Filma \u00abTestaments\u00bb atkl\u0101j Anatola Imerma\u0146a nosl\u0113pumus<\/p>\n
Dr\u012bzum\u0101 gaismu ieraudz\u012bs J\u0101\u0146a \u0100beles re\u017eis\u0113t\u0101 dokument\u0101l\u0101 filma \u00abTestaments\u00bb, kas piev\u0113r\u0161as latvie\u0161u literat\u016bras spo\u017eai, ta\u010du da\u013c\u0113ji aizmirstai person\u012bbai \u2013 rakstniekam un dzejniekam Anatolam Imermanim, kur\u0161 tiek uzskat\u012bts par detekt\u012bv\u017eanra aizs\u0101c\u0113ju latvie\u0161u literat\u016br\u0101. Filma veidota aizraujo\u0161a detekt\u012bva form\u0101t\u0101, mekl\u0113jot pazudu\u0161o pelnu urnu, lai izpild\u012btu Imermana p\u0113d\u0113jo, neparasto v\u0113l\u0113\u0161anos. \u0160is mekl\u0113jums ir k\u013cuvis par ce\u013cojumu gan laik\u0101, gan telp\u0101, atkl\u0101jot pretrun\u012bgo liter\u0101ta person\u012bbu un vi\u0146a drosm\u012bgo dz\u012bvesstilu.<\/p>\n
Anatolijs Imermanis \u2013 Liter\u0101r\u0101s pasaules boh\u0113mists un detekt\u012bvu meistars<\/p>\n
Anatolijs Imermanis (1914\u20131998) bija daudzpus\u012bga person\u012bba latvie\u0161u kult\u016bras ain\u0101. Vi\u0146\u0161 nebija vienk\u0101r\u0161i rakstnieks; vi\u0146\u0161 bija dzejnieks, prozai\u0137is, m\u0101kslinieks un boh\u0113mists, kura dz\u012bvi apvija neskait\u0101mas le\u0123endas. Kop\u0101 ar Gun\u0101ru C\u012bruli vi\u0146u d\u0113v\u0113 par detekt\u012bv\u017eanra pionieriem latvie\u0161u literat\u016br\u0101, radot darbus k\u0101 \u00abParole \u2013 USSR\u00bb un \u00abDz\u012bvoklis bez numura\u00bb. Imermanis sarakst\u012bjis vair\u0101k nek\u0101 15 krimin\u0101lrom\u0101nus un vair\u0101kus dzejas kr\u0101jumus, kuru darbi tiku\u0161i tulkoti un pat ekraniz\u0113ti, apliecinot vi\u0146a noz\u012bm\u012bgo devumu. Vi\u0146a liter\u0101rais mantojums ir spraigu si\u017eetu, intelektu\u0101lu dzi\u013cumu un organisku ekstravaganci pilns. Tom\u0113r, neskatoties uz vi\u0146a iev\u0113rojamo ieguld\u012bjumu, m\u016bsdien\u0101s Imermanis bie\u017ei vien ir piemirsts, liekot filmas veidot\u0101jiem uzdot jaut\u0101jumu: k\u0101das p\u0113das no cilv\u0113ka paliek p\u0113c n\u0101ves?<\/p>\n
\u00abTestaments\u00bb \u2013 Dokument\u0101ls detekt\u012bvs ar neparastu intrigu<\/p>\n
J\u0101\u0146a \u0100beles jaun\u0101 filma \u00abTestaments\u00bb nav tradicion\u0101ls biogr\u0101fisks darbs. T\u0101 ir veidota k\u0101 detekt\u012bvs, kur\u0101 m\u016bsdienu dzejnieks Aleksandrs Zapo\u013cs (zin\u0101ms ar\u012b k\u0101 Semjons Ha\u0146ins) k\u013c\u016bst par izmekl\u0113t\u0101ju, mekl\u0113jot Anatola Imerma\u0146a pelnu urnu. \u0160\u012b neparast\u0101 misija izriet no Imermana p\u0113d\u0113j\u0101s, drosm\u012bg\u0101s v\u0113l\u0113\u0161an\u0101s \u2013 lai vi\u0146a pelnus izkais\u012btu Par\u012bzes sarkano lukturu rajonos, t\u0101d\u0113j\u0101di vienm\u0113r atrodoties skaistu sievie\u0161u sabiedr\u012bb\u0101. \u0160\u012b le\u0123enda, ko scen\u0101rija autors J\u0101nis Jo\u0146evs uzzin\u0101jis pirms gadiem, k\u013cuva par filmas iedvesmas avotu. Tom\u0113r filmas tap\u0161anas proces\u0101 atkl\u0101j\u0101s, ka urna ar rakstnieka pelniem ir pazudusi, p\u0101rv\u0113r\u0161ot mekl\u0113jumus par \u012bstu detekt\u012bvu, kas lieliski saskan ar Imermani k\u0101 detekt\u012bvrom\u0101nu autoru.<\/p>\n
Pretrun\u012bga person\u012bba un t\u0101s atspulgs kino<\/p>\n
Filma \u00abTestaments\u00bb dzi\u013ci p\u0113ta Anatola Imerma\u0146a pretrun\u012bgo person\u012bbu. Vi\u0146\u0161 tiek raksturots k\u0101 dzejnieks un detekt\u012bvst\u0101stu autors, k\u0101 padomju varas ietekm\u0113ts, bet nesalauzts indiv\u012bds, disidents un boh\u0113mists. Da\u017ei vi\u0146u d\u0113v\u0113 par latvie\u0161u \u010c\u0101rlzu Bukovski, uzsverot vi\u0146a drosmi dz\u012bvesstila un person\u012bbas pretrun\u0101s, vienlaikus m\u012blot dai\u013cumu. Filmas veidot\u0101ji cen\u0161as atbild\u0113t uz jaut\u0101jumu: kas \u012bsti bija Imermanis \u2013 br\u012bvdom\u0101t\u0101js, dendijs vai izvirtulis?. Filmas dokument\u0101lais detekt\u012bvs savijas ar po\u0113tiskiem un erotiskiem mot\u012bviem, atkl\u0101jot Imerma\u0146a dz\u012bves sare\u017e\u0123\u012bto samezglvojumu, kur\u0101 savijas m\u0101ksla, literat\u016bra, personisk\u0101s attiec\u012bbas un pat pretest\u012bba sist\u0113mai. Filmas stilistika tiek sal\u012bdzin\u0101ta ar detekt\u012bvfilm\u0101m un pat sp\u0113lfilm\u0101m, radot intrigu un noturot skat\u012bt\u0101ja uzman\u012bbu.<\/p>\n
Ne tikai rakstnieks, bet ar\u012b fenomen\u0101ls cilv\u0113ks<\/p>\n
Anatols Imermanis dz\u012bvoja it k\u0101 \u0101rpus padomju sist\u0113mas ierobe\u017eojumiem, sav\u0101 unik\u0101laj\u0101 pasaul\u0113. Vi\u0146a talants un person\u012bba bija tik spilgta, ka da\u017ei vi\u0146a laikabiedri pat uzskat\u012bja, ka vi\u0146\u0161 ir bijis Par\u012bz\u0113, lai gan vi\u0146\u0161 nekad tur nav nok\u013cuvis. Filma \u00abTestaments\u00bb ne tikai godina Imermani, bet ar\u012b piev\u0113r\u0161 uzman\u012bbu latvie\u0161u literat\u016bras v\u0113stures neizzin\u0101tajiem aspektiem, pied\u0101v\u0101jot dzi\u013c\u0101ku ieskatu pag\u0101tnes kult\u016bras sl\u0101\u0146os. Re\u017eisors J\u0101nis \u0100bele un scen\u0101rists J\u0101nis Jo\u0146evs ar \u0161o darbu aicina skat\u012bt\u0101jus dom\u0101t par dz\u012bves v\u0113rt\u012bb\u0101m, rado\u0161uma robe\u017e\u0101m un palieko\u0161aj\u0101m p\u0113d\u0101m, ko cilv\u0113ks atst\u0101j p\u0113c savas n\u0101ves. \u00abTestaments\u00bb ir ce\u013c\u0161 uz Imerma\u0146a rado\u0161\u0101s dv\u0113seles atkl\u0101smi, kas savij\u0101s ar detekt\u012bv\u017eanra elementiem, radot gan intrigu, gan dzi\u013c\u0101ku izpratni par vienu no latvie\u0161u literat\u016bras spilgt\u0101kajiem, lai ar\u012b da\u013c\u0113ji aizmirstajiem meistariem.<\/p>\n","protected":false},"excerpt":{"rendered":"Filma \u00abTestaments\u00bb atkl\u0101j Anatola Imerma\u0146a nosl\u0113pumus Dr\u012bzum\u0101 gaismu ieraudz\u012bs J\u0101\u0146a \u0100beles re\u017eis\u0113t\u0101 dokument\u0101l\u0101 filma \u00abTestaments\u00bb, kas piev\u0113r\u0161as latvie\u0161u…\n","protected":false},"author":2,"featured_media":24584,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5791,7619,89,90,5790,35,39,38,7618,36,37,34,40,5789],"class_list":{"0":"post-24583","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-anatols-imermanis","9":"tag-dokumentala-kino","10":"tag-entertainment","11":"tag-izklaide","12":"tag-janis-abele","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-detektivzanrs","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-testaments-filma"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/24583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=24583"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/24583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/24584"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=24583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=24583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=24583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}