Jauniestud\u0113juma “Boh\u0113ma” aizraujo\u0161\u0101s kost\u012bmu idejas<\/p>\n
Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101 (LNOB) 4. j\u016bnij\u0101 notikus\u012b D\u017eakomo Pu\u010d\u012bni operas “Boh\u0113ma” jauniestud\u0113juma pirmizr\u0101de ir ne tikai muzik\u0101ls un dramatisks notikums, bet ar\u012b vizu\u0101li iespaid\u012bga izr\u0101de, kas aizrauj ar sav\u0101m unik\u0101laj\u0101m kost\u012bmu idej\u0101m. K\u0101 inform\u0113 port\u0101ls jauns.lv, par \u0161o vizu\u0101lo pusi r\u016bp\u0113jies modes dizainers Fjodors Podgornijs, kur\u0161 LNOB debit\u0113 kost\u012bmu m\u0101kslinieka lom\u0101. Vi\u0146a rad\u012btie t\u0113rpi, kas ietver iz\u0161uvumus cilv\u0113ka plau\u0161u form\u0101, m\u0113teli ar rentgena un ultrasonogr\u0101fijas att\u0113liem, k\u0101 ar\u012b sv\u0101rkus no izplet\u0146u z\u012bda, kas sp\u0113j “elpot”, pie\u0161\u0137ir jaunajam iestud\u0113jumam negaid\u012btu dzi\u013cumu un saikni ar medic\u012bnas pasauli, vienlaikus saglab\u0101jot operas klasisko b\u016bt\u012bbu.<\/p>\n
Podgornijs, kur\u0161 pla\u0161\u0101k paz\u012bstams k\u0101 modes dizaineru dueta “Fyodor Golan” dal\u012bbnieks, ar saviem darbiem iepriek\u0161 ir veidojis t\u0113rpus t\u0101d\u0101m pasaules zvaigzn\u0113m k\u0101 Madonna, Riana, D\u017eenifera Lopesa un Ariana Grande. Vi\u0146a pieeja kost\u012bmu dizainam oper\u0101 “Boh\u0113ma” ir ne tikai est\u0113tiski baud\u0101ma, bet ar\u012b dzi\u013ci konceptu\u0101la. K\u0101 pats m\u0101kslinieks atkl\u0101j, vi\u0146u interes\u0113 “kust\u012bba gan laik\u0101, gan t\u0113rp\u0101 \u2013 k\u0101 tas elpo un main\u0101s” . \u0160\u012b interese ir rad\u012bjusi t\u0113rpus, kas ne vien atspogu\u013co 19. gadsimta boh\u0113mas garu, bet ar\u012b ietver m\u016bsdienu tehnolo\u0123iju un medic\u012bnas est\u0113tiku.<\/p>\n
Fjodora Podgornija un re\u017eisores LAURAS rado\u0161\u0101 sadarb\u012bba<\/p>\n
Re\u017eisore LAURA, veidojot “Boh\u0113mas” jauniestud\u0113jumu, sadarbojusies ar starptautiski atz\u012btu rado\u0161o komandu, kur\u0101 ietilpst fran\u010du scenogr\u0101fs, video un gaismu m\u0101kslinieks Fabj\u0113ns Led\u0113, k\u0101 ar\u012b Podgornijs un horeogr\u0101fe Elza Leimane. LAURA uzsver, ka v\u0113las rad\u012bt “skaistuma p\u0101rs\u0101tin\u0101t\u012bbu uz skatuves”, kas nevis apsl\u0101p\u0113, bet gan izce\u013c dz\u012bves v\u0113rt\u012bbu un tra\u0123ismu . \u0160\u012b filozofija atspogu\u013cojas gan scenogr\u0101fij\u0101, gan kost\u012bmos, radot unik\u0101lu skatuves valodu. Operas “Boh\u0113ma” pirmizr\u0101de, kas notika R\u012bgas Operas festiv\u0101la ietvaros, ir tre\u0161\u0101 \u0161\u012b gada sezona, kur\u0101 LNOB atkal skat\u0101ma \u0161\u012b Pu\u010d\u012bni popul\u0101r\u0101 opera, pirms tam t\u0101 tika iestud\u0113ta 2025.\/2026. gada sezon\u0101 un pirms tam .<\/p>\n
Podgornija dizains bie\u017ei vien balst\u0101s uz kontrastiem un neordin\u0101r\u0101m idej\u0101m. Piem\u0113ram, vi\u0146\u0161 izmanto vestes ar klip\u0161iem, lai rad\u012btu “\u017e\u0146aug\u0161anas saj\u016btu”, un para\u0161\u016bta auduma sv\u0101rkus, lai rad\u012btu “elpo\u0161anas efektu” . \u0160ie elementi, lai ar\u012b neparasti, pie\u0161\u0137ir t\u0113rpiem papildu dimensiju un savieno tos ar operas st\u0101sta eksistenci\u0101lajiem tematiem \u2013 jaun\u012bbas maigumu, nepiepild\u012btiem sap\u0146iem un m\u012blest\u012bbu. Pati opera “Boh\u0113ma” ir viens no D\u017eakomo Pu\u010d\u012bni visvair\u0101k iem\u012b\u013cotajiem darbiem, pirmoreiz uzvesta Tur\u012bn\u0101 1896. gad\u0101, un kop\u0161 t\u0101 laika t\u0101 ir viena no visbie\u017e\u0101k iestud\u0113taj\u0101m oper\u0101m pasaul\u0113 .<\/p>\n
“Boh\u0113ma” \u2013 m\u016b\u017e\u012bg\u0101 opera un t\u0101s medic\u012bnisk\u0101s metaforas<\/p>\n
Interesanti, ka Podgornija kost\u012bmos saskat\u0101mas ar\u012b atsauces uz medic\u012bnas att\u0113liem, piem\u0113ram, cilv\u0113ka plau\u0161\u0101m un rentgena uz\u0146\u0113mumiem. \u0160is elements nevar\u0113tu b\u016bt glu\u017ei nejau\u0161s, \u0146emot v\u0113r\u0101, ka operas galven\u0101s varones Mim\u012b liktenis cie\u0161i saist\u012bts ar slim\u012bbu. Ar\u012b pati modes dizaina pasaule, kur\u0101 Podgornijs joproj\u0101m ir akt\u012bvs, bie\u017ei vien pieskaras t\u0113m\u0101m, kas saist\u012btas ar \u0137ermeni un t\u0101 vesel\u012bbu. Vi\u0146a iepriek\u0161\u0113jie darbi, piem\u0113ram, “Fyodor Golan” kolekcijas, ir piev\u0113rsu\u0161\u0101s t\u0101d\u0101m t\u0113m\u0101m k\u0101 klimata kr\u012bze un iek\u0161\u0113j\u0101s harmonijas mekl\u0113jumi . \u0160is daudzsl\u0101\u0146ainais pieg\u0101jiens \u013cauj opera “Boh\u0113ma” ieg\u016bt jaunas, m\u016bsdien\u012bgas interpret\u0101cijas.<\/p>\n
Re\u017eisore LAURA ir uzsv\u0113rusi, ka vi\u0146as iestud\u0113jum\u0101 “Boh\u0113ma” noz\u012bm\u0113 “dz\u012bves svin\u0113\u0161anu un alkas p\u0113c t\u0101s” . \u0160\u012b ideja ir spilgti atspogu\u013cota ar\u012b kost\u012bmos, kas, neskatoties uz iesp\u0113jam\u0101m medic\u012bniskaj\u0101m metafor\u0101m, pau\u017e dz\u012bvesprieku un cilv\u0113c\u012bgo siltumu. “Lai gan Mim\u012b ir nabadz\u012bga \u0161uv\u0113ja, m\u0113s izr\u0101d\u0113 nesp\u0113l\u0113jam nabadz\u012bbu, aukstumu, bet gan cilv\u0113ciskuma un t\u0101das vides tr\u016bkumu, kur cilv\u0113ki var b\u016bt rado\u0161i un br\u012bvi,” skaidroja LAURA . \u0160is akcents uz dz\u012bves svin\u0113\u0161anu, nevis tikai uz tra\u0123\u0113diju, padara iestud\u0113jumu par \u012bpa\u0161i aizraujo\u0161u pieredzi skat\u012bt\u0101jiem.<\/p>\n
Fjodora Podgornija karjera un rado\u0161ais ce\u013c\u0161<\/p>\n
Fjodora Podgornija ce\u013c\u0161 modes pasaul\u0113 ir bijis iespaid\u012bgs. P\u0113c modes dizaina studij\u0101m R\u012bgas Dizaina un m\u0101kslas vidusskol\u0101, vi\u0146\u0161 2010. gad\u0101 London\u0101 kop\u0101 ar partneri nodibin\u0101ja modes z\u012bmolu “Fyodor Golan”, kas \u0101tri guva starptautisku atzin\u012bbu . Z\u012bmols bija paz\u012bstams ar sav\u0101m drosm\u012bgaj\u0101m un novatoriskaj\u0101m kolekcij\u0101m, kas bie\u017ei vien ietv\u0113ra politiskus un soci\u0101lus v\u0113st\u012bjumus. 2012. gad\u0101 “Fyodor Golan” sa\u0146\u0113ma presti\u017eo “Fashion Fringe” balvu, ko pasniedza t\u0101di modes industrijas grandi k\u0101 Rolands Morets, Kolins Makdauels un Klaudija \u0160\u012bfere .<\/p>\n
P\u0113c “Fyodor Golan” darb\u012bbas beig\u0101m Podgornijs piev\u0113rsies priv\u0101tiem projektiem un rado\u0161iem mekl\u0113jumiem, pl\u0101nojot ar\u012b jauna z\u012bmola izveidi . Vi\u0146a darbi, tostarp ar\u012b kost\u012bmi “Boh\u0113mai”, liecina par sp\u0113ju apvienot da\u017e\u0101das m\u0101kslas formas un idejas. Interesanti, ka Podgornijs b\u0113rn\u012bb\u0101 z\u012bm\u0113jis ar neona kr\u0101sas flom\u0101steriem, un \u0161\u012b kr\u0101sa joproj\u0101m ir viena no vi\u0146a m\u012b\u013c\u0101kaj\u0101m, kas ar\u012b atspogu\u013cojas vi\u0146a dizain\u0101 . Vi\u0146a person\u012bgo st\u0101stu par m\u0101kslas noz\u012bmi dz\u012bv\u0113, ko stipri ietekm\u0113jis agr\u012bns m\u0101tes zaud\u0113jums, piepild\u012bjis vi\u0146a sapni par sasniegumiem modes pasaul\u0113 .<\/p>\n
“Boh\u0113ma” R\u012bgas Operas festiv\u0101l\u0101 un turpm\u0101k\u0101s izr\u0101des<\/p>\n
Jauniestud\u0113jums “Boh\u0113ma” ir viens no centr\u0101lajiem notikumiem \u0161\u012bgada R\u012bgas Operas festiv\u0101l\u0101, kas ilgs l\u012bdz 20. j\u016bnijam . Operas pirmizr\u0101de 4. j\u016bnij\u0101 izpeln\u012bjusies pla\u0161u publikas un kriti\u0137u uzman\u012bbu. P\u0113c pirmizr\u0101des, izr\u0101de skat\u0101ma ar\u012b 5. un 17. j\u016bnij\u0101, bet turpm\u0101k\u0101s izr\u0101des pl\u0101notas jau 21. un 22. oktobr\u012b . Iestud\u0113jum\u0101 piedal\u0101s Latvijas Nacion\u0101l\u0101s operas koris un or\u0137estris, Latvijas Nacion\u0101l\u0101 baleta dejot\u0101ji un R\u012bgas Doma z\u0113nu koris . Galven\u0101s lomas atveido Latvijas Nacion\u0101l\u0101s operas un baleta solisti, tostarp Inga \u0160\u013cubovska-Kanc\u0113vi\u010da vai Inna Klo\u010dko Mim\u012b lom\u0101, un Dmitro Popovs R\u016bdolfa lom\u0101 .<\/p>\n
\u0160is “Boh\u0113mas” iestud\u0113jums ir LNOB sestais \u0161\u012bs operas iestud\u0113jums, apliecinot t\u0101s nemain\u012bgo popularit\u0101ti un noz\u012bmi operm\u016bzikas pasaul\u0113 . Katrs iestud\u0113jums pied\u0101v\u0101 jaunu skat\u012bjumu uz Pu\u010d\u012bni m\u016b\u017eza\u013co st\u0101stu par jaun\u012bbu, m\u012blest\u012bbu un m\u0101kslu. Fjodora Podgornija rad\u012btie kost\u012bmi ir noz\u012bm\u012bgs elements, kas pie\u0161\u0137ir \u0161im iestud\u0113jumam m\u016bsdien\u012bgu un p\u0101rdomu rosino\u0161u dimensiju, apliecinot modes un operas veiksm\u012bgu siner\u0123iju.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauniestud\u0113juma “Boh\u0113ma” aizraujo\u0161\u0101s kost\u012bmu idejas Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101 (LNOB) 4. j\u016bnij\u0101 notikus\u012b D\u017eakomo Pu\u010d\u012bni operas “Boh\u0113ma”…\n","protected":false},"author":2,"featured_media":222073,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[36761,10009,89,37653,90,38619,35,39,38,36,37,34,2950,40],"class_list":["post-222072","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-bohema","tag-dzakomo-pucini","tag-entertainment","tag-fjodors-podgornijs","tag-izklaide","tag-kostimu-dizains","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-latvijas-nacionala-opera","tag-lv"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116718985945837035","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/222072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=222072"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/222072\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/222073"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=222072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=222072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=222072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}