Daugavpils te\u0101tris: Latgalie\u0161u valoda k\u0101 tilts uz dzi\u013c\u0101ku skat\u012bt\u0101ju pieredzi<\/p>\n
Daugavpils te\u0101tris ar jaun\u0101ko iestud\u0113jumu \u00abKaids n\u016bteikti at\u012bs\u00bb latgalie\u0161u valod\u0101 apliecina savu m\u0101ksliniecisko briedumu un drosmi piev\u0113rsties sare\u017e\u0123\u012btai dramatur\u0123ijai. \u0160is projekts, balst\u012bts uz pasaules m\u0113roga autora Juna Foses lugu, ir ne tikai apliecin\u0101jums te\u0101tra profesion\u0101lajai izaugsmei, bet ar\u012b noz\u012bm\u012bgs solis latgalie\u0161u valodas un kult\u016bras kop\u0161an\u0101 uz skatuves. Izr\u0101de, ko d\u0113v\u0113 par laikmet\u012bgu sp\u0113li un filozofisku trilleri, pied\u0101v\u0101 skat\u012bt\u0101jiem nevis vienk\u0101r\u0161u izklaidi, bet gan dzi\u013cu sarunu par cilv\u0113ka iek\u0161\u0113jo pasauli un c\u012b\u0146u ar sevi.<\/p>\n
\u00abKaids n\u016bteikti at\u012bs\u00bb: Filosofiska izp\u0113te latgalie\u0161u valod\u0101<\/p>\n
Re\u017eisors O\u013cegs \u0160apo\u0161\u0146ikovs ir izv\u0113l\u0113jies uzrun\u0101t publiku ar Nobela pr\u0113mijas laure\u0101ta Juna Foses (Jon Fosse) lugu \u00abK\u0101ds noteikti atn\u0101ks\u00bb (\u00abNokon kjem til \u00e5 kome\u00bb), kas tapusi 1992. gad\u0101. Fose, kur\u0161 tiek d\u0113v\u0113ts par m\u016bsdienu norv\u0113\u0123u dramatur\u0123ijasHenriku Ibsenu, savos darbos bie\u017ei p\u0113ta starpst\u0101vokli starp realit\u0101ti un izt\u0113li, v\u0101rdu un klusuma, zin\u0101m\u0101 un nezin\u0101m\u0101 robe\u017eas. \u00abKaids n\u016bteikti at\u012bs\u00bb ir filozofisks trilleris, kas padzi\u013cin\u0101s cilv\u0113ka zemapzi\u0146\u0101, izgaismojot neapzin\u0101t\u0101s bailes, nedro\u0161\u012bbu un to, k\u0101 t\u0101s var grauzt indiv\u012bdu no iek\u0161ienes. Izr\u0101de ir drosm\u012bgs solis, jo t\u0101 tiek iestud\u0113ta latgaliski, valod\u0101, kuru lieto neliela da\u013ca Latvijas iedz\u012bvot\u0101ju, l\u012bdz\u012bgi k\u0101 jaunnorv\u0113\u0123u valodu (nynorsk) lieto neliela da\u013ca Norv\u0113\u0123ijas iedz\u012bvot\u0101ju. \u0160\u0101da izv\u0113le apliecina te\u0101tra ap\u0146em\u0161anos saglab\u0101t un populariz\u0113t re\u0123ion\u0101lo valodu un kult\u016bru. T\u0101 ir apliecin\u0101jums tam, ka latgalie\u0161u valoda sp\u0113j ne tikai izklaid\u0113t, bet ar\u012b n\u0113s\u0101t sev\u012b dzi\u013cas filozofiskas un emocion\u0101las noz\u012bmes, \u013caujot veidot sp\u0113c\u012bgu saikni ar skat\u012bt\u0101ju.<\/p>\n
Valoda k\u0101 tilts un identit\u0101tes nes\u0113js<\/p>\n
Daugavpils te\u0101tra sp\u0113ja iestud\u0113t pasaules l\u012bme\u0146a dramatur\u0123iju latgaliski ir pagrieziena punkts, kas par\u0101da te\u0101tra gatav\u012bbu uz\u0146emties izaicin\u0101jumus un papla\u0161in\u0101t savu m\u0101ksliniecisko robe\u017eas. K\u0101 atz\u012bst izr\u0101des veidot\u0101ji, latgalie\u0161u valoda \u0161aj\u0101 iestud\u0113jum\u0101 k\u013c\u016bst par \u00abdaudzbals\u012bbu\u00bb, kas pal\u012bdz stiprin\u0101t emocion\u0101lo piesl\u0113gumu ar auditoriju. Tas ir spilgts piem\u0113rs tam, k\u0101 re\u0123ion\u0101l\u0101 valoda var k\u013c\u016bt par sp\u0113c\u012bgu izteiksmes l\u012bdzekli, kas sp\u0113j nodot sare\u017e\u0123\u012btas idejas un emocijas. \u0160\u0101ds latgalie\u0161u valodas lietojums te\u0101tr\u012b nav tikai m\u0101kslinieciska izv\u0113le, bet ar\u012b kult\u016bras mantojuma saglab\u0101\u0161anas un att\u012bst\u012bbas jaut\u0101jums. Latgalie\u0161u valoda ir svar\u012bga Latvijas kult\u016brv\u0113sturisk\u0101 mantojuma da\u013ca, un t\u0101s saglab\u0101\u0161ana un att\u012bst\u012bba ir valsts pien\u0101kums. Daugavpils te\u0101tris ar savu darb\u012bbu apliecina, ka valoda var b\u016bt tilts starp pag\u0101tni un n\u0101kotni, starp individu\u0101lo un kolekt\u012bvo apzi\u0146u.<\/p>\n
Re\u017eisora v\u012bzija un Foses dramatur\u0123ijas dzi\u013cums<\/p>\n
O\u013cegs \u0160apo\u0161\u0146ikovs, kur\u0161 ir ne tikai re\u017eisors, bet ar\u012b Daugavpils te\u0101tra m\u0101kslinieciskais vad\u012bt\u0101js, ir izv\u0113l\u0113jies Foses lugu, jo vi\u0146a \u00abv\u012bzija un uzskati ir \u013coti tuvu Zigmunda Freida psihoanal\u012bzei\u00bb. \u0160\u012b pieeja \u013cauj izr\u0101dei ienirt cilv\u0113ka zemapzi\u0146\u0101, izp\u0113tot t\u0101s sl\u0101\u0146us un apsl\u0113ptos konfliktus. Foses dramatur\u0123ija, kas bie\u017ei vien balst\u0101s uz nepateikto, pauz\u0113m un atk\u0101rtojumiem, rada \u012bpa\u0161u atmosf\u0113ru, kas pie\u0161\u0137ir lugai univers\u0101lu noz\u012bmi. Pats autors rakst\u012bjis, ka vi\u0146a lug\u0101m \u00abiet par labu, kad varo\u0146u emocijas ir c\u012bt\u012bgi aiztais\u012btas ar v\u0101rdu un zem t\u0101 v\u0113l cit\u0101m\u00bb. \u0160apo\u0161\u0146ikovs atz\u012bst, ka Foses teksta ma\u0123ija \u00abiedarbojas k\u0101 buramv\u0101rdi, aizvedot \u012bpa\u0161\u0101 saj\u016btu pasaul\u0113\u00bb. Izr\u0101de \u00abKaids n\u016bteikti at\u012bs\u00bb nav tikai par attiec\u012bbu dr\u0101mu starp v\u012brieti un sievieti, bet ar\u012b par cilv\u0113ka konfront\u0101ciju ar sevi, apk\u0101rt\u0113jo pasauli, bail\u0113m no nezin\u0101m\u0101 un neizb\u0113gam\u0101m p\u0101rmai\u0146\u0101m. T\u0101 ir atbilde uz jaut\u0101jumu, ka pat \u00abnekurienes vid\u016b, t\u0101lu prom no visiem, ir k\u0101ds, ar kuru neizb\u0113gami n\u0101ksies sastapties \u2013 pa\u0161am ar sevi\u00bb.<\/p>\n
Daugavpils te\u0101tris: V\u0113sture un latgalie\u0161u valodas loma<\/p>\n
Daugavpils te\u0101tris ar savu bag\u0101to v\u0113sturi, kas sniedzas l\u012bdz pat 1856. gadam, ir k\u013cuvis par noz\u012bm\u012bgu kult\u016bras centru Latgal\u0113. Dibin\u0101ts ar m\u0113r\u0137i nostiprin\u0101t latviskumu re\u0123ion\u0101, te\u0101tris \u0161obr\u012bd darbojas ar div\u0101m trup\u0101m \u2013 latvie\u0161u un krievu \u2013 un pied\u0101v\u0101 izr\u0101des latvie\u0161u, krievu un latgalie\u0161u valod\u0101. Izr\u0101de \u00abKaids n\u016bteikti at\u012bs\u00bb latgalie\u0161u valod\u0101 ir turpin\u0101jums te\u0101tra trad\u012bcijai veidot iestud\u0113jumus ar\u012b latgaliski. \u0160\u012b pieeja ne tikai bag\u0101tina te\u0101tra repertu\u0101ru, bet ar\u012b sniedz platformu latgalie\u0161u valodai un kult\u016brai, apliecinot t\u0101s dz\u012bvotsp\u0113ju un noz\u012bmi m\u016bsdien\u0101s. Ir svar\u012bgi atcer\u0113ties, ka latgalie\u0161u valoda tiek uzskat\u012bta par latvie\u0161u valodas v\u0113sturisko paveidu, un t\u0101s saglab\u0101\u0161ana ir b\u016btisks uzdevums visai Latvijai.<\/p>\n
Nobeigums: Te\u0101tris k\u0101 spogulis un instruments<\/p>\n
\u00abKaids n\u016bteikti at\u012bs\u00bb Daugavpils te\u0101tr\u012b ir vair\u0101k nek\u0101 tikai izr\u0101de; t\u0101 ir aicin\u0101jums uz refleksiju, pa\u0161anal\u012bzi un dzi\u013c\u0101ku izpratni par cilv\u0113ka psihes sare\u017e\u0123\u012bt\u012bbu. T\u0101 ir izr\u0101de, kas uzdod jaut\u0101jumus, nebaid\u0101s no tum\u0161ajiem dv\u0113seles nost\u016briem un pied\u0101v\u0101 skat\u012bt\u0101jam k\u013c\u016bt par l\u012bdzdal\u012bbnieku \u0161aj\u0101 filozofiskaj\u0101 ce\u013cojum\u0101. Daugavpils te\u0101tris, iestud\u0113jot \u0161\u0101du darbu latgaliski, ne tikai apliecina savu m\u0101ksliniecisko drosmi, bet ar\u012b stiprina latgalie\u0161u valodas un kult\u016bras lomu Latvijas daudzveid\u012bgaj\u0101 ainav\u0101. T\u0101 ir meistarklase gan valodas, gan te\u0101tra m\u0101ksl\u0101, kas demonstr\u0113, ka te\u0101tris var b\u016bt gan spogulis, kas atspogu\u013co m\u016bsu iek\u0161\u0113jo pasauli, gan ar\u012b instruments, kas pal\u012bdz mums lab\u0101k saprast sevi un citus.<\/p>\n","protected":false},"excerpt":{"rendered":"Daugavpils te\u0101tris: Latgalie\u0161u valoda k\u0101 tilts uz dzi\u013c\u0101ku skat\u012bt\u0101ju pieredzi Daugavpils te\u0101tris ar jaun\u0101ko iestud\u0113jumu \u00abKaids n\u016bteikti at\u012bs\u00bb…\n","protected":false},"author":2,"featured_media":19656,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6391,89,6395,90,6393,6392,6394,35,39,38,36,37,34,40,6396],"class_list":{"0":"post-19655","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-daugavpils-teatris","9":"tag-entertainment","10":"tag-filozofisks-trilleris","11":"tag-izklaide","12":"tag-juns-fose","13":"tag-kaids-nuteikti-atis","14":"tag-latgaliesu-valoda","15":"tag-latvia","16":"tag-latvian","17":"tag-latviesu","18":"tag-latviesu-valoda","19":"tag-latviesuvaloda","20":"tag-latvija","21":"tag-lv","22":"tag-olegs-saposnikovs"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/19655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=19655"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/19655\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/19656"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=19655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=19655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=19655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}