Kr\u0101\u0161\u0146s mur\u0101lis pie\u0161\u0137ir jaunu dv\u0113seli Sarkandaugavai<\/p>\n
R\u012bg\u0101, Sarkandaugavas apkaim\u0113, H\u0101psalas iel\u0101 32, uz k\u0101da nama fas\u0101des uzzied\u0113jis jauns, iespaid\u012bgs m\u0101kslas darbs \u2013 mur\u0101lis, kas velt\u012bts vienai no dzi\u013c\u0101kaj\u0101m un viskardin\u0101l\u0101kaj\u0101m cilv\u0113ka attiec\u012bb\u0101m \u2013 m\u0101tes un b\u0113rna saitei. \u0160o kr\u0101\u0161\u0146o vizu\u0101lo st\u0101stu rad\u012bjusi talant\u012bg\u0101 ielu m\u0101ksliniece Jevge\u0146ija Biktimirova, kas paz\u012bstama ar\u012b ar pseidon\u012bmu Bikti. Jaunais darbs nav tikai kr\u0101su un formu salikums uz sienas; tas ir emocion\u0101ls v\u0113st\u012bjums, kas aicina apst\u0101ties, p\u0101rdom\u0101t un nov\u0113rt\u0113t \u0161\u012bs unik\u0101l\u0101s attiec\u012bbas, kas form\u0113ju\u0161as cilv\u0113ces kult\u016bru un m\u0101kslu gadsimtiem ilgi.<\/p>\n
M\u0101kslas valoda un t\u0101s dzi\u013c\u0101k\u0101 noz\u012bme<\/p>\n
M\u0101kslinieces Bikti darbs ir ne tikai vizu\u0101li pievilc\u012bgs, bet ar\u012b pies\u0101tin\u0101ts ar simbolisku noz\u012bmi. Galvenais mot\u012bvs ir m\u0101tes un b\u0113rna attiec\u012bbas, ta\u010du t\u0101s papildina ar\u012b gailenes \u2013 s\u0113nes, kas simboliz\u0113 \u0123imeni, savstarp\u0113ju atkar\u012bbu un vienot\u012bbu. Bikte skaidro, ka s\u0113\u0146u mic\u0113lijs, kas atrodas zem zemes, ir k\u0101 \u0123imenes metafora \u2013 visi t\u0101s locek\u013ci ir cie\u0161i saist\u012bti un viens no otra atkar\u012bgi. Gailenes, k\u0101 pirm\u0101s un ilgsto\u0161\u0101k\u0101s me\u017e\u0101 sastopam\u0101s s\u0113nes, tiek izv\u0113l\u0113tas k\u0101 simbols att\u012bst\u012bbai un notur\u012bbai. T\u0101s ir viegli atrodamas un sagatavojamas, glu\u017ei k\u0101 m\u0101tes m\u012blest\u012bba, kas bie\u017ei vien ir kl\u0101teso\u0161a un nenov\u0113rt\u0113ta, bet vienlaikus tik fundament\u0101la.<\/p>\n
\u0160is mur\u0101lis ir ar\u012b sava veida manifests par m\u0101tes lomu sabiedr\u012bb\u0101. Bikte, b\u016bdama pati mamma, atkl\u0101j, ka m\u0101tes r\u016bpes bie\u017ei vien paliek nenov\u0113rt\u0113tas. Vi\u0146a st\u0101sta, ka darba tap\u0161anas laik\u0101 pie sienas pirmie n\u0101ku\u0161i apsaimniekot\u0101ji, bet dr\u012bz vien vi\u0146u nomain\u012bju\u0161as m\u0101mi\u0146as ar b\u0113rnu rati\u0146iem, kas apliecina \u0161\u012bs t\u0113mas aktualit\u0101ti un rezonansi ikdien\u0101.<\/p>\n
Sarkandaugava k\u0101 ielu m\u0101kslas centrs<\/p>\n
Sarkandaugava p\u0113d\u0113j\u0101 laik\u0101 k\u013cuvusi par \u012bstu ielu m\u0101kslas \u201ckarsto punktu\u201d R\u012bg\u0101, kur aizvien bie\u017e\u0101k top jauni un kvalitat\u012bvi sienas gleznojumi. \u0160is mur\u0101lis ir noz\u012bm\u012bgs ar\u012b t\u0101d\u0113\u013c, ka tas ir viens no pirmajiem lielform\u0101ta darbiem, ko rad\u012bjusi m\u0101ksliniece sieviete \u0161aj\u0101 apkaim\u0113. Dainis Rudens, ielu m\u0101kslas festiv\u0101lu organizators un m\u0101kslinieks, atzin\u012bgi v\u0113rt\u0113 \u0161o tendenci, nor\u0101dot uz sp\u0113c\u012bgu sievie\u0161u kust\u012bbu ielu m\u0101ksl\u0101 un uzskatot Bikti par vienu no lab\u0101kaj\u0101m \u0161aj\u0101 jom\u0101. Vi\u0146a darbs ne tikai papildina Sarkandaugavas m\u0101ksliniecisko ainavu, bet ar\u012b veicina dialogu par m\u0101kslas lomu sabiedrisk\u0101s telp\u0101s un t\u0101s sp\u0113ju iedvesmot un piev\u0113rst uzman\u012bbu svar\u012bg\u0101m t\u0113m\u0101m.<\/p>\n
M\u0101tes un b\u0113rna attiec\u012bbas m\u0101kslas v\u0113stur\u0113<\/p>\n
T\u0113ma par m\u0101ti un b\u0113rnu ir viena no sen\u0101kaj\u0101m ununivers\u0101l\u0101kaj\u0101m m\u0101kslas v\u0113stur\u0113. Kop\u0161 sen\u0101kajiem laikiem m\u0101kslinieki ir att\u0113loju\u0161i \u0161o int\u012bmo un sp\u0113c\u012bgo saikni, radot darbus, kas atspogu\u013co gan m\u012blest\u012bbu un maigumu, gan ar\u012b gr\u016bt\u012bbas un upurus, kas saist\u012bti ar vec\u0101ku audzin\u0101\u0161anu. Da\u017e\u0101dos laikmetos un kult\u016br\u0101s \u0161\u012b t\u0113ma ir interpret\u0113ta at\u0161\u0137ir\u012bgi \u2013 no reli\u0123isk\u0101m Madonnas un b\u0113rna att\u0113lo\u0161anas l\u012bdz pat m\u016bsdienu m\u0101kslinieku provokat\u012bvajiem un re\u0101listiskajiem skat\u012bjumiem uz m\u0101tes pieredzi. <\/p>\n
M\u0101kslas kriti\u0137i un kuratori, piem\u0113ram, Jana Kukaine, jau vair\u0101kus gadus organiz\u0113 izst\u0101des, kas piev\u0113r\u0161as sievie\u0161u pieredzei un \u0137ermenim, bie\u017ei vien iek\u013caujot ar\u012b m\u0101tes un b\u0113rna t\u0113mu k\u0101 centr\u0101lo elementu. \u0160\u012bs izst\u0101des aicina uz dzi\u013c\u0101ku refleksiju par sabiedr\u012bbas uztveri par sievietes lomu, m\u0101ti\u0161\u0137\u012bbu un b\u0113rna audzin\u0101\u0161anu, izaicinot stereotipus un par\u0101dot \u0161o attiec\u012bbu daudz\u0161\u0137aut\u0146ain\u012bbu \u2013 ne tikai prieku un laimi, bet ar\u012b nogurumu un izaicin\u0101jumus. Piem\u0113ram, m\u0101ksliniece Rasa Jansone savos darbos reflekt\u0113 par \u0161o t\u0113mu, un ar\u012b latvie\u0161u m\u0101ksliniece Emma R\u012btofta savos lielform\u0101ta sienas gleznojumos att\u0113lo savu gr\u016btniec\u012bbas pieredzi.<\/p>\n
Biktes jaunais mur\u0101lis Sarkandaugav\u0101 ir v\u0113rt\u012bgs papildin\u0101jums \u0161ai bag\u0101tajai m\u0101kslas trad\u012bcijai. Tas ne tikai pie\u0161\u0137ir pils\u0113tvidei jaunu kr\u0101su un est\u0113tisko v\u0113rt\u012bbu, bet ar\u012b kalpo k\u0101 vizu\u0101ls atg\u0101din\u0101jums par m\u0101tes un b\u0113rna attiec\u012bbu nemain\u012bgo noz\u012bmi m\u016bsu dz\u012bv\u0113s un kult\u016br\u0101. \u0160is darbs aicina m\u016bs visus uz br\u012bdi apst\u0101ties un nov\u0113rt\u0113t to m\u012blest\u012bbu, sp\u0113ku un upuri, kas bie\u017ei vien paliek neredzams ikdienas steig\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Kr\u0101\u0161\u0146s mur\u0101lis pie\u0161\u0137ir jaunu dv\u0113seli Sarkandaugavai R\u012bg\u0101, Sarkandaugavas apkaim\u0113, H\u0101psalas iel\u0101 32, uz k\u0101da nama fas\u0101des uzzied\u0113jis jauns,…\n","protected":false},"author":2,"featured_media":21019,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,6736,90,35,39,38,36,37,34,40,6734,6735,6732,6733],"class_list":{"0":"post-21018","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-ielu-maksla","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lv","18":"tag-maksliniece-bikte","19":"tag-mates-un-berna-attiecibas","20":"tag-muralis","21":"tag-sarkandaugava"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/21018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=21018"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/21018\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/21019"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=21018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=21018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=21018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}