Atslodze rado\u0161ajam garam: aizsaul\u0113 devies Andrejs Aps\u012btis<\/p>\n
Divus m\u0113ne\u0161us p\u0113c savas 80. dzim\u0161anas dienas, 2026. gada s\u0101kum\u0101, m\u016b\u017e\u012bb\u0101 ir devies izcilais latvie\u0161u kinore\u017eisors un operators Andrejs Aps\u012btis. Vi\u0146a ilggad\u0113j\u0101 darb\u012bba kino jom\u0101 un ieguld\u012bjums Latvijas dokument\u0101laj\u0101 kino ir neatsverams.<\/p>\n
Karjera kino un dokument\u0101laj\u0101 kino<\/p>\n
Andrejs Aps\u012btis dzimis 1946. gada 25. febru\u0101r\u012b Jaroslav\u013c\u0101. P\u0113c R\u012bgas 25. vidusskolas absolv\u0113\u0161anas stud\u0113jis Latvijas Valsts universit\u0101tes V\u0113stures un filolo\u0123ijas fakult\u0101t\u0113, bet 1974. gad\u0101 ieguvis kinooperatora specialit\u0101ti Vissavien\u012bbas Valsts kinematogr\u0101fijas instit\u016bt\u0101 Maskav\u0101. Savas rado\u0161\u0101s gaitas Aps\u012btis uzs\u0101cis R\u012bgas kinostudij\u0101, kur str\u0101d\u0101jis k\u0101 operatora asistents (1965-1969), v\u0113l\u0101k k\u0101 kinooperators un re\u017eisors (1973-1990). Vi\u0146a darba pieredze turpin\u0101jusies R\u012bgas dokument\u0101lo filmu studij\u0101, kur ie\u0146\u0113mis valdes priek\u0161s\u0113d\u0113t\u0101ja, direktora un galven\u0101 redaktora amatus. V\u0113l\u0101kAndrejs Aps\u012btis vad\u012bjis Filmu da\u013cu Latvijas Valsts kinofotofono dokumentu arh\u012bv\u0101 (1998-2000), veidojis telev\u012bzijas raid\u012bjumu \u201cKinokalend\u0101rs\u201d TV3, un bijis direktora vietnieks Nacion\u0101laj\u0101 kino centr\u0101 (2000-2008). Vi\u0146\u0161 bija ilggad\u0113js Latvijas kinematogr\u0101fistu savien\u012bbas biedrs kop\u0161 1981. gada.<\/p>\n
Noz\u012bm\u012bg\u0101kie darbi un apbalvojumi<\/p>\n
Andreja Aps\u012b\u0161a rado\u0161\u0101 darb\u012bba bijusi cie\u0161i saist\u012bta ar dokument\u0101lo kino. Vi\u0146\u0161 veidojis kino\u017eurn\u0101lus \u201cPadomju Latvija\u201d, \u201cM\u0101ksla\u201d, \u201cLatvijas hronika\u201d, \u201cSports\u201d, \u201cPionieris\u201d un citus, k\u0101 ar\u012b dokument\u0101l\u0101s, popul\u0101rzin\u0101tnisk\u0101s un m\u0101c\u012bbu filmas. Viens no vi\u0146a noz\u012bm\u012bg\u0101kajiem re\u017eijas darbiem ir filma \u201cTautas dzejnieks J\u0101nis Rainis\u201d (1987), par kuru 1987. gad\u0101 sa\u0146\u0113mis balvu par lab\u0101ko re\u017eiju Visavien\u012bbas m\u0101c\u012bbu filmu festiv\u0101l\u0101 Kaza\u0146\u0101. Citas noz\u012bm\u012bgas filmas ir \u201cMantojum\u0101 pils\u201d un \u201cOran\u017eais e\u0146\u0123elis\u201d (1989). Ar\u012b filma \u201cEsplan\u0101de\u201d (1991) ir noz\u012bm\u012bgs Andreja Aps\u012b\u0161a re\u017eijas darbs, kas izmantojot arh\u012bva kadrus, sniedz ieskatu par v\u0113stures notikumiem R\u012bg\u0101 un Latvij\u0101.<\/p>\n
Mantojums un atzin\u012bba<\/p>\n
Andrejs Aps\u012btis atst\u0101jis dzi\u013cas p\u0113das Latvijas kino v\u0113stur\u0113. Vi\u0146a filmas raksturoju\u0161as gan v\u0113sturiskus notikumus, gan cilv\u0113ku likte\u0146us, bie\u017ei vien izmantojot emocion\u0101lu un skaudri dokument\u0101lu pieeju. K\u0101 nor\u0101d\u012bjis kino operators Ansis Epners, Aps\u012btis guvis uztic\u012bbu ar savu m\u0113r\u0137tiec\u012bbu un lieti\u0161\u0137umu, un vi\u0146a vizu\u0101laj\u0101 dom\u0101\u0161an\u0101 j\u016btama kvalitat\u012bva virz\u012bba uz popul\u0101rzin\u0101tnisko kino. Aps\u012b\u0161a rado\u0161\u0101 darb\u012bba ir apliecin\u0101jums vi\u0146a sp\u0113jai saskat\u012bt un iem\u016b\u017ein\u0101t noz\u012bm\u012bgo ikdieni\u0161\u0137aj\u0101 un v\u0113sturiskaj\u0101. Vi\u0146\u0161 bija paz\u012bstams ar\u012b k\u0101 eksperts dokument\u0101l\u0101 kino jom\u0101, piedaloties Latvijas filmu skate \u201cLielais Kristaps\u201d v\u0113rt\u0113\u0161an\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Atslodze rado\u0161ajam garam: aizsaul\u0113 devies Andrejs Aps\u012btis Divus m\u0113ne\u0161us p\u0113c savas 80. dzim\u0161anas dienas, 2026. gada s\u0101kum\u0101, m\u016b\u017e\u012bb\u0101…\n","protected":false},"author":2,"featured_media":194433,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[36075,7619,89,90,35,39,38,36,37,34,100,40,16887,3794],"class_list":{"0":"post-194432","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-andrejs-apsitis","9":"tag-dokumentala-kino","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-kino","19":"tag-lv","20":"tag-operators","21":"tag-rezisors"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116516711706776385","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/194432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=194432"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/194432\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/194433"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=194432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=194432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=194432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}