{"id":19213,"date":"2025-10-12T13:32:15","date_gmt":"2025-10-12T13:32:15","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/19213\/"},"modified":"2025-10-12T13:32:15","modified_gmt":"2025-10-12T13:32:15","slug":"nacionalaja-teatri-pirmizradei-egles-stasti-dzils-ieskats-cilveciskas-dveseles-labirintos-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/19213\/","title":{"rendered":"Nacion\u0101laj\u0101 te\u0101tr\u012b pirmizr\u0101dei \u201cEgles st\u0101sti\u201d \u2013 dzi\u013c\u0161 ieskats cilv\u0113cisk\u0101s dv\u0113seles labirintos\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Nacion\u0101laj\u0101 te\u0101tr\u012b pirmizr\u0101dei \u201cEgles st\u0101sti\u201d \u2013 dzi\u013c\u0161 ieskats cilv\u0113cisk\u0101s dv\u0113seles labirintos<\/p>\n<p>Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b tapusi jauna izr\u0101de ar nosaukumu \u201cEgles st\u0101sti\u201d, kas skat\u012bt\u0101jus aicina uz emocion\u0101lu un p\u0101rdom\u0101m bag\u0101tu ce\u013cojumu cilv\u0113cisko attiec\u012bbu, dz\u012bves sare\u017e\u0123\u012bt\u012bbas un neizskaidrojamo mist\u0113riju pasaul\u0113. \u0160is aizraujo\u0161ais iestud\u0113jums ir balst\u012bts uz talant\u012bg\u0101s latvie\u0161u liter\u0101tes Janas Egles st\u0101stu kr\u0101jumiem. Izr\u0101des re\u017eisore un dramatiz\u0113juma autore ir In\u0101ra Slucka, kura ar savu unik\u0101lo skat\u012bjumu sp\u0113jusi atdz\u012bvin\u0101t Egles darbu dzi\u013cumu un nians\u0113t\u012bbu uz skatuves.<\/p>\n<p>St\u0101stu dv\u0113sele uz skatuves<\/p>\n<p>\u201cEgles st\u0101sti\u201d nav vienk\u0101r\u0161i izr\u0101de; t\u0101 ir r\u016bp\u012bgi izraudz\u012bta kopums Janas Egles darbiem no kr\u0101jumiem \u201cSve\u0161ie jeb Mi\u013ce\u0146kij ti moi\u201d (2018), \u201cDzim\u0161anas diena\u201d (2020) un \u201cLatvju pacients\u201d (2023). J\u0101atz\u012bm\u0113, ka re\u017eisore apzin\u0101ti izv\u0113l\u0113jusies ne tikai pa\u0161us gai\u0161\u0101kos un viegl\u0101kos st\u0101stus, bet tos, kas pau\u017e dzi\u013cu s\u0101pi, uzdod sare\u017e\u0123\u012btus jaut\u0101jumus un atspogu\u013co dz\u012bves paties\u012bbas. \u0160\u012b izv\u0113le pie\u0161\u0137ir izr\u0101dei \u012bpa\u0161u dzi\u013cumu un autentiskumu, liekot skat\u012bt\u0101jam saskarties ar sav\u0101m emocij\u0101m un p\u0101rdom\u0101m.<\/p>\n<p>Rakstniece Jana Egle pati atz\u012bst, ka proces\u0101, kad vi\u0146as st\u0101sti p\u0101rtop par izr\u0101di, vi\u0146a piedz\u012bvo \u012bpa\u0161u dialogu ar saviem darbiem. \u201cIestud\u0113jumam \u201cEgles st\u0101sti\u201d izv\u0113l\u0113ti ne gai\u0161\u0101kie st\u0101sti no man\u0101m gr\u0101mat\u0101m,\u201d vi\u0146a teic. \u201cKatr\u0101 no tiem ir k\u0101da dzi\u013ca s\u0101pe un gr\u016bti atbildams jaut\u0101jums, par ko man, toreiz rakstot, grib\u0113jies parun\u0101t ar savu las\u012bt\u0101ju. Tagad izr\u0101de run\u0101 ar mani. J\u0101atz\u012bstas, nav viegli. Uzrakst\u012bjusi st\u0101stu, public\u0113ju vai iek\u013cauju to kr\u0101jum\u0101, izdevniec\u012bba izdod gr\u0101matu, un es vairs pie t\u0101 neatgrie\u017eos. Nu n\u0101c\u0101s atgriezties, paskat\u012bties uz tiem pa\u0161iem jaut\u0101jumiem no cita skatupunkta un saprast, ka man joproj\u0101m nav atbil\u017eu. Izr\u0101de liek atkal par tiem dom\u0101t, t\u0101 ielau\u017eas pr\u0101t\u0101 un sird\u012b, dzi\u013ci savi\u013c\u0146o.\u201d \u0160\u012b atkl\u0101t\u0101 refleksija par rado\u0161o procesu par\u0101da, cik personisks un emocion\u0101li pies\u0101tin\u0101ts ir \u0161is iestud\u0113jums.<\/p>\n<p>In\u0101ras Sluckas re\u017eijas meistar\u012bba<\/p>\n<p>In\u0101ras Sluckas re\u017eija ir slav\u0113ta par t\u0101s sp\u0113ju rad\u012bt int\u012bmu un dzi\u013ci emocion\u0101lu atmosf\u0113ru. Vi\u0146a ne tikai izv\u0113l\u0113jusies st\u0101stus, bet ar\u012b veidojusi dramatiz\u0113jumu, pie\u0161\u0137irot darbam savu unik\u0101lo skan\u0113jumu. Slucka ir paz\u012bstama ar savu prasm\u012bgo tuvpl\u0101na mirk\u013cu izmanto\u0161anu un sp\u0113ju dzi\u013ci iegrimt cilv\u0113ka psiholo\u0123ij\u0101, radot uz skatuves pasaules, kas ir gan skarbas, gan ar\u012b \u0101rk\u0101rt\u012bgi cilv\u0113ciskas.<\/p>\n<p>\u201cManupr\u0101t, re\u017eisores uzsvari ir \u0101rk\u0101rt\u012bgi tr\u0101p\u012bgi. K\u0101 ar adatu tie\u0161i nerva gal\u0101,\u201d atz\u012bst pati Jana Egle, raksturojot, k\u0101 re\u017eisore sp\u0113jusi interpret\u0113t vi\u0146as darbus un pie\u0161\u0137irt tiem jaunu dz\u012bvi uz skatuves. \u0160\u012b sadarb\u012bba starp rakstnieci un re\u017eisori ir rad\u012bjusi darbu, kas ir uztic\u012bgs ori\u0123in\u0101lmateri\u0101lam, vienlaikus pied\u0101v\u0101jot svaigu un aizraujo\u0161u skat\u012bjumu.<\/p>\n<p>St\u0101sti par mums pa\u0161iem<\/p>\n<p>Izr\u0101des anot\u0101cija v\u0113sta, ka \u201cEgles st\u0101sti\u201d ir st\u0101sts \u201cpar mums pa\u0161iem\u201d. Tas piev\u0113r\u0161as tuv\u0101kajiem cilv\u0113kiem un attiec\u012bb\u0101m, kas laika gait\u0101 var k\u013c\u016bt sve\u0161as, p\u0113tot sp\u0113ju atjaunot p\u0101rtr\u016bku\u0161\u0101s saites. St\u0101sti atspogu\u013co dz\u012bves, mirk\u013cu spo\u017eumu un cilv\u0113ku sap\u0146us, br\u012b\u017eiem atkl\u0101joties k\u0101 skarbi un smeldzes pilni, ta\u010du vienm\u0113r \u013coti cilv\u0113ciski \u2013 gai\u0161uma, smieklu un m\u012blest\u012bbas piepild\u012bti. T\u0101 ir aicin\u0101jums skat\u012bt\u0101jiem iel\u016bkoties sav\u0101 dz\u012bv\u0113 un izprast, k\u0101 dz\u012bves sare\u017e\u0123\u012bt\u012bba un cilv\u0113ku savstarp\u0113j\u0101s attiec\u012bbas veido m\u016bsu pieredzi.<\/p>\n<p>\u0160\u012b izr\u0101de ir k\u0101 spogulis, kur\u0101 ikviens var ieraudz\u012bt atspulnus no savas dz\u012bves, saprotot, ka cilv\u0113cisk\u0101s s\u0101pes, prieki un m\u012blest\u012bba ir univers\u0101las. T\u0101 mudina aizdom\u0101ties par to, k\u0101 veidojam un uzturam attiec\u012bbas ar sev tuvajiem, un cik svar\u012bgi ir sp\u0113t piedot, saprast un atjaunot saites, kas ir p\u0101rtr\u016bku\u0161as.<\/p>\n<p>M\u0101ksliniecisk\u0101 komanda un aktieri<\/p>\n<p>Pie \u201cEgles st\u0101stu\u201d tap\u0161anas str\u0101d\u0101jusi sp\u0113c\u012bga rado\u0161\u0101 komanda. L\u012bdz\u0101s re\u017eisorei un dramatiz\u0113juma autorei In\u0101rai Sluckai, pie iestud\u0113juma str\u0101d\u0101ju\u0161i scenogr\u0101fe un kost\u012bmu m\u0101ksliniece Marija Ulmane, muzik\u0101l\u0101 noform\u0113juma autors Edgars M\u0101kens, gaismu m\u0101ksliniece Krista Erdmane un video m\u0101kslinieks Kaspars Ani\u0146\u0161. \u0160\u012b komanda kop\u0101 rad\u012bjusi vizu\u0101li un emocion\u0101li iespaid\u012bgu izr\u0101di.<\/p>\n<p>Uz skatuves skat\u012bt\u0101ju priek\u0161\u0101 k\u0101ps talant\u012bgi aktieri: Daiga Ka\u017eoci\u0146a, L\u0101sma Kugr\u0113na, Jana \u013bisova, Juris Hir\u0161s un Ivars K\u013cavinskis. Vi\u0146u meistar\u012bba un sp\u0113ja p\u0101rliecino\u0161i iemiesot Janas Egles rad\u012btos sare\u017e\u0123\u012btos un emocion\u0101li nians\u0113tos t\u0113lus sola rad\u012bt int\u012bmu un sp\u0113c\u012bgu skatuves pieredzi, kas liks skat\u012bt\u0101jiem dzi\u013ci l\u012bdzp\u0101rdz\u012bvot un aizdom\u0101ties par sav\u0101m dz\u012bves izv\u0113l\u0113m un attiec\u012bb\u0101m.<\/p>\n<p>Janas Egles liter\u0101r\u0101 darb\u012bba un atzin\u012bba<\/p>\n<p>Jana Egle ir atz\u012bta latvie\u0161u rakstniece, kuras dai\u013cradei rakstur\u012bgs dzi\u013c\u0161 psiholo\u0123isms un sp\u0113ja att\u0113lot cilv\u0113cisk\u0101s eksistences smalk\u0101k\u0101s nianses. Vi\u0146a ir vair\u0101kk\u0101rt sa\u0146\u0113musi atzin\u012bbu par saviem darbiem. Egle ir Latvijas Literat\u016bras gada balvas laure\u0101te par st\u0101stu kr\u0101jumu \u201cGaism\u0101\u201d (2016). Vi\u0146as darbi, tostarp rom\u0101ns \u201cSve\u0161ie jeb Mi\u013ce\u0146kij ti moi\u201d, ir nomin\u0113ti da\u017e\u0101d\u0101m liter\u0101r\u0101m balv\u0101m. \u0160\u012b izr\u0101de ir v\u0113l viens apliecin\u0101jums vi\u0146as sp\u0113jai aizraut un iedvesmot gan las\u012bt\u0101jus, gan ar\u012b te\u0101tra veidot\u0101jus.<\/p>\n<p>Izr\u0101des inform\u0101cija<\/p>\n<p>\u201cEgles st\u0101sti\u201d tiek izr\u0101d\u012bti Latvijas Nacion\u0101l\u0101 te\u0101tra Aktieru z\u0101l\u0113. Pirmizr\u0101de notika 2025. gada 9. oktobr\u012b. Tuv\u0101k\u0101s izr\u0101des pl\u0101notas 16. oktobr\u012b, k\u0101 ar\u012b 4. un 27. novembr\u012b. Bi\u013cetes uz izr\u0101di pieejamas \u201cBi\u013ce\u0161u parad\u012bzes\u201d kas\u0113s un t\u012bmek\u013cvietn\u0113. Izr\u0101de ilgst 3 stundas un notiek divos c\u0113lienos, pied\u0101v\u0101jot skat\u012bt\u0101jiem ilgu, bet bag\u0101t\u012bgu ieskatu Janas Egles st\u0101stu pasaul\u0113.<\/p>\n<p>\u0160\u012b izr\u0101de ir k\u0101 aicin\u0101jums apst\u0101ties ikdienas steig\u0101 un piev\u0113rsties tam, kas patiesi svar\u012bgs \u2013 cilv\u0113ciskaj\u0101m attiec\u012bb\u0101m, iek\u0161\u0113jai pasaulei un sp\u0113jai saskat\u012bt skaistumu pat dz\u012bves smag\u0101kajos br\u012b\u017eos. \u201cEgles st\u0101sti\u201d ir vair\u0101k nek\u0101 tikai te\u0101tra izr\u0101de; t\u0101 ir pieredze, kas rezon\u0113 ilgi p\u0113c izr\u0101des beig\u0101m.<\/p>\n","protected":false},"excerpt":{"rendered":"Nacion\u0101laj\u0101 te\u0101tr\u012b pirmizr\u0101dei \u201cEgles st\u0101sti\u201d \u2013 dzi\u013c\u0161 ieskats cilv\u0113cisk\u0101s dv\u0113seles labirintos Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b tapusi jauna izr\u0101de ar&hellip;\n","protected":false},"author":2,"featured_media":19214,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[4312,89,4311,90,4310,35,39,38,3634,36,37,34,1376,40],"class_list":{"0":"post-19213","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-egles-stasti","9":"tag-entertainment","10":"tag-inara-slucka","11":"tag-izklaide","12":"tag-jana-egle","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-literatura","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-latvijas-nacionalais-teatris","21":"tag-lv"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/19213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=19213"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/19213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/19214"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=19213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=19213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=19213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}