{"id":20057,"date":"2025-10-13T10:58:07","date_gmt":"2025-10-13T10:58:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/20057\/"},"modified":"2025-10-13T10:58:07","modified_gmt":"2025-10-13T10:58:07","slug":"dokumentalais-detektivs-testaments-jana-abeles-rezija-piedzivos-pirmizradi-riga-iff-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/20057\/","title":{"rendered":"Dokument\u0101lais detekt\u012bvs &#8220;Testaments&#8221; J\u0101\u0146a \u0100beles re\u017eij\u0101 piedz\u012bvos pirmizr\u0101di RIGA IFF\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (RIGA IFF) gaid\u0101maj\u0101 12. sezon\u0101, 21. oktobr\u012b, notiks J\u0101\u0146a \u0100beles re\u017eis\u0113t\u0101 un J\u0101\u0146a Jo\u0146eva scen\u0101ristu veidot\u0101 dokument\u0101l\u0101 detekt\u012bvfilmas \u201cTestaments\u201d pasaules pirmizr\u0101de. Filma ir aizraujo\u0161s ce\u013cojums uz latvie\u0161u krimin\u0101lrom\u0101nu rakstnieka un dzejnieka Anatola Imerma\u0146a (1914\u20131998) dz\u012bves nosl\u0113pumiem, atkl\u0101jot vi\u0146a neparasto p\u0113d\u0113jo v\u0113l\u0113\u0161anos. P\u0113c festiv\u0101la \u201cTestaments\u201d b\u016bs skat\u0101ms ar\u012b Latvijas kinote\u0101tros.<\/p>\n<p>Anatolijs Imermanis: Pretrunu Pilna Person\u012bba<\/p>\n<p>Anatolijs Imermanis, kur\u0161 sabiedr\u012bb\u0101 paz\u012bstams gan k\u0101 krimin\u0101lrom\u0101nu autors, gan k\u0101 dzejnieks, bija daudzpus\u012bga un pretrun\u012bga person\u012bba. Vi\u0146a dz\u012bvi raksturoja pretstati: dzejnieks un detekt\u012bvst\u0101stu rakstnieks, padomju varas ietekm\u0113ts, bet neuzspiestais, disidents-boh\u0113mists, kur\u0161 dz\u012bvoja le\u0123endu pilnu, bet nosl\u0113pumainu dz\u012bvi. Lai gan vi\u0146\u0161 bija paz\u012bstams ar savu aizrau\u0161anos pret sieviet\u0113m, vi\u0146a m\u016b\u017es nosl\u0113dz\u0101s vientul\u012bb\u0101. Vi\u0146a laikabiedri Imermani raksturoju\u0161i da\u017e\u0101di, ta\u010du m\u016bsdien\u0101s par vi\u0146u ir aizmirsts, lai gan vi\u0146\u0161 bija viens no detekt\u012bv\u017eanra pionieriem latvie\u0161u literat\u016br\u0101, radot darbus kop\u0101 ar Gun\u0101ru C\u012bruli. K\u0101 uzsver scen\u0101rists J\u0101nis Jo\u0146evs, Imermanis bija \u201cle\u0123endu fabrika\u201d, kura darbi, neraugoties uz popularit\u0101ti padomju laik\u0101, m\u016bsdien\u0101s bie\u017ei vien paliek nov\u0101rt\u0101. Imermanis sarakst\u012bjis vair\u0101k nek\u0101 15 krimin\u0101lrom\u0101nus un vair\u0101kus dzejas kr\u0101jumus, un vi\u0146a darbi tika tulkoti vair\u0101k\u0101s valod\u0101s, pat ekraniz\u0113ti, apliecinot vi\u0146a noz\u012bm\u012bgo ieguld\u012bjumu latvie\u0161u kult\u016br\u0101.<\/p>\n<p>Filmas Si\u017eets: D\u012bvaina P\u0113cn\u0101ves V\u0113l\u0113\u0161an\u0101s Un Pazudusi Urna<\/p>\n<p>Filmas centr\u0101lais mot\u012bvs ir Anatola Imerma\u0146a neparast\u0101 p\u0113cn\u0101ves v\u0113l\u0113\u0161an\u0101s \u2013 vi\u0146\u0161 v\u0113l\u0113j\u0101s, lai vi\u0146a pelni tiktu izkais\u012bti Par\u012bzes Sarkano lukturu rajonos, t\u0101d\u0113j\u0101di nodro\u0161inot sev sabiedr\u012bbu skaistu meite\u0146u komp\u0101nij\u0101 pat p\u0113c n\u0101ves. Ta\u010du, laika gait\u0101, \u0161\u012b pelnu urna ir pazudusi, p\u0101rv\u0113r\u0161ot rakstnieka p\u0113d\u0113jo gribu par \u012bstu detekt\u012bvst\u0101sta pavedienu. \u0160o intrig\u0113jo\u0161o mekl\u0113jumu uzs\u0101k m\u016bsdienu dzejnieks Aleksandrs Zapo\u013cs, paz\u012bstams ar\u012b k\u0101 Semjons Ha\u0146ins, kura uzdevums ir atrast urnu un piepild\u012bt Anatola Imerma\u0146a neparasto v\u0113l\u0113\u0161anos. \u0160is aizraujo\u0161ais mekl\u0113jums filmu padara par ne tikai dokument\u0101lu izmekl\u0113\u0161anu, bet ar\u012b par sirre\u0101lu ce\u013cojumu laik\u0101 un telp\u0101, kur\u0101 savijas dzeja, m\u012bla un n\u0101ve. Filmas producents Guntis Trekteris uzsver, ka J\u0101nim \u0100belem ir izdevies dokument\u0101l\u0101 form\u0101 ieaugt \u012bstu krimin\u0101lintrigu, radot darbu, kas br\u012b\u017eiem atg\u0101dina sp\u0113lfilmu vai pat erotisku mist\u0113riju, nevis tradicion\u0101lo dokument\u0101lo filmu.<\/p>\n<p>RIGA IFF \u2013 Skatlogs Jauniem Kinodarbiem<\/p>\n<p>R\u012bgas Starptautiskais filmu festiv\u0101ls (RIGA IFF) ir noz\u012bm\u012bgs notikums Latvijas un Baltijas kino dz\u012bv\u0113, kas pied\u0101v\u0101 skat\u012bt\u0101jiem drosm\u012bgus un svaigus autoru skat\u012bjumus no pasaules un Eiropas kinom\u0101kslas. Festiv\u0101ls, ar vadmot\u012bvu \u201cSee. Shift. Become.\u201d (Redzi. Mainies. P\u0101rtopi.), pulc\u0113 gan pasaul\u0113 atz\u012btus, gan jaunus talantus. \u201cTestaments\u201d ir viens no gaid\u0101majiem darbiem, kas tiks izr\u0101d\u012bts festiv\u0101la konkursa programm\u0101. P\u0113c pirmizr\u0101des festiv\u0101l\u0101, filma b\u016bs pieejama ar\u012b pla\u0161\u0101kai publikai kinote\u0101tros R\u012bg\u0101 un citur Latvij\u0101, nodro\u0161inot iesp\u0113ju iepaz\u012bt \u0161o unik\u0101lo st\u0101stu un Anatola Imerma\u0146a neparasto mantojumu.<\/p>\n","protected":false},"excerpt":{"rendered":"R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (RIGA IFF) gaid\u0101maj\u0101 12. sezon\u0101, 21. oktobr\u012b, notiks J\u0101\u0146a \u0100beles re\u017eis\u0113t\u0101 un J\u0101\u0146a Jo\u0146eva&hellip;\n","protected":false},"author":2,"featured_media":20058,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6166,2456,89,90,5790,35,39,38,36,37,34,40,3876,6514],"class_list":{"0":"post-20057","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-anatolijs-imermanis","9":"tag-dokumentala-filma","10":"tag-entertainment","11":"tag-izklaide","12":"tag-janis-abele","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-riga-iff","21":"tag-testaments"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/20057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=20057"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/20057\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/20058"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=20057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=20057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=20057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}