lo un pretrun\u0101m bag\u0101to person\u012bbu un vi\u0146a nosl\u0113pumaino dz\u012bvi. Filma “Testaments” sol\u0101s b\u016bt ne tikai dokument\u0101ls st\u0101sts, bet ar\u012b aizraujo\u0161s piedz\u012bvojums, kas atg\u0101din\u0101s detekt\u012bvrom\u0101nu vai pat erotisku mist\u0113riju.<\/p>\n
Anatolijs Imermanis: Dzejnieks, rakstnieks un boh\u0113mas gars<\/p>\n
Anatolijs Imermanis (1914\u20131998) bija daudzpus\u012bga un pretrun\u0101m apvelt\u012bta person\u012bba Latvijas kult\u016brtelp\u0101. Vi\u0146\u0161 bija ne tikai dzejnieks un krimin\u0101lrom\u0101nu autors, bet ar\u012b m\u0101kslinieks un viens no latvie\u0161u detekt\u012bv\u017eanra pionieriem, kop\u0101 ar Gun\u0101ru C\u012bruli veidojot spraigus un aizraujo\u0161us st\u0101stus. Vi\u0146a dz\u012bve bija pilna pretstatu: vi\u0146\u0161 bija gan dzejnieks, gan detekt\u012bvu rakstnieks; padomju varas ietekm\u0113ts, tom\u0113r nenosod\u0101ms un nesalauzts. Imermanis tiek rakturots k\u0101 disidents-boh\u0113mists, cilv\u0113ks, kas rad\u012bjis daudz le\u0123endu par sevi, bet kura m\u016b\u017es nosl\u0113dz\u0101s vientul\u012bb\u0101, neskatoties uz vi\u0146a dz\u012bvesprieku un m\u012blest\u012bbu pret sieviet\u0113m. Scen\u0101rists J\u0101nis Jo\u0146evs Imermani d\u0113v\u0113 par “le\u0123endu fabriku” \u2013 reiz slavens, bet m\u016bsdien\u0101s gandr\u012bz piemirsts. \u0160\u012b filma iedzi\u013cin\u0101s vi\u0146a spilgtaj\u0101, nosl\u0113pumu un da\u017e\u0101du dz\u012bves aspektu bag\u0101taj\u0101 person\u012bb\u0101, mekl\u0113jot atbildes uz jaut\u0101jumiem par vi\u0146a patieso identit\u0101ti \u2013 vai vi\u0146\u0161 bija drosm\u012bgs disidents, br\u012bvdom\u0101t\u0101js, izsmalcin\u0101ts dendijs vai tom\u0113r izvirtulis? Filmas veidot\u0101ji cen\u0161as atkl\u0101t Imerma\u0146a dz\u012bves sare\u017e\u0123\u012bto samezglvojumu, kur\u0101 savijas m\u0101ksla, literat\u016bra, pretest\u012bba un person\u012bg\u0101s attiec\u012bbas.<\/p>\n
Filmas “Testaments” si\u017eets: P\u0113d\u0113j\u0101 v\u0113lme un mistisk\u0101 pazu\u0161ana<\/p>\n
Filmas centr\u0101lais mot\u012bvs ir Anatola Imerma\u0146a neparast\u0101 p\u0113cn\u0101ves v\u0113lme: vi\u0146\u0161 v\u0113l\u0113j\u0101s, lai vi\u0146a pelni tiktu izkais\u012bti slavenajos Par\u012bzes Sarkano lukturu rajonos. \u0160\u012b drosm\u012bg\u0101 un neierast\u0101 v\u0113lme, iesp\u0113jams, bija dom\u0101ta k\u0101 simbolisks akts, kas nodro\u0161in\u0101tu vi\u0146am nep\u0101rtrauktu skaistu sievie\u0161u sabiedr\u012bbu ar\u012b p\u0113c n\u0101ves. Ta\u010du, gadu gait\u0101, pelnu urna ir mistiski pazudusi, padarot \u0161o Imerma\u0146a p\u0113d\u0113jo gribu par \u012bstu detekt\u012bvst\u0101sta pavedienu. St\u0101sts atdz\u012bvojas m\u016bsdien\u0101s, kad dzejnieks Aleksandrs Zapo\u013cs (paz\u012bstams ar\u012b k\u0101 Semjons Ha\u0146ins) uz\u0146emas misiju atrast pazudu\u0161o urnu un piepild\u012bt Imerma\u0146a unik\u0101lo v\u0113l\u0113\u0161anos. \u0160is mekl\u0113jums k\u013c\u016bst par ce\u013cojumu laik\u0101 un telp\u0101, kur\u0101 tiek \u0161\u0137etin\u0101ti Imerma\u0146a dz\u012bves nosl\u0113pumi, vi\u0146a rado\u0161ais mantojums un attiec\u012bbas ar padomju varu un sabiedr\u012bbu kopum\u0101. Filmas veidot\u0101ji sola, ka “Testaments” br\u012b\u017eiem atg\u0101din\u0101s aizraujo\u0161u sp\u0113lfilmu vai pat erotisku mist\u0113riju, pied\u0101v\u0101jot skat\u012bt\u0101jam negaid\u012btus pav\u0113rsienus un dzi\u013cas p\u0101rdomas par cilv\u0113ka eksistenci, br\u012bv\u012bbu un padomju laika mantojumu.<\/p>\n
Kino veidot\u0101ji un festiv\u0101la noz\u012bme<\/p>\n
Re\u017eisors J\u0101nis \u0100bele, kur\u0161 pla\u0161\u0101k paz\u012bstams ar\u012b ar sp\u0113lfilmu “Jelgava ’94”, ar \u0161o darbu apliecina savu sp\u0113ju rad\u012bt aizraujo\u0161us st\u0101stus ar\u012b dokument\u0101l\u0101 kino \u017eanr\u0101. Scen\u0101rija autors J\u0101nis Jo\u0146evs, kur\u0161 jau iepriek\u0161 sadarbojies ar \u0100beli, pie\u0161\u0137ir st\u0101stam dzi\u013cumu un negaid\u012btus rakursus. Filmas tap\u0161an\u0101 piedal\u012bj\u0101s ar\u012b operators Toms \u0160\u0137\u0113le, mont\u0101\u017eas re\u017eisors Andris Grants un ska\u0146u re\u017eisors Ernests Ansons. Filma veidota studij\u0101 “Ego Media”, un t\u0101s tap\u0161anu atbalst\u012bjis Nacion\u0101lais Kino centrs, savuk\u0101rt izplat\u012b\u0161anas ties\u012bbas ieguvusi “Riverbed Sales”. Pirmizr\u0101de Riga IFF festiv\u0101l\u0101 ir noz\u012bm\u012bgs notikums, kas piev\u0113rs\u012bs starptautisku uzman\u012bbu latvie\u0161u kino un Anatola Imerma\u0146a fascin\u0113jo\u0161ajai person\u012bbai. Festiv\u0101ls ir platforma, kas \u013cauj jaunajiem un jau atz\u012btajiem autoriem iepaz\u012bstin\u0101t pasauli ar saviem darbiem un st\u0101st\u012bt unik\u0101lus st\u0101stus, kas atspogu\u013co Latvijas kult\u016bru un v\u0113sturi.<\/p>\n
M\u016bsdienu skat\u012bjums uz pag\u0101tnes fenomenu<\/p>\n
Re\u017eisors J\u0101nis \u0100bele pats nor\u0101da, ka filmas veido\u0161anas proces\u0101 centies izprast, kas \u012bsti bija Anatols Imermanis \u2013 disidents vai br\u012bvdom\u0101t\u0101js? Dendijs vai izvirtulis? Vi\u0146a laikabiedri vi\u0146u raksturoju\u0161i da\u017e\u0101di, ta\u010du daudzi par vi\u0146u jau ir aizmirsu\u0161i. Tie\u0161i \u0161\u012b at\u0161\u0137ir\u012bgo viedok\u013cu un aizmirst\u012bbas kl\u0101tb\u016btne padara Imerma\u0146a person\u012bbu v\u0113l interesant\u0101ku un filmas st\u0101stu \u2013 v\u0113l intri\u0123\u0113jo\u0161\u0101ku. “Testaments” ir ne tikai atskats pag\u0101tn\u0113, bet ar\u012b p\u0101rdomas par to, k\u0101 m\u0113s uztveram un pieminam savus kult\u016bras varo\u0146us un k\u0101 laiks izdz\u0113\u0161 vai saglab\u0101 vi\u0146u piemi\u0146u. Filma aicina skat\u012bt\u0101ju ne tikai izbaud\u012bt aizraujo\u0161u detekt\u012bvst\u0101stu, bet ar\u012b aizdom\u0101ties par dz\u012bves izv\u0113l\u0113m, m\u0101kslas sp\u0113ku un pa\u0161a eksistences neizb\u0113gamo nosl\u0113pumu. Tiek sol\u012bts, ka filmas gait\u0101 tiks sm\u0113\u0137\u0113ti cig\u0101ri, iepaz\u012bts kailums un p\u0113t\u012bta erotikas loma padomju sabiedr\u012bb\u0101, pie\u0161\u0137irot darbam papildu intrigu un dzi\u013cumu.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaun\u0101 dokument\u0101l\u0101 filma “Testaments” piedz\u012bvos pasaules pirmizr\u0101di Riga IFF R\u012bgas starptautisk\u0101 filmu festiv\u0101la (Riga IFF) 2025. gada konkursa…\n","protected":false},"author":2,"featured_media":18877,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6166,5792,89,90,5790,35,39,38,36,37,34,40,3876,5789],"class_list":{"0":"post-18876","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-anatolijs-imermanis","9":"tag-dokumentalais-detektivs","10":"tag-entertainment","11":"tag-izklaide","12":"tag-janis-abele","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-riga-iff","21":"tag-testaments-filma"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/18876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=18876"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/18876\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/18877"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=18876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=18876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=18876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}