Gaultier atst\u0101j iespaidu: Par\u012bzes modes ned\u0113\u013c\u0101 domin\u0113 drosm\u012bgas formas un neierobe\u017eota br\u012bv\u012bba<\/p>\n
Par\u012bzes modes ned\u0113\u013ca, kas norisin\u0101j\u0101s no 2025. gada 29. septembra l\u012bdz 7. oktobrim, \u0161ogad \u012bpa\u0161i izc\u0113l\u0101s ar \u017dana Pola Gotj\u0113 (Jean Paul Gaultier) 2026. gada pavasara\/vasaras gatav\u0101s ap\u0123\u0113rbu kolekcijas prezent\u0101ciju. Jaunais rado\u0161ais direktors Durans Lantinks debit\u0113jis ar kolekciju \u201cJUNIOR\u201d, atdodot godu 1988.\u20131994. gada kulta l\u012bnijai, vienlaikus radot piln\u012bgi jaunu, drosm\u012bgu v\u012bziju. \u0160\u012b skate aizveda skat\u012bt\u0101jus fant\u0101zijas pasaul\u0113, kur\u0101 ekscentriski silueti un atkl\u0101tas \u0137erme\u0146a formas valda p\u0101r ierasto, apliecinot modes k\u0101 br\u012bv\u012bbas izpausmes sp\u0113ku.<\/p>\n
Neapstr\u0101d\u0101ta ener\u0123ija un provokat\u012bva br\u012bv\u012bba<\/p>\n
Durans Lantinks, kur\u0161 paz\u012bstams ar savu ekscentriskumu un neapstr\u0101d\u0101to rado\u0161umu, ir atdz\u012bvin\u0101jis modes nama dumpiniecisk\u0101s saknes, vienlaikus p\u0101rk\u0101pjot robe\u017eas, ko reti kur\u0161 uzdro\u0161in\u0101s \u0161odien. Vi\u0146\u0161 ir rad\u012bjis kolekciju, kas nav tikai pag\u0101tnes atdarin\u0101jums, bet gan drosm\u012bgs turpin\u0101jums, kas saprot, ko \u201cJean Paul Gaultier\u201d noz\u012bm\u0113 m\u016bsdien\u0101s: jautr\u012bbu, ener\u0123iju, modernit\u0101ti un steidzam\u012bbu.<\/p>\n
Kolekcij\u0101 domin\u0113 p\u0101rdro\u0161as idejas un negaid\u012bti risin\u0101jumi. Klasisk\u0101s Gaultier z\u012bmes, piem\u0113ram, \u201cmarini\u00e8re\u201d sv\u012btras, ir p\u0101rv\u0113rstas par optisk\u0101m il\u016bzij\u0101m, bet ikonisk\u0101 tetov\u0113jumu apdruka uz t\u012bkla auduma ir ieguvusi 3D apjomu. Lantinka \u201cDuranification\u201d proces\u0101 eso\u0161ie priek\u0161meti tiek izloc\u012bti un p\u0101rveidoti, radot efektu, kas ir gan paz\u012bstams, gan piln\u012bgi jauns. Tas ir k\u0101 atrast Gaultier smar\u017eu uz spilvena \u2013 reibino\u0161s atg\u0101din\u0101jums par pag\u0101ju\u0161o nakti.<\/p>\n
\u0136ermenis k\u0101 m\u0101kslas darbs<\/p>\n
\u0160aj\u0101 kolekcij\u0101 \u0137ermenis k\u013c\u016bst par audeklu, uz kura tiek izteikta drosme un individualit\u0101te. Smalki audumi, piem\u0113ram, me\u017e\u0123\u012bnes un \u0161ifons, ir apvienoti ar sportiska stila materi\u0101liem, veidojot negaid\u012btus kontrastus. Tiek sp\u0113l\u0113ts ar anatomiskiem elementiem, radot iespaid\u012bgus trompe l’oeil efektus un izce\u013cot \u0137erme\u0146a formas neparast\u0101s kombin\u0101cij\u0101s. Gaultier kodi, kas paz\u012bstami ar savu provokat\u012bvo dabu, ir p\u0101rtulkoti jaun\u0101 valod\u0101 \u2013 valod\u0101, kas run\u0101 par dzimumu fluidit\u0101ti un atkl\u0101t\u012bbu.<\/p>\n
\n\u201cTas ir k\u0101 p\u0101rvietoties k\u0101da cita dom\u0101\u0161anas proces\u0101. Man tas pat\u012bk,\u201d saka Lantinks. Vi\u0146\u0161 ar\u012b atkl\u0101j, ka iedvesmu sm\u0113lies no Amsterdamas le\u0123end\u0101r\u0101 RoXY kluba \u2013 vietas, kas defin\u0113jusi hedonisma \u0113ru un ko raksturo neapdom\u012bga stila izj\u016bta.<\/p>\n<\/blockquote>\n
Mantojums un n\u0101kotne<\/p>\n
Durana Lantinka debija k\u0101 Jean Paul Gaultier modes nama past\u0101v\u012bgajam m\u0101kslinieciskajam direktoram iez\u012bm\u0113 jaunu \u0113ru. P\u0113c gadiem, kad kolekcijas veidoju\u0161i viesu dizaineri, Lantinka iecel\u0161ana signaliz\u0113 par stabilit\u0101ti un gatav\u012bbu dot iesp\u0113ju jaun\u0101kai paaudzei. Vi\u0146a pieeja ir vair\u0101k konfront\u0101cija nek\u0101 cie\u0146a pret arh\u012bviem, radot unik\u0101lu Gaultier valodu, kas irprovokat\u012bva un svaiga.<\/p>\n
Skate, kas notika Par\u012bzes Mus\u00e9e du Quai Branly pagrabst\u0101v\u0101, atkl\u0101ja nevis nostal\u0123isku piemi\u0146u, bet gan drosm\u012bgu p\u0101rprogramm\u0113\u0161anu \u2013 manifestu pret pa\u0161apmierin\u0101t\u012bbu, kas mask\u0113ts k\u0101 modes skati. Kolekcija ir Gaultier p\u0101rrakst\u012bts krop\u013cojumu, dzimumu fluidit\u0101tes un k\u0101rniskas sp\u0113les valod\u0101, apliecinot, ka modes sp\u0113ks sl\u0113pjas sp\u0113j\u0101 izaicin\u0101t normas un svin\u0113t br\u012bdi, kad ap\u0123\u0113rbs ir pagrieziena punkts ikdieni\u0161\u0137ajam.<\/p>\n
Ar sav\u0101m radik\u0101laj\u0101m form\u0101m un trauc\u0113jo\u0161ajiem siluetiem Durans Lantinks ir ne tikai atjaunojis Jean Paul Gaultier gatav\u0101s ap\u0123\u0113rbu l\u012bnijas garu, bet ar\u012b papla\u0161in\u0101jis to, radot patiesi unik\u0101lu un neaizmirstamu modes pieredzi. \u0160\u012b kolekcija ir k\u0101 jauna sirdspuksts modes namam, kas apliecina, ka rado\u0161\u0101 br\u012bv\u012bba un provok\u0101cija joproj\u0101m ir sp\u0113k\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Gaultier atst\u0101j iespaidu: Par\u012bzes modes ned\u0113\u013c\u0101 domin\u0113 drosm\u012bgas formas un neierobe\u017eota br\u012bv\u012bba Par\u012bzes modes ned\u0113\u013ca, kas norisin\u0101j\u0101s no…\n","protected":false},"author":2,"featured_media":19330,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6323,6322,89,90,35,39,38,36,37,34,40,6324,4653,6321],"class_list":{"0":"post-19329","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-2026-gada-pavasaris-vasara","9":"tag-durans-lantinks","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-modes-skate","20":"tag-parizes-modes-nedela","21":"tag-zans-pols-gotje"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/19329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=19329"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/19329\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/19330"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=19329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=19329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=19329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}