Latvijas un Ukrainas ansamblis \u00ab\u00c6ldmusic\u00bb aicina uz baroka m\u016bzikas sv\u0113tkiem<\/p>\n
Sen\u0101s m\u016bzikas ansamblis “\u00c6ldmusic”, kas apvieno talant\u012bgus m\u016bzi\u0137us no Latvijas un Ukrainas, 13. oktobr\u012b Mazaj\u0101 \u0123ild\u0113 aicina klaus\u012bt\u0101jus uz aizraujo\u0161u koncertu “Baroks IV”. \u0160is pas\u0101kums ir ne tikai muzik\u0101la baud\u012bjuma pilna vakara garantija, bet ar\u012b apliecin\u0101jums dzi\u013cajai kult\u016bras saiknei starp ab\u0101m valst\u012bm. Koncerts pied\u0101v\u0101 iesp\u0113ju piedz\u012bvot baroka laikmeta m\u016bziku k\u0101 vienotu, bet daudzbals\u012bgu kult\u016bras fenomenu, atkl\u0101jot gan paz\u012bstamu, gan maz\u0101k izpild\u012btu ska\u0146darbu nianses un v\u0113sturiskos kontekstus.<\/p>\n
Baroka kr\u0101\u0161\u0146ums un emocion\u0101l\u0101 dzi\u013cums<\/p>\n
Baroka laikmets, kas plaukst 17. un 18. gadsimt\u0101, tiek raksturots ar monumentalit\u0101ti, dekorativit\u0101ti, dramatisko pat\u0113tiku un spraigu dinamiku. \u0160aj\u0101 laik\u0101 rad\u0101s un att\u012bst\u012bj\u0101s t\u0101di noz\u012bm\u012bgi m\u016bzikas \u017eanri k\u0101 opera, kant\u0101te, oratorija, koncerts un sv\u012bta. Koncert\u0101 “Baroks IV” ansamblis “\u00c6ldmusic” klaus\u012bt\u0101jus ved\u012bs muzik\u0101l\u0101 ce\u013cojum\u0101 pa 17. gadsimta Eiropas gar\u012bgo ainavu, iek\u013caujot programmiski \u010detru krist\u012bgo konfesiju \u2013 protestantu, kato\u013cu, pareiztic\u012bgo un anglik\u0101\u0146u \u2013 komponistu darbus.<\/p>\n
\u0160\u012b pieeja \u013cauj izcelt baroka m\u016bzikas daudzveid\u012bbu un t\u0101s sp\u0113ju atspogu\u013cot da\u017e\u0101das gar\u012bg\u0101s un kult\u016bras trad\u012bcijas. Programma demonstr\u0113, k\u0101 baroka stils, tematikas un skan\u0113jums veidoj\u0101s da\u017e\u0101dos re\u0123ionos un konfesij\u0101s, pied\u0101v\u0101jot klaus\u012bt\u0101jiem bag\u0101t\u012bgu kr\u0101su un emociju gammu. Interesanti, ka baroka m\u016bzika tiek raksturota ar sp\u0113ju uzrun\u0101t klaus\u012bt\u0101ju \u013coti tie\u0161i, jo komponisti bie\u017ei vien iedeva tikai “skeletu” m\u016bzikai, atst\u0101jot izpild\u012bt\u0101jiem br\u012bv\u012bbu savai interpret\u0101cijai, ornamentiem un afektiem. \u0160\u012b br\u012bv\u012bba un interpret\u0101cijas iesp\u0113ja padara katru uzst\u0101\u0161anos unik\u0101lu un aizraujo\u0161u.<\/p>\n
M\u016bzi\u0137i no Latvijas un Ukrainas: kop\u012bgs aicin\u0101jums<\/p>\n
Ansambl\u012b “\u00c6ldmusic” apvienoju\u0161ies m\u016bzi\u0137i no Latvijas un Ukrainas, kurus vieno dzi\u013ca m\u012blest\u012bba pret baroka m\u016bziku un v\u0113lme dal\u012bties t\u0101s skaistum\u0101 ar pla\u0161\u0101ku auditoriju. \u0160is rado\u0161ais kopdarbs ir ne tikai muzik\u0101ls projekts, bet ar\u012b simbolisks tilts starp kult\u016br\u0101m, apliecinot kop\u012bgo v\u0113rt\u012bbu un m\u0101kslas sp\u0113ju vienot cilv\u0113kus, \u012bpa\u0161i gr\u016btos laikos.<\/p>\n
Ansamb\u013ca sast\u0101v\u0101 ir Serhijs Zadoro\u017enijs (m\u0101kslinieciskais vad\u012bt\u0101js, diri\u0123ents, tenors), Nat\u0101lija Behma (sopr\u0101ns), Oksana \u0145ikitjuka (mecosopr\u0101ns), Ansis B\u0113ti\u0146\u0161 (baritons) un klaves\u012bniste Gertruda Jerjomenko. Katrs no vi\u0146iem ir ne tikai prasm\u012bgs m\u016bzi\u0137is, bet ar\u012b sava instrumenta vai balss \u012bpa\u0161nieks, kas sp\u0113j atkl\u0101t baroka m\u016bzikas sare\u017e\u0123\u012bt\u0101s harmonijas un dzi\u013c\u0101s emocijas. Ansis B\u0113ti\u0146\u0161, piem\u0113ram, ir ne tikai m\u016bzi\u0137is, bet ar\u012b pasniedz\u0113js R\u012bgas Doma kora skol\u0101, kur\u0101 vada operdzied\u0101\u0161anu.<\/p>\n
Pirm\u0101 “\u00c6ldmusic” uzst\u0101\u0161an\u0101s notika R\u012bgas Sv. Marijas Magdal\u0113nas bazn\u012bc\u0101 ar labdar\u012bbas m\u0113r\u0137i, lai sav\u0101ktu l\u012bdzek\u013cus slimn\u012bcas atbalstam Herson\u0101, Ukrain\u0101. Tas uzsver ansamb\u013ca misiju \u2013 ne tikai rad\u012bt skaistu m\u016bziku, bet ar\u012b sniegt atbalstu un stiprin\u0101t kult\u016bras saiknes. \u0160is pirmais koncerts aizs\u0101ka virkni veiksm\u012bgu uzst\u0101\u0161anos, tostarp koncertu Latvijas Radio 1. studij\u0101, kas tika p\u0101rraid\u012bts ar\u012b cit\u0101s Eiropas valst\u012bs un pat ASV.<\/p>\n
Noz\u012bm\u012bg\u0101kie baroka komponisti un vi\u0146u mantojums<\/p>\n
Koncerta programm\u0101 iek\u013cauti darbi no t\u0101diem iev\u0113rojamiem baroka laikmeta komponistiem k\u0101 Heinrihs \u0160ics, Mika\u0113ls Pretorijs, D\u017eovanni Roveta, G\u017eego\u017es Gervazijs Gor\u010dickis, Mikols Dileckis, Henrijs P\u0113rsels un Orlando Gibons. Heinrihs \u0160ics (1585\u20131672) tiek uzskat\u012bts par v\u0101cu m\u016bzikas novatoru, pirmo v\u0101cu operu un oratoriju komponistu, kura darbos j\u016btama dzi\u013ca cilv\u0113cisk\u0101 emociju izpausme. Henrijs P\u0113rsels (1658\u20131695) ir ang\u013cu baroka m\u016bzikas di\u017e\u0101kais p\u0101rst\u0101vis, kur\u0161 prasm\u012bgi apvienoja it\u0101\u013cu un fran\u010du operu sasniegumus ar savu unik\u0101lo talantu.<\/p>\n
Baroka laikmeta m\u016bzika visp\u0101r ir bag\u0101ta ar da\u017e\u0101diem \u017eanriem un izteiksmes l\u012bdzek\u013ciem. T\u0101s rakstur\u012bg\u0101k\u0101s iez\u012bmes ir grandiozit\u0101te, monumentalit\u0101te un grezn\u012bba, kas atspogu\u013cojas gan arhitekt\u016br\u0101, gan glezniec\u012bb\u0101, gan m\u016bzik\u0101. “Baroka m\u016bzika ar savu harmoniju ir viegl\u0101k uztverama nek\u0101 v\u0113l\u0101ku gadsimtu m\u016bzika,” atz\u012bst viens no ansamb\u013ca dal\u012bbniekiem.<\/p>\n
Kult\u016bras dialogs un “Baroks IV”<\/p>\n
Koncerta nosaukums “Baroks IV” simboliz\u0113 ce\u013cojumu pa 17. gadsimta Eiropu un t\u0101s gar\u012bgo mantojumu. Tas ir aicin\u0101jums izbaud\u012bt da\u017e\u0101du kult\u016bru un konfesiju muzik\u0101l\u0101s trad\u012bcijas, atkl\u0101jot, cik daudzveid\u012bga un bag\u0101ta ir bijusi baroka laikmeta m\u016bzika. \u0160\u0101ds starpkult\u016bru dialogs m\u016bzikas lauk\u0101 ir \u012bpa\u0161i v\u0113rt\u012bgs, jo \u012bpa\u0161i laik\u0101, kad kult\u016bras apmai\u0146a un savstarp\u0113j\u0101 sapratne ir svar\u012bg\u0101ka nek\u0101 jebkad agr\u0101k.<\/p>\n
Ansamb\u013ca “\u00c6ldmusic” uzst\u0101\u0161an\u0101s Mazaj\u0101 \u0123ild\u0113 ir ne tikai muzik\u0101ls notikums, bet ar\u012b apliecin\u0101jums kult\u016bras notur\u012bbai un sp\u0113kam. Tas ir aicin\u0101jums iepaz\u012bt baroka laikmeta skaistumu caur Latvijas un Ukrainas m\u016bzi\u0137u prizmu, baudot vizu\u0101lo un emocion\u0101lo baud\u012bjumu, ko sniedz \u0161\u012b laikmeta varen\u0101 m\u016bzika.<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas un Ukrainas ansamblis \u00ab\u00c6ldmusic\u00bb aicina uz baroka m\u016bzikas sv\u0113tkiem Sen\u0101s m\u016bzikas ansamblis “\u00c6ldmusic”, kas apvieno talant\u012bgus m\u016bzi\u0137us…\n","protected":false},"author":2,"featured_media":21671,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6883,896,89,90,202,35,39,38,36,37,34,40],"class_list":{"0":"post-21670","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-aeldmusic","9":"tag-baroka-muzika","10":"tag-entertainment","11":"tag-izklaide","12":"tag-koncerts","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/21670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=21670"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/21670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/21671"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=21670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=21670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=21670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}