{"id":21457,"date":"2025-10-15T05:38:10","date_gmt":"2025-10-15T05:38:10","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/21457\/"},"modified":"2025-10-15T05:38:10","modified_gmt":"2025-10-15T05:38:10","slug":"jadzied-dziesma-ko-zini-kurzemnieks-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/21457\/","title":{"rendered":"\u201eJ\u0101dzied dziesma, ko zini\u201d \u2013 Kurzemnieks.lv"},"content":{"rendered":"

Septembra beig\u0101s kuld\u012bdzniekiem v\u0113lreiz bija iesp\u0113ja kinote\u0101tr\u012b noskat\u012bties Dzintras Gekas-Vaskas jaun\u0101ko dokument\u0101lo filmu\u00a0Haralds S\u012bmanis. Dziesminieks un jumi\u0137is. Uz tik\u0161anos ar skat\u012bt\u0101jiem atbrauca pati re\u017eisore, nedaudz laika veltot sarunai ar\u012b ar\u00a0Kurzemnieku.<\/p>\n

P\u0113c filmas teic\u0101t, ka neesot viegli run\u0101t. Bet j\u016bsu bag\u0101t\u012bgaj\u0101 kinobiogr\u0101fij\u0101 ir daudz emocion\u0101li sp\u0113c\u012bgu dokument\u0101lo st\u0101stu. Un b\u016bs ta\u010du v\u0113l?<\/p>\n

Jau \u013coti sen, 1999. gad\u0101, man rad\u0101s iecere par triptihu\u00a0Sib\u012brijas b\u0113rni,\u00a0Trimdas b\u0113rni\u00a0un\u00a0Padomju b\u0113rni, lai par\u0101d\u012btu pag\u0101tnes mantojumu, lai v\u0113sturi iem\u016b\u017ein\u0101tu uzskat\u0101m\u0101 veid\u0101. Par Sib\u012brijas film\u0113\u0161anu interese bija \u013coti liela \u2013 interv\u0113j\u0101m simtiem cilv\u0113ku, brauc\u0101m eksped\u012bcij\u0101s. Ilgus gadus \u0161o t\u0113mu turpin\u0101j\u0101m, bet p\u0113c 2019. gada uz Sib\u012briju vairs nebraucam un, cerams, nevienam ar\u012b neb\u016bs j\u0101brauc.\u00a0Dieva putni\u0146os\u00a0(film\u0101 par Otr\u0101 pasaules kara b\u0113g\u013cu nometn\u0113m \u2013 aut.) izgaismoj\u0101s 30 skaudri latvie\u0161u st\u0101sti trimd\u0101, bija ar\u012b liela atsauc\u012bba. Tas lika saprast, ka j\u0101turpina \u2013 j\u0101taisa tre\u0161\u0101 da\u013ca par tiem b\u0113rniem, kuri 50. gados piedzima Padomju Latvij\u0101. V\u0113l\u0101k nosaukumu main\u012bj\u0101m uz\u00a0P\u0113ckara b\u0113rniem. Izv\u0113l\u0113jos 14 cilv\u0113kus, savus laikabiedrus, un grib\u0113ju salikt kop\u0101 vien\u0101 film\u0101, lai caur vi\u0146u portretiem izgaismotu \u0161o periodu. Ta\u010du nesa\u0146\u0113mu nek\u0101du atbalstu ne Valsts kult\u016brkapit\u0101la fond\u0101, ne Nacion\u0101laj\u0101 kinocentr\u0101, ne citur.<\/p>\n

\"TaurenisAr vienu no filmas\u00a0Igarka, Cer\u012bba un Taurenis\u00a0(2008) varo\u0146iem \u2013 Anatoliju Taureni, kur\u0161 dz\u012bvo t\u0101laj\u0101 Krievijas zieme\u013cu pils\u0113t\u0101 Igark\u0101.<\/p>\n

\"SurmogaSumogas ce\u013c\u0101.<\/p>\n

\"Kaspars????????????????????????????????????<\/p>\n

\"DzintraSib\u012brij\u0101 ar Latvijas b\u0113rniem, 1941.\u20131949. gada deport\u0101ciju upuriem, velt\u012bto piemi\u0146as pl\u0101ksni. Otrais no lab\u0101s \u2013 re\u017eisores v\u012brs, komponists P\u0113teris Vasks.<\/p>\n

\"DidzisAr rado\u0161o komandu un Sib\u012brijas b\u0113rniem Moisejevk\u0101.<\/p>\n

\"20170805<\/p>\n

\"20170805M\u0101c\u012bt\u0101js Guntis Kalme dod sv\u0113t\u012bbu divreiz izs\u016bt\u012btai latvietei, kas palikusi dz\u012bvot Sib\u012brij\u0101. Film\u0113 operators Viktors Gribermans. Blakus s\u0113\u017e kuld\u012bdzniece Skaidr\u012bte Jumi\u0137e.<\/p>\n

Tom\u0113r neatlaid\u0101ties, jo tr\u012bs filmas jau ir gatavas.<\/p>\n

T\u0101 pag\u0101ja gads, divi, tr\u012bs. Sapratu, ka paliekam vec\u0101ki \u2013 es, mana film\u0113\u0161anas grupa, izv\u0113l\u0113tie varo\u0146i. Vajadz\u0113ja turpin\u0101t, film\u0113j\u0101m, mekl\u0113j\u0101m, un tad nol\u0113mu\u00a0P\u0113ckara b\u0113rnus\u00a0sadal\u012bt portretos. T\u0101 tapa filma par m\u0101kslinieku Juri Jurj\u0101nu, tad par aktieri M\u0101rti\u0146u Vilsonu, kas ar\u012b ir Sib\u012brijas b\u0113rns, un tagad par Haraldu S\u012bmani. K\u0101 es jokojot st\u0101stu, v\u0113l paliku\u0161i vienpadsmit, bet nezinu, vai visas filmas var\u0113sim uztais\u012bt. Varb\u016bt ideja realiz\u0113sies pa t\u0101diem gabali\u0146iem, kad k\u0101das paaudzes likteni izst\u0101sta vair\u0101ki. Katram ir epizodes, ko zina tikai vi\u0146\u0161. Jau iepriek\u0161\u0113j\u0101s film\u0101s bijis t\u0101, ka liela da\u013ca safilm\u0113t\u0101 sasumm\u0113jas ilg\u0101k\u0101 period\u0101. Tie likte\u0146i ir \u013coti interesanti un at\u0161\u0137ir\u012bgi. Ir filmas, kur\u0101m safilm\u0113ts maz\u0101k, bet cit\u0101m varam izmantot tikai da\u013cu no dokument\u0113t\u0101, jo ir noteikts form\u0101ts.<\/p>\n

Kas izv\u0113l\u0113to varo\u0146u sarakst\u0101 nosaka priorit\u0101tes? Vai vi\u0146us labi pazin\u0101t?<\/p>\n

To man jaut\u0101 bie\u017ei. J\u0101dzied t\u0101 dziesma, ko zini. Padomju laik\u0101 tais\u012bj\u0101m noteiktas filmas, jo t\u0101s bija kinostudijas vai telev\u012bzijas pl\u0101n\u0101. Par k\u0101du virpot\u0101ju vai citas nozares soci\u0101listisk\u0101 darba varoni. Tagad t\u0101 ir autoru br\u012bva izv\u0113le. Nav t\u0101, ka man tiek atnests scen\u0101rijs, teiksim, par k\u0101du J\u0101ni B\u0113rzi\u0146u, lai taisu filmu. Pati esmu producente, mums ir studija, un pa\u0161i izv\u0113lamies. Par saviem filmu b\u0113rniem izv\u0113l\u0113jos \u013coti at\u0161\u0137ir\u012bgus cilv\u0113kus, kuriem ir kaut k\u0101da saite. Liel\u0101koties no rado\u0161\u0101s vides, kurus esmu iepazinusi jau jaun\u012bb\u0101. Varb\u016bt neg\u0101ju ar vi\u0146iem\u00a0tus\u0113t, bet vismaz sasveicin\u0101j\u0101mies, p\u0101ris v\u0101rdu par dz\u012bvi p\u0101rmij\u0101m.<\/p>\n

Kad str\u0101d\u0101ju R\u012bgas kinostudijas mont\u0101\u017e\u0101, bija jaunatnes rado\u0161\u0101s nometnes, un viena t\u0101da notika C\u0113s\u012bs. Tur pirmoreiz satikos ar Haraldu S\u012bmani. Vi\u0146\u0161 dzied\u0101ja, un, klausoties vi\u0146a unik\u0101laj\u0101 bals\u012b, var\u0113ja piln\u012bb\u0101 aizmirsties. Mana paaudze jaun\u012bb\u0101 vair\u0101k dz\u012bvoja sap\u0146os un neizteiktos v\u0101rdos, jo nedr\u012bkst\u0113j\u0101m teikt, ko dom\u0101jam. T\u0101 ir mana paaudze, man paz\u012bstama vide. Protams, mani interes\u0113 ar\u012b citu profesiju cilv\u0113ki \u2013 medi\u0137i, piem\u0113ram, Valdis Zatlers. Kad str\u0101d\u0101ju kinostudij\u0101, film\u0113j\u0101m Traumatolo\u0123ijas instit\u016btu, un t\u0101 ar\u012b to vidi nedaudz iepazinu.<\/p>\n

Par Haralda S\u012bma\u0146a filmu teikts, ka tas nav tikai neatk\u0101rtojamas balss \u012bpa\u0161nieka un sist\u0113m\u0101s neiek\u013caujamas person\u012bbas portrets \u2013 t\u0101 ir po\u0113tiska aizg\u0101ju\u0161\u0101 laikposma un br\u012bv\u012bbas alku retrospekcija.<\/p>\n

\"Valaa<\/p>\n

\"IntervViena no p\u0113d\u0113j\u0101m intervij\u0101m filmai\u00a0Haralds S\u012bmanis. Dziesminieks un jumi\u0137is.<\/p>\n

\"HaraldsUnik\u0101ls kadrs \u2013 dziesminieks Haralds S\u012bmanis ar \u0123it\u0101ru C\u0113su Sv. J\u0101\u0146a bazn\u012bcas torn\u012b 1977. gada decembr\u012b. (No Ingvara Lei\u0161a arh\u012bva.)<\/p>\n

\"Img<\/p>\n

\"ImgRe\u017eisore Dzintra Geka-Vaska (vid\u016b) ar Sib\u012brijas b\u0113rniem Uldi un Skaidr\u012bti Jumi\u0137iem Kuld\u012bgas kinote\u0101tr\u012b p\u0113c filmas\u00a0Haralds S\u012bmanis. Dziesminieks un jumi\u0137is\u00a0noskat\u012b\u0161an\u0101s.<\/p>\n

Daudzi teiku\u0161i, ka \u0161\u012b filma j\u0101skat\u0101s vair\u0101kas reizes. Ar\u012b Kuld\u012bgas kinoz\u0101l\u0113 dom\u0101ju, k\u0101p\u0113c t\u0101. Film\u0113j\u0101m divus gadus, un Haralds negaidot aizg\u0101ja m\u016b\u017e\u012bb\u0101, kad filma v\u0113l nebija samont\u0113ta. Vi\u0146\u0161 \u013coti daudz st\u0101st\u012bja ar\u012b par Kuld\u012bgu, bet visu jau par\u0101d\u012bt nevar. Viens no unik\u0101lajiem kadriem ir pie \u0113r\u0123el\u0113m Sv\u0113t\u0101s Annas bazn\u012bc\u0101 80. gadu beig\u0101s. Iesp\u0113jams, ka vi\u0146a pa\u0161a b\u016bt\u012bb\u0101 atspogu\u013cojas daudz vair\u0101k, nek\u0101 varam uzreiz aptvert. J\u0101, tas ir vesels laika posms m\u016bsu dz\u012bv\u0113, Latvijas v\u0113stur\u0113. Jauni cilv\u0113ki teiku\u0161i, ka grib\u0113tu taj\u0101 laik\u0101 pab\u016bt. Vi\u0146iem t\u0101 ir ilgo\u0161an\u0101s p\u0113c izj\u016btas, kad dari to, kas nav at\u013cauts, kaut t\u0101 ir tikai dziesma.<\/p>\n

Kad Haralds jau bija aizg\u0101jis, s\u0101ku mekl\u0113t iepriek\u0161\u0113jos gados amatieru safilm\u0113to. Imants Pulkstenis, Ingvars Leitis uztic\u0113ja unik\u0101lus kadrus no Vides aizsardz\u012bbas kluba pas\u0101kumiem, no bazn\u012bc\u0101m, tor\u0146u remonta. Tagad jau viss ir iesp\u0113jams, bet padomju gados bazn\u012bcas bija aizliegta t\u0113ma. T\u0101 bija liela uzdr\u012bkst\u0113\u0161an\u0101s: labot jumtu, tur dzied\u0101t. Reiz ar kinooperatoru Aivaru Lub\u0101nieti aizbrauc\u0101m uz Saulkrastu bazn\u012bcu, jo vienai filmai vajadz\u0113ja Ziemassv\u0113tku noska\u0146u kadrus. P\u0113c tam m\u016bs gandr\u012bz no darba atlaida.<\/p>\n

Teic\u0101t, ka j\u016bsu varo\u0146u dz\u012bvesst\u0101sti ir at\u0161\u0137ir\u012bgi. K\u0101 ar katru tr\u0101p\u012bt uz \u012bst\u0101 vi\u013c\u0146a?<\/p>\n

Reiz\u0113m smejoties sal\u012bdzinu: kad tu aud gobel\u0113nu, tev ir t\u0101das un t\u0101das dzijas, kr\u0101sas, materi\u0101li un iedvesma no t\u0101 br\u012b\u017ea. T\u0101pat veidojas portretfilma. Protams, katrs re\u017eisors to veido cit\u0101d\u0101k. Man ar laikabiedriem ir viegl\u0101k, jo varu k\u0101 dr\u0113bes uzvilkt mugur\u0101 un dz\u012bvot kop\u0101. M\u016bzi\u0137iem, gleznot\u0101jiem varb\u016bt ir cit\u0101di. Film\u0113\u0161an\u0101, ar\u012b mont\u0101\u017e\u0101 es dz\u012bvoju t\u0101du k\u0101 dubultu dz\u012bvi \u2013 ne tikai savu, bet ar\u012b iemiesojoties, iedz\u012bvojoties otr\u0101. Tad var gandr\u012bz fiziski tvert t\u0101 cilv\u0113ka gar\u012bgos vi\u013c\u0146us. K\u0101dreiz man ir teikts, ka var\u0113ja jau cit\u0101d\u0101k. Tad atbildu, ka par vienu cilv\u0113ku var uztais\u012bt kaut \u010detras piecas filmas un katra b\u016bs cit\u0101d\u0101ka. Katrs re\u017eisors film\u0101 ieliek ar\u012b kaut ko no sevis. K\u0101 jebkur\u0101 rado\u0161\u0101 darb\u0101: m\u016bzik\u0101, dej\u0101, gr\u0101mat\u0101. Tas varonis, portret\u0113jamais t\u0113ls, par kura gait\u0101m st\u0101sti, ir k\u0101 \u0101bola serde. Latviski \u0161is v\u0101rds neskan tik labi, bet serde ir vidusda\u013ca, ap kuru tu vij visu apk\u0101rt, l\u012bdz darbs san\u0101k. Garainis, kas veicina v\u0101r\u012b\u0161anos. Re\u017eisoram nevajag piek\u0101rt m\u0113li pie ekr\u0101na, bet j\u0101atz\u012bst, ka katr\u0101 film\u0101 ieliekam ar\u012b to, kas pa\u0161u izs\u0101p\u0113ts, p\u0101rdz\u012bvots.<\/p>\n

Vai turpin\u0101t dz\u012bvot l\u012bdzi t\u0101m film\u0101m, kas pasaul\u0113 jau palaistas?<\/p>\n

J\u0101. Kad filma gatava, braucu tikties ar skat\u012bt\u0101jiem kinote\u0101tros, kur to r\u0101da. Ar\u00a0Sib\u012brijas b\u0113rniem\u00a0brauk\u0101ju daudz.\u00a0Dieva putni\u0146us\u00a0grib\u0113ja redz\u0113t daudzviet Eirop\u0101, ar\u012b pa Turciju brauk\u0101j\u0101m. P\u0113k\u0161\u0146i bija pamodusies interese, ka ar\u012b Baltijas valstis ta\u010du smagi sk\u0101ris b\u0113g\u013cu jaut\u0101jums. Ir jau prieks, ka skat\u012bt\u0101js atzin\u012bgi nov\u0113rt\u0113 darbu, kur\u0101 tik daudz ieguld\u012bts gandr\u012bz nep\u0101rtraukt\u0101 re\u017e\u012bm\u0101. Un beig\u0101s uz ekr\u0101na ir tikai stunda un 40 min\u016btes. Bet, ja, tiekoties ar skat\u012bt\u0101jiem, j\u016btu, ka ir tr\u0101p\u012bts, ka notiek vi\u013c\u0146o\u0161an\u0101s, tad saprotu, ka bijis t\u0101 v\u0113rts. Tad es vairs neskumstu, ka man nedod naudu, lai film\u0113tu\u00a0P\u0113ckara b\u0113rnus, un sadalu portretu film\u0101s. Cilv\u0113kiem ir interese par personiskiem st\u0101stiem, un tas pamudina mekl\u0113t iesp\u0113jas.<\/p>\n

Haraldu s\u0101k\u0101m film\u0113t \u012bsi pirms kovida. Pand\u0113mijas laik\u0101 nevar\u0113j\u0101m k\u0101 parasti, kad operators dz\u012bvo l\u012bdz\u0101s t\u0101, ka cilv\u0113ks vi\u0146u pat nemana. Bij\u0101m safilm\u0113ju\u0161i \u013coti garas epizodes, lai Haraldu par\u0101d\u012btu p\u0113c iesp\u0113jas vair\u0101k, bet 2022. gada decembr\u012b vi\u0146\u0161 p\u0113k\u0161\u0146i aizg\u0101ja. Tas bija s\u0101p\u012bgs br\u012bdis. Ne vienm\u0113r tas, kas iecer\u0113ts, tie\u0161i t\u0101 non\u0101k rezult\u0101t\u0101. Nol\u0113m\u0101m, ka pavasar\u012b tom\u0113r j\u0101turpina, jo paliek dz\u012bvesbiedre Gita, kurai j\u0101dz\u012bvo t\u0101l\u0101k. T\u0101pat M\u0101ris (aktiera Gundara \u0100boli\u0146a br\u0101lis \u2013 aut.), ko nedziedin\u0101mas slim\u012bbas laik\u0101 vi\u0146a apr\u016bp\u0113ja. P\u0113d\u0113joreiz Haraldu film\u0113j\u0101m koncert\u0101\u00a0Zieme\u013cbl\u0101zm\u0101\u00a0(kult\u016bras pil\u012b \u2013 red.). august\u0101 vai septembr\u012b. Vi\u0146am bija gr\u016bti uzk\u0101pt uz skatuves, tom\u0113r vi\u0146\u0161 l\u012bdz p\u0113d\u0113jam kalpoja savai misijai. T\u0101 ir dz\u012bves j\u0113ga, ko vajag nov\u0113l\u0113t jaunajai paaudzei: m\u012bl\u0113t to, ko dar\u0101t. S\u0101kum\u0101 Gitas kl\u0101tb\u016btne film\u0101 tik daudz nebija iecer\u0113ta. Haralds kalpoja tautai, Gita bija vienlaikus sieva, m\u012b\u013c\u0101k\u0101, kalpone, k\u0101 pati k\u0101d\u0101 epizod\u0113 saka. Tad tie kadri, k\u0101 M\u0101ris rati\u0146kr\u0113sl\u0101 aizsl\u012bd\u2026 Ar\u012b dokument\u0101l\u0101 filma ir dz\u012bvs organisms \u2013 tai ir savs liktenis.<\/p>\n

Vai laikmeta filmas da\u017e\u0101das paaudzes uztver at\u0161\u0137ir\u012bgi?<\/p>\n

Vec\u0101k\u0101 paaudze uztver j\u016bt\u012bg\u0101k, bet Haralda filma kaut k\u0101 aizg\u0101ja tie\u0161i jaunajiem. Kad Jaun\u0101 R\u012bgas te\u0101tra aktieris Gerds Lapo\u0161ka uztais\u012bja muzik\u0101lu izr\u0101di ar Frederiko Garsijas Lorkas dzeju un Haralda m\u016bziku, visas izr\u0101des\u00a0Hanzas peron\u0101\u00a0bija izpirktas. Atceros, ka Gerds st\u0101st\u012bja, cik \u013coti vi\u0146u uzrun\u0101jusi Haralda m\u016bzika, ar\u012b filma aizkustin\u0101jusi. Un t\u0101 vi\u0146i \u2013 neko daudz nedom\u0101jot, ar\u012b bez naudas, bez nek\u0101 \u2013 nol\u0113ma uztais\u012bt izr\u0101di.<\/p>\n

M\u0113dz teikt, ka m\u0101kslas darbos ir kaut k\u0101ds kods. M\u0113s daudz rad\u0101m intuit\u012bvi, un izdodas kas t\u0101ds, kas cilv\u0113kus \u013coti ievelk, bet vi\u0146i nezina, k\u0101p\u0113c. Visi grib redz\u0113t\u00a0Monu Lizu\u00a0(Leonardo da Vin\u010di gleznu \u2013 red.). M\u0113s ar v\u012bru P\u0113teri (komponistu P\u0113teri Vasku \u2013 red.) sasm\u0113j\u0101mies, ka j\u0101brauc ar\u012b mums skat\u012bties. Aizbrauc\u0101m uz Par\u012bzi, aizg\u0101j\u0101m uz Luvras muzeju. Kad gleznu ieraudz\u012bju, tad sapratu. T\u0101 ir dz\u012bva. Kad skaties, j\u016bti neizprotamu ener\u0123ijas apmai\u0146u. Nem\u0101ku par to gudri filozof\u0113t. Bet ar\u012b film\u0101s, tas ir, jom\u0101, ko p\u0101rzinu lab\u0101k, reiz\u0113m ir laikmeta kods, kas neizskaidrojami aiziet t\u0101l\u0101k. T\u0101s ir filmas par aizejo\u0161\u0101m paaudz\u0113m. T\u0101da k\u0101 nostal\u0123ija uzrodas. Skatoties ar\u012b man pa\u0161ai beig\u0101s gribas filmu aptur\u0113t \u2013 negribu no vi\u0146iem \u0161\u0137irties, gribas v\u0113l br\u012bdi pab\u016bt kop\u0101.<\/p>\n

K\u0101 tiek nov\u0113rt\u0113ts dokument\u0101lais aspekts, jo filma ir ac\u012bmredzama laikmeta liec\u012bba, kas pal\u012bdz v\u0113sturi ne tikai izzin\u0101t, bet ar\u012b lab\u0101k izprast?<\/p>\n

Kad tais\u012bju Sib\u012brijas filmas, da\u017es kol\u0113\u0123is aizr\u0101d\u012bja, ko es velti t\u0113r\u0113ju ener\u0123iju, jo tas laiks sen aizg\u0101jis. Teicu: j\u0101, \u0161odien t\u0101s filmas varb\u016bt nav vajadz\u012bgas, bet n\u0101kotn\u0113 gan. Nezinu, k\u0101p\u0113c t\u0101 teicu, jo tad v\u0113l nebija ne jausmas par karu Ukrain\u0101. Man lik\u0101s \u013coti svar\u012bgi iem\u016b\u017ein\u0101t to, ko v\u0113l var\u0113ja, run\u0101t par to laiku un to paaudzi. Liela da\u013ca cilv\u0113ku jau ir aiz m\u0101ko\u0146iem \u2013 m\u0113s te vi\u0146us sastapt nevaram. Bet film\u0101 vi\u0146i un vi\u0146u st\u0101sts ir un b\u016bs dz\u012bvs. Paskatoties \u0161\u012bs filmas tagad, p\u0101rsteidz, ka t\u0101s tom\u0113r ir tik laikmet\u012bgas. Redzot tos cilv\u0113kus, atkal p\u0101r\u0146em emocijas. V\u0113l jau vi\u0146i dz\u012bvo paaud\u017eu atmi\u0146\u0101, bet iedarb\u012bg\u0101k ir dokument\u0113t.<\/p>\n

Visas intervijas nav iesp\u0113jams ielikt film\u0101, t\u0101p\u0113c j\u0101raksta gr\u0101mat\u0101s. Taisu nevis liter\u0101rus st\u0101stus, bet tie\u0161i t\u0101, k\u0101 cilv\u0113ki atceras, nem\u0113\u0123inot kaut ko iz\u0146emt, izskaistin\u0101t. Jo t\u0101 ir v\u0113sture. M\u0113s ar\u012b daudz brauk\u0101jam pa skol\u0101m. Un vai zin\u0101t \u2013 b\u0113rniem acis un mute va\u013c\u0101, \u0161os st\u0101stus klausoties.<\/p>\n

Daina T\u0101felberga Dzintras Gekas-Vaskas, Kaspara Jumi\u0137a arh\u012bva un autores foto\n <\/p>\n","protected":false},"excerpt":{"rendered":"Septembra beig\u0101s kuld\u012bdzniekiem v\u0113lreiz bija iesp\u0113ja kinote\u0101tr\u012b noskat\u012bties Dzintras Gekas-Vaskas jaun\u0101ko dokument\u0101lo filmu\u00a0Haralds S\u012bmanis. Dziesminieks un jumi\u0137is. Uz…\n","protected":false},"author":2,"featured_media":21458,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6839,2456,6840,6841,89,3046,237,90,1226,828,64,5145,35,39,38,36,37,34,100,160,40],"class_list":{"0":"post-21457","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-daina-tafelberga","9":"tag-dokumentala-filma","10":"tag-dziesminieks-un-jumikis","11":"tag-dzintra-geka-vaska","12":"tag-entertainment","13":"tag-haralds-simanis","14":"tag-intervija","15":"tag-izklaide","16":"tag-kino","17":"tag-kuldiga","18":"tag-kultura","19":"tag-kurzemnieks","20":"tag-latvia","21":"tag-latvian","22":"tag-latviesu","23":"tag-latviesu-valoda","24":"tag-latviesuvaloda","25":"tag-latvija","26":"tag-latvijas-kino","27":"tag-latvijas-kultura","28":"tag-lv"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/21457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=21457"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/21457\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/21458"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=21457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=21457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=21457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}