M\u0101kslas pasauli satricina Deivida Hoknija aizie\u0161ana<\/p>\n
Pasaulslavenais britu gleznot\u0101js un grafi\u0137is Deivids Hoknijs, viens no 20. un 21. gadsimta noz\u012bm\u012bg\u0101kajiem un ietekm\u012bg\u0101kajiem m\u0101ksliniekiem, 88 gadu vecum\u0101 ir miris. Vi\u0146a p\u0101rst\u0101ve apstiprin\u0101jusi, ka m\u0101kslinieks 11. j\u016bnij\u0101 mier\u012bgi aizg\u0101jis m\u016b\u017e\u012bb\u0101 sav\u0101s m\u0101j\u0101s London\u0101, nepilnu m\u0113nesi pirms savas 89. dzim\u0161anas dienas. Hoknija rado\u0161ais skat\u012bjums un neizs\u012bksto\u0161\u0101 zin\u0101tk\u0101re atst\u0101ju\u0161as dzi\u013cas p\u0113das laikmet\u012bgaj\u0101 m\u0101ksl\u0101.<\/p>\n
\u0122imenes pazi\u0146ojum\u0101 teikts, ka Deivida Hoknija m\u016b\u017e\u012bgais mantojums atspogu\u013co vi\u0146a dz\u012bvesprieku, izcilo humora izj\u016btu, d\u0101snumu un neizs\u012bksto\u0161o zi\u0146k\u0101ri, ko raksturoja vi\u0146a iecien\u012bt\u0101 fr\u0101ze “Love Life”.<\/p>\n
Britu pop\u0101rta ikona un novators<\/p>\n
Deivids Hoknijs dzimis 1937. gada 9. j\u016blij\u0101 Bredford\u0101. Vi\u0146\u0161 k\u013cuva par vienu no spilgt\u0101kajiem britu pop\u0101rta p\u0101rst\u0101vjiem. P\u0113c studij\u0101m Bredfordas M\u0101kslas skol\u0101 un Londonas Karaliskaj\u0101 m\u0101kslas koled\u017e\u0101, kuru absolv\u0113ja ar zelta meda\u013cu, Hoknijs dr\u012bz vien k\u013cuva par vienas no jaun\u0101s britu m\u0101kslinieku paaudzes l\u012bderiem. Vi\u0146a karjera sniedz\u0101s p\u0101ri septi\u0146\u0101m desmitgad\u0113m, kuru laik\u0101 vi\u0146\u0161 nep\u0101rtraukti eksperiment\u0113ja ar jaun\u0101m izteiksmes form\u0101m.<\/p>\n
Pasaules slavu Hoknijam atnesa t\u0101di darbi k\u0101 “A Bigger Splash”, “The Splash” un “Portrait of an Artist (Pool with Two Figures)”. \u012apa\u0161u vietu vi\u0146a dai\u013crad\u0113 ie\u0146\u0113ma Kalifornijas dz\u012bvesstila un peldbaseinu ainas, kas tapu\u0161as p\u0113c vi\u0146a p\u0101rcel\u0161an\u0101s uz Losand\u017eelosu. Vi\u0146\u0161 darboj\u0101s glezniec\u012bb\u0101, grafik\u0101, fotogr\u0101fij\u0101, scenogr\u0101fij\u0101 un vitr\u0101\u017eu m\u0101ksl\u0101.<\/p>\n
Digit\u0101l\u0101s tehnolo\u0123ijas un ainavu glezniec\u012bba<\/p>\n
Hoknijs bija viens no pirmajiem pasaul\u0113 atzin\u012bgi nov\u0113rt\u0113tajiem m\u0101ksliniekiem, kur\u0161 pilnv\u0113rt\u012bgi izmantoja digit\u0101l\u0101s tehnolo\u0123ijas. Vi\u0146\u0161 rad\u012bja darbus ar datoru, iPhone un iPad, no 2007. gada digit\u0101l\u0101 m\u0101ksla k\u013cuva par neat\u0146emamu vi\u0146a rado\u0161\u0101 procesa da\u013cu. Vi\u0146a v\u0113l\u0101kie darbi, piem\u0113ram, s\u0113rija “The Arrival of Spring in Woldgate, East Yorkshire”, apliecina vi\u0146a nep\u0101rtraukto interesi par dabu un apk\u0101rt\u0113jo vidi.<\/p>\n
Viena no vi\u0146a p\u0113d\u0113j\u0101m noz\u012bm\u012bgaj\u0101m vitr\u0101\u017e\u0101m ir “Queen’s Window”, kas tika rad\u012bta p\u0113c Vestminsteras abatijas dek\u0101na uzaicin\u0101juma un velt\u012bta karalienei Elizabetei II, atkl\u0101ta 2018. gad\u0101.<\/p>\n
Noz\u012bm\u012bg\u0101k\u0101s izst\u0101des un atzin\u012bbas<\/p>\n
Hoknija karjera tika atz\u012bm\u0113ta ar daudz\u0101m presti\u017e\u0101m balv\u0101m un izst\u0101d\u0113m vis\u0101 pasaul\u0113. 2025. gad\u0101 Par\u012bzes muzej\u0101 Fondation Louis Vuitton tika atkl\u0101ta vi\u0146a l\u012bdz \u0161im liel\u0101k\u0101 retrospekt\u012bv\u0101 izst\u0101de “David Hockney 25”, kur\u0101 bija apskat\u0101mi 456 darbi, aptverot gandr\u012bz visu vi\u0146a rado\u0161o m\u016b\u017eu. Vi\u0146a darbi ir paz\u012bstami ar ko\u0161aj\u0101m kr\u0101s\u0101m, spilgto stilu un sp\u0113ju iem\u016b\u017ein\u0101t mirk\u013ca skaistumu, vienlaikus radot dzi\u013cas p\u0101rdomas par dz\u012bvi un pasauli.<\/p>\n
Deivids Hoknijs aiz sevis atst\u0101jis ilggad\u0113jo dz\u012bvesbiedru \u017danu Pj\u0113ru Gonsalve\u0161u de Limu, br\u0101\u013cus Filipu un D\u017eonu, k\u0101 ar\u012b pla\u0161u radu saimi.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u0101kslas pasauli satricina Deivida Hoknija aizie\u0161ana Pasaulslavenais britu gleznot\u0101js un grafi\u0137is Deivids Hoknijs, viens no 20. un 21.…\n","protected":false},"author":2,"featured_media":225977,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[38957,8523,1302,89,90,35,39,38,36,37,34,40,10092,38958],"class_list":["post-225976","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-britu-maksla","tag-deivids-hoknijs","tag-digitala-maksla","tag-entertainment","tag-izklaide","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lv","tag-makslinieks","tag-poparts"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/116744525510868743","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/225976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=225976"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/225976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/225977"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=225976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=225976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=225976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}