{"id":23362,"date":"2025-10-17T10:10:06","date_gmt":"2025-10-17T10:10:06","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/23362\/"},"modified":"2025-10-17T10:10:06","modified_gmt":"2025-10-17T10:10:06","slug":"filmas-milestiba-kas-paliek-recenzija-samierinasanas-maksla-skirsanas-enas-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/23362\/","title":{"rendered":"Filmas &#8220;M\u012blest\u012bba, kas paliek&#8221; recenzija: samierin\u0101\u0161an\u0101s m\u0101ksla \u0161\u0137ir\u0161an\u0101s \u0113nas\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Filmas &#8220;M\u012blest\u012bba, kas paliek&#8221; recenzija: Samierin\u0101\u0161an\u0101s m\u0101ksla \u0161\u0137ir\u0161an\u0101s \u0113nas<\/p>\n<p>Islandie\u0161u re\u017eisors Hl\u012bnurs P\u0101lmasons ar savu jaun\u0101ko darbu &#8220;M\u012blest\u012bba, kas paliek&#8221; (The Love That Remains) pied\u0101v\u0101 dzi\u013ci personisku un emocion\u0101li pies\u0101tin\u0101tu kino pieredzi, kas p\u0113ta attiec\u012bbu l\u016bzuma punktus un samierin\u0101\u0161an\u0101s ce\u013cu. Filma, kas piedz\u012bvoja pasaules pirmizr\u0101di Kannu kinofestiv\u0101l\u0101, nu sasniegusi ar\u012b Latvijas skat\u012bt\u0101jus Riga IFF programmas &#8220;Nordic Highlights&#8221; ietvaros. \u0160is ir st\u0101sts par realit\u0101ti, kur\u0101 cilv\u0113kus un apst\u0101k\u013cus sp\u0113jam nov\u0113rt\u0113t tikai tad, kad tie zudu\u0161i, bet laiks, \u0161\u0137iet, maina savu rit\u0113jumu.<\/p>\n<p>\u0122imenes portrets p\u0101rmai\u0146u laik\u0101<\/p>\n<p>Filma iepaz\u012bstina ar m\u0101kslinieces Annas (S\u0101ga Gardarsdottira) un zvejnieka Magnusa (Sverrirs Gudnasons) \u0123imeni, kur\u0101 audzina tr\u012bs b\u0113rni. T\u0101 atkl\u0101j vec\u0101ku \u0161\u0137ir\u0161an\u0101s realit\u0101ti un s\u0101p\u012bgo p\u0101rmai\u0146u procesu, kas skar visus \u0123imenes locek\u013cus. Caur rota\u013c\u012bgiem un sirsn\u012bgiem mirk\u013ciem P\u0101lmasona kino valod\u0101 ataino izdzisu\u0161\u0101s m\u012blest\u012bbas un kop\u012bgo atmi\u0146u r\u016bgteni saldo dabu, kas savijas ar aizvainojumu un nepiepild\u012bt\u0101m cer\u012bb\u0101m. B\u0113rnu vajadz\u012bbas un dz\u012bves nepiel\u016bdzamais rit\u0113jums piespie\u017e pie\u0146emt jauno situ\u0101ciju, lai gan emocion\u0101lais haoss turpina vald\u012bt. Re\u017eisors veiksm\u012bgi att\u0113lo \u0161o sare\u017e\u0123\u012bto emocion\u0101lo st\u0101vokli, nesl\u0113pjot s\u0101pes, kas parasti tiek tur\u0113tas dzi\u013ci sev\u012b.<\/p>\n<p>Dabas kl\u0101tb\u016btne un personiskais piesk\u0101riens<\/p>\n<p>Tiem, kas paz\u012bst P\u0101lmasona iepriek\u0161\u0113jos darbus, piem\u0113ram, &#8220;Dievzeme&#8221;, jaunais darbs &#8220;M\u012blest\u012bba, kas paliek&#8221; var \u0161\u0137ist k\u0101 atgrie\u0161an\u0101s pie sakn\u0113m, vienlaikus pied\u0101v\u0101jot jaunas dimensijas. Film\u0101 tiek izmantoti tr\u012bs sl\u0101\u0146i: re\u017eisora kino dienasgr\u0101matas fragmenti, \u0123imenes emocion\u0101lais portrets \u0161\u0137ir\u0161an\u0101s laik\u0101 un transcendent\u0101lais audums, kur\u0101 satiekas sap\u0146i, zemapzi\u0146a un Islandes folklora. Dabai film\u0101 ir b\u016btiska loma \u2013 t\u0101 k\u013c\u016bst par klusu liecinieci cilv\u0113ku p\u0101rdz\u012bvojumiem un emociju gammai, atspogu\u013cojot gadalaiku mai\u0146u un dz\u012bves ciklus. \u012apa\u0161s personisks piesk\u0101riens tiek rad\u012bts, iesaistot re\u017eisora pa\u0161a b\u0113rnus un suni Pandu (kur\u0161 pat sa\u0146\u0113mis balvu Kannu kinofestiv\u0101l\u0101) lom\u0101s, padarot filmu v\u0113l autentisk\u0101ku un tuv\u0101ku.<\/p>\n<p>L\u0113ns kino ar smalku humoru<\/p>\n<p>Hl\u012bnurs P\u0101lmasons rakstur\u012bgi veido l\u0113nus un meditat\u012bvus kino darbus, kas piev\u0113r\u0161as deta\u013c\u0101m un fragmentiem no dz\u012bves. &#8220;M\u012blest\u012bba, kas paliek&#8221; nav iz\u0146\u0113mums \u2013 filma patiks skat\u012bt\u0101jiem, kuri nov\u0113rt\u0113 fragment\u0101ru si\u017eetu, zieme\u013cnieciski attur\u012bgu humoru un nedaudz d\u012bvainas metaforas. Aktierdarbi ir prec\u012bzi un nep\u0101rsp\u012bl\u0113ti, \u013caujot viegli identific\u0113ties ar varo\u0146u p\u0101rdz\u012bvojumiem. Filma ir k\u0101 m\u012blest\u012bbas v\u0113stule Islandei, atkl\u0101jot t\u0101s ainavas un cilv\u0113ku b\u016bt\u012bbu. T\u0101 ir brieduma filma, kas atst\u0101j vieglu, p\u0101rdomu rosino\u0161u saj\u016btu, l\u012bdz\u012bgi k\u0101 nopl\u016bktas mellenes gar\u0161a.<\/p>\n<p>Kino pieredze R\u012bg\u0101<\/p>\n<p>Filma &#8220;M\u012blest\u012bba, kas paliek&#8221; R\u012bgas Starptautisk\u0101 kino festiv\u0101la (Riga IFF) ietvaros skat\u0101ma vair\u0101kos seansos, pied\u0101v\u0101jot unik\u0101lu iesp\u0113ju iepaz\u012bt islandie\u0161u kinematogr\u0101fiju un re\u017eisora P\u0101lmasona \u012bpa\u0161o skat\u012bjumu uz cilv\u0113ka dv\u0113seles mekl\u0113jumiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas &#8220;M\u012blest\u012bba, kas paliek&#8221; recenzija: Samierin\u0101\u0161an\u0101s m\u0101ksla \u0161\u0137ir\u0161an\u0101s \u0113nas Islandie\u0161u re\u017eisors Hl\u012bnurs P\u0101lmasons ar savu jaun\u0101ko darbu &#8220;M\u012blest\u012bba,&hellip;\n","protected":false},"author":2,"featured_media":23363,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[262,89,7258,90,7257,7259,35,39,38,36,37,34,40,762,3434],"class_list":{"0":"post-23362","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-attiecibas","9":"tag-entertainment","10":"tag-hlinurs-palmasons","11":"tag-izklaide","12":"tag-kas-paliek","13":"tag-kino-recenzija","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-milestiba","22":"tag-skirsanas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/23362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=23362"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/23362\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/23363"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=23362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=23362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=23362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}