Metropolit\u0113na opera sniedz elpu aizraujo\u0161u Bellini “Somnambulas” iestud\u0113jumu \u0145ujork\u0101<\/p>\n
\u0145ujorkas Metropolit\u0113na opera \u0161obr\u012bd demonstr\u0113 Vinsenco Bellini slaveno darbu “Somnambula”, pied\u0101v\u0101jot skat\u012bt\u0101jiem neaizmirstamu pieredzi, kur\u0101 savijas virtuozs dzied\u0101jums un emocion\u0101li pies\u0101tin\u0101ta scenogr\u0101fija. \u0160is iestud\u0113jums, ko veidojis talant\u012bgais re\u017eisors Rolando Villazons, aizved skat\u012bt\u0101jus uz \u0160veices Alpu idillisko ainavu, vienlaikus dzi\u013ci p\u0113tot cilv\u0113ka pr\u0101ta sare\u017e\u0123\u012btos ce\u013cus un psiholo\u0123iskos l\u012bklo\u010dus, ko atspogu\u013co operas galven\u0101s varones, Aminas, miegain\u0101 staig\u0101\u0161ana.<\/p>\n
Galvenaj\u0101s lom\u0101s sp\u012bgu\u013co sopr\u0101ns Nad\u012bna Sjera k\u0101 Amina un tenors \u0160avj\u0113 Anduaga k\u0101 vi\u0146as l\u012bgavainis Elvino. Vi\u0146u dueti ir \u012bsts kaisles un vok\u0101l\u0101s meistar\u012bbas paraugs, kas iekaroju\u0161i kriti\u0137u un skat\u012bt\u0101ju sirdis. Sjera izce\u013cas ar savu satrieco\u0161o sp\u0113ju notur\u0113t garas notis un rad\u012bt maigu, dzidru ska\u0146u, kas ide\u0101li atspogu\u013co Aminas nevain\u012bbu un trauslumu. Savuk\u0101rt Anduaga demonstr\u0113 iespaid\u012bgu vok\u0101lo tehniku un sp\u0113ju prec\u012bzi izpild\u012bt sare\u017e\u0123\u012bt\u0101k\u0101s kolorat\u016bras, padarot vi\u0146a Elvino t\u0113lu gan j\u016bt\u012bgu, gan kaisl\u012bgu.<\/p>\n
Kritikas atzin\u012bba un publika saj\u016bsma<\/p>\n
Jaunais iestud\u0113jums sa\u0146\u0113mis pla\u0161u pozit\u012bvu kritikas v\u0113rt\u0113jumu. Recenzenti slav\u0113 Sjeras un Anduagas apburo\u0161o duetu, izce\u013cot vi\u0146u sp\u0113ju rad\u012bt dzi\u013cu emocion\u0101lu saikni ar publiku gan vok\u0101li, gan aktiersp\u0113l\u0113. Vi\u0146u kop\u012bg\u0101s ainas, piem\u0113ram, duets “Son geloso del zefiro errante”, ir \u012bpa\u0161i nov\u0113rt\u0113tas par nevainojamo harmoniju un j\u016bt\u012bgumu. K\u0101 raksta viens no kriti\u0137iem, “Sjeras un Anduagas duets operas “Somnambula” tie\u0161raid\u0113 no \u0145ujorkas ir patiesa kaisles t\u0113lojum\u0101 un vok\u0101laj\u0101 izpild\u012bjum\u0101.”<\/p>\n
Rolando Villazona re\u017eija tiek rakturota k\u0101 inovat\u012bva, kas nebaid\u0101s pieiet operas si\u017eetam no jauna skatupunkta, p\u0113tot Aminas iek\u0161\u0113jo pasauli un sabiedr\u012bbas spiedienu. Lai gan s\u0101kotn\u0113ji Villazona pieeja var \u0161\u0137ist tradicion\u0101laj\u0101m interpret\u0101cij\u0101m at\u0161\u0137ir\u012bga, t\u0101 sp\u0113j rad\u012bt jaunu un aizraujo\u0161u pieredzi, kas piesaista m\u016bsdienu skat\u012bt\u0101ju. Vi\u0146a iepriek\u0161\u0113j\u0101s “Somnambulas” izr\u0101des Par\u012bz\u0113, Nic\u0101 un Dr\u0113zden\u0113 ir apliecin\u0101ju\u0161as vi\u0146a talantu izveidot vizu\u0101li un emocion\u0101li iespaid\u012bgus iestud\u0113jumus.<\/p>\n
Vok\u0101l\u0101s meistar\u012bbas virsotnes<\/p>\n
Metropolit\u0113na operas “Somnambulas” izr\u0101de ir apliecin\u0101jums augst\u0101kajai vok\u0101lajai meistar\u012bbai. Nad\u012bna Sjera, kura jau iepriek\u0161 sevi apliecin\u0101jusi k\u0101 izcilu dzied\u0101t\u0101ju lom\u0101s k\u0101 Romeo D\u017euljet\u0101, Traviat\u0101 un L\u016bcij\u0101, tagad k\u0101rt\u0113jo reizi pier\u0101da savu spo\u017eumu Am\u012bnas lom\u0101. Vi\u0146as sp\u0113ja izpild\u012bt sare\u017e\u0123\u012btas kolorat\u016bras un nodot dzi\u013cas emocijas ir atz\u012bta par izcilu. Ar\u012b \u0160avj\u0113 Anduaga, kur\u0161 savu Met debiju piedz\u012bvoja 2023. gad\u0101, ir atzin\u012bgi nov\u0113rt\u0113ts par savu daudzpus\u012bbu un sp\u0113c\u012bgo balsi, \u012bpa\u0161i izce\u013cot vi\u0146a sniegumu Elvino lom\u0101.<\/p>\n
Papildus galvenajiem dzied\u0101t\u0101jiem, ar\u012b p\u0101r\u0113jie dal\u012bbnieki sniedz lielisku sniegumu. Sidnija Mansakasola k\u0101 Lizas, Aleksandrs Vinogradovs k\u0101 gr\u0101fs Rodolfo un Debora Nanst\u012bla k\u0101 ter\u0113za sniedz spilgtus un p\u0101rliecino\u0161us t\u0113lojumus, papildinot kop\u0113jo izr\u0101des kvalit\u0101ti.<\/p>\n
Tie\u0161raide un kino transl\u0101cijas<\/p>\n
Tiem, kuri nevar apmekl\u0113t izr\u0101di kl\u0101tien\u0113, Metropolit\u0113na opera pied\u0101v\u0101 iesp\u0113ju baud\u012bt “Somnambulu” ar\u012b caur kino transl\u0101cij\u0101m. Oktobra izr\u0101de 18. datum\u0101 tiks p\u0101rraid\u012bta uz kino ekr\u0101niem vis\u0101 pasaul\u0113 k\u0101 da\u013ca no “Met Opera Live in HD” s\u0113rijas. \u0160\u012b iesp\u0113ja \u013cauj pla\u0161\u0101kai auditorijai izbaud\u012bt \u0161o izcilo iestud\u0113jumu, apliecinot operas univers\u0101lo pievilc\u012bbu un Metropolit\u0113na operas centienus padar\u012bt augst\u0101k\u0101s m\u0101kslas formas pieejamas ikvienam.<\/p>\n","protected":false},"excerpt":{"rendered":"Metropolit\u0113na opera sniedz elpu aizraujo\u0161u Bellini “Somnambulas” iestud\u0113jumu \u0145ujork\u0101 \u0145ujorkas Metropolit\u0113na opera \u0161obr\u012bd demonstr\u0113 Vinsenco Bellini slaveno darbu…\n","protected":false},"author":2,"featured_media":24657,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,7662,35,39,38,36,37,34,40,7661,7664,2638,7663],"class_list":{"0":"post-24656","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-la-sonnambula","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lv","18":"tag-metropolitena-opera","19":"tag-nadine-sierra","20":"tag-opera","21":"tag-vincenzo-bellini"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/24656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=24656"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/24656\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/24657"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=24656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=24656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=24656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}