Anatolijs Imermanis \u2013 Dzejnieks, Detekt\u012bvs un Boh\u0113mas V\u0113stnesis Filmas \u201cTestaments\u201d L\u0113c\u0101s<\/p>\n
R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (RIGA IFF) konkursa programm\u0101 pirmizr\u0101di piedz\u012bvojusi re\u017eisora J\u0101\u0146a \u0100beles un scen\u0101rista J\u0101\u0146a Jo\u0146eva dokument\u0101lais detekt\u012bvs \u201cTestaments\u201d. Filma ir intri\u0123\u0113jo\u0161s un daudzsl\u0101\u0146ains st\u0101sts par latvie\u0161u krimin\u0101lrom\u0101nu rakstnieka un dzejnieka Anatola Imerma\u0146a (1914\u20131998) dz\u012bves nosl\u0113pumiem un vi\u0146a patie\u0161\u0101m neparasto p\u0113d\u0113jo v\u0113l\u0113\u0161anos. P\u0113c festiv\u0101la \u201cTestaments\u201d non\u0101ks ar\u012b Latvijas kinote\u0101tros, pied\u0101v\u0101jot skat\u012bt\u0101jiem aizraujo\u0161u ce\u013cojumu atpaka\u013c laik\u0101.<\/p>\n
Pretrun\u012bg\u0101 person\u012bba uz ekr\u0101na<\/p>\n
Anatolijs Imermanis, kura v\u0101rds latvie\u0161u literat\u016br\u0101 saist\u012bts gan ar aizraujo\u0161iem detekt\u012bvrom\u0101niem, gan ar juteklisku dzeju, bija person\u012bba, kas vienm\u0113r bijusi apv\u012bta ar le\u0123end\u0101m. Vi\u0146\u0161 tiek rakturots k\u0101 dzejnieks un detekt\u012bvst\u0101stu autors, k\u0101 padomju varas ietekm\u0113ts, bet nesalauzts indiv\u012bds, disidents un boh\u0113mists. \u0160\u012b pretrun\u012bg\u0101 daba ir filmas centr\u0101lais elements, atkl\u0101jot Imerma\u0146a dz\u012bves sare\u017e\u0123\u012bto samezglvojumu, kur\u0101 savijas m\u0101ksla, literat\u016bra, personisk\u0101s attiec\u012bbas un pat pretest\u012bba sist\u0113mai. Filmas veidot\u0101ji cen\u0161as atbild\u0113t uz jaut\u0101jumu, kas \u012bsti bija Imermanis \u2013 br\u012bvdom\u0101t\u0101js, dendijs vai izvirtulis? Vi\u0146a laikabiedri vi\u0146u raksturoju\u0161i da\u017e\u0101di, ta\u010du m\u016bsdien\u0101s par vi\u0146u, neraugoties uz noz\u012bm\u012bgo ieguld\u012bjumu latvie\u0161u detekt\u012bv\u017eanra att\u012bst\u012bb\u0101, bie\u017ei vien piemirstam. Imermanis sarakst\u012bjis vair\u0101k nek\u0101 15 krimin\u0101lrom\u0101nus, k\u0101 ar\u012b vair\u0101kus dzejas kr\u0101jumus, un vi\u0146a darbi tiku\u0161i tulkoti un pat ekraniz\u0113ti, apliecinot vi\u0146a kult\u016bras noz\u012bm\u012bgumu.<\/p>\n
D\u012bvain\u0101 p\u0113cn\u0101ves v\u0113l\u0113\u0161an\u0101s un pazudus\u012b urna<\/p>\n
Filmas \u201cTestaments\u201d pamat\u0101 ir viena no d\u012bvain\u0101kaj\u0101m p\u0113cn\u0101ves v\u0113lm\u0113m, k\u0101da jebkad izteikta. Anatols Imermanis v\u0113l\u0113jies, lai p\u0113c n\u0101ves vi\u0146a pelnus izkais\u012btu Par\u012bzes sarkano lukturu rajonos, t\u0101d\u0113j\u0101di vienm\u0113r b\u016bdams skaistu sievie\u0161u sabiedr\u012bb\u0101. \u0160\u012b le\u0123enda, ko pirms gadiem J\u0101nis Jo\u0146evs past\u0101st\u012bjis J\u0101nim \u0100belem, k\u013cuva par filmas iedvesmas avotu. Ta\u010du filmas tap\u0161anas proces\u0101 atkl\u0101j\u0101s, ka urna ar Imerma\u0146a pelniem ir pazudusi. Tas lika filmai pie\u0146emt detekt\u012bva \u017eanra aprises, jo t\u0101s galvenais varonis \u2013 m\u016bsdienu dzejnieks Aleksandrs Zapo\u013cs (paz\u012bstams ar\u012b k\u0101 Semjons Ha\u0146ins) \u2013 uz\u0146emas misiju atrast pazudu\u0161o urnu un piepild\u012bt rakstnieka p\u0113d\u0113jo, neparasto gribu. \u0160is mekl\u0113jums p\u0101rv\u0113r\u0161as par aizraujo\u0161u ce\u013cojumu gan laik\u0101, gan telp\u0101, kur\u0101 savijas dzeja, m\u012bla un n\u0101ve, atg\u0101dinot patiesu detekt\u012bvrom\u0101nu.<\/p>\n
Kinodarb\u0101 savijas po\u0113tika, erotika un v\u0113stures elpa<\/p>\n
Re\u017eisors J\u0101nis \u0100bele atzinis, ka filma ir tikpat pretrun\u012bga k\u0101 t\u0101s galvenais varonis, da\u017ebr\u012bd\u012b vair\u0101k atg\u0101dinot sp\u0113lfilmu vai erotisku mist\u0113riju, nevis tradicion\u0101lu dokument\u0101lo filmu. \u0160is darin\u0101jums ir ne tikai dokument\u0101ls izmekl\u0113jums, bet ar\u012b emocion\u0101ls un est\u0113tisks st\u0101sts, kur\u0101 neatk\u0101rtojam\u0101 veid\u0101 savijas po\u0113tika un erotikas mot\u012bvi, atspogu\u013cojot Imerma\u0146a dz\u012bves daudzveid\u012bbu. Filma pied\u0101v\u0101 skat\u012bt\u0101jam sirre\u0101lu ekr\u0101na piedz\u012bvojumu, kur\u0101 sapl\u016bst pag\u0101tne un tagadne, atskanot m\u016b\u017eseniem dzejas, m\u012blas un n\u0101ves mot\u012bviem. Scen\u0101rija autors J\u0101nis Jo\u0146evs skat\u012bt\u0101jus ved cauri padomju liter\u0101ro aprindu atmi\u0146\u0101m un atkl\u0101j Imerma\u0146a biogr\u0101fiskos nosl\u0113pumus, par kuriem sabiedr\u012bba zina p\u0101rsteidzo\u0161i maz. Filmas veidot\u0101ji izmanto cit\u0101tus no Imerma\u0146a dzejas, pie\u0161\u0137irot darbam dzi\u013cumu un personisku piesk\u0101rienu. \u0160\u012b piedz\u012bvojuma ce\u013c\u0101 tiek sm\u0113\u0137\u0113ti cig\u0101ri, iepaz\u012bts kailums un p\u0113t\u012bts, vai erotika sp\u0113ja graut Padomju Savien\u012bbas stingro mor\u0101les robe\u017eu.<\/p>\n
Aicin\u0101jums iepaz\u012bt aizmirstu kult\u016bras ikonu<\/p>\n
Dokument\u0101lais detekt\u012bvs \u201cTestaments\u201d ir aicin\u0101jums pla\u0161\u0101kai auditorijai iepaz\u012bt Anatolu Imermani \u2013 vienu no latvie\u0161u literat\u016bras un kult\u016bras spilgt\u0101kajiem, lai gan m\u016bsdien\u0101s nedaudz piemirstajiem, t\u0113liem. Filma, kas piedz\u012bvoja savu pasaules pirmizr\u0101di RIGA IFF, ir vair\u0101k nek\u0101 tikai biogr\u0101fisks darbs; t\u0101 ir m\u0101kslinieciska izmekl\u0113\u0161ana, kas atkl\u0101j Imerma\u0146a person\u012bbas daudzpus\u012bbu un vi\u0146a laikmeta pretrunas. Studijas \u201cEgo Media\u201d producents Guntis Trekteris uzsver, ka re\u017eisor J\u0101nim \u0100belem izdevies dokument\u0101laj\u0101 form\u0101 ieaugt \u012bst\u0101 krimin\u0101lintrig\u0101, radot darbu, kas br\u012b\u017eiem atg\u0101dina sp\u0113lfilmu vai pat erotisku mist\u0113riju. \u201cTestaments\u201d ir ce\u013c\u0161 uz Imerma\u0146a rado\u0161\u0101s dv\u0113seles atkl\u0101smi, aicinot skat\u012bt\u0101jus dom\u0101t par dz\u012bves v\u0113rt\u012bb\u0101m, rado\u0161uma robe\u017e\u0101m un palieko\u0161aj\u0101m p\u0113d\u0101m, ko cilv\u0113ks atst\u0101j p\u0113c savas n\u0101ves.<\/p>\n","protected":false},"excerpt":{"rendered":"Anatolijs Imermanis \u2013 Dzejnieks, Detekt\u012bvs un Boh\u0113mas V\u0113stnesis Filmas \u201cTestaments\u201d L\u0113c\u0101s R\u012bgas Starptautisk\u0101 filmu festiv\u0101la (RIGA IFF) konkursa…\n","protected":false},"author":2,"featured_media":22915,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,5791,28,29,32,33,22,5790,541,30,31,35,39,38,36,37,34,40,20,26,27,3876,5789,24,25,21],"class_list":{"0":"post-22914","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-anatols-imermanis","10":"tag-breaking-news","11":"tag-breakingnews","12":"tag-featured-news","13":"tag-featurednews","14":"tag-headlines","15":"tag-janis-abele","16":"tag-janis-jonevs","17":"tag-latest-news","18":"tag-latestnews","19":"tag-latvia","20":"tag-latvian","21":"tag-latviesu","22":"tag-latviesu-valoda","23":"tag-latviesuvaloda","24":"tag-latvija","25":"tag-lv","26":"tag-news","27":"tag-popularakas-zinas","28":"tag-popularakaszinas","29":"tag-riga-iff","30":"tag-testaments-filma","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/22914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=22914"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/22914\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/22915"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=22914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=22914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=22914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}