Jauna gr\u0101mata atkl\u0101j arhitekt\u016bras meistara Konstant\u012bna P\u0113k\u0161\u0113na mantojumu<\/p>\n
Klaj\u0101 n\u0101kusi ilggaid\u012bta gr\u0101mata \u00abKonstant\u012bns P\u0113k\u0161\u0113ns un vi\u0146a laiks\u00bb, kas sniedz padzi\u013cin\u0101tu ieskatu viena no visu laiku izcil\u0101kajiem latvie\u0161u arhitektiem \u2013 Konstant\u012bna P\u0113k\u0161\u0113na \u2013 dz\u012bv\u0113 un dai\u013crad\u0113. Gr\u0101mata, kas tapusi, apkopojot 23 zin\u0101tniskus p\u0113t\u012bjumus, atkl\u0101j gan l\u012bdz \u0161im nezin\u0101mus faktus par arhitekta person\u012bbu, gan detaliz\u0113ti apl\u016bko vi\u0146a projekt\u0113t\u0101s \u0113kas, k\u0101 ar\u012b piev\u0113r\u0161as maz\u0101k zin\u0101miem R\u012bgas arhitekt\u016bras un Latvijas kult\u016bras aspektiem 19. un 20. gadsimtu mij\u0101.<\/p>\n
Konstant\u012bns P\u0113k\u0161\u0113ns \u2013 arhitekt\u016bras meistara z\u012bmols R\u012bg\u0101<\/p>\n
Konstant\u012bns P\u0113k\u0161\u0113ns (1859\u20131928) ir neap\u0161aub\u0101mi viena no spilgt\u0101kaj\u0101m person\u012bb\u0101m latvie\u0161u arhitekt\u016bras v\u0113stur\u0113. Vi\u0146a projekt\u0113t\u0101s \u0113kas veido neat\u0146emamu R\u012bgas un citu Latvijas pils\u0113tu vizu\u0101lo identit\u0101ti, kalpojot ne tikai k\u0101 arhitekt\u016bras pieminek\u013ci, bet ar\u012b k\u0101 liecinieki laikmeta garamant\u0101m un P\u0113k\u0161\u0113na daudzpus\u012bgajam talantam. Arhitekta dai\u013crade aptver gan 19. gadsimta eklektisma stilu, gan j\u016bgendstila uzplaukumu 20. gadsimta s\u0101kum\u0101, demonstr\u0113jot vi\u0146a sp\u0113ju str\u0101d\u0101t da\u017e\u0101dos, pat \u013coti at\u0161\u0137ir\u012bgos arhitekt\u016bras virzienos. R\u012bg\u0101 vien p\u0113c vi\u0146a projektiem uzceltas vismaz 250 daudzst\u0101vu m\u016bra \u0113kas un ne maz\u0101k k\u0101 110 koka \u0113kas, k\u0101 ar\u012b vair\u0101kas sabiedrisk\u0101s un kulta celtnes. Paz\u012bstam\u0101kie P\u0113k\u0161\u0113na darbi, kas joproj\u0101m priec\u0113 pils\u0113tas iedz\u012bvot\u0101jus un viesus, ir Berga baz\u0101rs (1893), k\u0101 ar\u012b nams Alberta iel\u0101 12 (1903), kur\u0101 pa\u0161laik atrodas J\u016bgendstila muzejs un Ja\u0146a Rozent\u0101la un R\u016bdolfa Blauma\u0146a muzejs.<\/p>\n
Jaunais rakstu kr\u0101jums \u2013 dzi\u013c\u0101ks ieskats P\u0113k\u0161\u0113na pasaul\u0113<\/p>\n
Gr\u0101mata \u00abKonstant\u012bns P\u0113k\u0161\u0113ns un vi\u0146a laiks\u00bb ir tapis, balstoties uz starptautisku zin\u0101tnisku konferenci, kas notika R\u012bg\u0101 2022. gad\u0101, un apvieno 23 autoru p\u0113t\u012bjumus. T\u0101 sniedz ne tikai preciz\u0113tus faktus par P\u0113k\u0161\u0113na dz\u012bvi un atkl\u0101j l\u012bdz \u0161im nezin\u0101mas vi\u0146a projekt\u0113tas \u0113kas, bet ar\u012b piev\u0113r\u0161as iepriek\u0161 nepietiekami izp\u0113t\u012btiem j\u016bgendstila perioda m\u0101kslas un citu kult\u016bras jomu aspektiem. Kr\u0101juma sast\u0101d\u012bt\u0101ja, m\u0101kslas v\u0113sturniece Silvija Grosa, kuras iepriek\u0161\u0113jie darbi par R\u012bgas j\u016bgendstila dekorat\u012bvo noform\u0113jumu ir pla\u0161i atz\u012bti, ar \u0161o izdevumu apliecina savu dzi\u013co izpratni par Latvijas arhitekt\u016bras v\u0113sturi. Vi\u0146as p\u0113tniec\u012bbas lauks \u0161oreiz ir papla\u0161in\u0101ts, apl\u016bkojot ne tikai P\u0113k\u0161\u0113na b\u016bvju vizu\u0101lo pusi, bet ar\u012b vi\u0146a dz\u012bves un darb\u012bbas kontekstu kopum\u0101, kas \u013cauj lab\u0101k izprast vi\u0146a unik\u0101lo skat\u012bjumu un b\u016bvju atpaz\u012bstam\u012bbu R\u012bgas ainav\u0101.<\/p>\n
P\u0113k\u0161\u0113na karjera: no R\u012bgas Politehnikuma l\u012bdz sabiedriskajiem darbiem<\/p>\n
Konstant\u012bns P\u0113k\u0161\u0113ns dzimis 1859. gad\u0101 Mazsalacas novada Nu\u0137u pusmui\u017e\u0101 zemnieku \u0123imen\u0113. Vi\u0146a ce\u013c\u0161 veda no laukiem uz R\u012bgu, kur 1875. gad\u0101 vi\u0146\u0161 uzs\u0101ka studijas R\u012bgas Politehnikum\u0101, s\u0101kotn\u0113ji apg\u016bstot in\u017eenierzin\u0101tnes, bet v\u0113l\u0101k piev\u0113r\u0161oties arhitekt\u016brai. P\u0113c studiju beig\u0161anas vi\u0146\u0161 str\u0101d\u0101ja J\u0101\u0146a Fr\u012bdriha Bauma\u0146a b\u016bvbiroj\u0101, bet jau 1886. gad\u0101 nodibin\u0101ja savu arhitektu biroju. P\u0113k\u0161\u0113ns bija ne tikai talant\u012bgs arhitekts, bet ar\u012b akt\u012bvs sabiedriskais darbinieks. Vi\u0146\u0161 bija viens no pirmajiem latvie\u0161u studentu korpor\u0101cijas \u00abSelonija\u00bb dibin\u0101t\u0101jiem, darboj\u0101s R\u012bgas Latvie\u0161u biedr\u012bb\u0101, bija R\u012bgas domes loceklis un piedal\u012bj\u0101s vair\u0101ku laikrakstu izdo\u0161an\u0101. Vi\u0146a vad\u012bt\u0101 santehnisko darbu firma k\u013cuva par liel\u0101ko centr\u0101lapkures sist\u0113mu mont\u0101\u017eas uz\u0146\u0113mumu R\u012bg\u0101 pirms Pirm\u0101 pasaules kara un darboj\u0101s l\u012bdz pat 1940. gadam. Ar savu pla\u0161o profesion\u0101lo pieredzi vi\u0146\u0161 sniedza b\u016btisku ieguld\u012bjumu Latvijas atjauno\u0161an\u0101 p\u0113c Pirm\u0101 pasaules kara.<\/p>\n
\u0112ku daudzveid\u012bba un stila nianses<\/p>\n
P\u0113k\u0161\u0113na arhitekt\u016bras stils ir daudzveid\u012bgs, aptverot eklektismu, j\u016bgendstilu un nacion\u0101lo romantismu. Vi\u0146a projekt\u0113t\u0101s \u0113kas at\u0161\u0137iras ar sp\u0113c\u012bg\u0101m form\u0101m, eleganci un attur\u012bgu, bet detaliz\u0113tu apdari. Da\u017ei vi\u0146a darbi atspogu\u013co romantiz\u0113tas atsauces uz v\u0113sturiskiem mot\u012bviem, kam\u0113r citi izce\u013cas ar vertik\u0101lu kompoz\u012bciju, kas k\u013cuva \u012bpa\u0161i rakstur\u012bga R\u012bgas j\u016bgendstila kust\u012bbai ap 1910. gadu. Svar\u012bgi ir ar\u012b tas, ka P\u0113k\u0161\u0113na darbn\u012bca bija kalve jaunajiem arhitektiem, kur pieredzi guva t\u0101di v\u0113l\u0101kie meistari k\u0101 Ei\u017eens Laube un Aleksandrs Vanags, t\u0101d\u0113j\u0101di nodro\u0161inot profesion\u0101l\u0101s meistar\u012bbas un formu kult\u016bras t\u0101l\u0101knodo\u0161anu.<\/p>\n
Gr\u0101mata \u00abKonstant\u012bns P\u0113k\u0161\u0113ns un vi\u0146a laiks\u00bb ir v\u0113rt\u012bgs ieguld\u012bjums Latvijas kult\u016bras mantojum\u0101, kas \u013cauj mums lab\u0101k iepaz\u012bt un nov\u0113rt\u0113t arhitekta P\u0113k\u0161\u0113na noz\u012bm\u012bgo devumu m\u016bsu valsts arhitekt\u016bras ainav\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauna gr\u0101mata atkl\u0101j arhitekt\u016bras meistara Konstant\u012bna P\u0113k\u0161\u0113na mantojumu Klaj\u0101 n\u0101kusi ilggaid\u012bta gr\u0101mata \u00abKonstant\u012bns P\u0113k\u0161\u0113ns un vi\u0146a laiks\u00bb, kas…\n","protected":false},"author":2,"featured_media":25438,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,453,28,29,32,33,2610,22,7948,7947,30,31,35,39,38,36,37,34,4428,40,20,26,27,24,25,21],"class_list":{"0":"post-25437","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-arhitektura","10":"tag-breaking-news","11":"tag-breakingnews","12":"tag-featured-news","13":"tag-featurednews","14":"tag-gramata","15":"tag-headlines","16":"tag-jugendstils","17":"tag-konstantins-peksens","18":"tag-latest-news","19":"tag-latestnews","20":"tag-latvia","21":"tag-latvian","22":"tag-latviesu","23":"tag-latviesu-valoda","24":"tag-latviesuvaloda","25":"tag-latvija","26":"tag-latvijas-arhitektura","27":"tag-lv","28":"tag-news","29":"tag-popularakas-zinas","30":"tag-popularakaszinas","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/25437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=25437"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/25437\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/25438"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=25437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=25437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=25437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}