J\u0101\u0146a Avoti\u0146a izst\u0101des iecere veidojusies, balstoties M\u0101kslas muzeja R\u012bgas bir\u017ea arhitektoniskaj\u0101 est\u0113tik\u0101. Bir\u017eas Liel\u0101 izst\u0101\u017eu z\u0101le ar piln\u012bb\u0101 atsegtiem logiem dienas gaism\u0101, ar skatu uz Vecr\u012bgas da\u017e\u0101d\u0101m perspekt\u012bv\u0101m atg\u0101dina grezn\u0101k\u0101s Rietumeiropas metro un vilcienu stacijas eklektisma, neoklasicisma stil\u0101. Tas rosin\u0101jis m\u0101kslinieku turpin\u0101t glezniec\u012bb\u0101 risin\u0101t vi\u0146am tik rakstur\u012bg\u0101s fig\u016bru un telpas attiec\u012bbas, koncentr\u0113jot laika, v\u0113stures, ar\u012b politikas dimensijas spriedzes uzl\u0101d\u0113t\u0101 neliel\u0101 gleznas plakn\u0113.<\/p>\n
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J\u0101nis Avoti\u0146\u0161 st\u0101sta: \u201c\u0160aj\u0101 izst\u0101d\u0113 es izv\u0113los str\u0101d\u0101t ar savas l\u012bdz\u0161in\u0113j\u0101 darba pamatidejas kodolu \u2013 gleznojumos vienas vai divu cilv\u0113ku fig\u016bru atpaz\u012bstam\u0101s v\u0113sturisk\u0101s konot\u0101cijas. K\u0101 avotu es izmantoju pirms Otr\u0101 pasaules kara, 20. gadsimta 20. gadu Latvij\u0101 tapu\u0161u foto. Taj\u0101 no putna lidojuma redzama vair\u0101ku simtu cilv\u0113ku koncentr\u0113\u0161an\u0101s pla\u0161\u0101 br\u012bvdabas laukum\u0101 ap pla\u0161u tuk\u0161u taisnst\u016bri, kura centr\u0101 notiek, iesp\u0113jams, milit\u0101ra, bet visticam\u0101k, gaidu vai skautu apbalvo\u0161anas ceremonija. Apbalvo\u0161anas protagonisti ir tik s\u012bci\u0146i \u2013 tikai to silueti un horeogr\u0101fisk\u0101 konstel\u0101cija \u013cauj nojaust notieko\u0161o. Daudz tuv\u0101k redzamas vien muguras, silueti, st\u0101vi… Fotogr\u0101fija nav izst\u0101des sast\u0101vda\u013ca. Filozofisku metaforu izv\u0113r\u0161ana tekstu\u0101li nav izst\u0101des koncepcijas sast\u0101vda\u013ca.\u201d<\/p>\n
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Izst\u0101d\u0113 ekspon\u0113ti tikai jaundarbi, un t\u0101 iek\u013caujas M\u0101kslas muzeja R\u012bgas bir\u017ea izst\u0101\u017eu cikl\u0101, kur laikmet\u012bg\u0101s m\u0101kslas p\u0101rst\u0101vji mijiedarbojas ar muzeja v\u0113sturisko mantojumu.<\/p>\n
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J\u0101nis Avoti\u0146\u0161 Latvijas M\u0101kslas akad\u0113mij\u0101 ieguvis bakalaura un ma\u0123istra gr\u0101dus, sta\u017e\u0113jies Man\u010destras Universit\u0101t\u0113. Kop\u0161 2004. gada regul\u0101ri r\u012bko person\u0101lizst\u0101des \u0101rzem\u0113s, sadarbojoties ar IBID galeriju London\u0101 un Losand\u017eelos\u0101, Galerie R\u00fcdiger Sch\u00f6ttle Minhen\u0113, galeriju Vera Munro Hamburg\u0101 un AKINCI Amsterdam\u0101, k\u0101 ar\u012b piedal\u0101s starptautisk\u0101s grupu izst\u0101d\u0113s.<\/p>\n
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J\u0101\u0146a Avoti\u0146a darbi iek\u013cauti gan Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kr\u0101jum\u0101, gan noz\u012bm\u012bg\u0101s kolekcij\u0101s Eirop\u0101, ASV un Jap\u0101n\u0101, tai skait\u0101 paz\u012bstamo kolekcion\u0101ru Fransu\u0101 Pino (Fran\u00e7ois Pinault), \u010c\u0101rlza S\u0101\u010di (Charles Saatchi), Sandreto Re Rebaudengo (Sandretto Re Rebaudengo) un Rubela \u0123imenes kolekcij\u0101s (the Rubell Family Collection). Ieguvis vair\u0101kas balvas, tostarp Jean-Fran\u00e7ois Prat m\u0101kslas balvu Par\u012bz\u0113.<\/p>\n
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