Filmas “Testaments” pasaule: Dzejnieks, detekt\u012bvs un nepiepild\u012bt\u0101 v\u0113lme<\/p>\n
R\u012bgas Starptautisk\u0101 kino festiv\u0101la (Riga IFF) programm\u0101 skat\u012bt\u0101jus gaida re\u017eisora J\u0101\u0146a \u0100beles jaun\u0101k\u0101 dokument\u0101l\u0101 filma “Testaments”. \u0160is darbs ne vien atdz\u012bvina padomju \u0113ras le\u0123end\u0101ro dzejnieku, boh\u0113mistu un detekt\u012bv\u017eanra meistaru Anatolu Imermani, bet ar\u012b aicina ieskat\u012bties vi\u0146a p\u0113d\u0113j\u0101, nepiepild\u012btaj\u0101 v\u0113l\u0113\u0161an\u0101s \u2013 tikt krem\u0113tam un vi\u0146a pelniem izkais\u012btiem br\u012bv\u0101s Eiropas sarkano lukturu rajonos. Filma, kas piedz\u012bvojusi pasaules pirmizr\u0101di festiv\u0101l\u0101, p\u0113ta robe\u017eas starp person\u012bbu un m\u012btiem, atst\u0101jot dzi\u013cu iespaidu uz skat\u012bt\u0101ju.<\/p>\n
Anatolija Imerma\u0146a m\u012bkla un t\u0101s izpild\u012bt\u0101ji<\/p>\n
Anatolijs Imanis, kura dz\u012bve un dai\u013crade bijusi apv\u012bta ar le\u0123end\u0101m, tiek d\u0113v\u0113ts par latvie\u0161u \u010c\u0101rlzu Bukovski \u2013 rakstnieku, kur\u0161 nebaid\u012bj\u0101s no dz\u012bvesstila un person\u012bbas pretrun\u0101m, un vienlaikus cien\u012bja dai\u013cumu. Vi\u0146a sirre\u0101l\u0101 p\u0113cn\u0101ves v\u0113l\u0113\u0161an\u0101s izkais\u012bt pelnus starp prostit\u016bt\u0101m un dzejniekiem Par\u012bzes, Amsterdamas vai citu Rietumeiropas pils\u0113tu sarkan\u0101 luktura rajonos, k\u013cuvusi par filmas “Testaments” centr\u0101lo intrigu. \u0160\u012b neparast\u0101 doma, p\u0113c re\u017eisora J\u0101\u0146a \u0100beles teikt\u0101, dzimusi no J\u0101\u0146a Jo\u0146eva, kur\u0161 s\u0101cis p\u0113t\u012bt Imermani. Filma ir ne tikai dokument\u0101ls st\u0101sts, bet ar\u012b aizraujo\u0161s detekt\u012bvs, kur\u0101 dzejnieks Aleksandrs Zapo\u013cs, paz\u012bstams ar\u012b k\u0101 Semjons Ha\u0146ins, uz\u0146emas atrast pazudu\u0161o urnu ar Imermani pelniem, lai piepild\u012btu vi\u0146a p\u0113d\u0113jo gribu. \u0160is ce\u013cojums laik\u0101 un telp\u0101 atkl\u0101j ne vien Imermani, bet ar\u012b m\u016bsdienu kult\u016bras ainavu, kur\u0101 pag\u0101tnes elpa joproj\u0101m ir j\u016btama.<\/p>\n
Detekt\u012bv\u017eanra un po\u0113tiskuma savijums<\/p>\n
“Testaments” prasm\u012bgi savijas dokument\u0101l\u0101s kino valodu ar detekt\u012bv\u017eanra elementiem. Filmas veidot\u0101ji izmanto gan arh\u012bvu materi\u0101lus, gan m\u016bsdienu tehnolo\u0123ijas, lai atkl\u0101tu jaunas Imermani person\u012bbas \u0161\u0137autnes. St\u0101sts ir k\u0101 sirre\u0101ls ekr\u0101na piedz\u012bvojums, kur\u0101 p\u0101rkl\u0101jas pag\u0101tne un tagadne, un kur\u0101 caurstr\u0101voti m\u016b\u017e\u012bgie dzejas, m\u012blas un n\u0101ves mot\u012bvi. Filmas stilistika tiek sal\u012bdzin\u0101ta ar detekt\u012bvfilm\u0101m, radot intrigu un noturot skat\u012bt\u0101ja uzman\u012bbu. Filmas veido\u0161an\u0101 piedal\u012bju\u0161ies ar\u012b citi latvie\u0161u literat\u016bras p\u0101rst\u0101vji, k\u0101 ar\u012b izmantota 17. gadsimta fran\u010du klaves\u012bna virtuozes Fransu\u0101 Kuper\u0113na muzik\u0101l\u0101s kompoz\u012bcijas, radot unik\u0101lu atmosf\u0113ru. Re\u017eisors \u0100bele pats atz\u012bst, ka filma likusi vi\u0146am piln\u012bb\u0101 p\u0101rliecin\u0101ties par kino sp\u0113ju izsaukt garus, jo Imermanis joproj\u0101m j\u016btami kl\u0101teso\u0161s vis\u0101 filmas tap\u0161anas proces\u0101.<\/p>\n
Imermanis k\u0101 latvie\u0161u literat\u016bras fenomens<\/p>\n
Anatolijs Imanis (1914\u20131998) m\u016bsdien\u0101s tiek d\u0113v\u0113ts par latvie\u0161u boh\u0113mas un detekt\u012bv\u017eanra meistaru. Vi\u0146a dz\u012bvesstils un rado\u0161\u0101 darb\u012bba bie\u017ei biju\u0161i pretrun\u012bgi, kas rad\u012bjis daudzas le\u0123endas. Viens no iev\u0113rojam\u0101kajiem dzejniekiem, kur\u0161 p\u0101rst\u0101v padomju \u0113ras literat\u016bru, Imanis ir sal\u012bdzin\u0101ts ar \u010c\u0101rlzu Bukovski, amerik\u0101\u0146u rakstnieku, kur\u0161 slavens ar savu net\u012bro re\u0101lismu, atkl\u0101tu skat\u012bjumu uz dz\u012bvi un bie\u017ei vien provokat\u012bvo dai\u013cradi. Ar\u012b latvie\u0161u literat\u016br\u0101 detekt\u012bv\u017eanrs nav bie\u017ei sastopams profesion\u0101l\u0101 l\u012bmen\u012b, padarot Imermani par unik\u0101lu fenomenu. Filma “Testaments” ne tikai godina Imermani, bet ar\u012b piev\u0113r\u0161 uzman\u012bbu latvie\u0161u literat\u016bras v\u0113stures neizzin\u0101tajiem aspektiem, sniedzot dzi\u013c\u0101ku ieskatu pag\u0101tnes kult\u016bras sl\u0101\u0146os.<\/p>\n
Nosl\u0113pumain\u0101 urna un t\u0101s mekl\u0113jumi<\/p>\n
Filmas “Testaments” si\u017eets risin\u0101s ap pazudu\u0161o pelnu urnu, kas simboliz\u0113 nepiepild\u012btu v\u0113l\u0113\u0161anos un atst\u0101j aiz sevis virkni jaut\u0101jumu. \u0160\u012b nosl\u0113pumain\u0101 urna ir k\u013cuvusi par katalizatoru detekt\u012bvst\u0101stam, kur\u0101 tiek \u0161\u0137etin\u0101ti Imermani dz\u012bves notikumi un vi\u0146a person\u012bbas m\u012bklas. Daudzus gadus p\u0113c dzejnieka n\u0101ves, vi\u0146a pelnu urna tika uzskat\u012bta par pazudu\u0161u, padarot Imermani p\u0113d\u0113jo v\u0113l\u0113\u0161anos neizpild\u0101mu. Ta\u010du, k\u0101 filmas veidot\u0101ji atkl\u0101j, sakrit\u012bbas un kino dievu pal\u012bdz\u012bba saveda kop\u0101 nepiecie\u0161amos cilv\u0113kus, lai atrastu urnu, kas tika atrasta k\u0101da operatora t\u0113va darba vietas b\u0113ni\u0146os. \u0160is negaid\u012btais atradums pie\u0161\u0137ir filmai v\u0113l vienu k\u0101rtu nosl\u0113pumain\u012bbas un dabas sakrit\u012bbu br\u012bnumiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas “Testaments” pasaule: Dzejnieks, detekt\u012bvs un nepiepild\u012bt\u0101 v\u0113lme R\u012bgas Starptautisk\u0101 kino festiv\u0101la (Riga IFF) programm\u0101 skat\u012bt\u0101jus gaida re\u017eisora…\n","protected":false},"author":2,"featured_media":23757,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[7325,89,90,5790,35,39,38,3634,36,37,34,40,4190,5789],"class_list":{"0":"post-23756","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-anatolijs-imanis","9":"tag-entertainment","10":"tag-izklaide","11":"tag-janis-abele","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-literatura","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-rigas-starptautiskais-kino-festivals","21":"tag-testaments-filma"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/23756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=23756"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/23756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/23757"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=23756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=23756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=23756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}